abuse

Audiobook: Stars in Your Eyes

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by Kacen Callender
Read by a full cast
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Release date: October 10, 2023
Content: There is a lot of swearing, drinking, and some off-screen drug use. There is also a couple of on-page sex scenes. The book also deals frankly with sexual abuse and trauma. It’s in the Romance section of the bookstore.

Mattie Cole is Hollywood’s Golden Boy, an up-and-coming actor who can’t do any wrong. Logan Gray is a pariah in Hollywood, a child actor with a reputation for being difficult, and a playboy. It’s one thing that they’re cast as romantic leads in a new rom-com, but it becomes more complicated when the are told to pretend to be in a relationship for publicity’s sake.

It sounds like a delightful romance, yes? Except this is Kacen Callender we’re talking about. They don’t write fluff. No, Callender has taken the grumpy/sunshine fake-dating tropes and layered on individuals dealing with their own trauma, which makes things so much more complicated. There are issues of sexual abuse, neglect, shame, accepting one’s true self, consent… and the list goes on.

What you will get in this book is a gut-punch of emotions, and characters you genuinely care about. I also ended up thinking a lot about the way society treats celebrities, and the things that are expected from them to “satisfy” their “fans”. it’s a complex, profound book, that is only masquerading as a romance.

And I loved it so much.

Wolfsong

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by TJ Klune
First sentence: “I was twelve when my daddy put a suitcase by the door.”
Support your local independent bookstore: buy it there!
Release date: July 4, 2023
Review copy pilfered from the ARC shelves at work.
Content: There is a lot of violence, swearing, and sex (on-screen and talked about). There is mention of child abuse and pedophilia. It will be in the Science Fiction/Fantasy section of the bookstore.

Ox Matheson has spent most of his life believing he was nothing – it’s what his father told him, after all. But then, at age 16, he meets 10-year-old Joe Bennett, and the whole Bennet clan, and Ox’s life is forever changed. Over the 10 years that this book takes place, Ox and Joe grow into each other, as Joe grows into manhood, and Ox learns more about the Bennett family and their werewolf ways (not sure if that’s a spoiler, sorry). Additionally, the wolf clan will fight a rogue wolf, one who blames Joe’s dad for the death of his family, and who will stop at nothing to hurt the Bennetts. This will shape not only Ox and Joe and their relationship, but the whole town they live in. 

On the one hand: while this is early Klune (it’s a re-issue of his first book), there are still some elements of his writing in there that I love. it was very funny at points, and Klune has this way of writing characters that are just good at their core. Ox is one of those characters, and I really enjoyed spending time with him. 

On the other hand, there was a LOT of violence. A lot. It got to the point whenever one character threatened to show up, I had to put the book down because I knew people – often children – would be hurt. And if you ever wondered if Klune could write a very graphic but also very hot gay sex scene, the answer is: yes, he can. But it was also 500 pages of angst and violence and werewolves, and I’m just not sure I want to read the three more books in the series. 

So, while I liked this one, I didn’t love it the way I love Klune’s other books. I’m glad I read it, though.

The Flatshare

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by Beth O’Leary
First sentence: “You’ve got to say this for desperation: It makes you much more open-minded.”
Support your local independent bookstore: buy it there!
Content: There is lots of swearing, including f-bombs, and some almost on-screen sex, as well as talk of sex. There are also references to emotional abuse. It’s in the romance section of the bookstore

Tiffy has just broken up with her on-again-off-again boyfriend, Justin. This time it was because he got engaged to another woman, and even though her heart is broken, she knows she needs to get out. The problem is her job working for a small publishing house isn’t going to get her anything fancy in London, and everything in her price range is, well, unsafe for habitation. That is until she finds an ad: Leon, a night nurse, is looking for someone to share his flat. The deal: he gets it during the day, and Tiffy will get it nights and weekends. Sounds ideal. But, then Tiffy and Leon start leaving each other notes, and over the months they realize that they’ve formed a sort-of relationship that actually blossoms into something more when they actually (well, accidentally) meet face-to-face.

