by Martha Wells
First sentence: “Space was okay to look at but not super fun when you were out in it.”
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Release date May 5, 2026
Review copy provided by the publisher
Others in the series: All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, Network Effect, Fugitive Telemetry, System Collapse
Content: There is violence, swearing (including many f-bombs) and intense moments. It will be in the Science Fiction/Fantasy section of the bookstore.
One of Dr. Mensah’s marriage partners, their daughter, and her partner’s mother have been captured by some corporation executives, and Murderbot is commissioned to get them out of the torus surrounding a dead planet. It’s a quick in-and-out, with Three’s help, and it’s confident that everything will go wrong. Which it does. Starting with the request (demand?) from B-E corporation executive Leonide (whom I don’t really remember, but no matter) that Murderbot extract her family. Which, of course, sigh, it does. Tasked with keeping so many humans safe while traveling through hostile territory avoiding corporation security is exhausting. Especially when there’s media to watch.
It’s been a while since we’ve spent time with Murderbot… and I’ve missed its voice. It created an Emotion check program, which was constantly, well, checking – which was quite amusing. And it has all the elements of a good Murderbot story: humans in peril, sometimes doing stupid stuff, interesting wolrds – the travels through the sections of the torus were interesting – and Murderbot snark. What more can I ask for out of a Murderbot story?
Nothing. It was perfect.





















