Kissing in America

by Margo Rabb
First sentence: “According to my mother, my first kiss happened on a Saturday in July.”
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Review copy pilfered off the ARC shelves at my place of employment.
Content: There’s a few mild swear words, s**t being the most prevalent. It’s in the YA section (grades 6-8) of the bookstore.

Eva Roth adores romance novels, much to her feminist mother’s chagrin. Eva loves the sweeping romance, the rugged men (who are ruggedly handsome), the idea of falling in love. She lives in New York City, though; someplace where there aren’t rugged cowboys or Highland Scotsmen to sweep her off her feet.

Then she meets Will: cool, on the swim team, completely inaccessible. Until he is: he’s kissing her on the sidewalk in front of a subway stop, and Eva’s world changes completely.

Enough so that when Will moves to LA  to live with his dad, Eva concocts a way to go see him: she and her best friend, Annie, are going on a cross-country bus trip to be on this Smart Kids game show. Just so she can see Will.

It sounds like a fluffy romance, no? And in many ways it is: Eva falls in love, other people fall in love, there is sweeping kisses and lots of corny romance novel references. But this novel has a darker undercurrent running through it: The reason for the bus trip is that Eva has been afraid to fly, ever since her father died in a freak plane crash.  In fact, the novel turns out less to be about romance than about Eva’s relationship with her mother, grief, and moving on since her father’s death. Which is not what I was expecting.

Even though it wasn’t quite the fluffy romance I was expecting, I did enjoy the story. I liked Eva’s relationship with her best friend, Annie. (Though I wanted to smack her aunt and mother. Seriously overprotective, even if it is understandable.) I liked the road trip part, with Eva getting out of her bubble and routine. (Though it was quite tame compared to, say, the bus trip in Mosquitoland.) And I did like that everything wasn’t “happily ever after”;  it was realistic while being hopeful, and that worked for me.

A good summer read.

The Wrath and the Dawn

by Renee Ahdieh
First sentence: “It would not be a welcome dawn.”
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Review copy supplied by the publisher rep.
Content: There is some (implied) sex and there’s some violence, but it’s mostly appropriate for those who love grand, sweeping romances. I’d give it to an 8th grader and up, even though it’s in the Teen (grades 9+) section of the bookstore.

In this land, the king — 18-year-old Khalid — marries a new bride (chosen at random) every night, just to have her murdered the next dawn. It’s horrible for the people of the country who have come to look at him as a monster. But for Shahrzad, it’s personal: the most recent young woman sent to her death was Shazi’s best friend, Shiva. So (of course) Shahrzad volunteers for the job of bride.

And what follows is her attempt to stay alive.

If you know, even vaguely, the story of Arabian Nights, you pretty much know what’s going to happen. But, Ahdieh takes the story a step further: it’s not just the tales Shahrzad tells to keep alive. She gives motivation to Khalid (though in many ways it came too late for me to care very much) and she gives drive to Shahrzad. She’s there to exact revenge for her best friend, but discovers that there’s more to Khalid than murder.

Yeah, yeah, yeah.

I know people are loving this book. Seriously loving it. But, I just didn’t. I wanted to; I wanted to enjoy the sweeping Persian-inspired grandeur of the story, the fiestiness of Shahrzad, the illusions to the old tale. But, mostly what I wanted to do was smack Khalid and wonder why Shahrzad fell in love with him. (Too much telling, not enough showing?) It’s not that it didn’t make sense; it’s more that I just felt it was Decreed that they Fall in Love and So Mote It Be. I didn’t feel their love story. Then again, I didn’t feel Shahrzad’s rage. Or her first love’s betrayal. It was all Grand and Distant and I really didn’t care.

But since it’s getting pretty much universal raves from everyone else, it’s probably just me.

Spelled

by Betsy Schow
First sentence: “
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Review copy picked up at CI3 and signed by the author, who was a delightful person to talk to.
Content: Language-wise, it’s probably more advanced than the younger middle grade set can handle (unless they’re precocious), but content-wise there’s nothing. It’s in the YA section (grades 6-8), but it’d be good for a 4th or 5th grader as well.

