YA

Half Bad

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by Sally Green
First sentence: “There’s these two kids, boys, sitting close together, squished in by the big arms of an old chair.”
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Review copy pilfered from the ARC shelves at my place of employment
Content: There’s talk of imagined sex (none actual), and some (mostly mild) swearing. But the talk of the abuse Nathan takes is hard to get though, even for me as an adult. It’s in the teen section  (grades 9 and up) because of that. Be wary of giving this one to an overly-sensitive person.

I was talking this book up in January to a group of educators, saying to look for it, that Green turns the whole “white=good and black=bad” thing upside down. How little did I know.

It does do that: sure. But to say that’s all this first in a trilogy does is to woefully underestimate it.

Nathan is the illegitimate child of a White Witch — his mother — and the baddest of all Black witches. Marcus, Nathan’s father, has alluded the White Hunters for years. And so, to say that having his kid in their midst irks them is a gross understatement. So the council imposes Codes — restrictions — on all Half Bloods. They start mild, with yearly assessments, but get increasingly more restrictive as Nathan gets older. It ends with him being held in a cage for two years. This is partially because of a vision Marcus saw that Nathan would kill him. The White Hunters want to make that happen: he’s ostensibly being “trained” to murder his father. Not that he has any say in the matter.

So, yes, Greene is turning good and evil upside down; how can the “good” people treat someone who is different from them so atrociously. (And believe me, it’s worse than bad.) But, the black witches don’t fare so well, either. Marcus, from all reports (granted, they’re  untrustworthy) is a despicable person. And the one time we see him, he doesn’t entirely acquit himself either. And the only other black witches we see aren’t that much better. Perhaps it’s more a treatise on how power corrupts, and how differences become so ingrained that we can’t see those who aren’t the same as us.

And even though it was difficult at times to get through, emotionally, it did give me a lot to think about. I’m quite interested to see where she goes with this series, and if she can keep up the complex nature of the characters.

The Road Home

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by Ellen Emerson White
First sentence: “On Christmas morning, Rebecca lost her moral virginity, her sense of humor – and her two best friends.”
Content: This is a book about war, and doesn’t pull any punches. There’s language (with a couple of f-bombs), talk of sex (none actual) and lots and lots of violence. It’s also more emotionally mature. It’d be in the teen section (grades 9 and up) of the bookstore, if it were in print.

This was thrown at me by my wonderful friend Laura, without me knowing much else besides she thought it was really great.

This is the last book of a series about a family (I gathered, not having read any of the others), focusing on the daughter, Rebecca. Her long-time boyfriend was killed in Vietnam and her brother fled to Canada to avoid the draft. So she did the only logical thing: she signed up for a tour. Because it was the 1960s, and because women weren’t allowed to be on the front lines, and because Rebecca has an interest in medicine, she signed up to be a nurse. To say she didn’t know what she was getting into was an understatement. The book follows the second half of her tour in Vietnam, after a horrific event she was involved in, through to her coming home.

It’s taken me quite a while to get through this book, not because it was bad or I was disinterested — neither were true –but rather because it was so emotionally taxing. White knows how to write war. The mundane elements of being out in the field, the stress of the ER when helicopters full of wounded and dying soldiers come in. And then the PTSD of coming home. Especially in the 1960s, when there was so much anti-war sentiment at home. She captured Rebecca’s increasing despair, the difficulty she had in making it through so well, that I was drained each time I picked it up.

That’s not to say there wasn’t hopeful elements to the story: there were. Rebecca makes friends and even has a bit of a relationship But it’s not some miraculous recovery or some “ah-ha” moment. It’s very real, almost brutally so, and very honest.

I found it worth reading (once at least), and while I didn’t love it, I appreciated it. I appreciated the depiction of the soldiers and of Rebecca, and especially of her coming home. It’s not an easy read, but it’s definitely worth the time.

