Clementine: Book One
by Tillie Walden
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Content: There are zombies (duh), violence, and several deaths. It’s in the Graphic Novel section of the bookstore.

This book is nominally set in the world of the Walking Dead (which I haven’t seen for Reasons), but all you have to know is that there are zombies all over, and non-zombies are rare. Clementine is traveling through the land, looking for… something… She finds an Amish community and then goes off with Amos who has started his rumspringa. They head north and end up in Vermont, on the top of a mountain, with three other girls. Trying to build buildings. In the winter. In Vermont. Of course, it goes badly.

I wanted to like this more than I actually did. Zombie stories can be pretty cool, but I don’t think that Walden did much that was new or interesting with the zombie threat. I did like Clementine and her fierce will to live – at one point she has someone cut off her bitten leg so she won’t be infected. But mostly, it was forgettable (and a bit implausible) for me.

перемога (Victory): Victory for Ukraine
by Tokyopop (there are a lot of writers and illustrators)
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Review copy provided by the publisher.
Content: It’s war, so there is violence. It’s in the Graphic Novel section.

Written in the early days of the Russian invasion, this book is a series of short stories about how (and why) Ukraine will prevail against the Russian invading force. There is really no through plotline, but rather a bunch of different writers/artists being “Yay Ukraine!” and “Boo Russia!” In one story, there is a Ukrainian witch who defeats the Russians (every Ukrainian woman is fierce, and every second one is a witch!). And another story about Russians looting Ukrainian homes to send home state-of-the-art technology to their dirt hovels. And more stories about the sacrifice the Ukrainians are making and about how evil the Russians are.

There’s not a whole lot else to say about this one. In the end, I took it for what it was: War propaganda at its most.

Magical Boy
by The Kao
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Content: There is some cartoon violence. It’s in the Graphic Novel section of the bookstore.

Max is a trans boy and all he wants to do is figure high school out. The problem is that his parents – especially his mom – aren’t accepting of his being trans. Plus there are bullies at school who think that Max and his best friend, Jen, are an item (which makes them gay, if they don’t accept Max’s trans-ness) and make a big deal about it. It also doesn’t help that Max is part of a long line of magic girls who fight evil for this Goddess. What does one do if they’re supposed to be a magic GIRL if they are a BOY?

I wanted to like this a lot more than I did. It’s got a manga vibe to it, and I liked how inclusive it was. But, it just didn’t do much else for me. I think Welcome to St. Hell addressed the awkwardness and anxiety over gender dysphoria better, and even though this had a super-hero/chosen one element, it didn’t land for me. And it’s a volume 1? I’m not entirely sure where else this story has to go. Not bad, but not my favorite, either.

Unretouchable
by Sofia Szamosi
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Review copy provided by the publisher.
Content: There is mention of body image and eating disorders. It’s in the Graphic Novel section of the bookstore.

Olivia is a recent high school graduate living in New York City with her mom, who works at a high-profile golf magazine. She wants to go to an art school, and her mom sets up an internship with a digital-imaging specialist at Fash, the top fashion magazine. Olivia is excited to learn more about how art can be used commercially, but then she actually gets into it. She learns that pretty much any image that is published has been retouched: every model is made thinner, perfect, and flawless. And it’s not just the fashion industry: digitally altering/retouching images is everywhere. Olivia even learns that one of her favorite influencers is a digital construct. It makes her question everything: the purpose of art, the prevalence of digital images, and what she wants to be when she grows up.

I really liked this one. The art is reminiscent of Persepolis, done all in black and white and with angular lines. But I really liked the exploration of body image and our perceptions of our bodies and how media/industry uses that against us. it was fascinating and important and just a good story of a girl figuring (some) things out.

Ducks: Two Years in the Oil Sands
by Kate Beaton
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Review copy provided by the publisher.
Content: There is swearing, including many f-bombs. There are also instances of sexual harassment, abuse, and rape. It’s in the Graphic Novel section of the bookstore.

After college, saddled with debt and no lucrative job prospects, Beaton decides to head out west to Alberta to work for the companies that mine the oil sands. It’s hard work – though she mostly works in the tool shed and the offices – in camps with very little time off. The workforce is mostly male; Beaton comes across very few women in the two years that she works out there. She puts up with a lot: harassment from the men, being hit on, being put down. She is even raped (twice? I think?). But, it pays well, and by the end of the two years, she is completely debt-free.

This was a hard one to read. The oil sands are a hard place, and Beaton doesn’t shy away from the difficult things that happened. She is open about the harassment, but also not harsh on the men; there’s a panel where she explains that she understands that the men are far away from their families and have needs. I don’t think she’s excusing their behavior, just that things are different out there. I’m still not quite sure if I liked it, though. I do think it’s important – look at the things that capitalism and patriarchy have wrought – but it’s not one I’m going to read over and over again. Still: quite good.