YA

Hello, Goodbye, and Everything In Between

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hellogoodbyeby Jennifer E. Smith
First sentence: “When Aidan  opens the door, Clare rises onto her tiptoes to kiss him, and for a moment, it feels like any other night.”
Support your local independent bookstore: buy it there!
Review copy pilfered from the ARC piles at work.
Content: There’s some illusions to teenage drinking and sex, but it’s all tasteful and way off screen. If there is swearing (and now that I think about it, I’m not sure there is…), it’s all mild. It’s in the YA (grades 6-8) section of the bookstore.

Clare and Aidan have been a couple for the past two years of high school. They’ve been super happy and content in their relationship. But, it’s the night before they leave for college and they aren’t going the same place. Clare is headed to Dartmouth and Aidan for the opposite coast and UCLA. So, they’re going out this last night with one goal in mind (at least Clare’s mind): to break up. It’s a logical decision: they need to go away and be able to experience college fully, to not be constantly wondering if the other is being “faithful”. It makes sense.

Clare’s plan is to recreate memorable moments from their relationship, from where they first met through their first kiss and beyond. Except the evening doesn’t go as planned, and perhaps through the twists and turns that the evening throws at them, they can figure out exactly what to do with their relationship.

I love Smith’s romances. They’re generally sweet and simple, kind of like Baby Bear’s porridge: just right.  This one was a bit more angsty than the others I’ve read, but understandably so. I appreciated that Clare was the “logical” one and that Aidan was the more emotional center in the book; it’s a nice twist to have the girl pushing to break up and the boy wanting to stay together. And the adventures over the course of the night were fun as well. It was an interesting take on relationships as well: usually, books either deal with the falling in love part, or the ending part but I don’t know if I’ve read one where there was a “conscious uncoupling” and Gwyneth Paltrow so eloquently put it. I found that difference to be a nice change.

But while it was all nice and comfy and sweet, that’s really all it was. While it wasn’t bad, it wasn’t anything I totally fell in love with. (Ha!) Still: a good book.

Audiobook: School for Brides

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schoolforbridesby Patrice Kindl
Read by Bianca Amato
Support your local independent bookstore: buy it there!
Others in the series: Keeping the Castle
Content: Nothing objectionable, but a working knowledge of Regeny manners is helpful. It’s in the YA section (grades 6-8) of the bookstore.

Set a year after Keeping the Castle (but you don’t need to read that one first), the Winthrop Hopkins Female Academy has one purpose: to educate young ladies to make smashing matches. The problem, however, is that in Lesser Hoo, Yorkshire, there is exactly one bachelor, who isn’t exactly everyone’s idea of eligible. How are eight young women supposed to find their matches if there isn’t any eligible young men around?

Thus begins the very charming A School for Brides (which was a delight to listen to). Things begin to look up when a young man breaks his leg while in the country and is put up at the school to heal. His friends come calling, and suddenly everything is looking a lot more complicated. Several of the girls are simply delightful (plus the instructor, Miss Quince; I adored her), being that excellent cross between feminist and historical, saucy and authentic. There were so many delightful characters (though sometimes I wished I was reading it so I could keep track of who was who) doing so many delightful things. There were also ones to loathe, so it wasn’t a perfect froth.

As I was reading, I realized it’s a homage to Jane Austen’s work, but it’s also a parody. That feeling kind of increased when I did some looking at how to spell the names and discovered that Miss Foll-ee-ut (which is how the reader was pronouncing it) is spelled Pffolliott. Definitely a send up to the silliness that goes on in historical England. (Leave it to Psmith, anyone?)

Amato was also delightful, capturing the spirit of the book in her narration as well as the essence of each character, which is a trick since there’s so many. It’s definitely a fun read.

I am Princess X

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iamprincessxby Cherie Priest
First sentence: “Libby Deaton and May Harper invented Princess X in fifth grade, when Libby’s leg was in a cast, and May had a doctor’s note saying she couldn’t run around the track anymore because her asthma would totally kill her.”
Support your local independent bookstore: buy it there!
Content: It’s a bit intense at times and there is some mild swearing. It’s in the YA section (grades 6-8) of the bookstore.

Libby died three years ago in a car accident. May knows this. She’s moved on (sort of). But, when she’s back in Seattle the summer before she’s 17, she starts seeing stickers around town. Ones of a princess in a pink dress, red Chucks, and wielding a katana sword. The spitting image of the comic that Libby and May created in fifth grade. At first, it seems like a coincidence: maybe someone got a hold of all the pages Libby left when she died. Or, maybe — just maybe — Libby’s still alive.