You know, living in Kansas there’s one thing we get a lot around here: Oz stories. Seriously. It has its own section in the bookstore. And every time a spinoff comes (or a new reissue of the classic story, or a book about the film), we all kind of roll our eyes, knowing that we’ll have customers who just eat this stuff up.

This book is no exception.

It’s basically a twist on the Oz tale: Dorothy (Dorothea in this version) is a princess in the Emerald tower, and she’s kept captive because of a curse that was placed on her when she was born. As she’s gotten older, she’s grown to hate the restrictions on her life, and so she breaks the protection spell…. and all havoc breaks loose. Magic is turned upside down, the wicked witches are let loose, and suddenly Dorothea, her maid Riz, and her fiance (it happened very suddenly) are on an adventure to set things right.

If you know the plot of the book (or the movie for that matter). you’ll recognize the arc of Dorothea’s quest. And that’s okay. Schow was riffing on the well-known story, adding her own elements (having Ozma be the Hydra and turn into Baba Yaga was a nice tough). But, it was really just okay. The humor was okay. The romance was okay. The twist at the end was… okay. It never really became more than just “this is a decent book.” Which isn’t bad. And I’m sure fans of Oz will really like this one.

I suppose I was just hoping for more than okay.

The Truth Commission

by Susan Juby
First sentence: “First let me say that this will not be an easy tale to tell, so I’ll warm up with an author’s note.”
Support your local independent bookstore: buy it there!
Review copy pilfered off the ARC shelves at my place of employment.
Content: There’s some discussion of rape and bullying and a character doing drugs, but there’s no swearing, etc. It’s currently in the Teen section (grades 9-12), but I’d give it to a 7th or 8th grader.

This is going to be quick since I need to head to work. The basic story: Normandy Pale (she’s a girl) goes to an elite art school on an island off the coast of British Columbia. Her claim to fame? Her older sister immortalized a very awful version of their family in a cult popular graphic novel.

Normandy has never been happy with this, but when her sister shows back up into their lives (having suddenly left a prestigious art college in California), she’s really not happy. Add to that her friends Neil and Dusk (her name is really Dawn, but her personality is more Dusk-like) deciding that what they need to do is elicit Truth from people who aren’t fully honest with themselves, Normandy’s a bit of a mess.

Told as a work of “creative non-fiction” (complete with footnotes), this is really a delightful read. Juby’s exploring things like perception and truth, and whether or not it’s good to be honest with each other and with ourselves. It has a messy ending (being “true to life”), and some bumps along the way (the parents were particularly milquetoast) but in the end, I thoroughly enjoyed it.

Deadly Design

by Debra Dockter
First sentence: “I was five years old when I found out that my older brother wasn’t just my brother.”
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Review copy downloaded from Edelweiss.
Content: There was a LOT of swearing in this (including quite a few f-bombs) plus some off-screen sex. That puts this squarely in the Teen section (grades 9+) of the bookstore.

I didn’t quite know what to expect out of this one, when I first picked it up. It’s billed as a sci-fi thriller, but I don’t quite think that fits. It’s not really futuristic, though it is dealing with gene splicing and genetic manipulation. And it wasn’t really thriller-y, except for a bit near the end. So, I came to think of it more as a medical drama, and on that level it worked for me.

Kyle McAdams is the younger son of a couple who had problems conceiving and bearing children. The one they did have died fairly young. So, they went to a doctor who promised them that he could “create” healthy children for them: one egg, one sperm, some genetic manipulation and they’ll have a healthy kid. Except, in the petri dish, the egg splt, and suddenly they had two children. They chose to have one at a time, and so Connor was born two years before Kyle. The catch: they were identical, pretty much in every way.

