Speculative Fiction

Unusual Chickens for the Exceptional Poultry Farmer

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by Kelly Johnson
illustrated by Katie Kath
First sentence: “My great-uncle Jim had your flyer in his barn.”
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Review copy swiped off the ARC shelves at my place of employment.
Content: There’s some tricky words, and I’m not sure whether or not the epistolary format will turn off reluctant readers or encourage them. There’s a lot of fun illustrations and some good chicken facts, though. It’s in the middle grade (grades 3-5) section of the bookstore, but I’d probably give it to a confident 2nd grade reader.

Sophie Brown and her parents have just moved from the bustling city of Los Angeles to a farm in the middle of nowhere California. It was a move partially because of necessity — her dad lost his job and hasn’t been able to find a new one — and partially out of happenstance — Sophie’s dad’s uncle died and left him the farm. So, they’re trying to figure this whole thing out. And it’s not going terribly well. That is, until Sophie discovers a catalog for “exceptional” chickens. Turns out, that Uncle Jim was not only a farmer (he had a vegetable garden and some grape vines) but he raised, well, unusual chickens.

The chickens are not quite magical, and they’re based on real chickens, but they’re not quite normal either. (One lays glass eggs, for example.) Sophie is given instructions by the person who runs the catalog on how to catch and care for the chickens, but someone is trying to steal Sophie’s chickens. The question is: will she figure out how to keep the chickens (without divulging their magical properties)? And can she stop the thief from stealing her chickens?

The cleverest thing about this book is the format: Sophie’s story spills slowly over the course of the book through letters she writes to her dead abuela, dead great-uncle Jim, and the chicken place. (It’s kind of unusual her writing to dead people, but it works. She doesn’t really expect an answer back.) It’s a very one-sided story, and we only get snippets of things other than chickens: her mother’s free-lance writing, or her father’s failing search for a job. But, the tone is light, and there is a mystery to be solved with the chicken thief. But what really comes through is Sophie’s voice. She’s a determined child, someone who is willing to figure things out and solve problems. She’s spunky. And she’s half Latina. All of which makes for a charming book, a fun read, and a book worth checking out.

Uprooted

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by Naomi Novik
First sentence: “Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley.”
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Review copy given to me by the publisher rep.
Content: There’s one graphic, but not explicit, sex scene. It’ll be in the science-fiction/fantasy section of the bookstore.

I picked this one up because our Random House rep said it was based on Beauty and the Beast, and we all know how much I love a fairy tale retelling. But, I didn’t count on how engrossing this book would be.

The rep was right: it is loosely based on Beauty and the Beast, but it’s so much more than that. In this valley in Polyna, their resident wizard, who goes by the Dragon, takes one girl every ten years to his tower. When he’s done with them, they don’t come back to the villages, so everyone (of course) assumes the worst. This year, a picking year, everyone guesses that he will take Kasia, our narrator’s, Neishka, best friend. But the Dragon comes, and he picks Neishka instead.

At first, this is terrifying: Neishka isn’t refined, she isn’t skilled for much of anything (except getting dirty), and she doesn’t want to be in the castle with this scary magician. But, as the book goes on, she discovers hidden talents inside herself: she’s a witch, one that is just as powerful as the Dragon, albeit wielding a different sort of magic from him. And its the combination of their magic that is able to confront the real evil in their country: the Wood.

I don’t want to give away much more than that, because this one is best discovered page by page. Novik has a way of pulling one into the story; this started out as a treadmill book (read twice a week for a half hour), but soon became the one I was spending all my time with. I wanted to experience Neishka’s story as it unfolded, with all the twists and turns and slow reveals and intricate pay offs.

M texted, recently, looking for a “Laini Taylor-esque” book, and honestly, this is what I thought of when she asked for that. Novik’s world-building is solid and always in the service of the story, rather than something separate. And, while her words aren’t gorgeous or lyrical, they’re more than pedestrian. They serve the characters and the plot, and make the whole work together just marvelously.