All These Things I’ve Done

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by Gabrielle Zevin
First sentence: “The night before my junior year — I was sixteen, barely — Gable Arsley said he wanted to sleep with me.”
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Content: There’s talk of sex and a lot of kissing, but nothing graphic. And there’s talk of violence, but again, nothing graphic. It’s in the YA section (grades 6-9) of the bookstore.

This one is a hard one to sum up, partially because the world Zevin created is so complex. It’s futuristic, but not exactly a post-apocalyptic or dystopian. It’s a world where things are strictly rationed, and coffee and chocolate and books are illegal. So, much like alcohol in the 1920s, there is a strong black market for those items. And our main character, Anya Balanchine (her friends call her Annie), is part of the Balanchine mafia family that has a strong presence in the chocolate market. Her father was the head of the family until he was shot and killed (in front of her) when she was 9. Annie and her older brother, Leo (who is slightly mentally disabled due to another hit meant for her father that killed their mother and disabled Leo) and younger sister Natalya have been raised the past 7 years by their grandmother, whose health is slowly failing.

Over the course of the year, things spin out of control for Annie. Her ex-boyfriend, Gable, ends up poisoned by chocolate, and Annie ends up in juvenile prison because of that. She falls for and dates the son of the assistant DA, in spite of the extreme pressure to break it off. She stresses about Leo, especially since he begins working for the family. And her grandmother finally passes away.

All that managed to fill up the book, which I wanted to like very much. But, aside from world creation, there really isn’t much there. Annie is a fascinating character, but I got tired of her waffling. I wanted her to step up and take charge. It’s not good when the most interesting character is the head of the Japanese mafia family who shows up for probably 10 pages. I hoped for more out of this one, and was disappointed.

I might give the second one in the series a try, just to see if it gets any better.

Dorothy Must Die

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by Danielle Page
First sentence: “I first discovered I was trash three days before my ninth birthday — one year after my father lost his job and moved to Secaucus to live with a woman named Crystal and four years before my mother had the car accident, started taking pills, and begin exclusively wearing bedroom slippers instead of normal shoes.”
Support your local independent bookstore: buy it there!
Review copy handed to me by my manager who said “Get on this.”
Content: A pregnant teenager, a moderate amount of swearing including a few f-bombs, and some violence. The book belongs in the store’s teen section (grades 9+).

At first glance, the idea of this book is awesome: Dorothy from Wizard of Oz, didn’t want to be in Kansas after she went home, and found a way back to Oz, where she has taken over and is not only a tyrant, but she’s a bully. And she’s draining Oz of its magic. It is going to take another girl from Kansas — Amy, of the trailer park — who finds her way to this new and drained Oz, to kill the tyrant and save Oz from certain ruin.

See? Sounds pretty cool, right?

Well, not so much.

It’s not that this one was Horrible, per se. There were a lot of things to like about it, starting from the cool idea. I liked the way that Page developed the magic in the world, and made the Wicked Witches if not the good guys, at least the better ones. I liked Amy, and her willingness to try even though the odds were against her.

But that was about it. I won’t delineate my entire complaints (which include having Amy say “I was used to cornfields back in Kansas..” UM, where??), but rather my main one, this: why is this book not a stand-alone? There really was nothing in this book that either 1) warranted that it be 460 pages or 2) meant for it to go longer than one book. I think with some better plotting and editing (and less of the pregnant bully in the beginning) this could have been a tight, fun, cool romp in a unique version of Oz.

I guess I’m a bit miffed that it’s not, and that’s effecting how I see the book. Others (who don’t mind the whole drawn-out-ed-ness of this one) may find it more enjoyable. Part of me hopes she finds success with this, because it’s a really cool idea.

I just wish the execution was better.

