Speculative Fiction

Audiobook: This Kingdom Will Not Kill Me

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by Ilona Andrews
Read by Kristen Sieh
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There is a lot of violence, including some pretty grisly murders. There is also some swearing, including a few f-bombs. It’s in the Science Fiction/Fantasy section of the bookstore.

One day Maggie goes to bed in our world and wakes up in the world of Kier Toren, a city she knows from her favorite book series, one that she has read and obsessed over for years and years. She knows the ins and outs of this world, and (once she realizes that if she is killed, she resurrects, even if it’s painful) decides that she has a chance to change the outcome of the story, to save the world from the certain chaos and doom it had in the books. It’s a dangerous path, one that is certain to make enemies, but with the help of people – she can’t think of them as characters – she collects on the way; she is sure she can do this.

I found this one on Bookstagram and thought it sounded intriguing. I have always liked it when the thing is poking fun at the thing – in this case, books where the heroine falls into a story – while being the thing. And this book does it marvelously. It’s twisty – some caught me entirely by surprise – and it’s intense. It’s a delightful romp in all the best ways, and Sieh does a fantastic job with the narration. I realized about 2/3 of the way through that this has to be a series, and the epilogue set up the next book well. I’m actually invested in this story now, and I’m curious to see where it goes.

Sometimes Bookstagram gets it right.

Public Access Afterworld

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by Jane Schoenbrun
First sentence: “This book is not my own.”
Support your local independent bookstore: buy it there!
Release date: October 27, 2026
Review copy provided by the publisher.
Content: There is a super high body count, on-page (but not graphic) sex, lots of swearing (including multiple f-bombs), drug use, and just plain weirdness. It will be in the Fiction section, but could easily be found in the Science Fiction/Fantasy section.

The plot of this book is unnecessary. It’s probably best if you go in knowing very little (as I did), in order to experience the whole thing. It’s really a book that’s about vibes – and the vibes are weird and highly unique. Know that for a 600-page book, it goes really fast (I don’t usually read books this big!), mostly because it’s emulating a TV series – it’s broken up into Episodes, each with its own little arc, but connected to each other. I’ve never seen any of Schoenbrun’s films, but if they are anything like this, it would be wild and wierd, but thought-provoking.

The best comparison I can make is There is No Antimemetics Division: it isn’t the same, but it has a similar weird vibe. And if you liked that one, you will definitely like this one.

The only drawback is that the ending is ambiguous, and I would like a sequel (I’ve been spoiled over the years). But if this is all there is, I’m content with it.

A Snake Among Swans

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by Hannah Kaner
First sentence: “I was born in war.”
Support your local independent bookstore: buy it there!
Content: The book’s trigger warnings include: war, trauma, violence, self-harm, mild body horror, and sexual violence. It’s in the Science Fiction/Fantasy section of the bookstore.

Tilde is the only surviving heir of a conquered land, and so it is her lot to be married to the conquering swan king, whose wife recently died. He’s basically disinherited his sons, and wants a new heir. However, his sons – and one surviving daughter – aren’t happy with this arrangement. Not to mention the swan priest, who has decided that he wants to help one of the princes with a coup. It’s up to Tilde to be smarter, and wilier, than all of that, and to stay as true as she can to her heritage in the process. It’s not an easy task.

That summary doesn’t do this book justice. I was in a bit of a slump, until I realized that Kaner had a new book out, and I devoured this one. It’s so well-written, complex with the politics, but keeping Tilde and the women at the center of it. It’s about colonialism and trauma and imperialism, and what it takes to make it in a world that is not yours. It’s brutal, but I couldn’t help but care for the characters.

And I’m pretty sure it’s at least a duology, because there is still more story to tell. And I’m here for it.

Rising Thunder

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by Neal Shusterman
First sentence: “The Mona Lisa was dead.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Release date: December 1, 2026
Others in the series: Scythe, Thunderhead, The Toll
Content: There is talk of assisted suicide and of murder – including mass events. There is also some mild swearing. It will be in the YA section of the bookstore.