So, Kyle spent most of his life (in small-town Kansas, outside of Wichita. Yes, the author is local(ish).) in the shadow of his older, perfect brother. Connor was into sports, the Valedictorian, had the perfect girlfriend. Kyle was… not. Even so, when Connor drops dead right before his 18th birthday, Kyle is shaken: they share the same genes, does this mean he’ll die, as well?

When Kyle starts going down the rabbit hole of his origin, what he finds out gets creepier and creepier. He and his brother aren’t the only genetically modified humans out there, and they all seem do die right before their 18th birthday. The question is: why?

I’ll be up front: Kyle is a bit of a moody jerk. (A bit is an understatement.) That makes it hard to connect with him. And so, what kept me reading at the beginning was the novelty factor: I love a good Kansas book that gets Kansas right, as opposed to being just a “nowhere” place. I loved that she got the feel of small town right. Or the visits they made to Wichita. Or the weather. It was lovely. And I loved her ruthlessness: she was killing people off right and left in the first third of the book. It’s always refreshing to have an author write like that.

It also helped that Kyle became less sulky and annoying as the book went on. I began to care about his plight, though I never really felt a sense of urgency about his death. I don’t know why that was; Dockter showed herself willing to kill everyone off, and they told me that Kyle was going to die. Therefore, there should have been tension, but I just didn’t feel it. I came to care about the people Kyle interacted with, and when the twist happened, I was pretty shocked. (No, I didn’t see it coming; then again, I never do.)

That said, I do have one major complaint: Kyle didn’t DO much of anything. He went to doctors who told him stuff, and people helped him, and doctors solved his problems (mostly). But he was more a reactor than an actor in his life. I wanted Kyle to be brilliant and find a solution to save his life, but no. Mostly he had other people do the work while he waited around for them.

But, that said, I did enjoy the science and the drama of it. It’s a solid debut novel and I am interested to see what Dockter writes next.

The Improbable Theory of Ana and Zak

by Brian Katcher
First sentence: “Zak!”
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Content: There’s some swearing, and one (brief) naked scene (which was alluded to), as well as passing references to drug use and drinking. It’s in the YA section (grades 6-8) of the bookstore.

I can sum up this book in one sentence: Hermione and Michael Cera spend a crazy action-filled night at Seattle ComicCon and fall strongly in like.

It sounds simplistic, and like I didn’t care for the book, neither of which is true. The book may not be tackling the deepest subjects ever, but it’s not all fluff. And I found myself — in spite of the improbable situations that Ana and Zak found themselves in — thoroughly enjoying their adventure.

Ana is the daughter of super strict parents. Seriously: she believes that she makes one mistake — like her older sister, Nicole, did — and she’s kicked out of the house. So, she does everything right, from following her parents’ (insane) rules to letting them choose her college for her.

Zak’s father died a few years back and his mother recently remarried a guy Zak — uber geek extraordinaire — has nothing in common with. So, he spends his time being the slacker, failing health (by turning in a paper copied from Wikepedia, hyperlinks and everything. Who does that?), and having no desire to even go to college when he graduates in the spring.

They come together one fateful night, when the health teacher (who also happens to be the quiz bowl coach), um, encourages Zak to come to a tournament (by telling him she’ll waive his plagiarized paper and allow him to pass the class) instead of going to his favorite con, Washingcon, that happens to be in Seattle the same weekend as the tournament. Ana is loathe to have him on her team, especially since her first impression of him was terrible. Zak is loathe to be on the team, mostly because he finds Ana rigid and cold and because he’d much rather be AT the con rather than just near it. So, of course, they spend the entire night together at the con, looking for Ana’s younger brother who snuck out to attend.

The con itself was my favorite part (good thing it was most of the book); having never been to one before (shock! It’s on my bucket list, if only to people watch), I thoroughly enjoyed the con atmosphere Katcher painted. I don’t know if it was realistic; there were bullies and gay weddings and gaming tournaments and singing and Zak being some sort of geek god, but I ate it up. If that’s what a con is, then heck yeah, I want to go.

