YA

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by Katherine Howe
First sentence: “How long must I wait?”
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Review copy downloaded from Edelweiss
Content: There is some mild swearing, and talk of sex, but nothing actual. It’d be happy in the YA section (grades 6-8) of the bookstore, but I might put it in Teen (grades 9+) so I can get the adult crossover.

Colleen Rowley is a senior at St. Joan’s Academy, a high-profile, all-girls school in Danvers, Massachusetts. Everything is going great… mostly. Colleen is a tenth out of valedictorian position, something which stresses her out because her college acceptance to Harvard (only one of many Ivy League schools that have wait-listed her) is hinging on her senior year academic performance. She’s not the only one under pressure; all of her friends and many of her classmates are as well.

And then something strange happens: Colleen’s classmates, one by one, succumb to a mysterious illness that pulls them out of school. Some develop Turette’s Sydrome-like tics, others loose the use of their legs; still others’ hair is falling out. It’s an epidemic. Except Colleen, spurred on by some anonymous texts, is suspicious. And when she starts looking into the real events behind The Crucible, which they’re studying, especially Ann Putnam’s story, she finds that there is possibly a connection to what’s happening in Danvers now, and what happened in Salem back then.

Told in alternating storylines, Howe gives us both the story of the girls of St. Joan’s and Ann Putnam’s confession about the incident that began what came to be called the Salem Witch trials. She doesn’t spell things out for the reader; instead, she trusts our intelligence and in our ability to draw parallels between the two stories. And although the characters — especially Colleen and her friends — are quite sympathetic, it’s finding the parallels and solving the mystery that fascinated me most about this book.

Unfortunately, the ending didn’t hold up to the rest of the book. Howe kind of goes off into muddle-land, and doesn’t hold up to the suspense that the book built. Even so, it wasn’t enough to completely kill the book for me (it was more of a “HUH?” moment). And it’s made me curious about Howe’s adult books, which is a good thing.

Fat Boy vs. The Cheerleaders

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by Geoff Herbach
First sentence: “Shortly before midnight on June 15, Gabriel Johnson, a sixteen-year-old from Minnekota, MN, was apprehended outside Cub Foods by Officer Rex McCoy.”
Support your local independent bookstore: buy it there!
Review copy pilfered from the ARC shelves at my place of employment.
Content: There’s a lot of swearing, none of it strong. I put it in the Teen (grades 9+) section of the bookstore primarily because I like to keep the YA section toned down. Also, because that’s where all of Herbach’s other books are. I’d say, depending on your kid, it’s good for as young as 7th graders.

In high school, there are two types of people: the jocks and everyone else. Gabe is everyone else.  Actually, Gabe is a band geek, and a mostly friend-less loser. He’s been going downhill since his mom ran off with a Japanese guy a few years back, and his grandpa moved in. It’s not just that he has only two friends, it’s that he’s overweight. Massively so. In fact, everyone (including his friends) call him Chunk. And he’s okay with that.

Gabe spends his days chugging Code Red, primarily because the money in the school’s soda vending machine goes to support the band that is Gabe’s lifeline. He figures he can chug 5 bottles of the stuff, if the money goes to fund his program. Then he finds out that a Super Sekrit school board meeting took away the vending machine money from the band and gave it to the Brand Spanking New dance team. Which makes Gabe mad. Eventually.

There’s more to the plot, of course, but it’s more about Gabe gaining self-respect than any eventual result. You know from the start — the whole book is his confession; a one-sided conversation with a Mr. Rodriguez — that he’s gotten arrested for doing something. You assume it’s for stealing money out of the vending machine. But, things are more complex than that.

Part of the charm of this book is the format; I was entertained by hearing only one side of the conversation, and imagining what Mr. Rodriguez’s side was. But, it was also Gabe. He was such a loser to start with, and it’s empowering to see how he regains control over his life, in spite of the people — from his friends to his father — who are trying to hold him back. Everyone needs a summer in which they find their best selves, and this story of Gabe’s was a truly fun one.

City of Heavenly Fire

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by Cassandra Clare
First sentence: “On the day Emma Carstairs’s parents were killed, the weather was perfect.”
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Others in the series: City of Bones, City of Ashes, City of Glass, City of Fallen Angels, City of Lost Souls
Also helpful to read before picking up this one: Clockwork Angel, Clockwork Prince, Clockwork Princess
Content: There’s violence, some mild swearing, and some sexytimes. The sex is tasteful and protected (yay!), but it is depicted, to an extent. This entire series is in the Teen section (grades 9+).