In this prequel to the Scythe series, we follow a diverse group of (mostly) young people in the world as it struggles to figure things out. There’s Aziz, who programs a couple of AIs that are given competing directives (not by Aziz). There’s Renz, who was an eco-nihilist until he destroyed the Mona Lisa. There’s Lizzie, who has taken it upon herself to release people who are put into stasis (there’s a place called Twi-Life where, when someone gets too close to death, they can choose to go there to “wait” for a cure) against their will. There are a lot more characters – almost too many – to relate here. The book takes place over several years, as the world comes closer to immortality, and this group of people – who don’t know that they are the ones in this online message board (for lack of a better term) talking about the problems of immortality – becomes more and more invested in what the future will hold.

Much like the Scythe series, in this one Shusterman tackles the ethics of immortality and curing all disease, as well as the ethics of creating AI. I know in those books, the Thunderhead is an all-knowing, wise creation, but in this one, the competing AI – Overcast and Securis – are not that. And I found it fascinating to see the process of how the Thunderhead became what it is in the books. In fact, this is one of those prequels that’s best if you read the original series first. It gives background and worldbuilding that deepens and expands the story, which is always a good thing. I’m pretty sure this is going to be at least a duology (if not a trilogy), because the story doesn’t end; it just stops, which is a little frustrating. That said, this is as good as any in the original series, and I’m happy to be back in this fascinating world.

Audiobook: Carmilla

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by Sheridan Le Fanu
Read by Katherine Press
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There’s not much, though there is talk of death by vampires. It’s in the Horror section of the bookstore.

In Austria in the late 1800s, Laura leads a solitary life with only her father for company. That is, until a stranger happens upon their isolated schloss and needs her daughter to stay with them to recover from her illness. This daughter, Carmilla, becomes Laura’s closest companion, her bosom friend (as Anne of Green Gables would put it). The problem is that deaths among the peasants from a mysterious disease start happening, and then Laura starts succumbing to it as well. The thing is: Carmilla is a vampire.

The tagline on the book is “the story that inspired Dracula”. I’m not sure if that’s the case, but it’s definitely a vampire story in the vein of Dracula. It’s all insinuation (it’s very sapphic – Carmilla doesn’t just want Laura for her blood, but also for herself) and conjecture. Its narration is in the form a recollection by Laura after the fact, so you know going in that she survives. It’s not gory or graphic. But it is compelling. I think that helps because of Press’s narration: she is very good at what she does. She gave the text an ominousness that helped with the vibe, and kept me interested in listening to it.

It’s also short, which is kind of what I want right now. Even though I don’t think I’m much of a vampire person (or werewolf, really), I did like this one.

Audiobook: Eric

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by Terry Pratchett
Read by Colin Morgan, Peter Serafinowicz & Bill Nighy
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Others in the series: It’s in Discworld, and the fourth in the Unseen University series. But, like all of Discworld, you can read it out of order.
Content: It’s Sir Terry. There’s nothing objectionable. It’s in the Science Fiction/Fantasy section of the bookstore.

Eric is your typical demon summoner, except that he’s 14 and not very good at it. He’s attempted to summon a demon to grant him three wishes, and all he got was Rincewind, who isn’t a very good wizard at the best of times. And, in attempting to grant Eric’s wishes, they unravel time and space back to the beginning. Before ending up in hell, of course.

There’s really not much to say about this, mostly because it’s Terry Pratchett. It’s funny, it’s sweet, the footnotes (read by Bill Nighy!) are hilarious, and it’s an utterly pleasant way to spend 4 hours on a road trip. Highly recommended, especially if you’re driving somewhere.

Audiobook: Moon Called

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by Patricia Briggs
Read by Lorelei King
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There is some swearing, including multiple f-bombs, as well as violence with a pretty high body count. It’s in the Romance section of the bookstore.

Mercy Thompson is a shapeshifter, but she was raised by werewolves, so she knows a lot about them. And so when a newly changed wolf shows up at her garage in the Tri-Cities, Washington, she knows there’s going to be trouble. And she’s right. She teams up with the Alpha of the Columbia Basin Wolfpack, Adam, but when he’s severely injured, she returns home to Montana and her first love, Samuel, for help.

