historical fiction

Nine, Ten

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ninetenby Nora Raleigh Baskin
First sentence: “Everyone will mention the same thing, and if they don’t, when you ask them, they will remember.”
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Review copy provided by the publisher.
Content: It handles the tragedy of 9/11 on a level that is appropriate for the 3rd-5th grade crowd. It’d also make an excellent read-aloud. It’s in the middle grade section (grades 3-5) of the bookstore.

Everyone (well, everyone of a certain age and older) knows the story of what happened on 9/11. But fifteen years on, there isn’t as many of the kids who know about that day. And so, Baskin helps introduce the tragedy through the stories of four eleven-year-old kids for the forty-eight hours before the planes hit. There’s Sergio, an African American kid from Brooklyn who is trying to make a better life for  himself but whose deadbeat dad is getting in the way. There’s Aimee, who has recently relocated from Chicago to L. A. and whose mother has a meeting in New York City that week. And there’s Will from Pennsylvania, whose father died in a freak accident and who is trying to get over that. And there’s Nadira, a Muslim girl from Ohio, who is trying to figure out the whole middle school thing. 9/11 changes each of their lives — though I’ll spoil it: no one has anyone they love die — in ways they could not have expected.

The thing I liked best was not so much the stories, or wondering how it would all play out (and wondering if Baskin would kill anyone). It was that Baskin caught the emotion of the day so very well. I was in Mississippi, having recently moved from DC, and I remember being caught up in the worry and horror and concern during it all. I wasn’t in the middle of it; I couldn’t imagine being in the middle of it. But, I, like many Americans, was affected by it. And Baskin caught that feeling perfectly.

I’m hoping this, along with Towers Falling, will spark a discussion about unity and how, no matter what we look like or believe, we can work to get past anger and mistrust and hate and be better citizens together. I hope, at the very least, that this one gets read and discussed.

Confessions of a Jane Austen Addict

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confessionsby Laurie Viera Rigler
First sentence: “Why is it so dark in here?”
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Content: I know there was mild swearing, with a couple of f-bombs, some talk of sex, and one (failed) sex scene. It would be in the adult fiction section of the bookstore.

Courtney has had a life-long relationship with Jane Austen. She finds herself turning to Austen’s books after a breakup, or when she’s stressed, or just when she needs comfort. There’s wisdom in Austen’s words, and Courtney finds herself pining for simpler times.

That is, until she wakes up in Edwardian England, as Jane Mansfield, a 30-year-old spinster (oh the horror!). It takes a while for her to believe her situation, and even longer still for her to accept that this has really and truly happened (and isn’t a dream) and then to accept that she may never get back “home” to L. A. and to just throw herself into this strange and foreign world.

It’s a silly premise, and a lot of the intrigue of the book comes from the juxtaposition of the 21st century woman trapped in a 19th century world. But, Rigler spends too much time with chasing men (ah, it’s a romance after all), and while she gives us glimpses of Austen’s world, it’s not nearly enough for me. It was a silly fluff of a book, but in the end, left me mildly dissatisfied.

That said, Lost in Austen (the British miniseries that bears similarities to this) is a lot of fun.

And I Darken

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andidarkenby Kiersten White
First sentence: “Vlad Dracul’s heavy brown descended like a storm when the doctor informed him that his wife had given birth to a girl.”
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Content: There’s a lot of violence, an almost-rape, and some round-about talk of sex. It’s in the Teen (grades 9+) section of the bookstore, but I would give it to a 7th or 8th grader who was interested in historical fiction.

Historical fiction, set in the 15th century, isn’t always something that jumps off the shelf at me. But the cover of this one was SO pretty… And, I admit: I was expecting a fantasy. What I got was a sweeping history of the Ottoman empire, of two siblings — children of the Dracul line — and the paths they forged for themselves against odds.

What I got was a fascinating love triangle (brother and sister in love with the same man), one that was built on friendship and trust and where none of them could be entirely happy. It was the story of a girl who refused to be coddled and took power for herself — Lada is nothing if not fierce — in unique and interesting ways. It’s a story of forced immigration and learning to be at home in a new place. (Or not.) It’s fascinating.