I’m not even going to try and sum up what has happened up to this point, or even what happens in this book. Coming in at over 700 pages, to say a lot of stuff happens is a major understatement. But, everyone is here: Jace and Clary, Simon and Isabelle, Alec and Magnus, Jocelyn and Luke, as well as hangers on: Brother Zachariah (yay!) and Tessa each play a role, as do Maya and Raphael. And, of course, the big baddie, Sebastian.

It also introduces new characters in 12-year- old Emma Carstairs and her best friend Julian Blackthorn. They don’t really play a huge role in the story; mostly they just play small roles. But they — and their family — are involved enough that we get to know them. And — and this is a complaint I have — they serve as a linchpin for a start of a new series. At some point, one does have to wonder, I think, if Clare can write any stories in a different world. But then, why should she, when this one is so rich?

It was nice to hang out with Clary and crew again, to see how relationships have developed, and follow them as they try to thwart Sebastian’s evil plan. Like always, Magnus was the most interesting character, and I was thrilled to see the way he and Alec’s relationship went. There’s some heartbreaking moments, and Simon even gets to shine with his Dungeons & Dragons references.

It’s a good conclusion (of sorts) and a fun story, even for all its length.

Girl In Reverse

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by Barbara Stuber
First sentence: “Say it, Lily.”
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Content: There’s some mild swearing and kissing. It’s probably a more complicated plot than the Middle Grade section warrants, so it’s in the YA section (grades 6-8) of the bookstore.

Lillian Firestone is an adopted daughter of Chinese heritage. Which makes her a target in Kansas City in 1951, the height of the Korean War. She took the bullying and name-calling when she was younger, but now that she’s 16, she’s taking a stand. Sort of. She walked out of class and school one day, and that act started a domino chain of events that led to the discovery of her birth parents.

There’s art involved and a lot of Chinese culture as Lily goes on this journey.

(I’m tired. Can you tell?)

I wanted to like this book. I love the cover, I love the ideas, the conflict. But I could never connect with Lily. She drove. me. nuts. Completely. And so I started skimming, skipping ahead just to see what happens. And yeah, everything’s tied up in a nice little bow.

It had potential, and I’m sure some readers will really love the art and China elements. But I wasn’t really one of them.

Everything Leads to You

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by Nina LaCorr
First sentence: “Five texts are waiting for me when I get out of my English final.”
Support your local independent bookstore: buy it there!
Content: There is some swearing, including a half-dozen f-bombs scattered throughout. And a mention of older teen drinking. Plus, it’s really a growing-up story. For those reasons, it’s in the Teen (grades 9+) section of the bookstore.

Emi Price is a golden California girl. (Except, for the record, she has a black grandfather and is NOT the blonde thing you see on the cover.) She as loving parents, a cool older brother who has a job as a site scout in a production company, and a fantastic best friend. She has a job as a set-design intern at the same production company as her brother (nepotism works).

She just broke up with her off-again/on-again girlfriend, though, and that’s getting her down. And so, when her brother leaves his posh Venice apartment to Emi and her best friend, Charlotte, for the summer with the one catch — do something amazing here! — she feels hopeless.

Then she and Charlotte discover an old letter written by a famous actor Clyde Jones (think John Wayne) that is a clue to a mystery: he had a daughter. And a grandchild. And so, Emi and Charlotte set out to find them and deliver the letter.

That’s really only the beginning of the book, and perhaps the least important part of it as well. It’s much more about Emi figuring herself out. The letter helps, but it’s also this job on an indie movie that she lands, thanks to her ex-girlfriend. And when they find Clyde’s long-lost granddaughter, that opens up a whole new avenue for Emi.

I loved this book. Wholeheartedly and unabashedly. I loved the peek into the way movies work, the facts behind the fantasy. I loved the way Emi thought about characters and set design. And I loved how sometimes she let fantasy overtake her reality. The characters were so real, so deep, so complex, that I couldn’t help but be drawn into their lives.

An absolutely perfect summer book.