After reading the webcomic, May is convinced of the latter. She’s convinced that Libby’s mom was murdered, that Libby was kidnapped, and that she’s the only one who can find Libby. She enlists the help of a recently-graduated computer geek (with a bit of a dark side), Patrick, and together they follow the clues May says are left. The thing is: what started out as an innocent investigation becomes increasingly more dangerous the further they get involved.

Ohmygosh! I don’t know why this took me too long to read this!

Seriously though, people: it’s a tight, interesting thriller, one that kept me guessing along as May and Patrick figure out and follow the clues. It gets intense at times and it definitely kept me turning pages.  THIS is what a good YA mystery is about. No extra lame love story. Cool characters. A fantastic mix of graphic and prose. So, so very good.

Can you tell I liked it?

Salt to the Sea

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salttotheseaby Ruta Sepetys
First sentence: “Guilt is a hunter.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There are some disturbing elements — it is the horrors of WWII, after all — including violence and rape, though none of it is graphic. It’s in the Teen (grades 9+) section of the bookstore, but I’d give it to an interested 7th- or 8th-grader.

One of the things I really admire about Sepetys is her willingness to tell the untold story. The story that’s been buried or neglected because of the way history has been told. The story that’s difficult to face or bear. She looks at them unflinchingly, and compels us to bear this hard history with her. It’s a difficult thing, but she does it so eloquently we just can’t look away.

This time around she tackles the sinking of the Willhelm Gustloff, a Nazi ship that was carrying 10,000+ refugees that was sunk by the Soviets near the end of the war. We follow four young adults (they range in age from 15 to 21) — Emelia, a pregnant Polish refugee; Florian, a Prussian who’s on the run with a stolen secret; Joana, a Lithuanian nurse who’s been able to repatriate into Germany, and who’s searching for her mother; and Alfred a young Nazi recruit who is a bit… off — as they head toward the ship in the dead of winter. The chapters are short, almost poetic, and they intertwine in compelling ways. It propels you forward, in spite of the horrors (perhaps because of them?). The minor characters — the orphan boy Joana finds, as well as the shoemaker they travel with, among others — are just as fleshed out and real as the main characters. Sepetys didn’t cut corners, and I appreciated that.

It’s exactly what I’ve come to expect from her. And that’s the best thing.

 

These Shallow Graves

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theseshallowgravesby Jennifer Donnelly
First sentence: “Josephine Montfort stared at the newly mounded grave in front of her and at the wooden cross marking it.”
Support your local independent bookstore: buy it there!
Content: There’s some mild swearing, murder, and some questionable situations. It’s in the Teen (grades 9+) section of the bookstore, but I’d give it to a 7th or 8th grader, who was interested.

Josephine is a thing that an 1890s socialite isn’t supposed to be: curious. She’s supposed to obey her parents, be elegant and ladylike, and marry a wealthy, eligible bachelor of her parent’s choosing. But, when her father unexpectedly turns up dead, supposedly having shot himself, Josephine won’t — can’t — settle for that. She heads out, teaming up with a reporter by the name of Eddie Gallagher, to find the Truth.

Thus starts a winding, sometimes scary, path that will lead Josephine down paths that would scandalize her family if they knew, but ultimately opens Josephine’s eyes and changes her forever.

I’ll be honest: the mystery was kind of predictable. I guess who it was fairly early on, as well as guessing the “big secret”. I didn’t have the how and why, but eventually, I figured out that too. The thing that kept me reading was Jo herself. I enjoyed the push and pull she had with Upper Crust New York Society, how she was willing to go against the expectations of her family. I found it all fascinating, and found Jo a character worth spending time with this.

Which made it worth reading.

Peas and Carrots

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peasandcarrotsby Tanita S. Davis
First sentence: “By the door,on the other side of the sheet that divides the room, Baby cries in his car seat.”
Support your local independent bookstore: buy it there!
Release date: February 9, 2016
Disclaimer: I’ve met the author, working with her for KidlitCon in Sacramento and I find her an absolutely delightful person.
Review copy snagged off the ARC shelves at my place of employment.
Content: There are several instances of mild swearing, plus some illusions to adult drug and alcohol use. Because there are no f-bombs, it’ll be in the YA section (grades 6-8, though it might be better for the older end of that spectrum) of the bookstore.