But it was also long; the book begins with Lada’s birth and goes for twenty years. It’s sprawling, complex, and not a little meandering. There were a ton of characters to keep a handle on, most of which I didn’t care about. I didn’t care about the campaigns and there wasn’t enough of the politics I found fascinating. Perhaps I’ll read the second (yeah, this is a first in a series), but I don’t know.

There was much to like about this book. I’m just not sure if it was enough.

Outrun the Moon

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outrunthemoonby Stacy Lee
First sentence: “In my fifteen years, I have stuck my arm in a vat of slithering eels, climbed all the major hills of San Francisco, and tiptoed over the graves of a hundred souls.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There’s some violence (done my Mother Nature) and some horrible people saying horrible things. Also, an illusion to sex (by minor adult characters). It’s in the YA section (grades 6-8) of the bookstore.

Mercy Wong has Aspirations and Goals. She wants out of Chinatown, where the whole of San Francisco in 1906 wants to keep her and her family. She wants more than marriage (though she does like Tom, the son of a respected apothecary). She wants to Be Somebody. And, she’s decided that St. Clair’s School for Girls is the way to get it. She bargains her way in, and discovers that things aren’t always as simple as they seem. Then the earthquake hits, and when everything comes crashing down around Mercy, she discovers that perhaps the best things in life are friends and a bit of determination.

This really was a nice combination of historical — the dresses and rules of etiquette and restrictions on women — and modern, with Mercy’s progressive ideas and determination to do things without the permission of authority figures. Lee did a great job balancing the two, so it never felt too modern, nor too old-fashioned. I appreciated seeing San Francisco through a Chinese girl’s point of view, and Mercy really is one of those characters you just want to root for. I liked that while there was a romance, it didn’t dominate the story, and that Mercy was enough of her own person to make the romance believable rather than sappy.

I should go back and read Lee’s first book; I’ve heard good things about it. And if it’s anything like this one, it’s sure to be good.

Wolf Hollow

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wolfhollowby Lauren Wolk
First sentence: “The year I turned twelve, I learned how to lie.”
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Release date: May 3, 2016
Content: There’s some death and bullying and one pretty intense injury scene. Probably not for the younger set. It will probably go in the YA section (grades 6-8) of the bookstore.

It’s the fall of 1943, and Annabelle is living a happy, quiet life on her farm in Pennsylvania. Sure, the war in Germany is raging, seemingly without end, but it doesn’t really touch Annabelle’s life. What does touch her is Betty, the new girl who has moved in with her grandparents. Betty has decided that Annabelle is her target, and demands things from her. And when Annabelle refuses to give in, Betty turns her ire on bigger targets. Like Toby, the World War I veteran who Annabelle’s family has taken care of for the past few years. And so when Betty goes missing, it’s Toby who gets blamed.

On the one hand, this really grew on me. It took about 100 pages, but I finally got to where I was invested in Annabelle’s story, and curious about the direction it was taking. The writing is excellent; Wolk really does know how to spin a story. And I thought that, even though it’s a work of historical fiction, the themes of acceptance of others and defending the innocent were incredibly timely.

My problem with it? It’s not really a children’s book. Our narrator is reflecting back on her childhood, so everything is kind of infused with adult sensibilities. (At least: I thought so.) I appreciated that the parents were good parents, helping out when Annabelle confessed the bullying to them. But, it just doesn’t feel like a book I can give to a kid (maybe that special, precocious kid? The 9-year-old who likes Harper Lee, maybe.). Maybe I’m being too sensitive, dumbed down by Diary of a Wimpy Kid-like books. Maybe this is like Pax, which I had a viciously violently negative reaction to, but it turned out it was just me.

Though I didn’t have a negative reaction to this. I liked it, I thought it was well-written and the story incredibly powerful. I just don’t think it’s really a kids’ book.