No, it wasn’t perfect: the ending took a turn for the weird when they ran into trouble with a drug runner, and the confrontation with Ana’s mom (when it came out that they were lying about where they were) was pretty unsatisfying (especially since I has just spent the whole book hating her). But, for the most part, it was a thoroughly enjoyable geeky adventure.

And you really can’t ask for much more than that.

Magonia

by Maria Dahvana Headley
First sentence: “I breathe in.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There’s a bunch of swearing, including several f-bombs. It’s in the Teen section (grades 9+) but I wouldn’t be adverse to giving it to an 8th grader as long as they knew about the language going in.

Aza Ray has spent the nearly sixteen years of her life struggling to breathe. It’s a miracle she’s even lived this long, since she’s got a weird disease (named after her, unfortunately) that basically renders her allergic to air. She’s managed okay, with the help of her family, and her BFF, Jason. But, now, on the eve of her 16th birthday, things are getting weird. Jason maybe wants to be more than BFFs. It’s getting harder and harder to breathe. And weirdest of all? She’s seeing ships in the sky.

There are spoilers ahead. You’ve been warned. Because, for better or for worse, this is about to get REALLY trippy.

See: Aza Ray is seeing ships in the sky because there’s a country of bird people up there, called Magonia. And Aza is one of them. (Which is, duh, why she’s having trouble breathing regular earth air.) She was kidnapped as a baby and placed in a human home; whether it’s to punish her mother (according to her mother) or to save her (according to the bird-person who kidnapped her) remains to be seen. It’s really because Aza has this super-singing power that will either save Magonia or destroy the world. Or both. The problem is that she just can’t give up her human life (even though she DIED), and she just can’t quite kill off the humans.

I didn’t really know what to expect going into this, except that there’s a bit quote from Neil Gaiman on the cover and that everyone (at least on Edelweiss) is loving it. I completely — pun intended — missed the boat on this one. Seriously. I thought the premise was at best a drug-induced fantasy and at worst stupid. I thought the conversation was trying to hard to be John Green-esque and it sounded forced. I thought the plot was lame, even though it wrapped up nicely, and that the romance between Jason and Aza was forced. And even though I love fantasy, this just was NOT my thing.

But, as I said: it’s getting tons of love, so that may just be me not getting it.

Bone Gap

by Laura Ruby
First sentence: “The people of Bone Gap called Finn a lot of things, but none of them was his name.”
Support your local independent bookstore: buy it there!
Content: There’s some intense situations, some creepiness, and some on-screen, tasteful sex. It’s also pretty mature in its themes. For those reasons, it’s in the Teen (grades 9+) section of the bookstore.

Bone Gap is one of those places that everyone knows everyone else’s business and opinions once formed aren’t so easily changed. So, everyone knows that the Rudes are hopeless and mean. That Charlie Valentine is just plain weird. And that Priscilaa — who insists upon being called Petey — is homely. And that Sam and Finn are okay without their mom, who ran off, but they could be better. And that the strange newcomer, Roza, is the most beautiful girl ever.

They also know that Finn’s not the most reliable person; he’s kind of spacey, like his mom, and so when he says some guy in a black SUV took Roza, no one believes him. They chalk it up to “women are always leaving those boys”. They assume that Roza wants to go. But Finn? Finn knows different. So, he sets about trying to find Roza, not because he loves her but because his brother does and his brother can’t quite bring himself to find her. Little does Finn know that looking for Roza will change everything.

I have been sitting here, staring at the screen, trying to figure out what to say about this book. It’s not that I didn’t like it; I did. But I didn’t love it like I felt I should.

My favorite part?  The women. I loved them. I loved Roza and her desire to be Seen for herself and not for her beauty. I loved Petey and her fierceness. I wished there were more women to love, because Ruby knows how to write them whole and complex, people rather than stereotypes.  I liked that they saved themselves, even though the men weren’t worthless louts or even helpless. It was something that was just Done, that they rose up and just did that. They were my kind of women. I also loved the idea that what we assume about other isn’t always the Truth. That there’s more to people than what we see.