There’s more to the story than that: Leon’s brother is in prison for something he didn’t do, and it’s Tiffy’s barrister friend who helps with that. Tiffy’s ex-boyfriend turns out to be abusive, and it’s Leon who helps (along with a therapist, yes) Tiffy process and deal with the emotional trauma. And there are side jaunts involving Welsh castles, knitting and crocheting, and a search for a lost love of a dying man. 

i heard a lot of good stuff about this one when it came out in 2019, but I stuck it on my shelf and said “I’ll get to it eventually” and then never quite did. It was only when I let my social media friends choose my current TBR pile that it actually made it on there, and I’m so glad it did. O’Leary is a good romance writer, hitting the tropes, but also giving us characterizations beyond the tropes. I liked that Leon and Tiffy seemed like real people and that O’Leary surrounded them with an excellent support system. It was all a big, happy found-family, and I adored it. 

I’m so glad I (finally) got around to reading it.

Tiffy has just broken up with her on-agan off-again boyfriend, Justin. This time it was because he got engaged to another owman, and even though her heart is broken, she knows hse needs to get out.

Audiobook: Catch and Kill

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by Ronan Farrow
Read by the author
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: This book is about sexual predators, and Farrow doesn’t pull back from descriptions of sexual harassment, assault, and rape. It’s not prurient and it’s not graphic, but it may be triggering. There is also swearing, including multiple f-bombs. It’s in the True Crime section of the bookstore.

I heard a story about this book somewhere, in a report about the Harvey Weinstein trial. The report said that they were having trouble finding neutral jurors, mostly because so many of them had read this book and had already made up their minds about Weinstein.

And they’re right. You come out of this book knowing that not only is Weinstein and evil man, every single person, corporation, or entity that protected him and enabled him (and other predators, like Matt Lauer) are also completely and totally corrupt.

This book is Farrow’s story about getting his 2017 New Yorker article about Harvey Weinstein published. See, it didn’t start out as a New Yorker article; Farrow was an on-air reporter at NBC news when he first started looking at leads and conducting interviews about Weinstein’s history of sexual predation. Farrow interviewed several women, corroborated their stories, and was set to put something on air, when NBC pulled it. It goes deeper than that: Weinstein had private investigators tailing Farrow, looking for dirt that he could use to kill the story. NBC has its own history of talent and others harassing, abusing, and raping women in vulnerable positions. It all adds up to not only a toxic male culture, but one in which I end up mistrusting corporate journalism. I don’t blame the journalists — Farrow (and others) did his job to the best of his ability. But, at many points, his bosses were telling him to cancel interviews and tried incredibly hard to kill the story, and if Farrow hadn’t 1) been a male and 2) he hadn’t had a couple people on his side urging him to keep going. It’s so easy for corporations and advertisers and powerful individuals to kill stories they don’t like.

It wasn’t an easy book to listen to because of the subject matter, but Farrow was a compelling writer and an excellent narrator. I know it sounds odd to say I enjoyed every minute of this, but I really did. I kept wanting to know what happened next, and Farrow’s narration kept me engaged.

It’s not only an important book, it’s a good one.

Reign the Earth

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reigntheearthby A. C. Gaughen
First sentence: “There was a scorpion in my tent.”
Support your local independent bookstore: buy it there!
Content: There’s violence, including spouse abuse (both verbal and physical). Also, though the main character is 17, she marries a man 10 years older than her. It’s in the teen section (grades 9+) of the bookstore.

The basic plot: a desert girl, whose nomadic country has been at war with a bigger, more powerful, oppressive country, is married off to the king of the country in order to achieve peace. Said peace is only tentative as long as the king is happy (and he’s not often happy, for many reasons) and as long as desert girl keeps her magic powers a secret from her husband.

There’s more to it: including a prophecy and a resistance and a secret love, but really, that’s it.

I’m being a little snarky, but I did like this enough to finish it. I did have a big issue with this: the main character is married to an abusive man. It starts out with him raping her on their wedding night (he kind of couches it in “I don’t want you to be uncomfortable” but he doesn’t really take her comfort into mind) and it just escalates from there. Granted, our main character does, eventually, stand up to him (and he is the “bad guy” of the story), but I couldn’t help but wonder: is this really a book for teens? I don’t mind darkness in books, or even dealing with issues like abusive relationships, but this one felt more… adult than usual. I know the marriage has something to do with it, but I’m not sure that’s all. I don’t know if I can put my finger on it exactly.