A Darker Shade of Magic

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darkershadeby V. E. Schwab
First sentence: “Kell wore a very peculiar coat.”
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Content: There are three f-bombs, some reference to sex (but none actual) and a lot of violence. That said, I think it’d be a good crossover for the high school set. It’s in the Science Fiction/Fantasy section of the bookstore.

I want you to know up front that whatever I write here won’t do this book any sort of justice. I really do need to work on an elevator speech for this one at work, because it really is THAT good, and I’d love it if more people read it. But, summing up the plot? Not as easy as it sounds.

Kell is many things: a brother, a prince, a magician, a smuggler. He lives in what he calls “Red” London, a world of magic and opulence, where the Thames runs red with blood. The reason he needs to give it a marker other than the city name is because Kell is one of the few people (well, really only two) who can travel between worlds. He moves through doors of his own making to “Grey” London (ours, set in the early-1800s) to “White” London (an incredibly violent and vicious place), but never, ever to Black London. That’s been sealed off from the other worlds after the magic there went bad and began killing people. However, when Kell accidentally brings a token from Black London back into his world, he discovers that he’s created a problem almost too big for him to handle.

I didn’t even mention Lila… a thief and pirate wannabe that Kell picks up in Grey London, who ends up being more than a sidekick.

Seriously: I don’t know where to start with this. It feels like a Gaiman novel, rich and opulent with its world-building, and yet Schwab never forgets the plot (not to mention the palpable tension when Kell’s life is on the line, multiple times). It twists and turns and weaves and is just unputdownable.

It’s also nice that it comes to a conclusion (albeit a bit rushed, but that’s often the case for me in fantasy novels), while leaving the door open for the sequel. Which, of course, I can’t wait to get my hands on.

The Charmed Children of Rookskill Castle

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charmedchildrenby Janet Fox
First sentence: “It is 1863.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Release date: March 15, 2016
Content: There’s some scary imagery, and the narrative is a bit confusing. I’d give it to a precocious 3rd grader, but definitely 4th and up. It will be in the Middle Grade (grades 3-5) section of the bookstore.

At first glance (at least for me), this looks like a kind of off-beat historical fiction. It’s the middle of WWII, and the children in London are being sent out to the countryside in order to escape the bombing. Kat and her siblings Robbie and Amelie are among those kids sent away, in this case to a castle in Scotland where a boarding school of sorts has been set up.

But things aren’t always what they seem. Including this book.

Rookskill Castle is a dark place (and not just because fall in Scotland is dreary), and the lady of the castle is up to something. Kat is sensible and practical, and not at all inclined to believe that what it going on could be dark magic.

And yet.

I loved this book, with reservation. On the one hand, the story was compelling — by the end, I was flying through it — and I adored Kat. She was practical, mechanically-minded and good at math, all things you don’t usually get from fantasy heroines. She was also willing to admit when she’s scared, and the boys were mostly willing to support her in the decisions that had to be made.

However,  I have issues when I know more than the characters. Fox flits back and forth through time, from WWII backwards to the mid-1800s, in order to give the reader the backstory of the castle. I’m not the most careful reader, and so I was able to piece things together before the characters did. I’ll admit it kind of heightened the tension — I wanted Kat to figure things out before they got too bad — but I was also annoyed that it took her so long. In the end, I found I didn’t mind so much, but it did niggle at the back of my mind while I was reading,.

The magic, however, was great. I loved the way Fox wove good vs. dark magic, and how it was a very practical sort of magic as well. That much — plus the  general, overall creepiness — definitely nakes the book worth reading.

Audiobook: School for Brides

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schoolforbridesby Patrice Kindl
Read by Bianca Amato
Support your local independent bookstore: buy it there!
Others in the series: Keeping the Castle
Content: Nothing objectionable, but a working knowledge of Regeny manners is helpful. It’s in the YA section (grades 6-8) of the bookstore.

Set a year after Keeping the Castle (but you don’t need to read that one first), the Winthrop Hopkins Female Academy has one purpose: to educate young ladies to make smashing matches. The problem, however, is that in Lesser Hoo, Yorkshire, there is exactly one bachelor, who isn’t exactly everyone’s idea of eligible. How are eight young women supposed to find their matches if there isn’t any eligible young men around?