Just about perfect.

Circus Mirandus

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by Cassie Beasley
First sentence: “Four small words.”
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Review copy provided by the publisher. (Plus: popcorn!)
Release date: June 2, 2014
Content: It’s kind of slow, and definitely heavy on the exposition, which may make more reluctant readers, well, reluctant to give it a try. But I’m assuming there will be gorgeous art throughout (I haven’t seen it yet), and so there’s that to give it a boost with those who like pictures with their books. It’ll be in the middle grade (grades 3-5) section of the bookstore.

Micah has been raised by his grandfather since his parents died when he was young. He’s had a good life; his grandfather is one of those Good people who know how to be happy. He was also a storyteller, raising Micah on stories of the grand Circus Mirandus and the Lightbender, who promised Micah’s grandfather a miracle.  Now, when grandfather’s health is failing, he calls in the Lightbender’s miracle. But getting that isn’t as easy as all that. And it’s up to Micah (and his friend Jenny Mendoza) to help grandfather get the miracle he deserves.

I am not a critical reader. I fall head first into stories, and they either work for me or they don’t. I don’t stop to think much about a deeper meaning, or issues, or (sadly) stereotypes and cliches. I like characters (or not), I like the plot (or not), I like the writing (or not). And so, I find myself loving books and not having a real “reason” for it.

This is one of those books. I loved it. Wholly and unabashedly. I fell into the magic and the suspension of disbelief. I understood the magic and the story that Beasley was trying to tell. I cried at the end. I am not sure I’ve felt this in love with a book since I read the first Penderwicks. This book? This book is my people.

I loved it. I loved the Big Fish-esque feel of the story. I loved Micah and his grandpa’s relationship. I loved the flashbacks to grandpa’s time with the circus. Yeah, so some of the characters — Aunt Gertrudis, especially — were pretty much caricatures, but so is Trunchbull in Matilda, and no one complains about that. I loved that Jenny was smart, and that they were just friends and that she wasn’t a romantic interest. I loved her skepticism, and her belief in her friend (if not in the magic). I loved the whimsy of the book. But most of all, I loved the heart of it. It has such a big heart.

I’m sure there are drawbacks, and people who this book won’t speak to. But, for me, this was a little slice of perfection.

Audiobook: Smek for President

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by Adam Rex
Read by Bahni Turpin
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Content: Nothing. Nada. Some fake swearing (“pardon my language”). The audio version is probably good for kids who have an attention span longer than 20 seconds; the book is in the middle grade (grades 3-5) section of the bookstore.

I loved the audiobook of The True Meaning of Smekday, so when I heard that Bahni Turpin was doing the sequel, I KNEW that was how I needed to experience this book. And I was right. Turpin is perfect for this. Seriously.

The story picks up a year and a half after Gratuity “Tip” Tucci and J. Lo save the world. The Boov have moved to New Boovworld, on one of Saturn’s moons. J. Lo and Tip are hanging on Earth, trying to get used to having Tip’s mom around. And, for J. Lo, trying to to fit in. They need a break, and so J. Lo soups up their car, Slushious, and they head off-world to check out the new Boov homeland. Since they saved the world, they’ll be welcomed as heroes, right?

Well, no.

Things don’t go quite like they planned. J. Lo is named Public Enemy Number One, and thrown into jail. Tip repeatedly avoids being captured, but only just barely. Which sends her on an adventure through New Boovworld. She meets and befriends a delightful flying billboard, whom she names Bill (of course), as well as several other Boov (and one human; Dan Landry’s son), in her attempts to free J. Lo and set everything right. There’s a lot of action, tons of humor, and a bit of time travel in the mix.

