short stories

We the Sea Turtles

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by Michelle Kadarusman
First sentence: “In 2003, a leatherback turtle traveled from a remote island chain in Indonesia to the Oregon coast in the western United States of America.”
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Review copy provided by the publisher.
Content: The chapters are short, and pretty easy to comprehend I read this book for the Cybils, and this reflects my opinion and not that of the whole panel.

This book is a series of short stories connected because they are all set on islands, with mentions of turtles. They are all environmental in nature, either with concerns about climate change or how to better live on the land. They range around the world – from children in Canada and the US to Indonesia and Australia. The stories were pretty simple, most only a few pages long. I liked that there was a book addressing the environmental concerns of children this age, though I do wish the stories were longer and delved more deeply into the issues that were brought up. I liked the diversity in the book, and I did appreciate that most chapters had a land acknowledgment before them. I just wish there was more to it.

Black Boy Joy

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edited y Kwame Mbalia
First sentence: “Homegoing.”
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Content: there is some slight romance. It’s in the middle grade (grades 3-5) section of the bookstore, but my teacher considered it a YA novel, so it’ss good for all ages?.

Here are the things I liked about this book:

It’s super diverse, even though all the authors are black men. There are science fiction stories, poems, art, contemporary stories, and ones based in mythology. They have protagonists that are non-binary, interested in sports, and interested in music and art.

It focuses on joy and celebration, even when it touches on hard things like funerals.

It’s a delight to read.

Not all the stories are equal, but that’s to be expected in a short story collection. And sometimes the joy felt unearned, but that’s because we weren’t given enough time with the characters. (Another fault of short stories.)

Even with the faults, it’s an excellent collection. Highly recommended.

Blackout

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by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon
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Review copy provided by the publisher.
Content: There is mild swearing and three f-bombs. It’s in the YA section (grades 9+) of the bookstore.

The basic premise is this: it’s a hot summer day in New York City, and the power goes out at 5 p.m. The six different authors then set about telling six interconnected stories about what happens — romance-wise — once the lights go off. It takes place in Manhattan and Brooklyn, with both straight and gay couples, as the night goes on.

If there is goign to be short stories, I think, I prefer them when they are interconnected. Think of this as the Black, summer version of Let it Snow. It’s light, it’s fluffy, it’s fun, it’s swoony. People you don’t normally think of writing romance — Angie Thomas, Nic Stone — write solid stories that fit in beautifully in-between Jackson’s longer, multi-chapter anchor story. I loved the characters, I thoroughly enjoyed the stories, and thought it worked together really really well. In short: It’s a brilliant concept, brilliantly executed.

Definitely pick this one up.

This Place: 150 Years Retold

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by Various Authors
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Content: There is violence and racism as well as some mild swearing. It’s in the graphic novel section of the bookstore.

This is one of the reasons why I love the Cybils. I had never heard of this book, or would have ever picked it up, had I not been a judge for the graphic novels panel. And I’m so glad I did!

This is a series of short stories starting in the mid-1800s and going through to present day. Each story is told by an Indigenous people about people in their past or present who have somehow influenced or otherwise impressed them. Obviously, I hadn’t heard of any of them, but I found the stories not only to be interesting but to be important as well. I did feel like I connected with some of the stories more than others and that some of the art was better than others, but overall it’s a fascinating and important book. And one I’m glad I read.

Dreadful Young Ladies and Other Stories

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by Kelly Barnhill
First sentence: “The day she buried her husband — a good man, by all accounts, though shy, not given to drink or foolishness; not one for speeding tickets or illegal parking or cheating on his taxes; not one for carousing at the county fair, or tomcatting with the other men from the glass factory; which is to say, he was utterly unkonwn in town: a cipher; a cold, blank space — Agnes Sorensen arrived at the front steps of Our lady of the Snows.”
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Review copy provided by the publisher.
Content: There are more mature themes and some swearing (though I’m not remembering any f-bombs). It’s in the Science Fiction/Fantasy section of the bookstore.

I have a tortured history with short stories. I want to like them, but I find them much like poetry: I don’t get them. They’re words, and often pretty words, but I just don’t… well… understand them. (Even Neil Gaiman’s stories, which I seem to have a bit more affinity for.) And this collection was more of the same: I liked the stories, but I need someone else to read them and then explain them to me. (Especially the title story. I know it’s a metaphor, and I’m sure I’ll smack my head when someone tells me what it’s a metaphor for, but right now, I’m a bit lost.)

Barnhill is a gorgeous crafter of sentences, and this is no exception. She has a beautiful way with words, and it does pull you into the story. I especially liked the final story, which is more of a novella (which could be why), because the world that Barnhill built — a comet flies by once every 25 years and endows pre-born children with magical powers which a minister then harnesses for his own means — was so fascinating, but also because the writing was just so beautiful.