Also: I feel like this one could have been better if it were an own voices story. Again, I’m probably nit-picking, but I felt like it was just “desert girl saves white oppressed culture” and not much else.

So, while I liked it enough to finish it, I didn’t love it.

A Room Away From the Wolves

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roomawayfromthewolvesby  Nova Ren Suma
First sentence: “When the girl who lived in the room below mine disappeared into the darkness, she gave no warning.”
Support your local independent bookstore: buy it there!
Content: There is a lot of swearing, including multiple f-bombs, and abuse that could be triggering. It’s in the Teen section (grades 9+) of the bookstore.

This one is going to be tough one for me to sum up, because I am not sure what, exactly, happened. The words were very pretty and I read the whole thing, but I, for the life of me, do NOT understand what happened.

There’s a girl — Bina — whose mother remarried when she was nine to a man with two daughters who were quite abusive to Bina. And so, the summer before Bina turns 18, her mother suggests she leaves. Bina goes to a place in New York City her mother had stayed when she was young, before Bina, the Catherine House. There are 14 girls in the house, where weird things happen, and they try to bring the ghost of Catherine back, and Bina’s super confused, and… I just lost the thread of what was going on.

I suppose this was meant to be a grand metaphor for something, and I’m sure there are people out there who like this atmospheric type of book with a hugely unreliable narrator, and I did finish it, to it’s not terrible.

It’s just that I need someone to explain it to me.

The Dark Descent of Elizabeth Frankenstein

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darkdescentby Kiersten White
First sentence: “Lightning clawed across the sky, tracing veins through teh louds and marking the pulse of the universe itself.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There is some talk of violent acts, and one swear word. It’s in the YA section (grades 6-8) of the bookstore.

This book is being billed as a retelling of Mary Shelley’s Frankenstein, but I think it’s more a prequel: the story is of Elizabeth, who becomes a childhood companion of Victor Frankenstein, ostensibly to keep him company, but really to keep his anger and unusual tendencies in check. She is endebted to the Frankestein family for taking her in when she was a small child and basically raising her. And now that they are grown, she feels like Victor is all she has. If she doesn’t keep him in line, she will lose her whole life. So, when he disappears after going away to school, Elizabeth goes after him. And what she discovers is, well, the subject of the classic book.

What this really was (or at least the way I read it) about was the portrait of an abusive man and a woman’s response to it. Victor, if you’ve read the original, is not a nice person. And the way White wrote him, he was never a nice person. And Elizabeth was gaslighted from a very young age. Victor was her world, and the way White portrayed it, that was never a good thing. Or, maybe that’s just the way I read it. Either way, I was angry and disturbed and more angry. It was an interesting book, though: Elizabeth had a phenomenal growth arc, and there were some characters along the way who helped her realize just what an awful situation she was in.

In the end, though, I couldn’t get past the abusive relationship at the heart of it, and the book just made me angry. Maybe that’s a good thing?

Educated

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by Tara Westover
First sentence: “I’m standing on the red railway car that sits abandoned next to the barn.”
Support your local independent bookstore: buy it there!
Release date: February 20, 2018
Review copy provided by the publisher.
Content: There are some harrowing scenes of abuse and some mild swearing (no f-bombs). It will be in the biography section of the bookstore, but I think any junior or senior in high school may be interested in it.

I was handed this book because I’m the Mormon on staff, and because Westover grew up Mormon, in Idaho, everyone just assumed I needed to read it. Having finished it, I’m here to say that it’s not for those of us who are Mormon (though I think we’ll see some inherent criticisms of our culture, that others might miss), but it’s for everyone, in the way The Glass Castle is for everyone. Westover’s story is remarkable.