First off: this is much more world-building than actual story. There was a lot of explaining (no, please: sum up!) about wolf habits, wolf law, and pack politics. (The words “I’m not pack” were uttered more times than I cared to hear.) It was a decent mystery: who was at the heart of kidnapping kids and turning them into wolves, and how they were developing tranquilizers that worked on werewolves, was interesting. But, it wasn’t a romance. Not really. Sure, there were hints of a love triangle between Mercy, Adam, and Samuel, but it didn’t really go anywhere (yet). I liked Mercy as a character – she was smart and resourceful and didn’t let the men push her around. So, there’s that. But will I read more? Probably not. It was fine, but not exactly something I really want to spend a lot of time with.

Victorious

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by V. E. Schwab
First sentence: “Victor stood before the metal door.”
Support your local independent bookstore: buy it there!
Release date: October 6, 2026
Review copy provided by the publisher
Others in the series: Vicious, Victorious
Content: It is very violent, with a super high body count, and some of the deaths are quite violent. It’s also swearing, with multiple f-bombs. It will be in the Science Fiction/Fantasy section of the bookstore.

Spoilers for the other two, obviously.

EON is still after Victor, though the solution he found isn’t working as well. Sydney and Mitch went on the run from them, separate from Victor, and EON has (yet) to track them down. It’s been three years since the night in Merit when everything went down, and they still don’t feel safe. And now, there’s a new director of EON, an ExtraOrdinary with a pretty scary ability, and whose single-minded focus will probably bring destruction on them all. How is it going to play out?

I am still surprised how much I like this series, even with the morally gray characters – no one is “good” in this universe – and the super-high body count. So many dead people, so little regret. And yet, I find myself captivated by this world of Schwab’s making, pulled into the questions it asks about what is good, and who gets to make decisions, and about grief and loss and vengeance. It’s a remarkably thoughtful series, for all its violence, and this is an absolutely perfect ending for it.

If you haven’t read the series, now is a good time to start.

Audio book: Kill All Wizards

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by Jedediah Berry
Read by Raphael Corkhill
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There is some swearing, including a few f-bombs, and a lot of fantasy violence. It’s in the Science Fiction/Fantasy section of the bookstore.

A barbarian – Gotchamus (not sure of that spelling, since I listened to it) – and a thief – Huxley – walked into a dining establishment, meeting up to do an exchange. What comes out of it, is the barbarian’s tale of loss and revenge, of how he came to lose his eye, and how he’s going to get his revenge on the wizards in this town. It doesn’t sound like a lot, but this is a short book, so there doesn’t need to be a lot.

What it has, though, is humor in spades. It got me early on when there was a whole bit about how the publisher should code the gory parts in red so people would know to skip them but then there would be people who would only read the gory parts, and no one wanted to encourage that behavior, and I was hooked. it’s a weird little place that Berry has created, but I adored the characters, I adored the tone fo the book, and Corkhill was superb as a narrator. It definitely can stand on its own, but if there’s going to be a series, I am 100% there for it.

So much fun.

Hometown

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by Shaun Tan
First sentence: “Here I am.”
Support your local independent bookstore: buy it there!
Release date: September 15, 2026
Review copy provided by the publisher.
Content: There’s really nothing. The publisher says it’s for ages 10-14, but the text is a bit simple for that. This one might be difficult to find the right audience.

This is the story of a human-looking girl who lives on a planet of non-human creatures. She’s fine with this; they are her family and her friends. She doesn’t even question her existence as being “different” until an outsider – another human – comes and tells her she’s different and that she doesn’t belong.

It’s a simple story; there isn’t a lot of text. But the art. Oh my gosh, the art. It’s breathtaking. It’s funny at times. It’s telling so much story. THIS is why I love Tan’s books. He tells so much in art, so much story with so little. It’s telling a story of belonging, of found family, of colonialism, of exploration. And I adored it.

The question is, however, will it be able to find its audience? Because it definitely deserves to.