Dess is a 15-year-old girl stuck in the foster care system. Her deadbeat dad’s finally in jail, as is her mom. Dess’s grandmother gave up trying to care for her and her baby brother years ago. Dess is determined: she doesn’t need anyone. And so when she gets placed in a new home, one of an affluent family, she figures it’s not going to last.

Hope’s parents are stable and happy and take in foster kids, including Dess’s brother Austin, to give back to the community. Hope’s used to the revolving door of kids, but there’s never been one close to her age. Until now. And since Dess is doing pretty much everything to keep people at arm’s length, Hope knows that living with Dess is going to be a challenge. She just doesn’t know if she’ll be able to adjust.

First test: which one of these girls is African American and which one is white? (Answer: Dess is white. Did you pass?) That’s actually one of the first things I liked about this: Davis takes your (my) assumptions about foster care, about the State of the Country, and turns it upside down. In this story, the white girl is the one who’s on the run from an abusive family and the black girl who has the stable life. And Davis doesn’t leave it there; there’s discussion about race and class and belonging, which I respect.

And, as an unofficial foster parent myself, I found myself nodding and agreeing and loving the entire book. Yes, the kids come with baggage and a backstory that usually isn’t pretty. Yes, their lives can be changed by living in a stable, more affluent (though we’re not nearly as well off as Hope’s parents) situation. But Davis also got the corollary to that: having a foster kid in your home is challenging, sometimes disruptive, but is also life-changing. And, if you let yourself — as Hope and Dess eventually find out — you will be better off for it.

Definitely worth reading.

Kill the Boy Band

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killtheboybandby Goldy Moldavsky
First sentence: “People have called me crazy.”
Support your local independent bookstore: buy it there!
Release date: February 23, 2016
Review copy provided by the publisher.
Content: There’s a LOT of f-bombs, plus an off-screen sex scene. It’ll be in the Teen (grades 9+) section of the bookstore.

You ever finish a book and think “Huh. That was a wild, weird, insane trip”?

Yeah, this is that sort of book.

The premise? Four friends — Samantha, our narrator; Erin; Isabel; and Anna — who are all dedicated fans of The Ruperts (a One Direction-like band) have met up in New York City for The Ruperts’ Thanksgiving show. They’ve managed (thanks to Anna, whose family is loaded) to score a room in the hotel where the boys are staying. Their goal? To score tickets to the show, maybe meet the band.

Or at least that’s what it begins like.

Then, they accidentally sort-of on purpose kidnap the most useless member of the Ruperts, Rupert P., and things kind of go (hilariously) downhill from there.

I’ll admit it: I laughed. I laughed a lot. The premise is so ridiculous, so inane that I had to laugh. The fans are called Strepurs (that’s Rupert’s backwards). The four girls got into ever increasingly weird situations. But, at it’s heart, it’s a dark novel. What is the purpose of a celebrity? How much do they owe their fans? How much should a fan expect? You see this all the time with celebrities, finding a balance between being a private person and appeasing their fans, and Moldavsky just takes it to the extreme. It’s also a musing on the extremes that fans — especially teenage girls, but maybe that’s a stereotype — will go to meet and interact with the object of their affection. It’s a fascinating look — albeit satirical — at the current state of culture.

Did I like it? Yes. Did it scare me? Somewhat. (My boss says it’s because I have teenage girls who are fans of things.) Is it good? Definitely.

See How They Run

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seehowtheyrunby Ally Carter
First sentence: “I don’t know where I am.”
Support your local independent bookstore: buy it there!
Others in the series: All Fall Down
Review copy provided by the publisher.
Content: There’s some deaths, off screen, some mild swearing, and a lot of intense moments. It’s in the YA (grades 6-8) section of the bookstore.

Spoilers for the first book, obviously.

The last thing Grace remembers was finding out that she killed her mother (by accident, but still), and then her grandfather’s chief of staff shot the Adrian prime minister (who is currently in a coma). What she’s being told, however is that the prime minister had a devastating heart attack, so Grace is still questioning her sanity. That and said chief of staff happens to be part of a secret 300-year-old organization of librarians who also happen to be assassins. Oh, and Grace’s mother was part of that society as well.

To make things worse, her brother Jamie shows up with a friend in tow, and after a party on a nearby island, said friend turns up… dead. The person being targeted is the son of the Russian ambassador (obviously) and Grace’s almost love-interest, Alexei. And Grace is determined to prove what she knows: Alexei’s innocent.