I Love I Hate I Miss My Sister

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by Amélie Sarn, translated from French by Y. Maudet
First sentence: “The women walk slowly, heads down.”
Support your local independent bookstore: buy it there!
Release date: Augst 5, 2014
Review copy snagged from the ARC shelves at my place of employment.
Content: There is violence, some mild swearing, and some teen drinking and smoking. I’ll probably put this in the Teen (grades 9+) section of the bookstore, though I wouldn’t hesitate to give it to a 7th- or 8th-grader who is interested.

Sohane Chebli is many things: 18 years old, a daughter, a sister, a scholar, French, and a Muslim. She lives in an apartment complex full of others of  Algerian heritage, and mostly she and her younger sister (by 11 months), Djelila, get along with their neighbors, schoolmates, and each other just fine.

Then, during Sohane’s senior year, a few young Muslim men take it on themselves to start harassing Djelila because she dresses in jeans and tighter shirts. Because she wears makeup. Because she smokes with her friends. And Sohane, whose path has become more conservative — she wears the hijab — doesn’t step in to defend her sister. Partially because Sohane thinks her sister is wrong for following a path away from Islam. And partially because Sohane’s been expelled from school, due to a French law banning all religious symbols, for wearing the hijab.

I’m going to spoil a bit — it’s not too bad, because from the beginning,  you know this — but Djelila is killed by the Muslim boys for her refusal to conform to their expectations. And it’s that paired with the other side of the coin: Sohane’s constant discrimination for wearing the hijab. (Not that I mean to compare murder with discrimination.) But it got me thinking: why do we feel a need to tell others how to behave? Why did these boys feel compelled to not only shame, but eventually kill a girl for not following her/their religion to the letter? Why did people refuse to see Sohane’s hijab wearing as an expression of her religion, instead interpreting it as an act of repression? It’s a thought-provoking book.

And it’s written well, in tight, short chapters. It took a bit for me to catch the rhythm of the book because it’s translated, but once I did, I was hooked. And I wasn’t disappointed, in the end.

Re-read: Graceling

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by Kristin Cashore
First sentence: “In these dungeons the darkness was complete, but Katsa had a map in her mind.”
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Content: There’s some tasteful sex, a lot of violence, and you need to be somewhat more mature to understand what Leck is capable of in order for it to have its full impact. It’s in the Teen section (grades 9+) of the bookstore, but I wouldn’t hesitate to give it to an 8th grader who was interested.

For June’s YAcker book, we picked Bitterblue, but one thing led to another, and we ended up making a summer project of reading Cashore’s trilogy. I’m not one for re-reading books, but since I hadn’t picked this one up in 5 years, I thought, in order to be an intelligent participant, I needed to reread it.

And, oh, it was just as wonderful as it was the first time.

I don’t have much more to say (the above link takes you to my initial review) that won’t be said when the YAckers post our discussion. But let me say this: I love Kasta. Her fierceness, her depth of emotion, her contrariness. And I love her with Po. I love their team, I love their relationship. I love how Cashore describes them together.

And I love Bitterblue. I’d forgotten that, not having reread this when Bitterblue came out. But, she’s so small and so fierce, and I love her.

The Riverman

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by Aaron Starmer
First sentence: “Every town has a lost child.”
Support your local independent bookstore: buy it there!
Content: There’s some alcohol usage and talk of murdered children. Also, it feels really adult in its sensibilities. It’s in the middle grade (grades 3-5) section of the bookstore, but I’m not happy with that. On the other hand, it’ll languish in the YA (grades 6-8) section too, so I might just leave it where it is.

Alistair Cleary  is the kind of kid who blends in. He’s not popular at his middle school, but he’s not reviled, either. His best friend is a gamer — which is quite unusual, since it’s the fall of 1989 — but Alistair has managed to escape certain geek doom. He’s content to slide through life. Until Fiona decides that it’s Alistair who needs to write her sad tale down.

And what a tale: Fiona insists that she’s been going to this imaginary land, Aquavania, which is absolutely real. She’s added months to her life in her trips (which become years later in the book). And that her friends in Aquavania — who also happen to be real people in the Solid World — are disappearing because someone called the Riverman is sucking their souls away.

I had Issues with this book. It compelled me enough to finish it, sure, but it was one of those books that I threw across the room when I was done. I’ve been trying for days to figure out how to write about my issues, and to boil my problems with the book down into a neat, concise package, but I don’t think I can. There will be spoilers.

