YA

Love & Gelato

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lovegelatoby Jenna Evans Welch
First sentence: “You’ve had bad days before, right?”
Support your local independent bookstore: buy it there!
Release date: April 12, 2016
Review copy snagged from the ARC shelves at work.
Content: There’s some drinking (the drinking age in Italy is 16) and a couple of lecherous men that the main character encounters. It’ll be in the YA section of the bookstore.

Lina’s mom has died somewhat suddenly, and several months later Lina has found herself in Florence, meeting the father  — Howard — she never knew because her mother never told her about him. It’s not exactly her idea of a good time. What she really wants is to just go home and live with her best friend.

Then she receives her mother’s journal from her time in Florence, and all of a sudden, things become more interesting. She not only learns about her mother’s secrets, but sees Florence through her mother’s eyes. It also helps that she meets a cute Italian (well, half-American) boy, Ren, to share things with.

This was was just about perfect as a summer romance. Sure, it starts with a dead parent, but after that it’s utterly charming. I loved the mystery of Lina’s father: who was he, what was he like? I loved her getting to know Howard, and I adored Ren as a character. Sure, it was a little predictable (I figured out the twist pages before Lina did), but in a comforting way. Besides, I was reading it as an escape to and a romance in Italy, not for some great literary writing. And Welch served it up (pun intended) delightfully.

 

The Winner’s Kiss

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by Marie Rutkoskiwinnerskiss
First sentence: “He told himself a story.”
Support your local independent bookstore: buy it there!
Others in the series: The Winner’s Curse, The Winner’s Crime
Content: There’s some sexytimes, but it’s tastefully off screen. Mostly. I am toying with moving this to the Teen section (grades 9+). (I hate doing that, especially since the other two are really pretty firmly in my 6-8th grade range. But, I also don’t want one in the Teen section and the other two in the YA section, so I may just move them all, or keep this one in YA. Frustrating.)

Spoilers for the first two, obviously.  Also: I still hate these covers with a passion. I mean, they’re pretty and all, but they’re NOT the books.

Kestrel has been arrested as a traitor to her country and shipped off to a work camp in the frozen tundra. Arin is still reeling from betrayal, when Kestrel rejected him and is throwing himself into his alliance with the Dacrans, determined to beat Valoria out of his country once and for all. He’s still in love with Kestrel, but she doesn’t seem to return his affections.

Both are determined to make the best of their situation. Both are determined to exact vengeance upon the leaders of Valoria, which includes Kestrel’s father. Neither are prepared for the directions that goal will lead them.

I don’t want to give more away from the plot (though if you’re smart, you can make some assumptions from the content…), but I’ll say this. It’s a good ending. I liked how Rutkoski wrapped things up, giving the story a complete finish, while not giving us every single little detail about the future. I love how she gave both Arin and Kestrel moments to shine, moments to grow, moments to be complex and do the unexpected. I liked that there was palpable tension, not necessarily between people but in situations. I found myself biting my nails, hoping things worked out okay. I loved how no one was black or white, and that even the bad guys were complex and interesting.

I’m definitely sad that this series is ending. It was definitely a good story.

Tell Me Three Things

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tellmethreethingsby Julie Buxbaum
First sentence: “Seven hundred and thirty-three days after my mom died, forty-five days after my dad eloped with a stranger he met on the Internet, thirty days after we then up and moved to California, and only seven days after starting as a junior at a brand-new school where I know approximately no one, an email arrives.”
Support your local independent bookstore: buy it there!
Release date: April 5, 2016
Review copy snagged from the ARC shelves at my place of employment.
Content: There’s a lot of swearing, including a dozen f-bombs, some teen drug use and drinking, as well as talk of sex. It’ll be in the Teen section (grades 9+) of the bookstore.

Two years after Jessie’s mom’s’ death, her father decides to move on, marrying a woman from L. A. that he met on one of the grief chat boards. What that means for Jessie, however, is being uprooted before her senior year, forced to leave her Chicago home and friends and forced to move in with a stepmother she doesn’t know and a stepbrother who loathes her and go to a private school where everything she does is wrong. Then she gets an email out of the blue from someone who calls himself “Somebody Nobody” and they start a conversation. One that, over the course of the fall, becomes increasingly important to Jessie. `

The big mystery, though, is who this Somebody Nobody is. Jessie’s pretty sure it’s a guy, but which one? And, as they get closer and she spills more of her secrets to him, will the ever meet?

