Stormbreak

by Natalie C. Parker
First sentence: “The fire crawling through Lir’s veins had started hours ago and was only getting worse.”
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Others in the series: Seafire, Steel Tide
Content: There is a lot of violence, some graphic, and some off-screen implied sex. It’s in the YA section (grades 6-8) of the bookstore.

Spoilers for Steel Tide, obviously.

Caldonia has defeated the evil overlord Alric, though her arch nemesis, Lir, has gotten away. She has opened her city to Bullets if they want to detox from their drug, Silt. She is doing well, all things considered. But, Lir is not letting it go, and attacks Caldonia’s city setting her on the run, again. She needs to end this once and for all, reclaim the Bullet Seas, stop the reign of terror. But will her plan work?

There really isn’t much to say about this book that hasn’t been said about the series as a whole. It’s got a ton of action, and Caldonia is making tough choices for her crew and fleet. It’s amazing seeing a woman command the role of commander so fully and so easily; she has a crisis of conscience now and again, but she never doubts that she is the one in charge. And her crew and followers support her. It’s incredible to read.

Parker is great a writing action, as well. The battle scenes are packed and the whole book kept interesting in continuing reading. I enjoyed that it wasn’t just Caldonia who got character arcs, but rather that her whole crew felt real.

It’s really a good series.

A Vow So Bold and Deadly

by Brigid Kemmerer
First sentence: “The weather has begun to turn, allowing cold wind to swoop down fro the moutnains and sneak under the lather and fur of my jacket.”
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Others in the series: A Curse So Dark and Lonely, A Heart So Fierce and Broken
Content: There are two sex scenes, both off-screen. And there is a lot of violence. It’s in the Teen section (grades 9+) of the bookstore.

Things look bleak for our characters: Grey is in Syhl Shallow, trying to convince them that he’s not going to turn traitor and kill the armies when they march on Emberfall. Lia Mara is trying to find a balance between having her people respect but not fear her, and still maintain control. Rhen feels increasingly like he’s pinned into a corner by Lilith, the enchantress who initially cursed him. And Harper’s just trying to forgive Rhen (or at least move past) for imprisoning and beating Grey. As the two countries head toward war, everything looks like it’s going to come crashing down around everyone.

This was a really good conclusion to a series that started out as a Beauty and the Beast retelling. It became something much more: a treatise on violence and when it’s warranted, and the choices that we make because we feel we have to or are forced to. I did enjoy spending time with the characters, and while I didn’t necessarily find it swoon-worthy, it was fun. Which is all you need, sometimes.

It’s a good, solid series, and now that all three are out, there’s reason not to read them.

Igniting Darkness

by Robin LaFevers
First sentence “Maraud awoke to the sound of retching — a retching so violent his own stomach clenched into a fist and tried to punch its way out of his throat.”
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Others in the series: Grave Mercy, Dark TriumphMortal Heart, Courting Darkness
Content: There is a lot of violence and abuse. It’s in the YA section of the bookstore.

I am thinking that LaFevers needed to write this duology because, while Mortal Heart ended on a positive note, there were many threads left hanging open. And it’s just nice to tie everything up.

Picking up where Courting Darkness left off, this one is more political intrigue (beause Genevieve has the ear of the French King and is trying to sway him away from being advised by his sister, the regent), machinations (Sybella vs. her horrible brother), love (which is always quite satisfying) and war (Sybella, Genevieve, Beast, and Maurad manage to spectacularly put down a rebellion).

At this point, it’s safe to say that if you liked the rest of the series, you will like this one. It’s a bit overlong, and I was truly losing patience with the king who was petulant and super dense, but I suppose LaFevers needed to keep it a little bit historically accurate.

In the end, though, it tied up all the loose ends and gave everyone if not a happy, then a hopeful, ending.

Crownchasers

by Rebecca Coffindaffer
First sentence: “The Otari came here to die.”
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Release date: September 29, 2020
Review copy provided by the publisher.
Content: There’s some violence, mild swearing, and about four f-bombs. It will be in the teen section (grades 9+) of the bookstore.

Captain Alyssa Farshot has everything she needs: a worldship, a membership in the Explorer’s guild, and space. And her engineer/trusty sidekick Hell Monkey. But when her Uncle Atar — who happens to be the Emperor of the thousand planets in this universe — suddenly and unexpectedly dies, Alyssa (and Hell Monkey) finds herself a crownchaser, along with other nominees from the prime families, searching for the seal that will make her empress.