While this is a darker turn for Carter, it’s still very much her fun, engaging writing. I adored the chemistry between the characters (though I ship Grace and Noah, but that’s just me. I need more Noah in these books.), and the twists and turns kept me turning pages. While it was predictable at times (yeah, I figured something bad would happen to the new guy who just showed up and was a bit of a jerk) I never felt bored by it at all. I loved the intrigue, the history and mythology Carter is weaving around her invented country.

That said, I did want more of the assassin-librarian group, and Grace and her PTSD were often annoying. But, I was able to look past the second one, especially as the book wore on and Grace became less fraught with emotion and more invested in proving Alexei’s innocence.

In short, it’s a good, solid series and I’m curious to see where it goes from here.

The Memory of Light

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by Francisco X. Stork
First sentence: “Nana, I tried to write you in Spanish by my Espanol no es muy bueno en este momento.”
Support your local independent bookstore: buy it there!
Release date: January 26, 2016
Review copy provided by the publisher.
Content: There’s frank talk of depression and suicide, a few mild swear words, one (maybe two?) f-bombs, and some indirect drug use. Nothing too bad, though, so it’ll probably be in the YA (grades 6-8) section at the bookstore.

Vicky should have the perfect life. Her father is a high-powered Latino businessman, so she’s never wanted for anything. She goes to a high-powered private school, she has a popular boy who likes her. But. She doesn’t feel like anything’s worth living for. Her Nana is being sent back to Mexico, in spite of having been a part of the family since before Vicky was born. Vicky’s constantly being compared to her “perfect” older sister; she’s never quite good enough, smart enough, driven enough. So, one night, she decides to take her own life.

Except, it doesn’t work. She finds herself in the mental ward of a hospital, walking to a therapist and a group of other mentally ill teenagers — bi-polar, anger management, schizophrenic — wondering if there is a way to have depression rather than to be depressed.

I can’t tell you how much I loved this book. I am SO glad that there is a book out there about depression and suicide that isn’t depressing as well. Yes, Vicky is sad, a sadness that is impossibly empty, but the book itself finds hope and healing in it. Slowly, Vicky finds reasons to live, she finds her voice, she finds friends, she finds a community to connect with, and she figures out ways to deal with this depression she has. On top of that, in Stork’s hands this story — which is personal for him, since he suffers from depression as well — has a heart and soul that reached out and grabbed me. He’s so good a portraying pain, but he’s also incredible at portraying healing and friendship, all of which I needed at this point in my life.

Excellent.

The Sword of Summer

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swordofsummerby Rick Riordan
First sentence: “Yeah, I know.”
Support your local independent bookstore: buy it there!
Content: There’s really nothing objectionable. Some violence (lots of death, mostly) and some more serious underlying issues. I’d give it to a 4/5th grader. I’m undecided about where it should go. It’s currently in middle grade (grades 3-5) with the Percy Jackson series, but I’m thinking about moving it to YA (grades 6-8).

Magnus Chase is a 16-year-old homeless kid (he’s been homeless for the past two years since his mom was murdered) when he discovers that he’s not who he thought he was. He is, in fact, the son of the Norse god, Frey, and he’s been targeted by all of Frey’s enemies. In fact, he loses his first battle and ends up dead, in Valhalla. From there he realizes that he can’t let something as insignificant as death stop him: he needs to find the sword of summer and stop the evil forces from rising. The question is, though, can he do it?

First off, plot and everything else aside, I am SO happy the sassy chapter titles are back! Seriously, I have missed those.

In fact, Magnus’s voice is eerily similar to that of Percy in the first series. No, it’s not as good as PJ and the Olympians, but it’s the closest thing to it since Riordan wrote The Last Olympian. It’s sprawling and meandering and I think that Riordan’s cramming way too much in there (but then again, doesn’t he always?). But the characters are fascinating and aside from the “deaf and dumb” moniker (which Abby called him out on) for one of the characters who was deaf, it was wonderfully, naturally diverse. Sam, the Muslim Valkyrie, is one of my favorite characters. It’s nice to see Riordan being inclusive.

Oh, and Annabeth is in it! (Yes, that Annabeth.) You don’t have to read any of Riordan’s other books to enjoy this one, but there’s always some nice asides (like how a pen turning into a sword is lame) for those of us who have.