Thus begins the very charming A School for Brides (which was a delight to listen to). Things begin to look up when a young man breaks his leg while in the country and is put up at the school to heal. His friends come calling, and suddenly everything is looking a lot more complicated. Several of the girls are simply delightful (plus the instructor, Miss Quince; I adored her), being that excellent cross between feminist and historical, saucy and authentic. There were so many delightful characters (though sometimes I wished I was reading it so I could keep track of who was who) doing so many delightful things. There were also ones to loathe, so it wasn’t a perfect froth.

As I was reading, I realized it’s a homage to Jane Austen’s work, but it’s also a parody. That feeling kind of increased when I did some looking at how to spell the names and discovered that Miss Foll-ee-ut (which is how the reader was pronouncing it) is spelled Pffolliott. Definitely a send up to the silliness that goes on in historical England. (Leave it to Psmith, anyone?)

Amato was also delightful, capturing the spirit of the book in her narration as well as the essence of each character, which is a trick since there’s so many. It’s definitely a fun read.

Salt to the Sea

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salttotheseaby Ruta Sepetys
First sentence: “Guilt is a hunter.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There are some disturbing elements — it is the horrors of WWII, after all — including violence and rape, though none of it is graphic. It’s in the Teen (grades 9+) section of the bookstore, but I’d give it to an interested 7th- or 8th-grader.

One of the things I really admire about Sepetys is her willingness to tell the untold story. The story that’s been buried or neglected because of the way history has been told. The story that’s difficult to face or bear. She looks at them unflinchingly, and compels us to bear this hard history with her. It’s a difficult thing, but she does it so eloquently we just can’t look away.

This time around she tackles the sinking of the Willhelm Gustloff, a Nazi ship that was carrying 10,000+ refugees that was sunk by the Soviets near the end of the war. We follow four young adults (they range in age from 15 to 21) — Emelia, a pregnant Polish refugee; Florian, a Prussian who’s on the run with a stolen secret; Joana, a Lithuanian nurse who’s been able to repatriate into Germany, and who’s searching for her mother; and Alfred a young Nazi recruit who is a bit… off — as they head toward the ship in the dead of winter. The chapters are short, almost poetic, and they intertwine in compelling ways. It propels you forward, in spite of the horrors (perhaps because of them?). The minor characters — the orphan boy Joana finds, as well as the shoemaker they travel with, among others — are just as fleshed out and real as the main characters. Sepetys didn’t cut corners, and I appreciated that.

It’s exactly what I’ve come to expect from her. And that’s the best thing.

 

These Shallow Graves

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theseshallowgravesby Jennifer Donnelly
First sentence: “Josephine Montfort stared at the newly mounded grave in front of her and at the wooden cross marking it.”
Support your local independent bookstore: buy it there!
Content: There’s some mild swearing, murder, and some questionable situations. It’s in the Teen (grades 9+) section of the bookstore, but I’d give it to a 7th or 8th grader, who was interested.

Josephine is a thing that an 1890s socialite isn’t supposed to be: curious. She’s supposed to obey her parents, be elegant and ladylike, and marry a wealthy, eligible bachelor of her parent’s choosing. But, when her father unexpectedly turns up dead, supposedly having shot himself, Josephine won’t — can’t — settle for that. She heads out, teaming up with a reporter by the name of Eddie Gallagher, to find the Truth.

Thus starts a winding, sometimes scary, path that will lead Josephine down paths that would scandalize her family if they knew, but ultimately opens Josephine’s eyes and changes her forever.

I’ll be honest: the mystery was kind of predictable. I guess who it was fairly early on, as well as guessing the “big secret”. I didn’t have the how and why, but eventually, I figured out that too. The thing that kept me reading was Jo herself. I enjoyed the push and pull she had with Upper Crust New York Society, how she was willing to go against the expectations of her family. I found it all fascinating, and found Jo a character worth spending time with this.

Which made it worth reading.