But aside from that, I didn’t really love it. Maybe it was the whole magical realism thing; that genre and I have never really quite gotten along. I think I prefer my magic overt: if there’s going to be something strange going on, then give me magic with Rules. I didn’t understand what was going on until the book was nearly done, and that left me feeling, well, stupid.

So, I didn’t enjoy it as much as others on the interwebs, but I still think it’s a novel worth reading.

The Darkest Part of the Forest

by Holly Black
First sentence: “Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin.”
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Content: There’s a few f-bombs and some teen drinking at the beginning. And some intense kissing, not to mention violence. It’s in the Teen section (grades 9+) of the bookstore.

Siblings Hazel and Benjamin have grown up in Fairfold, where they know that faeries are in the forest. They know not to mess with the fairies, but since Ben was blessed (cursed) to make gorgeous music as a child and Hazel has always been drawn to the forest, they really didn’t listen. They made up stories about the prince that was in the glass coffin, they fought some bad faeries, and Hazel even made a bargain with the Alderking to help with Ben getting some musical training.

But all that was in the past. Hazel, now 16, is reckless with boys’ hearts and Ben stopped making music years ago.

And now the prince in the coffin is awake and Hazel’s life is falling apart. The question is whether or not Hazel can figure things out before her life is completely destroyed.

I love Black’s storytelling. Wholly and completely. She pulls you into the world she creates, and makes you believe everything she writes. I loved Hazel in her brokenness, and her relationship with Ben. I loved that there were faerie characters and human characters in all shades of the rainbow (both in terms of skin color and morality). I loved the myth she spun around the town and these characters, and the way she worked with the whole idea of the fey.

I just loved the book. Period.

Scarlett Undercover

by Jennifer Latham
First sentence: “The kid was cute.”
Support your local independent bookstore: buy it there!
Content: There’s a bit of mild swearing (s**t) being the “worst” one, plus some kissing and references to (adult) smoking. It’s in the YA section (grades 6-8) of the bookstore, but I wouldn’t mind giving it to a savvy 5th grader.

I adored Nancy Drew as a kid. Seriously. I devoured them all. I loved the mystery, I loved Nancy Drew’s pluck. It was what I wanted.

This, however, is Nancy Drew for the Modern Age: she’s sassy, smart, and street-wise. And I loved it just as much (if not more).

Fifteen-year-old Scarlett is many things: an orphan (dad was murdered, mom died because of cancer); brilliant (she graduated from high school two years early); Muslim; and, perhaps most importantly, a detective. No, it’s not really official: she mostly does inside jobs for the Las Almas police department, and sometimes she hustles and gets a case locating something missing. Nothing that prepared her for when 9-year-old Gemma walks through her door.

Gemma’s worried about her older brother: something has happen to change him; he’s become distant, angry, and mean. But, more than that: Gemma’s convinced that her brother is responsible for the “suicide” of his (former) friend. And she needs Scarlett to find out what’s going on. Little does Scarlett realize the rabbit hole that she’s just opened up.

One of the things I loved most about this book was that Scarlett came from a religious family (she wasn’t non-religious; she just wasn’t as religious as her older sister), and there was a huge support in the surrounding community. But, it wasn’t an issue: it was just who Scarlett was. She greeted people in Arabic, she said her prayers, she observed Islamic customs and traditions. And she solved cases. It was so perfect in so many ways.

I also liked that she was sassy. She had an attitude, but one that suited her and the narrative, and it came through loud and clear. If I was my 11-year-old self, I would have adored Scarlett. (Which my mother may not have appreciated it.) I also loved that Scarlett, was capable: she got into some dangerous situations, and she had the know-how (and the tools) to get herself out. It’s really fantastic.

There is a vague hint of the supernatural — talk of djinn and portals and such — but it didn’t develop in a speculative fiction way, which actually made me very happy. I love speculative fiction, but it would have been out of place here.

I’m willing to talk this one up as much as possible; I do hope it finds a ton of readers.