Muse of Nightmares

by Laini Taylor
First sentence: “Kora and Nova had never seen a Mesarthim, but they knew all about them.”
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Release date: October 2, 2018
Others in the series: Strange the Dreamer
Content: There’s references to sex and rape, and there’s violence. It’s in the teen section (grades 9+) of the bookstore.

Spoilers for Strange the Dreamer, of course.

This one picks up immediately after Strange ends. Lazlo is now one of the gods. Sarai is dead. And neither one knows what’s going to happen next. And what does happen next — which takes place over mere hours, it feels like — is completely unlike anything they expected.

Interspersed with flashbacks, where Taylor introduces a couple of new characters and explains how the gods came to be over Weep, Taylor looks at tragedy, occupation, and the choices we make when faced with fear and rage and love.

I actually think I liked this one better than Strange, primarily because it didn’t feel like  retread of old ground for Taylor. She’s come up with some interesting world-building, and even though the “bad guy” — in this case the one who started all the horror — has been long dead, his presence was still made known in the book. Taylor’s exploring — I think — the aftermath of occupation and how, even if the occupiers are long gone, there are still scars that need to be healed. On both sides, really. It’s a much more introspective book than her other ones , or at least it feels that way. There is some action, and Sarai really does play an important role in the end, but mostly it’s exploring character’s feelings of bias and prejudice and hate and revenge, and, ultimately, forgiveness.

I’m not sure this duology is for everyone, but I thoroughly enjoyed it.

The Darkdeep

by Ally Condie and Brendan Reichs
First sentence: “The ground lept up to smack Nico in the face.”
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Review copy provided by the publisher.
Release date: October 2, 2018
Content: There are some intense and possibly scary parts. It will be in the middle grade (grades 3-5) section of the bookstore.

Nico’s father is a park ranger in their small town in the Pacific northwest and made a decision which cost people jobs and made Nico a target at school. And so, when he and his friends are off at Still Cove — a cliff over a cove that “everyone” says is haunted — and the son of the mill owner comes along, Nico is not surprised that he’s targeted. The result of that target, though, is that Nico slips off the cliffside and discovers an island in the cove and an abandoned houseboat on the island. And when his friends Emma and Tyler, and one of the bully’s cronies, Olivia, join him, they decide to explore the houseboat.

What they find is a weird portal that brings all their subconscious manifestations alive. At first, it’s fun: BB8, a centaur… silly stuff like that. But everyone’s subconscious contains a little darkness, and as the darkdeep (as they start to call it) gains in strength, the manifestations begin acting on their own accord. And soon, the town’s in trouble, and Nico, Olivia, and their friends are the only ones who know why.

This was so much fun! I suppose I shouldn’t say that about an adventure/mystery/horror-light book, but it really was. I loved the creation that Condie and Reichs came up with, and the voice they found together (they worked for a single voice rather than alternating chapters, and it really works well) is just spot on middle grade. I loved the friendships they had between the four, though the focus was more on Nico and Olivia and their struggle to become friends (I mean: who wants to be friends with one of the people who was formerly bullying you?) and to trust each other. I liked the way it was plotted, letting suspense build and giving the kids the keys to the next part of the mystery as they went along. It definitely has everything it needs for kids to really enjoy this one.

I sure did.

A Mad, Wicked Folly

by Sharon Biggs Waller
First sentence: “I never set out to pose nude.”
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Content: There’s one steamy kissing scene and some posing “undraped” (it’s not naked, it’s nude if it’s art). It’s in the YA section (grades 6-8) of the bookstore.

it’s 1908, and all Vicky Darling wants is to be an artist. She has found a community in Paris that she sneaks away to, away from her finishing school, and draws to her heart’s content. The thing is: Art is not done in Vicky’s social circles. At least not by women. Sure, they can paint… but only acceptable things: flowers, furniture, etc. Not Art. And definitely not Nudes.

So, when Vicky poses nude for her (all-male) art class, it causes a scandal. And she’s sent home to London where her parents decide the best thing is to marry her off as quickly as possible (she’s 16!) to curb her desires to Make Art. Because, of course, being a wife and mother will be so fulfilling that Vicky won’t have time for Art.