But what really made the book was Turpin. I adore her reading style, and it’s perfect for Adam Rex’s humor. I was chortling, guffawing on occasion, and I was thoroughly charmed by all the Boov voices (with their distinctive quirks). I was pleased to see that the Chief was back (if only in Tip’s imagination), as well as other favorite characters from the first book. I loved how Rex imagined New Boovworld. And it was satisfying (as a parent) to see that there were real consequences for Tip’s actions.

In short: I adored it.

Bayou Magic

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by Jewell Parker Rhodes
First sentence: “My name is Madison Isabelle Lavalier Johnson.”
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Review copy provided by the publisher in conjunction with the ABA Children’s Institute.
Content: It’s a pretty basic story, and aside from some French scattered through, it’s pretty basic in its vocabulary. I’d give it to anyone 2nd grade and up. It’s in the middle grade (grades 3-5) section of the bookstore.

Not-quite-ten-year-old Maddy is the youngest of five sisters in New Orleans. She’s the one that is always the tag-along, never quite fitting in with her sisters. She is often teased, and the only time she feels comfortable is when she’s cooking with her mom. Then, her turn to spend the summer in Bon Temps, in the Louisiana bayou, with Grandmère comes around. At first, Maddy doesn’t know what to expect: her sisters all spent summers with Grandmère and came back with horror stories. But Maddy is different: she likes the quiet, earthy nature of Grandmère and the bayou. She wants to learn the old ways. And she finds friends and adventure there. And magic.

Rhodes simple, lyrical style was really well suited to this story. I loved the earthy feel of the book, and the connection to old stories and family roots. I loved the mix of African and French, of Creole and magic and modern. The environmental crisis aspect of it wasn’t as important as the back blurb led me to believe — it was really just tacked on at the end — but the theme of caring for and connecting to the earth was prominent and important for the story. At first, I thought that this could pass for “realistic” fiction, that maybe the mermaids Maddy saw were just dreams and imagination, but no: this is speculative. And it worked for me. I loved seeing Maddy grow and learn and develop, and yet she was still a 10-year-old girl with all the concerns and abilities of that.

I haven’t ever read Ninth Ward, but I think I need to, now. I’ve come to really love Rhodes simple style.  

Cuckoo Song

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by Frances Hardinge
First sentence: “Her head hurt.”
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Review copy left for me by the publisher rep.
Comtent: It’s more than a bit creepy, and it’s slow (like many Hardinge) books. I’ll probably put it in the YA section (grades 6-8), but I’d give it to a 10-year-old who showed interest and was willing to be patient with it.

I have not read everything Hardinge has read, but what I’ve read I’ve (almost) wholeheartedly loved. She is not an easy author to love; she makes you work for the story, often having a very slow start and building from there. Cuckoo Song was no different in that respect. It was a slow and somewhat confusing beginning, one that took me a bit to get into.

Triss has been ill for a good long while. She is Delicate, and often prone to Sickness. And so when she wakes after an accident during her family’s vacation no one seems to think that anything is the matter. Except she feels like something is … off. And her younger sister, Pen, (with whom she has always had a contentious relationship) is screaming awful things at her.  And so Triss does what any 12-year-old would do: she tries to figure out what’s wrong with her. And the deeper she goes into that mystery, the more she discovers that there are things Wrong with her family in some very dark (and somewhat magical) ways. And it’s probably up to her and Pen to fix things.

I don’t want to give away too much because much of what I loved about this was the slow realization of what was going on. There’s a reason the beginning is slow and confusing: Triss, herself, is slow and confused. The reader figures things out as Triss does, peeling one glorious, dark, delicious layer back after another. And no to worry: once the story really gets going, Hardinge’s writing is so lyrical it pulls you in, increasing the tension until the immensely satisfying ending.

It’s absolutely wonderful.

Momo

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by Michael Ende
First sentence: “Long, long ago, when people spoke languages quite different from our own, many fine, big cities already existed in the sunny lands of the world.”
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Content: If you can read The Phantom Tollbooth, then this one is for you. It’d be in the Middle Grade (grades 3-5) section of the bookstore.

