Audiobook: Children of Blood and Bone

by Tomi Adeyemi
Read by: Bahni Turpin
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Listen to it on Libro.fm
Content: There’s a lot of violence, some of it intense. It’s in the YA section (grades 6-8) of the bookstore.

Imagine a world in which magic existed, but the non-magic users (who happened to be in power) were afraid of what magic can do, so they (well, he: the king) did everything they could to stamp it out. They killed the magi — adults who were at full power — and suppressed the children of the magi. These children, Diviners, were never able to fully come into their power, they were discriminated against, and their families taxed beyond what they can afford.

This is the world that Zélie, a Diviner, was raised in. She remembered the raids, when her mother was taken and killed and her father (who is not a magi) beaten. She remembers the stories her mother told about magic and the gods, and has all but lost her faith that it can ever come back. That is, until she meets Amari, the daughter of the king that ordered the raids. Amari has stolen a magic scroll, an artifact that, in the right hands, can bring magic back. And she’s on the run. She teams up with Zélie and Zélie’s brother, Zane. And together they are determined to bring magic back.

Except it’s not as easy as that. Amari’s brother, the crown prince Inan, is on their tale, determined to stop them. And nothing — NOTHING — goes to plan.

It’s a huge book, but it’s a fast-paced one; Adeyemi definitely knows how to plot to keep a reader engaged and the pages turning. Or, in my case, a listener listening. It helps that my favorite narrator, Turpin, read this book, and as always, was fantastic at it. It’s such an excellent performance, one that immersed me into the world of Orïsha (and it helped with all the foreign names and places too!) and the story.

And what a story! There were moments that I was afraid Adeyemi would disappoint me (especially toward the end), but she pulled off a spectacular ending, and still left enough undone for a sequel (which I can’t wait for).

Remarkable. And definitely worth the hype.

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Dreadful Young Ladies and Other Stories

by Kelly Barnhill
First sentence: “The day she buried her husband — a good man, by all accounts, though shy, not given to drink or foolishness; not one for speeding tickets or illegal parking or cheating on his taxes; not one for carousing at the county fair, or tomcatting with the other men from the glass factory; which is to say, he was utterly unkonwn in town: a cipher; a cold, blank space — Agnes Sorensen arrived at the front steps of Our lady of the Snows.”
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Review copy provided by the publisher.
Content: There are more mature themes and some swearing (though I’m not remembering any f-bombs). It’s in the Science Fiction/Fantasy section of the bookstore.

I have a tortured history with short stories. I want to like them, but I find them much like poetry: I don’t get them. They’re words, and often pretty words, but I just don’t… well… understand them. (Even Neil Gaiman’s stories, which I seem to have a bit more affinity for.) And this collection was more of the same: I liked the stories, but I need someone else to read them and then explain them to me. (Especially the title story. I know it’s a metaphor, and I’m sure I’ll smack my head when someone tells me what it’s a metaphor for, but right now, I’m a bit lost.)

Barnhill is a gorgeous crafter of sentences, and this is no exception. She has a beautiful way with words, and it does pull you into the story. I especially liked the final story, which is more of a novella (which could be why), because the world that Barnhill built — a comet flies by once every 25 years and endows pre-born children with magical powers which a minister then harnesses for his own means — was so fascinating, but also because the writing was just so beautiful.

And maybe, someday, I’ll figure out how to read short stories and actually understand.

A Wizard of Earthsea

by Urusla K. LeGuin
First sentence: “The island of Gont, a single mountain that lifts its peak a mile above the storm-racked Northeast Sea, is a land famous for wizards.”
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Content: There’s nothing objectionable, but it has an “older” feel to it. It’s in the YA sections (grades 6-8) of the bookstore. (I think. It might be in the Science Fiction/Fantasy section…)

I read this a long time ago — not as a kid, but before I started keeping a blog — and was underwhelmed. Since LeGuin recently passed away, I thought I’d give it another try.

And… I was still underwhelmed. The basic plot is the journey of a boy, Ged, becoming a wizard. He goes to school, unleashes a demon, fights a dragon, runs from said unleashed demon for years, until he finally faces his inner darkness and becomes a powerful wizard. Voila!