Except, it doesn’t really work. it’s also the time of the suffragette movement, and Vicky is inspired to help out. Initially, it’s only to draw them to work on her application to the Royal Art College, but eventually, she finds herself emboldened and empowered by these women who are fearlessly trying to exercise their right to vote.

It doesn’t help, either, that she’s met a supportive (and cute!) police officer, who’s willing to be her muse.

Vicky ends up faced with a choice: please her parents and society and give up her passion or follow her passion and give up her place in society?

Two guesses as to which one she picks.

I actually really enjoyed this one. It’s good to be reminded of the initial fight for equal (such as they are) rights for (white, mostly) women, and the struggles and trials they went through. And while Waller was sympathetic to Vicky and the suffragettes, she never really painted the upper class world that Vicky ran in as completely morally bankrupt. Constricting, yes. And lacking in understanding. But her parents did care for her (even if her friends and their parents did not). I especially liked the end (well, most of it), when Vicky left. Waller never hid the amount of privilege she had. She didn’t sugarcoat what it cost Vicky — monetarily, but also personally — to leave, and how much she had to learn when living on her own.

It was a really well done bit of historical fiction. And thoroughly enjoyable.

An Absolutely Remarkable Thing

by Hank Green
First sentence: “Look, I am aware that you’re here for an epic tale of intrigue and mystery and adventure and near death and actual death, but in order to get to that (unless you want to skip to chapter 13–I’m not your boss) you’re going to have to deal with the fact that I, April May, in addition to being one of the most important things that has ever happened to the human race, am also a woman in her twenties who has made some mistakes.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There’s a lot of swearing, including multiple f-bombs. It will be in the Science Fiction/Fantasy section of the bookstore, but a high school student who was interested could definitely read this one.

April May is just living her life — and not really her best one, at all — when she stumbles upon a… thing… in Manhattan at three a.m. She has enough presence of mind to grab her filmmaker friend and upload a video about the phenomenon that will come to be known as The Carls, which shoots April into the world of the famous. She  is at the forefront of everything Carl-related: TV stations want interviews, her YouTube and Twitter followers skyrocket. And, yet, no one knows what the Carls really want.

Soon, April is experiencing the darker side of fame: There are factions out there that want to defend the world from The Carls, and see April as a traitor for being a “spokesperson” for them. And it doesn’t help that April keeps burning the bridges between her and everyone in her life that cares about her.

There are two ways you can read this book:

1) as a straight-up science fiction story. And, to be honest, it kind of lacks on this level. It’s not really a great plot; you only find out what The Carls are up to at the end of the book, and it turns out to be rather anti-climatic. April is a questionable human being, more concerned about her own fame than the lives or feelings of the people around her (though I do wonder if I’d feel the same way if Green wrote April as a man). There’s a bit of action, but not much; it’s mostly talk about coding and uploading videos and dealing with people.

2) as an exploration of what fame can do to a “regular” person. This is where I thought the book actually worked. If you know anything about Green (one half of the Vlogbrothers, etc.), it seems that he is coming to terms with the way fame works, especially in the era of social media, and how that affects people. I found that part of the book to be fascinating; how the masses glom on to someone — anyone really — who says things we like (or don’t) and by the sheer force of numbers make that person famous. And how that fame — and the money advertisers and corporations and “news” stations are willing to throw at them — ultimately changes a person. It was an interesting exploration into April’s psyche and the ups and downs of fame.

An interesting read, in the end.

A Birthday Peek Into My World

It’s said (no, I don’t know by whom) that we, as a society, spend a lot of time on our phones and screens. I know that’s true in our family; the girls are constantly on their phones, and I’ve chosen to meet them there. Whether it’s Facebook (well, not the girls, but friends and relatives) or Instagram or Snapchat or Twitter or Marco Polo, I love the apps on my smartphone. And, I have to admit, I love the camera too. I don’t save everything I take a picture of, but sometimes, I come across something — either online or with the photos I take — that I just can’t bring myself to delete, no matter how much memory its taking up. Since today is my 46th (!) birthday, I thought I’d give y’all a peek into the photos I love.