I fell head over heels in love. Sure, it’s a bit 99% with the private school and the rich California kids, and sure there’s the whole dead-parent thing, but it’s a good picture of a girl trying to get past her mom’s death (rather than her mom dying) and moving on. and I liked how Buxbaum dealt with the whole blended family thing. But, what I really liked was the romance. I adored the conversations between SN and Jessie (is it bad that I peeked at the end to find out if it was who I hoped it was?) and I felt that Buxbaum found a creative and clever way to make their relationship grow without it feeling trite or cliche.

It really was a delightful read.

Rebel of the Sands

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rebelofthesandsby Alwyn Hamilton
First sentence: “They said the only folks who belonged in Deadshot after dark were the ones who were up to no good.”
Support your local independent bookstore: buy it there!
Release date: March 8, 2016
Review copy provided by the publisher.
Content: There’s some pretty disturbing violence near the end of the book. It’s in the YA section (grades 6-8) of the bookstore.

The store’s Penguin children’s rep (whom I adore, and not just because she’s got an Irish accent) told me when she handed me the ARC of this book that it was Totally Brilliant and that I was going to Totally Love It. (Just imagine that in an Irish accent. She’s great.) I said okay, I’ll read it. And then it got stuck on the back burner. Things crept up, and then A stole it from me and plowed through it. And she said that it was really really good and I should totally read it. And still it was on the back burner.

(This is less a review a more of a “why didn’t I read this SOONER” post. Sorry.)

But then a day came when I was shuffling through my shelves and piles looking for something Really Good, and this finally Called to me.

And as I plowed through the first two chapters — in which our heroine, Amani Al’Hiza finds herself in a shooting contest in order to get out of her dead-end desert town and away from her lecherous uncle and demanding aunt — and was hooked. Seriously. I was reminded of Harry from The Blue Sword and of Katsa from Graceling and I was in love. I plowed through this book like I didn’t have to work or do dishes or manage four kids in the house.  (Some people are calling it East Meets West — it’s set in a Middle Eastern-like country, with djinn but there’s guns — but I disagree. Sure, it’s pulling on all influences, but I really didn’t get the whole “Western” vibe. It’s a fantasy with guns instead of swords. I can go with that.) I loved the characters (yeah, so I called the love interest from the first chapter, but I did love the twists that came), I loved the complexity of the mythology Hamilton created, I loved that she didn’t give me a clean ending. (I didn’t love that it’s probably not a stand-alone, but at least it came to a conclusion.) It definitely hit all the right buttons for me.

Which leads me to say, don’t do what I did and put this one off. It really is THAT good.

Hello, Goodbye, and Everything In Between

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hellogoodbyeby Jennifer E. Smith
First sentence: “When Aidan  opens the door, Clare rises onto her tiptoes to kiss him, and for a moment, it feels like any other night.”
Support your local independent bookstore: buy it there!
Review copy pilfered from the ARC piles at work.
Content: There’s some illusions to teenage drinking and sex, but it’s all tasteful and way off screen. If there is swearing (and now that I think about it, I’m not sure there is…), it’s all mild. It’s in the YA (grades 6-8) section of the bookstore.

Clare and Aidan have been a couple for the past two years of high school. They’ve been super happy and content in their relationship. But, it’s the night before they leave for college and they aren’t going the same place. Clare is headed to Dartmouth and Aidan for the opposite coast and UCLA. So, they’re going out this last night with one goal in mind (at least Clare’s mind): to break up. It’s a logical decision: they need to go away and be able to experience college fully, to not be constantly wondering if the other is being “faithful”. It makes sense.

Clare’s plan is to recreate memorable moments from their relationship, from where they first met through their first kiss and beyond. Except the evening doesn’t go as planned, and perhaps through the twists and turns that the evening throws at them, they can figure out exactly what to do with their relationship.

I love Smith’s romances. They’re generally sweet and simple, kind of like Baby Bear’s porridge: just right.  This one was a bit more angsty than the others I’ve read, but understandably so. I appreciated that Clare was the “logical” one and that Aidan was the more emotional center in the book; it’s a nice twist to have the girl pushing to break up and the boy wanting to stay together. And the adventures over the course of the night were fun as well. It was an interesting take on relationships as well: usually, books either deal with the falling in love part, or the ending part but I don’t know if I’ve read one where there was a “conscious uncoupling” and Gwyneth Paltrow so eloquently put it. I found that difference to be a nice change.