The basics are these: she grew up on a mountain in Idaho, the child of a fundamentalist/survivalist father who used religion as the reason to spurn the government. She was a wild child, helping out in the junkyard, avoiding books, until her older brother, Tyler, left and went to college. That spurred something in her, and she tried to go to school (they were all nominally “homeschooled”, which is code for “there are scriptures lying around the house if you choose to read them”) but consistently fell back into old habits. It wasn’t until she began being physically abused by her older brother that she felt a need to leave. She got into BYU (she studied for the ACT, and managed to get a good enough score), and once there learned just how far from “normal” her family was.

It’s a remarkable journey, not just because Westover got “out” of the situation she was in (though there really isn’t a resolution with her abusive brother, in the end, which while disappointing in a narrative setting, makes sense), but because of her reflections on education, class, money, religion, and the government. It’s an interesting line she walked, between her family and the education she received, first at BYU and then at Cambridge, but it is made so by her writing, her open, honest (sometimes brutally so) reflections on not just her family (she points no fingers) but also herself. This book feels like a work of therapy; like Westover needed to write it to understand herself, and by sharing it with the rest of us, we may understand not just her family, but ourselves as well.

I’m not sure remarkable is the best word for it. I was caught up in the story, my breath taken away (as a mother I was shocked and appalled: how COULD they let these things happen to their daughter!) and I was in awe that she found a way for herself.

Excellent.

Gunslinger Girl

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by Lyndsay Ely
First sentence: ”
Support your local independent bookstore: buy it there!
Release date: January 2, 2018
Review copy provided by the publisher.
Content: There is a lot of violence, none overly graphic, some drinking, some off-screen sex, and a bit of mild swearing. It will be in the Teen section (grades 9+) of the bookstore.

In this near future scenario, the US has dissolved, through war and disease, into a loosely-formed Confederacy of North America. Not all states are part of it, but inside CONA there are communes, where those faithful to CONA (the war feels a bit like the war in Firefly; the Patriots were on the “losing” side, but they were probably right…) to live. Outside of CONA’s borders, though, anything is game. Especially in Cessation, the largest city out west.

Serendipty “Pity” Jones lives on one of those communes with her hateful father and two brothers. And when her father decides to marry her off, she runs away. Initially headed to Columba, CONA’s capital, Pity ends up, instead, in Cessation. In Casimir — the largest brothel/hotel/casino/theater in town — specifically, where she takes her mother’s guns and training, and turns them into an act.

But Casimir and Cessation aren’t everything they seem. While Pity makes a place for herself and some friends, there are pitfalls and traitors and life-threatening situations.

A combination thriller, Western, and speculative fiction,  Gunslinger Girl has it all:  action, adventure, dark undertones, romance, betrayal. I’ll admit when I began this, I wasn’t sold, but by the end, I was enthralled.

A spectacular debut.

Caraval

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caravalby Stephanie Garber
First sentence: “It took seven years to get the letter right.”
Support your local independent bookstore: buy it there!
Release date: January 31, 2017
Review copy provided by the publisher.
Content: There’s some domestic abuse and an almost-rape. If the reader is sensitive to those topics, then this probably isn’t for them. It will be in the YA section (grades 6-8) of the bookstore.

I will say this straight up: this one is a hard book to sum up. There’s devoted sisters, the older — Scarlett — of which will do anything for the younger — Tella. There’s a controlling and abusive father who uses the sisters’ devotion against them. There’s a traveling game, Caraval, that is invitation only and that Scarlett has wanted to attend for years. There’s a history between Caraval’s master, Legend, and Scarlett’s grandmother. And then there’s Scarlett’s impending marriage.

And then Scarlett and her sister get invited to the game, the week before her wedding. And it turns out that finding Tella is the POINT of the game. One in which Scarlett must be prepared to risk everything to win.

I loved this. Seriously. No, it’s not lyrical and the writing isn’t the grandest, but it’s good, solid storytelling with an epic story to be told. I loved that the stakes were high. And the chemistry between Scarlett and Julian? When it was on, it was ON. I liked the use of magic in the game and the way it kept me in suspense about what was real and what wasn’t

I liked that the story wrapped up, mostly suitably, even though there was a bit left undone for a sequel. Definitely worth reading.