My initial problems come from the incongruity between the cover and the book itself. The cover screams middle grade, but the content is very… adult. On some level, I feel like Starmer should have gone all the way, made this incredibly dark and sinister, used the metaphor that he was building — that Aquavania is a crutch for Fiona, who uses it to escape horrible things in her life — and made it an adult book.

But, even though that is the set up for most of the book, Starmer doesn’t follow through. He pulls what I have come to think of as a bait-and-switch, a “HA! It’s Really REAL” moment. For which he has given us no basis in the rest of the book. Our narrator, Alistair, believes Fiona is making it up. He believes in the dark understory, so I do too. And so it’s incredibly unsatisfying (for me as an adult; would an older kid?) to have the rug pulled out from underneath you.

I’m sure there I have other complaints (did it really need to be set in 1989? REALLY?), but that’s the main one. Going in, I didn’t know what to expect, but by the end I hoped for a lot more than what I got.

The Geography of You and Me

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by Jennifer E. Smith
First sentence: “On the first day of September, the world went dark.”
Support your local independent bookstore: buy it there!
Review copy sent to my boss by the Little, Brown people, and she passed it off to me.
Content: There’s kissing. And a wee bit of swearing. Mostly it’s just sweet. It was in the Teen section (grades 9+) but after finishing it, I moved it to the YA section (grades 6-8) and it fits there just fine.

Lucy is the youngest child of well-off parents, living in an upscale apartment in Manhattan. Owen is the only child of parents who were once drifters, and whose mother recently died in a freak accident. His dad — who isn’t doing so well — is now the superintendent of Lucy’s building. They would have never met, except they were both in the elevator when the power went out. It was a chance meeting, but one that expanded into a night spent wandering a darkened New York City, and then falling asleep on the rooftop.

The next morning, though, Owen is gone when Lucy wakes up, and they never really quite connect again. Lucy’s parents move her to Scotland; Owen’s dad is fired and they’re headed west, looking for jobs. They figure they’ll never see each other again. Except, Owen starts sending her postcards. And so, they start a tentative long-distance relationship. One with its ups and downs.

It’s not a spoiler to say that this one has a hopefully ever after. It’s not happy, per se — Lucy and Owen still live a great distance away — but it’s hopeful that they can make it work. And it’s not a spoiler to say that it’s not a terribly deep book. There’s no issues, really, and no angst. It’s mostly just a sweet journey of two people figuring out they really really like each other.

It’s enjoyable fluff, though. Sweet and charming. And I found that’s exactly what I needed to make me smile.

The Inventor’s Secret

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by Andrea Cremer
First sentence: “Every heartbeat brought the boy closer.”
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Content: There’s a couple of intense romantic moments, and the characters talk of “wanting” each other, but no actual physical contact takes place other than kissing. There is talk of an affair a character’s dad had, and there is quite a bit of violence. It’s in the YA section (grades 6-8th) but I wouldn’t blink at giving it to a savvy 5th grader.

It was the cover that caught my eye. The steampunk dragonfly with the explosion in the background promised really cool things. And since I hadn’t read any Cremer before (she of the Wolf series), I wasn’t really expecting anything.

So, I was more than blown away when I was pulled into an alternate history where the American Revolution failed, Boston converted to a maximum security prison, and the “traitors” were hanged for their crimes against the crown. And they were the lucky ones. In the years since the failed revolution, the Empire has just become stronger and more stratified. The elite live in the Floating City, New York City, in levels rising up into the sky. The lower you are, the worse off. There’s still a rebellion, out in the woods outside of the city, where the adults are trying to topple the Empire. And the children? They’re in the Catacombs, underground, safe from harm until they turn 18 and go to join the rebellion.

The Catacombs is all Charlotte remembers. She and her older brother, Ash, have been there since they were 5 and 7, respectively. And now, at nearly 18, Ash is in charge. This is where the plot gets a bit tricky to describe. Too much, and it sounds silly. And maybe it is.  I do know there was more romance than I was expecting, and it was a bit hackneyed and overwrought as well. But I loved the world. I loved the combination of history and mythology and technology. I loved how the class issues were at the forefront. I loved the imagination that Cremer put into the book, the cool little things — like mice bombs, or Pocky the gun — she littered everywhere.

No, it’s not perfect. Far from it. But it IS fun. And that’s exactly what I needed right now.