We Were Liars

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by E. Lockhart
First sentence: “Welcome to the beautiful Sinclair family.”
Support your local independent bookstore: buy it there!
Release date: May 13, 2014
Review copy snagged from the ARC shelves at my place of employment.
Content: There were multiple f-bombs and some mild swearing. It’s also a very intense book, emotionally, so be prepared for that. It will be in the Teen section (grades 9 and up) of the bookstore, but I think a mature 13-year-old could handle it.

There is a problem with writing a review for this book. It’s best if you know absolutely nothing going in. Nothing. Nada.

In fact, the back of the ARC says “If anyone asks you how it ends, just LIE.”

I will tell you this. Cady is one of the Beautiful Sinclairs, an old-money family in Boston that vacations every summer on a small island near Martha’s Vineyard. Her grandfather is the patriarch of this family but her mother and her two sisters have not really lived up to the family name. Cady is also one of the four Liars: she, her cousins Johnny and Mirren, and Johnny’s mother’s boyfriend’s (Indian) nephew, Gat. Something happened two summers ago, and Cady lost her memory. No, the summer that she’s 17, she needs to figure out what happened.

I will also tell you this: read it. Just read it. Lockhart is amazing. This book is haunting and so gorgeous in its simplicity and so powerful.

I promise that’s not a lie.

Popular: Vintage Wisdom for a Modern Geek

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by Maya Van Wagenen
First sentence:”‘School is the armpit of life,’ my best friend Kenzie once told me.”
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Content: Because eighth graders aren’t exactly the nicest creatures in the world, there is some language, all of it mild and very infrequent. It’s in the YA section (grades 6-12) of the bookstore, but honestly, anyone who can handle the subject matter (she does talk about taking sex ed and drug inspections and lockdowns at her school), should read this one.

The summer before she starts eighth grade, Maya Van Wagenen discovers in a box a copy of “Betty Cornell’s Guide to Teenage Popularity”, circa the 1950s  Her mom suggests, offhand, that maybe Maya should follow the advice in the book, write it down, and see what happens.

This book is the result of that year.

There aren’t the words to express my love here.  Perhaps it’s because I have a daughter just finishing eighth grade, and it’s been a rough year for her. Perhaps, it’s because I was much like how Maya started eighth grade: socially awkward, at the bottom of the social hierarchy, trying to fit in my small, conservative, Michigan middle school. (I had just moved there two years before, and still hadn’t figured out how to fit in with kids who’d known each other since kindergarten.)

But my enjoyment went beyond just being able to relate to Maya. She tackled a chapter or two of Betty’s book each month during the school year, and the chapters were divided up with her reflections of her progress. Along the way, I got to know her family (she has terrifically cool parents; my favorite side story of hers was the list of answers you’re not supposed to say when crossing through a U.S./Mexico border patrol. My favorite was “I am, but I’m not too sure about the kids in the trunk.”) and her school mates (she lives in Brownville, TX, and to say that she has a rough school, is an understatement). At first, she’s very humorous about he whole project. For instance, when she hits the dress chapter, she takes it literally, dressing like someone from the 1950s, getting stared at and teased for dressing like someone’s grandma. It’s easy to think that Betty’s guide really doesn’t fit in today’s world.

Somewhere along the way, Maya — and I, as well– discovered that Betty’s book is really still applicable, and maybe she really does have the secret to “popularity”.  I was touched by Maya’s insight, her observations, and her maturity. By the time I closed the book, I wanted to cheer for her — she’s an amazing girl, one I’d be proud to call my daughter — and to thrust this book in the hands of everyone I know, grownups and teens alike.

Dreams of Gods & Monsters

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by Laini Taylor
First sentence: “Nerve thrum and screaming blood, wild and churning and chasing and devouring and terrible and terrible and terrible –“
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Others in the series: Daughter of Smoke & Bone, Days of Blood & Starlight
Content: There’s a lot of violence, and some mild swearing. Nothing as dire as the previous book, but it’s still hard to take, emotionally. It’s in the teen section (grade 9+) at the bookstore, but I would give the series to an 8th grader.