This book is one of the reasons why, busy as I am, I won’t give up an in-person book group. (I’ve been a slacker with my on-line one lately…) While I read The Neverending Story by Ende as a child (when the movie came out…), I had no idea (and no inclination to find out, for some reason) that he’d written any other books. But, because it’s probably been 30 years since I’d read Neverending Story (or seen it for that matter; we may have tried showing it to the kids), I had no idea what to expect.

What I got was a sweet little fable. Momo is a little orphan girl that shows up in this town and moves into the old amphitheater. What endears her to the people in this town to Momo is twofold: she has a remarkable imagination, and she truly listens to them. Then one day, the grey men show up and infiltrate the town, stealing time from people. Suddenly, no one has enough time for Momo to listen to them, and everyone except the children stay away. And even the children are different. Momo happens to find out the grey men’s plan, and then sets out on an adventure to get her friends back.

It reminded me most of The Phantom Tollbooth: it was a bit on the preachy end — YEAH I get it, unplug from being busy and actually CONNECT with people — but it was also sweet and tender and had that late-60s/early-70s feel to it. It’s nothing earth-shattering, but it is very sweet.

An Ember in the Ashes

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by Sabaa Tahir
First sentence: “My big brother reaches home in the dark hours before daown, when even ghosts take their rest.”
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Review copy provided by the publisher.
Content: It’s dark and it’s brutal. Seriously. More so than Hunger Games. And because of that, it’s in the Teen section (grades 9+) of the bookstore.

Laia has grown up in a world where her people, the Scholars, are a captive people. Their great enemy, the Martials, conquered them and have shown no mercy. They imprison the Scholars, they rape the women, they torture and kill those that they catch. Laia’s parents were part of the resistance, and they were betrayed and killed, along with her older sister. She and her brother Darin lived with their grandparents, trying to fly under the radar of the Martials. Until one day, when they don’t. And the Masks come for them, kill her grandparents, take Darin. Laia barely gets away.

Elias has grown up at Blackcliff, the military school that trains the Martial Masks. An unwanted bastard son of Blackcliff’s Commander, he spent the years before he turned six with the Tribal people in the desert. Then the Augurs — the mystic, magical, immortal Martial prophets — came for him and thrust him into a kill-or-be-killed world. The only way he survived was because of Helene, his fellow student and best friend. Now, just as he was graduating and dreaming of freedom, the Augurs decide that it’s time for a new emperor, and pit Elias and Helene against each other and two other students in a bid to be emperor (or die).

I think the most logical comparison read for this book is Game of Thrones. This is brutal, unflinching, dark, violent, harsh… there’s magic, but it takes a back seat to the exploration of Martial culture. And yet, underneath all of that dark is a hope, a light. Elias, for all the terrible things he’s done (and that have been done to him), turned out to be a decent human being. Laia, even though she thinks of herself as weak, has a quiet strength and bravery to her that isn’t readily seen or valued. It’s a very human book, as well: the characters are complex and messy, there’s depth even to the most hateful of characters (Marcus and the Commander, I’m looking at you), that makes them understandable, even if they aren’t likable.

In fact, the only thing I didn’t like about this book was that there are many unresolved issues, and many unanswered questions at the end. Then again, if this is the quality of writing that Tahir gives us with her first book, I only have high hopes for where this story is going to go.

The Island of Dr. Libris

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by Chris Grabenstein
First sentence: “Billy Gillfoyle’s dad shifted gears and gunned the engine.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: It has a few big works, but there’s a lot of white space, short chapters, and quick pacing. Good for reluctant readers as well as the middle grade crowd. I’d give it to anyone 8 and up who’s interested. It’s in the middle grade (grades 3-5) section of the bookstore.

I really REALLY loved Escape from Mr. Lemoncello’s Library a couple of summers back. And so, I was really REALLY excited that Grabenstein was returning to a similar idea in this one. Anything that celebrates books and bookishness for kids (while making it kind of techy cool) is a win in my world.