Except she doesn’t want it. And the whole chase becomes more deadly than anyone expected.

That’s the basic plot, but that’s not really a great pitch for this book. How about this: Alyssa is a sarcastic, fearless pilot who has a heart of gold and is willing to go to any lengths for her friends. I loved how Coffindaffer told this story, interspersed with flashbacks to explain the relationships Alyssa has with the other characters in the book. They’re placed at just the right moments, and give the narrative a depth I wasn’t expecting. I adored Alyssa (shoot, I adored all the characters) and the way she just threw herself headfirst into everything she did.

I loved the tone of the book; it didn’t take itself too seriously but also managed to give weight to a couple of ideas (like representation for all, and the inherent classism in the worlds’ systems). It was a perfect balance and kept me turning pages.

An excellent debut novel.

Fire and Hemlock

by Diana Wynne Jones
First sentence: “Polly sighed and laid her book face down on her bed.”
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Content: There’s some intense situations and mild swearing. It’s in the YA section (grades 6-8) of the bookstore.

It took me a bit when reading this to remember that it was a re-read. But I hit a point – maybe about a third of the way in — where it felt familiar, and I looked it up. Sure enough: I had read it before.

Since I already did a thorough review, I’m just going to jot down my thoughts revisiting this book 11 years later. First: Polly’s parents are terrible. Absolutely terrible. So, no wonder she attaches herself to Tom. He’s a father figure, an older sibling, a friend who believes in and humors her rather than shutting her down all the time. And then, in the end, he becomes a romantic interest? Honestly? I found that creepy. He’s at least 15 years older than her, and he’s been with her since she was 10. Creepy.

That said, I did like Polly and Tom’s adventures, and Polly trying to figure out as a 19 year old why she had two sets of memories. I don’t think Jones does romance terribly well, but then, I don’t think this was supposed to be a “romance”. I really appreciated the essay at the end of the book where Jones explained where the idea for Fire and Hemlock came from, and what she was attempting to do. Namely: have a girl be the heroic protagonist of a book. We kind of take it for granted that girls can do that now, but back when Jones was writing (this came out in 1985; I don’t know how I missed it, it would have been perfect for me back then), there just wasn’t a lot with girls playing the hero.

What this did make me realize is that I’ve only ever read two Diana Wynne Jones books, and that is something I should probably fix.

Harrow the Ninth

by Tamsyn Muir
First sentence: “Your room had long ago plunged into near-complete darkness, leaving now distraction from the great rocking thump-thump-thump of body after body flinging itself onto the great mass already coating the hull.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Others in the series: Gideon the Ninth
Content: It’s violent, brutal, and doesn’t mince swear words. It’s in the Science Fiction/Fantasy section of the bookstore.

There really is no way to mention the plot without spoiling it; truly the less you know about Harrow going in, the better it will be. Trust me.

Know this: Harrow has been made a Lyctor. The first three-fourth of the book will have you questioning your sanity and wonder what the hell Muir is up to. Stick with it. It is not uninteresting, and Muir will keep you guessing and wondering. The final fourth makes up for everything that went before.

It is awesome and amazing and I can’t wait to see how Muir ends this all.

Aurora Burning

by Amie Kaufman and Jay Kristoff
First sentence: “The disruptor blast hits the Betraskan right in her chest.”
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Others in the series: Aurora Rising
Content: There is mild swearing, including three (very well placed) f-bombs. There is some alluding to sex but none actual.

Spoilers for the first book, obviously.

So the team of seven is down to six, their pilot, Cat, falling victim to the ancient and terrible enemy Ra’haaam, who absorbed her consciousness into their own. They’re wanted by the Terran Defense force and the GIA, which has been infiltrated by the Ra’haam, even if the rest of the ‘Way doesn’t know it. But, they discover the Hadfield, the ship Aurora was on before Tyler rescued her, and Squad 312 decides to go after it. The only problem: Kal’s sister Saedii is after them, and she’s got a whole Syldrathi army at her beck and call.

This is very much a middle book in a series: it’s a lot of moving the plot forward, but also setting up the Big Climax that will happen in the final book. Aurora learns more about her powers, we learn more about the Squad (including several shocking revelations). They become more of a unit even as the book is tearing them apat.

Which is one thing I can say about Kaufman and Kristoff: nothing is off limits for them. I think it was Kristoff who said, if there sin’t any stakes, the conflict doesn’t work. There ARE stakes in this. Not just big, life-changing ones, but smaller ones as well. And they balance the multiple and changing narrating perspectives quite admirably.