And maybe, someday, I’ll figure out how to read short stories and actually understand.

Midwinterblood

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by Marcus Sedgwick
First sentence: “The sun does not go down.”
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Content: There is some violence, and it’s a complicated story. It would be in the Teen section (grades 9+) of the bookstore, if we had it.

This one is SO hard to describe. Possibly because I think it really is best if you don’t know very much going in.

So know this: the stories are connected, going backward in time. Not directly connected; that tripped me up in the beginning – I kept expecting people to be related, but they’re not. The names are similar, the setting — the Blessed Island, a mysterious place somewhere in the northern ocean — is the same. But, while the stories are connected, it’s not a direct connection.

Also know this: how confused you are, how strange you think it is, you need to stick it through all the way to the end. Do that, and you will be rewarded. It will all make sense, it will all pull gloriously together, and it will be worth it.

I’ve never read anything like this before, and I’m sure this one will stick with me for a long time.

Audiobook: Flying Lessons

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flyinglessonsedited by Ellen Oh
Read by: An Ensemble of Narrators
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Content: The stories are all set in middle school, and some deal more explicitly with “older kid” problems. It’s in the middle grade (grades 3-5) section of the bookstore, but I’m considering moving it to the YA (grades 6-8) because I’m wondering if that’s more the audience.

I’m not a huge fan of short story collections, but when I saw the audio book of this one, I couldn’t resist. I’ve been neglecting reading books by non-whites this year (I shouldn’t be!) and I thought since diversity is the point of this collection, I’d give it a try.

And I loved it! Sure, I loved some stories more than others (The titular story, “Flying Lessons” was one of my favorites, as was “How to Transform an Everyday Hoop Court Into a Place of Higher Learning and You at the Podium” by Matt de la Pena, and “Seventy-Six Dollars and Forty-Nine Cents” by Kwame Alexander, and “”Sol Painting, Inc.,” written and read by Meg Medina), but that’s to be expected. I loved that there were different readers for each story, which helped me tell the stories apart as well as giving them their own, distinct voice. I loved hearing the diverse stories, from the inner city, from the suburbs, from rural people to rich people to poor people to disabled people. It really did embrace the diversity that’s out there. Which is really the best thing.

Now to make sure that kids read it!

Reader, I Married Him

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readerimarriedhimEdited by Tracy Chevalier
First sentence: “Why is ‘Reader, I married him” one of the most famous lines in literature?”
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Content: Some of the stories are sweary, including a dozen or so f-bombs spread out over several stories. It’s in the adult fiction section of the bookstore.

First, a confession: while I’ve read Jane Eyre, I don’t love it. I’m not a huge Bronte fan, though I recognize the literary merit of their books. So, I really didn’t know what to expect from a short story collection that was built around one of the pivotal moments in Jane Eyre.

And, for the most part, I enjoyed this. I liked the ones that spun off completely from the idea of Jane Eyre, except for “The Mirror” which played with the idea that Mr. Rochester was a narcissist, an idea to which I can definitely ascribe. I also liked the parallels to the original in ” The Orphan Exchange.”

Other than that, I liked the ones that played with historical fiction — like “Since I First Saw Your Face” and “Reader, I Married Him.”  Though I think my favorite was “Self-Seeding Sycamore. ” I liked the play between the characters in the story; I think it was the only one where I felt there was actually chemistry between the characters.

So, while this was not a collection I would have picked up on my own (it was a book group book), I did enjoy it.

 

Summer Days and Summer Nights

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summerdaysedited by Stephanie Perkins
First sentence: “There were a lot of stories about Annalee Saperstein an d why she came to Little Spindle, but Gracie’s favorite was the heat wave.”
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Content: Some stories are sweary (including f-bombs), some have drinking. I don’t think there’s any sex (maybe some references to it, but none actual.) It’s in the teen section (grades 9+) of the bookstore.

Short story collections are hard books to talk about. Do you talk about the theme as a whole — ah, swoony summer romance, how wonderful it is? Or do you talk about individual stories, and how they resonate with you? (And how hard it is to actually read short stories? You get going and settled in the story and then it ends. *sigh*)

I did love that the stories by authors I knew absolutely fit them: Libba Bray of course would write a story about a haunted classic movie. Stephanie Perkins’, Nina LaCour’s, and Jennifer Smith’s stories felt like their books. Cassandra Clare’s was kind of lame (it was supernatural, sure, but underdeveloped). Some were definitely better than others: I really like Brandy Colbert’s story as well as Lev Grossman’s.  And surprisingly, Veronica Roth’s story made me tear up.

Is it something I’m going to come back to over and over again? No. But that’s the nature of short stories: they’re there, and they disappear as quickly as they come. But, I did enjoy the time I spent with it.