But while it was all nice and comfy and sweet, that’s really all it was. While it wasn’t bad, it wasn’t anything I totally fell in love with. (Ha!) Still: a good book.

Audiobook: School for Brides

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schoolforbridesby Patrice Kindl
Read by Bianca Amato
Support your local independent bookstore: buy it there!
Others in the series: Keeping the Castle
Content: Nothing objectionable, but a working knowledge of Regeny manners is helpful. It’s in the YA section (grades 6-8) of the bookstore.

Set a year after Keeping the Castle (but you don’t need to read that one first), the Winthrop Hopkins Female Academy has one purpose: to educate young ladies to make smashing matches. The problem, however, is that in Lesser Hoo, Yorkshire, there is exactly one bachelor, who isn’t exactly everyone’s idea of eligible. How are eight young women supposed to find their matches if there isn’t any eligible young men around?

Thus begins the very charming A School for Brides (which was a delight to listen to). Things begin to look up when a young man breaks his leg while in the country and is put up at the school to heal. His friends come calling, and suddenly everything is looking a lot more complicated. Several of the girls are simply delightful (plus the instructor, Miss Quince; I adored her), being that excellent cross between feminist and historical, saucy and authentic. There were so many delightful characters (though sometimes I wished I was reading it so I could keep track of who was who) doing so many delightful things. There were also ones to loathe, so it wasn’t a perfect froth.

As I was reading, I realized it’s a homage to Jane Austen’s work, but it’s also a parody. That feeling kind of increased when I did some looking at how to spell the names and discovered that Miss Foll-ee-ut (which is how the reader was pronouncing it) is spelled Pffolliott. Definitely a send up to the silliness that goes on in historical England. (Leave it to Psmith, anyone?)

Amato was also delightful, capturing the spirit of the book in her narration as well as the essence of each character, which is a trick since there’s so many. It’s definitely a fun read.

I am Princess X

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iamprincessxby Cherie Priest
First sentence: “Libby Deaton and May Harper invented Princess X in fifth grade, when Libby’s leg was in a cast, and May had a doctor’s note saying she couldn’t run around the track anymore because her asthma would totally kill her.”
Support your local independent bookstore: buy it there!
Content: It’s a bit intense at times and there is some mild swearing. It’s in the YA section (grades 6-8) of the bookstore.

Libby died three years ago in a car accident. May knows this. She’s moved on (sort of). But, when she’s back in Seattle the summer before she’s 17, she starts seeing stickers around town. Ones of a princess in a pink dress, red Chucks, and wielding a katana sword. The spitting image of the comic that Libby and May created in fifth grade. At first, it seems like a coincidence: maybe someone got a hold of all the pages Libby left when she died. Or, maybe — just maybe — Libby’s still alive.

After reading the webcomic, May is convinced of the latter. She’s convinced that Libby’s mom was murdered, that Libby was kidnapped, and that she’s the only one who can find Libby. She enlists the help of a recently-graduated computer geek (with a bit of a dark side), Patrick, and together they follow the clues May says are left. The thing is: what started out as an innocent investigation becomes increasingly more dangerous the further they get involved.

Ohmygosh! I don’t know why this took me too long to read this!

Seriously though, people: it’s a tight, interesting thriller, one that kept me guessing along as May and Patrick figure out and follow the clues. It gets intense at times and it definitely kept me turning pages.  THIS is what a good YA mystery is about. No extra lame love story. Cool characters. A fantastic mix of graphic and prose. So, so very good.

Can you tell I liked it?

Salt to the Sea

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salttotheseaby Ruta Sepetys
First sentence: “Guilt is a hunter.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There are some disturbing elements — it is the horrors of WWII, after all — including violence and rape, though none of it is graphic. It’s in the Teen (grades 9+) section of the bookstore, but I’d give it to an interested 7th- or 8th-grader.

One of the things I really admire about Sepetys is her willingness to tell the untold story. The story that’s been buried or neglected because of the way history has been told. The story that’s difficult to face or bear. She looks at them unflinchingly, and compels us to bear this hard history with her. It’s a difficult thing, but she does it so eloquently we just can’t look away.