I’m at a loss where to begin. I suppose it’s with you reading the other two books before this one. While Taylor refreshed my memory (very eloquently) about the other books, you are missing a ton by not starting at the beginning of this story.

Also, by saying that even though this is a 600 page book, not much is extra. (M disagrees with me: she thinks Taylor could have cut out a couple of the subplots and the Epilogue and it would have been better.) Taylor picks up immediately after the events of Blood & Starlight and gives us the Apocalypse via angels. We’re introduced to a new character, Eliza, a PhD student in biology, who is on earth while everything in Eretz is falling apart. There’s something about her — I won’t tell you what — and even though she’s new to the book, she fits right into this elaborate and crazy world that Taylor has created.

There’s so many threads going on in this book, I couldn’t even begin summing up. And Taylor manages them all mostly deftly. She does introduce a new conflict when there’s 100 pages left, and it’s much too tidily wrapped up (or at least dismissed), but other than that, there’s so much too love. Mik is fantastic (there was one point where I was laughing and cheering; he and Zuzana MAKE the book), and Karou is incredible. In fact, that was the one thing I truly came away from this book with: the women rock. Seriously. And in so many different ways. They’re villains and tough and tender and loving and hurt and compassionate and just so, so complex. It’s fantastic.

The whole series is. The only thing I can say that was truly bad about this is that it’s over.

Fangirl

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by Rainbow Rowell
First sentence: “There was a boy in her room.”
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Content: There’s quite a few f-bombs, and some insinuations of sex. Plus a lot of underage (and overage) drinking. Also, it’s about college freshmen, a subject which I’m not sure younger readers want to read about. It’s rightly in the teen section (grades 9 and up) of the bookstore.

Cath and Wren are twins. Wren is the outgoing one, the pretty one, the fun one. And Cath stays home and writes Simon Snow (think Harry Potter) fanfiction. She’s really good at it: her stories get thousands of hits, and are widely talked about on the fanfiction sites.

But none of that is going to matter now that they’re freshmen at the University of Nebraska. Cath wanted to go the safe route by rooming with Wren. But, for Wren, that wasn’t an option. So Cath is forced to branch out. Experience things. Actually have a life.

In many ways, this is a love story to those who write fanfiction. Yes, Cath is an introvert, and no she doesn’t want to engage in what most people call “living”, but in no way does Rowel make Cath seem pathetic. She puts her in contrast to Wren, who spends weekends (and some weeknight) partying until we hours (the “normal” college experience) and lets us choose on our own. Perhaps some readers will see Cath as pathetic and without a life, but I never did. (Perhaps, too, that’s because I’m an introvert and I have a nerdy family who actually read — and write — fanfiction.)

It’s also a traditional love story. Cath’s roommate, Reagan, has a boy, Levi, kicking around. Cath thinks they’re dating, but eventually realizes that it’s really her Levi is interested in. And it’s their romance that made the book for me. Levi is so danged good and it was a pleasure watching the good guy get the girl. (So often it’s the “bad” one.) I loved the banter, I loved the push and pull, and I loved watching Levi draw Cath out of her shell, while simultaneously wholly accepting her for who she is.

The ending was a bit pat, I thought, and all the drama with her parents (dad’s a bit on the manic side; mom walked out on The 9/11, and Cath is understandably resistant to her attempts to reconnect) was a bit over-the-top. And while I appreciated that Rowell was reaching out to those who immerse themselves in a fandom, including pages and pages of Cath’s fanfiction was a little boring for me.

Even with the quibbles, though, I thoroughly enjoyed reading this one.

Slated

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by Teri Terry
First sentence: “I run.”
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Content: It’s a pretty intense book, and I think the plot would be a bit difficult for younger readers to understand. But there’s nothing “objectionable” it. It’s in the YA section (grades 6-8) of the bookstore.