And that’s the problem with this book. Maybe it was the style of fantasy writing in the 1960s, but now? It just feels all surface and no depth. This happens and then that happens and we never really get to know Ged. We just follow him on his adventures. So when there’s this huge climax at the end where Ged fights the demon and names him and it’s all supposed to be so powerful, it’s just… not. I can see the influence she had on other writers: definitely Gaiman and it felt a little like Dianna Wynne Jones as well.

But, the afterword? The afterword that was written in 2012 was fantastic. LeGuin’s personal voice is smart and sassy and gave insights that I know I missed when I was reading it. So, maybe what I need to do is pick up some of LeGuin’s essays.

Module 4: The Grey King

Cooper, S. (1975). The Grey King. New York, NY: Scholastic.

Genre: Fantasy, Newbery winner. Definitely fantasy, as it pulls from mythology and uses magic. And a good example of a Newbery winner.

Book Summary: Will, who in an earlier book in the series realized he was an Old One, and tasked with protecting the world from the rising forces of the Dark, is convalescing in Wales, recovering from a bout of hepatitis. While there, he meets Bran, a strange local boy who helps Will fulfill part of a prophecy by stopping the Grey King from garnering his forces and waking the Sleepers in preparation for the final battle.

Impressions: This is the fourth in a series, so reading it as a stand-alone probably isn’t recommended. However, I routinely re-read the second, The Dark is Rising (which, incidentally, does work as a stand-alone), so I felt comfortable dipping into this world out of order. However, for those who approach this as a stand-alone will probably be lost. There is a lack of character development, especially with Will (because you’re already supposed to be familiar with him), but also Bran, though he has a greater character arc. Cooper is a master storyteller, deftly weaving personal concerns — the neighbor who is convinced that Will’s uncle’s dogs are killing his sheep — with a greater sense of menace and tension. There is a moment when Bran’s dog is killed, and the tension between Bran and Will is palpable, especially because, as a reader, you can relate to Bran’s frustration with being a player in a higher plan and struggling with a sense of a loss of freedom because of that. Cooper’s writing is tight and elegant as well, accessible enough for younger readers (though probably not as young as eight), but smart enough to keep an adult turning pages. My only issue is that in spite of the “lesson” on speaking Welsh, I know I still don’t pronounce the names right in my head. But that’s a minor quibble. It is also one of those Newbery winners that not only deserves the award — it really is an excellently written book — but has held up as a timeless story over the past 40 years.

Review: The School Library Journal wrote that, in spite of lacking in character development, the book added much to the high fantasy genre, with the  most intriguing thing being the dichotomy between the plain lives of the Welsh sheepmen and the higher, mythical role the land — and Will — plays around them.

Wilton, S. M. & Gerhardt, L.N. (1975, October). Book reviews. School Library Journal, 22 (2). 104-105.

Library Uses: I would put this one on a display of fantasy books, series books, or older Newbery winners that are still great to read.

Readalikes:

  • Before I give other recommendations, I ought to recommend the most obvious and suggest reading the rest of this series: Over Sea, Under Stone; The Dark is Rising; Greenwitch; and Silver on the Tree.
  • The Prydian Chronicles, beginning with The Book of Three, by Lloyd Alexander: While not specifically set in Wales, this series is probably the most like Susan Cooper’s books. It has the Welsh feel, the struggle between Dark and Light, and a male main character who finds out he is More than he originally thought.
  • The Raven Cycle, beginning with The Raven Boys, by Maggie Stiefvater: This one is loosely based on Welsh mythology, though Stiefvater says that Cooper’s books were an inspiration for it. A group of four boys and one girl, the daughter of psychics, set out looking for a dead Welsh king in the hills of Virginia. Conflict, magic, and epic writing follow.
  • The Merlin Saga, beginning with The Lost Years, by T. A. Barron: I found there is a lack of Welsh fantasy books for kids (though there is more for adults), so I tapped into the Arthurian side of Cooper’s books. Barron’s series is the definitive works for kids interested in Merlin and Arthurian legend. The books follow Merlin as he becomes a powerful wizard.

The Belles

by Dhonielle Clayton
First sentence: “We all turned sixteen today, and for any normal girl that would mean raspberry and lemon macarons and tiny pastel blimps and pink champagne and card games.”
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Release date: February 6, 2018
Content: There is some physical and emotional abuse and an attempted rape scene, but it’s not overly graphic. It will probably be in the YA section (grades 6-8) of the bookstore.