Billy Gillfoyle’s parents are having issues and so he’s spending the summer out at a cabin by a lake with his mother that she has rented from a university colleague of hers. She’s going to write her dissertation, and he’s going to… explore the woods? Ugh. There’s no TV, no internet, and the next-door neighbor is a Mean Kid. This is going to be the Worst Summer Ever. Especially since there’s no cool books in the library of Dr. Libris (the colleague, whose first name is Xiang, so he can be X. Libris. Ha!), only old Classics. BORING.

But, when Billy begins reading, he hears weird things off in the distance, at the island in the middle of the lake. And when he goes to investigate, he discovers that the characters in the books have come to life! Not actors, not holograms, but real, live people who are interacting.

Cool so far, even though the “technology” behind the island is a bit squidgy and feels more like magic. (It’s supposed to be technology, but the science was so vague, I just considered it magic. I’ll be interested to see where it ends up during Cybils season.) I really liked seeing the classic characters come to life and I thought Grabenstein made them fresh and interesting for a new crowd. If I hadn’t already read The Three Musketeers or Robin Hood, I’d be tempted to pick them up.

But I didn’t utterly love the book, for one reason: there were no girls. Seriously. Maid Marion was there, a little tiny bit, being Robin Hood’s sidekick, but she really didn’t do anything. And Pollyanna was there, but she was mostly annoyingly cheerful (well, that’s to be expected) and served as a love interest. And Billy made a friend with his other next door neighbor (not the Mean Kid) and he had a younger sister, but her role was to 1) introduce Billy to her brother and 2) be annoying and mess up the island. And, yeah, there’s Billy’s mom, but she was barely there. It was a glaring hole. (As was the lack of diversity: all the classic characters were white, and the other characters were never really given physical features,  so I suppose they could have been diverse, but it was never really defined as such.) I wish there had been more girls, stronger girls, more interesting girls.

I’ll still recommend it to kids, but I do wish it had been… more.

The Return: Disney Lands

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by Ridley Pearson
First sentence: “
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: I was made a bit wary when I started and discovered that the main characters are high school graduates, but (aside from the age) it really is a middle grade novel. Lots of action, a little bit of romance, and easy to follow. It’s in the middle grade (grades 3-5) section of the bookstore.

I got an email, as part of my new role at the store, that Ridley Pearson was interested in coming to visit. I got excited, said hey sure! And then promptly realized that the only thing I’ve ever read by him was Peter and the Starcatchers, which I didn’t really think of as “Ridley Pearson” but more “Dave Barry and the other guy.” So I had the publishers send me a book, partially because I wanted to read it, but also because I wanted to test their claim that it would “bring new readers to the series.”

The series is this: there are five kids who, at night when they sleep, become holographic hosts at Disney World and Disneyland and fight the evil Disney villians for control of the world. They thought their job was done, they’re moving on — graduated from high school and are off to Bigger and Better Things — but WAIT, something has happened and they need to Fix It.

On the one hand, this book is an elaborate set-up, so yeah, it worked for me. I’m sure I missed some in-jokes, and some references went over my head, but as a start of a new adventure, I Got It. The best comparison I can think of (and that I’ve been using with customers) is that reading this without reading the first series is kind of like reading Heroes of Olympus without reading Percy Jackson and the Olympians series. You can do it. It’s probably not the best way to go about it, but it can be done.

In fact, there’s a lot of similarities between Pearson and Riordan’s writing styles: short chapters, a lot of action, overarching mythology, a plethora of characters (7, in fact) to keep track of. The difference is that Pearson is playing around in the world of Disney rather than Greek Mythology. No, they’re not as fun as Riordan’s books (but then, I’m saying that as a long-time Percy Jackson fan), but they are good. It’s good, solid, accessible, middle grade fantasy. Nothing SuperWowAwesome, but it’s not horrible either.

As for the event…