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The Power

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by Naomi Alderman
First sentence: “Dear Naomi, I’ve finished the bloody book.”
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Content: There is a lot of swearing, including multiple f-bombs, some sex, and a few graphic rape scenes. It’s also incredibly violent. It’s in the science fiction/fantasy section of the bookstore.

The basic premise of this book is that one day, suddenly, all women in the world get a power — the ability to channel electricity — that gives them the ability to “fight back” against men of the world. It starts with teenagers, but eventually spreads to most women. The narrative follows four people: a mayor of a New England town, a girl in the foster system, a daughter of a British mob boss, and a young Nigerian man. The change affects all their lives: the mayor becomes governor and then senator, creating for-profit training camps for girls to learn to better control and use their power; the girl kills her foster father (who was raping her) and runs away and eventually starts a new religion, becoming Mother Eve; the daughter of a mob boss ends up taking over the whole operation; and the young man becomes a news reporter, going where the stories — of rebellion, of resistance, of control — are.

It was, for me, a tough book to swallow, and it wasn’t until the end when I realized what Alderman was doing. It’s best to remember that science fiction is more about the present than the future; and Alderman is shining a light on violence against women by turning the tables. The women in this book, once they get the power, become very… well… masculine. They embrace and abuse power, they torture and rape and kill men solely because they are weak. They create laws that restrict men’s movements, and in the end, blow the whole system up.

It’s also a critique of the nature of power, I think. I feel like Alderman is saying that power over another person corrupts anyone, male or female. That there is no “better nature” that will, inherently, make a woman better at leading. That power is, at it’s heart, an violent act of controlling another person.

It’s not an enjoyable read, but it is an interesting one, and has given me much to think about.

Friday Black

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by Nana Kwame Adjei-Brenyah
First sentence: “Fela, the headless girl, walked toward Emmanuel.”
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Content: It’s violent and there is some strong language, including a lot of f-bombs. It’s in the adult fiction section of the bookstore. 

I picked this one up after hearing the author on the New York Times Book Review Podcast. I’m not usually a short story sort of person — and this one took me a while to get through — but it sounded fascinating enough that I felt compelled to pick it up. 

It’s a set of mostly unconnected short stories (though there are three about working in retail that take place in the same store) about what it’s like to be black in America. It’s nominally speculative fiction: the shoppers in the title story are forms of zombies, made that way by consumer greed, literally killing each other on the way to get the Product They Need. Or, in the final story, “Through the Flash”, Adjei-Brenyah imagines a future where technology and climate change has stuck us all in this terrible time loop, doomed forever to repeat the same day and the effects that would have on people, for good and ill. 

But my favorite story — “favorite” meaning “the one that suck with me the most” is “Zimmer Land”, an “amusement” park where white people get to pay for the opportunity to extract “justice”: stop a terrorist, solve a bomb threat, or stop a “thug” from invading their streets. If, by the end, you haven’t realized that it’s a pretty damning telling of the way white people deal with crises, whether real or perceived, then I think you read it wrong. 

I didn’t get all the stories — part of my problem with short stories, usually — but that could be because I’m a white person, and I just don’t understand black life or experience. Even so, I found this to be incredibly powerful. He’s definitely a voice in fiction I’ll be watching out for more from. 

Gunslinger Girl

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by Lyndsay Ely
First sentence: ”
Support your local independent bookstore: buy it there!
Release date: January 2, 2018
Review copy provided by the publisher.
Content: There is a lot of violence, none overly graphic, some drinking, some off-screen sex, and a bit of mild swearing. It will be in the Teen section (grades 9+) of the bookstore.

In this near future scenario, the US has dissolved, through war and disease, into a loosely-formed Confederacy of North America. Not all states are part of it, but inside CONA there are communes, where those faithful to CONA (the war feels a bit like the war in Firefly; the Patriots were on the “losing” side, but they were probably right…) to live. Outside of CONA’s borders, though, anything is game. Especially in Cessation, the largest city out west.

Serendipty “Pity” Jones lives on one of those communes with her hateful father and two brothers. And when her father decides to marry her off, she runs away. Initially headed to Columba, CONA’s capital, Pity ends up, instead, in Cessation. In Casimir — the largest brothel/hotel/casino/theater in town — specifically, where she takes her mother’s guns and training, and turns them into an act.

But Casimir and Cessation aren’t everything they seem. While Pity makes a place for herself and some friends, there are pitfalls and traitors and life-threatening situations.

A combination thriller, Western, and speculative fiction,  Gunslinger Girl has it all:  action, adventure, dark undertones, romance, betrayal. I’ll admit when I began this, I wasn’t sold, but by the end, I was enthralled.

A spectacular debut.

Audiobook: Three Dark Crowns

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threedarkcrownsby Kendare Blake
Read by: Amy Landon
Support your local independent bookstore: buy it there!
Content: There’s some off-screen sex, and lots and lots of violence. It’s in the Teen section (grades 9+) of the bookstore.

The premise of this one is weird and awesome: on the island of Fennbirn, every generation there is born a set of triplet queens. They are fostered out, according to their “powers”, and each one has an equal chance at becoming queen. The catch? The one who becomes queen has to kill her sisters.

Our queens are Arsinoe, a naturalist, said to have power over nature; Katharine, a poisoner, who can ingest the most lethal poisons and not die; and Mirabella, an elemental, who has control over the weather. Except, things aren’t always as they seem. And those who the queens have been fostered to have much more power than the queens.