Camille is one of the Belles, the only people in the kingdom of Orléans who was born with color and who have the ability to manipulate the bodies of everyone else, and she is determined to be the favorite of the Queen. This means she’s the best, the chosen, the, well, favored.  Only she’s not chosen to be the favorite… and from there, she starts unraveling the mystery that is the Belles, and discovers the lengths that the royals will go to keep the Belles in their control.

So the tagline on the ARC was “the revolution is here” which is REALLY misleading, so I’m glad they changed that. This is a very long (almost overlong), very opulent, set up to whatever is going to happen in the next. There’s a lot of world-building here, and quite of bit of it leaves questions hanging. We discover things as Camille discovers them, which means we are left as frustrated and impatient as she is. I liked the world and I liked the characters… for me the downfall was just the descriptions. Everything was food (buttercream, chocolate, caramel, honey) and fabric, and I felt almost smothered in it all. Underneath, I could sense a criticism of plastic surgery, of the desire to change one’s appearance, but I’m not sure I could find it underneath all the clothes and makeup. But that’s just me (though I do admit that I’m curious about the sequel). There will be readers who gobble this up and love every minute. I’m just not one of them.

The Burning Sky

by Sherry Thomas
First sentence: “Just before the start of Summer Half, in April 1883, a very minor event took place at Eton College, that venerable and illustrious English public school for boys.
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Content: There is some violence and some mild swearing. It’s in the YA section (grades 6-8) of the bookstore.

Iolanthe was enjoying a quiet life with her guardian, Master Heywood, in a small town, when her life gets turned upside down. It was simple enough: she was trying to salvage a ruined light elixer, and brought down lightning from the sky. That simple (well, maybe not) thing brought not only the crown prince, Titus, to her doorstep, but the dreaded Inquisitor, and sent Iolanthe into hiding with Titus as she learned her True Purpose: to overthrow Atlantis and kill the Bane, Atlantis’s unkillable leader.

It’s pretty by-the-numbers — of course Titus and Iolanthe are taking on the Big Bad Guys, of course they fall in love. But, I still found myself enjoying this. Perhaps because it’s kind of a reverse Harry Potter — Iolanthe and Titus come from the magical world to go to school at Eaton where they not only have to pass as non-magical but Iolanthe also has to pass as a boy. It’s an interesting world Thomas has built, with the elemental vs. subtle (learned) magic, with dragons and wyverns and wands and potions. I liked it quite a bit. Maybe not enough to continue on with the series, but still. It’s an intriguing start to a series.

Miss Ellicott’s School for the Magically Minded

by Sage Blackwood
First sentence: “A secret nearly cost Chantel her life, on a dark summer morning when the rains ran down the stairstepped streets of Lightning Pass.”
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Content: There are some frighting parts. It’s in the middle grade (grades 3-5) section of the bookstore.

Chantel (pronounced shan-TAL not CHAN-tel) has grown up learning magic in Miss Ellicott’s orphanage/school. She’s quite talented at it, one of the best students, except she has a problem. All the magic users in their walled city-kingdom are supposed to be “shamefast and biddable”, and those are two things that Chantel, well, isn’t. It turns out to be a good thing though, for when Miss Ellicott and the rest of the kingdom’s seven sorceresses disappear, Chantel takes it upon herself to Figure Out and then Solve the problem, which grows to include an invasion, treachery, and a dragon.

On the one hand, this is a delightful magical tale, well and complexly told, by a very talented writer. I loved Blackwood’s Jinx series, and while this one is a stand-alone (hurrah!) it’s much more of the same elegant, interesting writing with a good dose of snark, something that I think the most reluctant readers will enjoy.

On the other hand, this is a fantastic allegory about the state of women throughout history. (Or at least, that’s what I saw.) I saw women taking their power and conforming it to the patriarchy (in this case, there was a king, but the men who ruled the kingdom were called The Patriarchs), working to maintain the Status Quo, because upending it is unthinkable. And then there was a girl who asked “WHY?” and started doing things differently, even though she was told — by the king, the patriarchs, the older women — that she Couldn’t. Still, she persisted, and Change — not just small change, but Large Sweeping Change. It was not only entertaining, but it was hopeful and empowering.

And I loved it.