It’s an excellent, page-turning series. Even if I have to wait to read the third one.

Dragonsinger

by Anne McCaffrey
First sentence: “When Menolly, daughter of Yanis Sea Holder, arrived at Harper Craft Hall, she arrived in style, aboard a bronze dragon,”
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Others in the series: Dragonsong
Content: There is some bullying. It would be in the YA section of the bookstore if we had it.

This picks up exactly where Dragonsong left off: with Menolly, discovered by Masterharper Robinton, arriving with her nine fire lizards at Harper Hall to become an apprentice. It takes place over her first week, where she makes some friends and a lot of enemies, gets into more trouble because of her fire lizards, and tries to find confidence in herself.

I think this one is better, overall, than Dragonsong, but only because there’s a lot more going on and a lot fewer awful people. In the first book, it’s Menolly against the world. In this book, Menolly makes some friends and it isn’t quite her vs. everyone. Though it seems that in McCaffrey’s world, Menolly’s enemies are mostly empty-headed girls, which bothered me. I disliked the lack of female support, and the one-dimensionalness (not a word, I know) of the other women in the book. M pointed out that most of the secondary characters are one-dimensional, but still, for all of Menolly’s talent and awesomeness and that I’m glad she learned to stick up for herself, I kind of wished she had developed more of a circle of female friends rather than becoming “one of the guys”. But, the book was published in 1977, so maybe that’s too much to ask.

At any rate, it was a fun little read.

Tigers, Not Daughters

by Samantha Mabry
First sentence: “The window to Anna Torres’s second-story bedroom faced Hector’s house, and every night she’d undress with the curtains wide open, in full view of the street.”
Support your local independent bookstore: buy it there!
Content: There are a lot of swear words, including multiple f-bombs. There is also a lot of talk about teen sex and some teen drinking. It’s in the Teen section (grades 9+) of the bookstore.

The four Torres sisters live in an unhappy house. Their mother died when the youngest, Rosa, was born, and their father hasn’t been the same since. But their one attempt at running away was foiled. And a year later, the oldest sister, Ana, was dead.

The three remaining sisters have been grieving in their own way. And a year after Ana’s death they’re at a breaking point. And when Ana’s ghost shows up, it pushes the rest of the girls over the edge.

This is a little bit family drama, a little bit empowerment story, and a little bit ghost story, and Mabry makes it all work together excellently. The narrative switches between the three surviving sisters, as the story of Ana’s death, and their home life, unfolds. It’s a celebration of sisterhood — not just actually having sisters, but the act of women working together and supporting each other. And how we are stronger together than apart. It’s about grief and healing and support and the intersection of those three.

It’s an excellent story. I really ought to read more of Mabry’s book.

Carpe Jugulum

by Terry Pratchett
First sentence: “Through the shredded black clouds a fire moved like a dying star, falling back to earth–“
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Others in the series:  Equal RitesWyrd SistersWitches AbroadLords and LadiesMaskerade
Content: There’s a few jokes about sex and a bit of violence. It would be in the science fiction/fantasy section of the bookstore if we had it.

We’re back in Lancre, and Magrat has just had a baby. They’re doing a naming ceremony, and her husband, King Verence, has decided that it would be “modern” and “diplomatic” to invite the residents of the next kingdom over, Uberwald. Which would have been a really great idea, except they’re vampires. Or rather: Vampyres, because they’re modern and sophisticated.

Thus starts a romp as Grany Weatherwax (who thought she didn’t get invited to the naming) goes into hiding as the vampyres take over, and it’s up to Nanny Ogg, Agnes, and Magrat (with some help from an Om preacher, Mighty Oats — go read Small Gods before this, because there are Easter eggs) to get rid of the infestation.

The thing I love most about Terry Pratchett’s books are the little things. Like a character named Igor, who limps and has a lisp and keeps complaining about the new vampires, saying “the old mathter did it better”. Or the page or two of thinly veiled penis jokes in the middle of a vampire fight that had me laughing out loud. Or the fact that the vampire castle is called Don’tgonearthe Castle. Or the Nac Mac Feegle (!), who show up (in an early iteration; they speak mostly gibberish and Nanny has to translate at one point. I like them better in Wee Free Men, but it was still delightful to see them). I think this is one of the better witch books: I liked how all the witches from Granny to Agnes got to play a role, and use their strengths to help.

It’s truly a delight, and a fitting end to the adult witch books. Now to dive into some more parts of Discworld!