This time around she tackles the sinking of the Willhelm Gustloff, a Nazi ship that was carrying 10,000+ refugees that was sunk by the Soviets near the end of the war. We follow four young adults (they range in age from 15 to 21) — Emelia, a pregnant Polish refugee; Florian, a Prussian who’s on the run with a stolen secret; Joana, a Lithuanian nurse who’s been able to repatriate into Germany, and who’s searching for her mother; and Alfred a young Nazi recruit who is a bit… off — as they head toward the ship in the dead of winter. The chapters are short, almost poetic, and they intertwine in compelling ways. It propels you forward, in spite of the horrors (perhaps because of them?). The minor characters — the orphan boy Joana finds, as well as the shoemaker they travel with, among others — are just as fleshed out and real as the main characters. Sepetys didn’t cut corners, and I appreciated that.

It’s exactly what I’ve come to expect from her. And that’s the best thing.

 

These Shallow Graves

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theseshallowgravesby Jennifer Donnelly
First sentence: “Josephine Montfort stared at the newly mounded grave in front of her and at the wooden cross marking it.”
Support your local independent bookstore: buy it there!
Content: There’s some mild swearing, murder, and some questionable situations. It’s in the Teen (grades 9+) section of the bookstore, but I’d give it to a 7th or 8th grader, who was interested.

Josephine is a thing that an 1890s socialite isn’t supposed to be: curious. She’s supposed to obey her parents, be elegant and ladylike, and marry a wealthy, eligible bachelor of her parent’s choosing. But, when her father unexpectedly turns up dead, supposedly having shot himself, Josephine won’t — can’t — settle for that. She heads out, teaming up with a reporter by the name of Eddie Gallagher, to find the Truth.

Thus starts a winding, sometimes scary, path that will lead Josephine down paths that would scandalize her family if they knew, but ultimately opens Josephine’s eyes and changes her forever.

I’ll be honest: the mystery was kind of predictable. I guess who it was fairly early on, as well as guessing the “big secret”. I didn’t have the how and why, but eventually, I figured out that too. The thing that kept me reading was Jo herself. I enjoyed the push and pull she had with Upper Crust New York Society, how she was willing to go against the expectations of her family. I found it all fascinating, and found Jo a character worth spending time with this.

Which made it worth reading.

Peas and Carrots

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peasandcarrotsby Tanita S. Davis
First sentence: “By the door,on the other side of the sheet that divides the room, Baby cries in his car seat.”
Support your local independent bookstore: buy it there!
Release date: February 9, 2016
Disclaimer: I’ve met the author, working with her for KidlitCon in Sacramento and I find her an absolutely delightful person.
Review copy snagged off the ARC shelves at my place of employment.
Content: There are several instances of mild swearing, plus some illusions to adult drug and alcohol use. Because there are no f-bombs, it’ll be in the YA section (grades 6-8, though it might be better for the older end of that spectrum) of the bookstore.

Dess is a 15-year-old girl stuck in the foster care system. Her deadbeat dad’s finally in jail, as is her mom. Dess’s grandmother gave up trying to care for her and her baby brother years ago. Dess is determined: she doesn’t need anyone. And so when she gets placed in a new home, one of an affluent family, she figures it’s not going to last.

Hope’s parents are stable and happy and take in foster kids, including Dess’s brother Austin, to give back to the community. Hope’s used to the revolving door of kids, but there’s never been one close to her age. Until now. And since Dess is doing pretty much everything to keep people at arm’s length, Hope knows that living with Dess is going to be a challenge. She just doesn’t know if she’ll be able to adjust.

First test: which one of these girls is African American and which one is white? (Answer: Dess is white. Did you pass?) That’s actually one of the first things I liked about this: Davis takes your (my) assumptions about foster care, about the State of the Country, and turns it upside down. In this story, the white girl is the one who’s on the run from an abusive family and the black girl who has the stable life. And Davis doesn’t leave it there; there’s discussion about race and class and belonging, which I respect.

And, as an unofficial foster parent myself, I found myself nodding and agreeing and loving the entire book. Yes, the kids come with baggage and a backstory that usually isn’t pretty. Yes, their lives can be changed by living in a stable, more affluent (though we’re not nearly as well off as Hope’s parents) situation. But Davis also got the corollary to that: having a foster kid in your home is challenging, sometimes disruptive, but is also life-changing. And, if you let yourself — as Hope and Dess eventually find out — you will be better off for it.

Definitely worth reading.