Kyla has no memory beyond the past six months she’s been in the hospital in London. See, she’s been Slated by the government: a process done to criminals and terrorists to remove their memories. It’s most effective the younger you are — Kyla is only 16 — and after the process, they tie your consciousness to a device called a Levo, which monitors your endorphin levels. If you get too low, you black out. And die. Obviously, it’s supposed to reform the people who have it done, make them happy, productive members of society.

Except it didn’t quite work on Kyla.

While she doesn’t have any memories of her former life, she has nightmares. And she’s not as compliant as she should be. And so, back with her “Mom” and “Dad” in their small village outside of London, she starts noticing things. Noticing things which leads to questions. And we all know that in books like this, questions are never good.

This is a much less futuristic dystopian fantasy than most, and that’s one of the things, I think, that make it stand out. (The other being that it’s set in London. It’s nice to know that Big Brother is happening over there, too!) Sure, it’s set in the future — roughly 30 or 40 years — but there’s a lot that ties it to contemporary culture. The anti-terrorism movement, which leads to a really broad definition of “terrorist”. A government that seeks to control their population. The other thing that made this one unique for me is that Kyla wasn’t (for this book, at least; it might change) a lynchpin on which the Revolution of the Evil Government resides. She’s a girl who’s lost her memory but retained her consciousness. And it’s not until her friends start disappearing that she feels she needs to take action.

That lack of action is also a downside. I’m hoping that this is mostly just a world-building book, and that there’s more going on in the next one. While I did find the situations Terry put her character in fascinating, by the end of the book, there was more unanswered questions then there were answered ones. Additionally, I think the love interest was a bit forced; there was no need for her friendship to end up as a romance, and because of that, there was no underlying chemistry between the two of them.

That said, it was unique enough to hold my attention, I am curious to see where the next book goes.

The Coldest Girl in Coldtown

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by Holly Black
First sentence: “Tana woke lying in a bathtub.”
Support your local independent bookstore: buy it there!
Content: Lots of violence, some of which is graphic. Very little swearing, most of it mild, and no sex (though there is some talk of it). It’s in the teen section (grades 9 and up) in the bookstore, but I’d let a 12- or 13-year-old who was interested in vampires read it.

I’m going to start this one off by saying this is, hands down, the best vampire book I’ve read in AGES. (I’m not going to add that it’s basically the only vampire book I’ve read in ages.Oh, wait.) It’s dark, it’s gory, it’s bloody, it’s creepy and yet so very awesome. It’s everything a vampire book should be.

Tana Bach, 17, lives in a world where vampirism is a plague. It’s a disease, and there is a cure — to starve oneself of blood for eighty-eight days — but there are enough vampires running around to make it necessary to set up Coldtowns, places where vampires, and humans who are attracted to that lifestyle, can live without endangering the rest of the population.

Except that they sometimes do.

Tana wakes up on the morning after a huge party to find a houseful of corpses. Somehow she managed to sleep through a terrible vampire bloodbath, though she’s not the only survivor. She stumbles into the back bedroom and finds her ex-boyfriend, Aidan, newly infected, and a vampire chained nearby. She does the only thing she could do: saves them. Thus starts her terrifying adventure.

It’s one where she meets a lot of people, some nice — like Jameson and Valentina and Winter — most not so nice — like Gavriel, the vampire she saved. And yet, it’s not a black-and-white book. It’s wandering around in the murky shades of grey, where everyone is out to protect themselves. And Tana… oh, boy does she shine. She is AMAZING. Not in a superhero way, but in that human, flaw-filled, and yet awe-inspiring way. She faces her demons, in a most literal sense, and comes out on top.

Yes, there is a romance between a 130-year-old vampire and Tana, but, as I keep telling people in person, it’s not creepy. And while it’s there (and there’s this great sexy non-sex scene), it’s also something that’s not the focus of the book, which, perhaps, is why it’s not a creepy thing.

At any rate, I couldn’t put this one down, and having finished it, I wish it wasn’t due at the library so I could start it all over again.