Category 1: Stolen from the Internet. These are memes or tweets or photos that I just loved enough to take a screenshot of, and still find enough humor or meaning from that I can’t bring myself to delete.

(You knew Nathan Fillion had to be in there, right? I actually have several photos; that one is just my favorite.)

Category 2: Places I’ve been. I like to keep at least one picture from all my travels in order to remember something about the place I went to and/or the people I saw.

Category 3: Work-related pictures. I generally stick most of these on Instagram, so I don’t really have to keep them, but sometimes, I just don’t want to let them go. Not yet, anyway.

And category 4: my people. My family, my friends, my dog…

So, there you have it. All my life and loves in a nutshell! It’s been a good year. Here’s to another one.

 

Flocks

by L. Nichols
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There is some mild swearing and two f-bombs, plus some drinking and self harm and illusions to sex. It’s in the graphic novel section of the bookstore.

I’ll be up front: Nichols is a transgender man who was assigned female at birth in Louisiana and raised in a very religious Southern Baptist family.This is his story.

It’s not just a story of feeling out of place in a religious society — he tried very very hard to pray the gay away from the time he was young — but also feeling out of place in his own body. The only place he felt at home and at peace was in nature. He graduated from high school and went to MIT (the first in his family to go to college) where the sense of displacement both increased and decreased. Decreased because he was among friends who accepted him and cared about him for who he was; increased because he loathed his body — he began cutting himself — and couldn’t figure out why (that is, until he had a realization that it was because he wasn’t male enough). It’s a very personal story, as one would expect from a memoir, but one that raises some interesting questions about religion and community.

I loved Nichols’ art as well. Everyone is drawn fairly realistically except him, and he’s in this doll-esque shape, which I loved because it allowed him to not only be the gender he was assigned at birth (while simultaneously demonstrating his obvious discomfort with himself) but it allows the reader to empathize more with him as a character. It’s quite clever, and I loved it.

I also loved that this made me think, not just about trans people, but about how communities include and exclude others and the benefits and disadvantages of that. I appreciated his (inadvertent) critique of religion vs. God and it made me want to be more open and kind to others. We’re all struggling here, why add hate to the pile?

Excellent.

Merci Suarez Changes Gears

by Meg Medina
First sentence: “To think, only yesterday I was in chanletas, sipping lemonade, and watching my twin cousins run through the sprinkler in the yard.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There are some difficult situations with Merci’s grandfather and some intense moments and older themes. It’s in the middle grade section (grades 3-5), but it would probably be better for the older end of the spectrum.

Merci Suarez likes her life: she lives with her parents and her older brother next door to her aunt and her twin sons on one side and her grandparents on the other. They’re happy as a family, with their traditions and squabbles, and she doesn’t want things to change. But, she’s started 6th grade, with all the pressure that brings, and her brother is a senior in high school and is going to be leaving for college. And, then her beloved grandpa starts forgetting things and acting strangely. And then there’s that girl (THAT girl) at school who Merci thought she was friends with, but turns out to be nothing but a thorn in Merci’s side.

The question is: how is Merci going to deal with everything being different?

This is a perfect little book about friendship and family and figuring out how to manage change. Merci isn’t perfect, which I appreciated, and I enjoyed the fact that the conflict came from something other than bad parents. Merci’s parents are supportive of her, and encourage her in her education. I felt for her at times, especially because she had to make sacrifices with friends and school because of her family. It’s a very realistic portrait, and one I appreciated. I liked how Medina captured the Latinx family experience; it’s a good example why Own Voices is so important. I liked Merci’s story, and felt for her experiences, and I loved how Media wove in culture and heritage as well.

It’s an excellent book.

Pride

by Ibi Zoboi
First sentence: “It’s a truth universally acknowledged that when rich people move into the hood, where it’s a little bit broken and a little bit forgotten, the first thing they want to do is clean it up.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Release date: September 18, 2018
Content: There is swearing, including a few f-bombs. It will be in the Teen section (grades 9+) of the bookstore, but I think a 7th/8th grader who was interested would like it, as well.