It had a really slow start to it; there was a lot of exposition about the magic (which I didn’t mind) and the characters (I liked some better than others). There were a couple of love stories, and a love triangle (of sorts). (I kept rooting for one of the queens to be lesbian; I think one is, but not the one I suspected.) It took a long time to get going, and the only thing that kept me listening was the narrator, who was quite spellbinding. For one, there’s a lot of weird names of people and places in this, and it was nice to have someone else pronounce Arsinoe (ar-sin-oye) and Katharine (cat-er-eene), instead of trying to figure it out on my own. I think Blake tried to balance all three queens’ stories, but she ended up focusing more on Arsinoe more than others. (Or at least I felt she did.)

It wasn’t a stand-alone, as I had hoped. And I called one of the major twists fairly early on. But were a couple of things that surprised me, and I have hopes for the direction that the sequel should go (we’ll see). It wasn’t the best fantasy I’ve read, but it wasn’t bad either.

 

Audiobook: The Library at Mount Char

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by Scott Hawkins
Read by Hilary Huber
Support your local independent bookstore: buy it there!
Content: SO so SO violent. So VERY violent. And a LOT of swearing, including a big bucketful of f-bombs. You are forewarned. It’s in the adult fiction section of the bookstore.

When the Random House rep came in to pitch this one, she started by saying “I have no idea how to  describe this book.” And it’s true: it’s about a Library. And librarians, but not the way you think. It’s about the end of the world, but not in the way you think. In fact, any way I try to sum this one up it’s going to end with: but not in the way you think. Throughout this whole book, that was the one constant: it’s nothing like you expect.

When Carolyn was eight, her parents died in a tragic accident, and, along with 11 other children, she was adopted by a man they came to know as Father. Father was a librarian, the caretaker of a most unusual library, and Carolyn and her new siblings became his apprentices, each learning a catalog. It wasn’t an ordinary apprenticeship, either: David, who was in charge of war, learned all the ways of war and death known to man (and some not yet known). He became awful and violent and cruel. Margaret learned the ways of death and the underworld, dying multiple times. (Another one, Jennifer, learned the ways of healing and was tasked with bringing everyone back from the dead.) Carolyn’s catalog was all the languages known to man, both ancient and current, as well as ones not known. To be simplistic, it was an awful existence: Father was heartless and cruel in his punishments, and there was no mercy to be seen anywhere.

But now, Father has gone missing, the siblings have been kicked out of the library, and it’s up to them — well, Carolyn, since she speaks English best — to figure out where Father is.

This is, unfortunately, one of those books that the less you know, the better. Know that Steve — an American man that Carolyn ropes into helping — is the heart of the book. And Erwin — an ex-military Homeland security agent — is crass and awful, but good at heart. Know that the end is worth the rest of the book. And that it definitely gets worse before it gets better. And that “better” is relative.

I was talking to another bookseller about it (one who read an ARC months ago) about how this one is best when read in a group, almost: you need another person to be able to process what happens. So, it’d be a good one for book groups, if you can handle the dark.

A bit about the audio: Hilary Huber was FANTASTIC. Seriously. In many cases, her narration is what kept me reading. Especially since, in many ways, listening to this book is more difficult than reading it: you’re not able to skim the really horrible bits. But her voice, and the way she chose to narrate this book, was amazing. So much so, that I’m going to look for more books read by her.

I didn’t love this one, but I am really glad I listened to it. There’s a lot to think about.

An Ember in the Ashes

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by Sabaa Tahir
First sentence: “My big brother reaches home in the dark hours before daown, when even ghosts take their rest.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: It’s dark and it’s brutal. Seriously. More so than Hunger Games. And because of that, it’s in the Teen section (grades 9+) of the bookstore.

Laia has grown up in a world where her people, the Scholars, are a captive people. Their great enemy, the Martials, conquered them and have shown no mercy. They imprison the Scholars, they rape the women, they torture and kill those that they catch. Laia’s parents were part of the resistance, and they were betrayed and killed, along with her older sister. She and her brother Darin lived with their grandparents, trying to fly under the radar of the Martials. Until one day, when they don’t. And the Masks come for them, kill her grandparents, take Darin. Laia barely gets away.

Elias has grown up at Blackcliff, the military school that trains the Martial Masks. An unwanted bastard son of Blackcliff’s Commander, he spent the years before he turned six with the Tribal people in the desert. Then the Augurs — the mystic, magical, immortal Martial prophets — came for him and thrust him into a kill-or-be-killed world. The only way he survived was because of Helene, his fellow student and best friend. Now, just as he was graduating and dreaming of freedom, the Augurs decide that it’s time for a new emperor, and pit Elias and Helene against each other and two other students in a bid to be emperor (or die).

I think the most logical comparison read for this book is Game of Thrones. This is brutal, unflinching, dark, violent, harsh… there’s magic, but it takes a back seat to the exploration of Martial culture. And yet, underneath all of that dark is a hope, a light. Elias, for all the terrible things he’s done (and that have been done to him), turned out to be a decent human being. Laia, even though she thinks of herself as weak, has a quiet strength and bravery to her that isn’t readily seen or valued. It’s a very human book, as well: the characters are complex and messy, there’s depth even to the most hateful of characters (Marcus and the Commander, I’m looking at you), that makes them understandable, even if they aren’t likable.

In fact, the only thing I didn’t like about this book was that there are many unresolved issues, and many unanswered questions at the end. Then again, if this is the quality of writing that Tahir gives us with her first book, I only have high hopes for where this story is going to go.