I’ll admit this up front: I’m a sucker for Jane Austen retelings. I adore them, especially when they’re well-done. And this one, set in Brooklyn with class tensions (but not race) and feisty girls who speak their mind, this one is extremely well done.

The fun thing about this is that if you know Pride and Prejudice, you smile as Zoboi hits all the notes of the original. A rich family moves into the neighborhood where the Benitez family — of Dominican/Hatian blend — live. The family — the Darcys — are well-off African Americans, and they completely re-do the house all fancy. Because they can. And yeah, they look down their noses at the Benitezes, with their loud, immigrant ways and their spicy immigrant food, and well… everything. Zuri is the second daughter of this crazy family, and is about to start her senior year in high school. She is fiercely proud of her neighborhood and her family, and she doesn’t want a snotty rich brat, no matter how fine he is, stomping on her turf.

And, if you know the original, you know how it turns out. What I loved was that Zoboi paid homage to Austen while making the story thoroughly her own, and thoroughly modern. While I could sense the Austen book in the background, the everything felt organic and natural, and the characters more than just caricatures. Even if you don’t know the original, the plot made sense on its own, and I loved that Zoboi was able to do that. And I thought it was interesting for her to highlight the class differences within the African American community; it gave the book a depth it wouldn’t have if she had gone with a rich white/poor black narrative. And I appreciated that.

It was a delightful dip into a story I love but looking at it in a whole new light.

State of the TBR Pile: September 2018

The rain has finally cleared out here (yay!) and I’m looking forward (so far) to a pretty reasonable fall in terms of author visits (perhaps I should have taken a class….), so maybe I’ll have lots and lots of time to read. I’m hoping anyway.

Here’s what the pile looks like right now:

A Winter’s Promise by Christelle Dabos
Allegedly by Tiffany D. Jackson
The Law of Finders Keepers by Sheila Turnage
The Storm Runner by J. C. Cervantes
City of Ghosts by Victoria Schwab
The Vanderbeekers of 141st Street by Karina Yan Glaser
Six of Crows by Leigh Bardugo
Evicted by Matthew Desmond

What are you excited to read this month?

Death of Truth

by Michiko Kakutani
First sentence: “Two of the most monstrous regimes in human history came to power in the twentieth century, and both were predicated upon the violation and despoiling of truth, upon the knowledge that cynicism and weariness and fear can make people susceptible to the lies and false promises of leaders bent on unconditional power.”
Support your local independent bookstore: buy it there!
Content: It’s a small book, but dense, dealing with philosophy and politics and it doesn’t hide that it’s critical of Trump. It’s in the politics section of the bookstore.

Kakutani, who was the former chief book critic of The New York Times, decided that what the current political climate needed was a book examining how we got to the current political climate, and the inherent distrust of the media. On the one hand, yeah: this book is important. On the other hand, the only people who are going to read it are the people who think that the current political climate is problematic. So, I guess the question is: what’s the point of the book?

I did learn a few things: I had forgotten (or never learned) that the Fairness Doctrine — the policy which demanded that media give equal time to all political parties, and which I learned about while studying journalism in college — was overturned (disbanded?) in the late 1980s/early 1990s. Combine that with the Telecommunications act in 1996, which allowed for media conglomerates, and you end up with our current media climate, in which someone like Trump can call reputable papers Fake News because he disagrees with them, and in which you have a majority of Republicans who believe that the media is lying and making up stuff. Of course it’s more than that, but that’s what I found interesting about it.

(As an aside, Russell, who actually studies these things, found the book to be lacking. My take-away? This book was not meant for scholars.)

In the end, though, Kakatuni doesn’t really offer any solutions how to solve this problem. Though, in talking about it, I came up with one: Turn off the TV, shut down social media, and talk to someone, especially someone who disagrees with you. Maybe then, we can figure out how to look past this fear and let people speak their truths, and find a common ground again.