Love & Romance

Graphic Novel Roundup – Raina Telgemeir Edition

Leave a comment

Drama
Support your local independent bookstore: buy it there!
Content: There’s middle school drama, but other than that, it’s pretty tame. It’s in the teen graphic novel section of the bookstore, but only because it feels a bit mature for the middle grade section.

Callie is a theater nerd. She’s not one to be on stage — she can’t sing, and her acting needs some work — but she LOVES being backstage, helping create the sets. And so, for the middle school production (middle school!) of Moon over Mississippi, she’s been assigned to be in charge of the sets. That’s overwhelming enough, but Callie’s personal life has taken a turn for the confusing. She thought she was getting somewhere with her long-time crush, but he went back to his girlfriend (who’s not terribly nice). And then a set of twin brothers show up in her life to just confuse things more.

I really liked Telgemeir’s depiction of middle school (spot on!) and the theater program (again, spot on!). I loved Callie’s spunk and drive and her longing to feel accepted and belong. And even though it was Callie’s story, I thought that all her friends — from the twins to her best friend, Liz — were fully developed. (Though there were some stereotypes, the mean girl girlfriend being one.) My only real complaint was the inclusion that all guys who do theater (at least on-stage) are gay. It’s a stereotype, and although there are gay boys who do theater, not all theater boys (even on-stage) are gay. I know I’m nitpicking, but here in Kansas, that’s the kind of stereotype that really takes hold and so parents discourage boys from participating in the arts because of it. I would have appreciated one character, at least, who wasn’t part of that.

Even so, it was a lot of fun to read.

Smile
Support your local independent bookstore: buy it there!
Content: much the same as Drama; it’s got some themes that are a bit old for the younger elementary crowd, but there’s not much “objectionable”. It’s in the Teen Graphic Novel section, mostly because it seems to do better there.

Every once in a while, there’s an author (or in this case an author/artist) who gets the middle grade years so absolutely perfectly. The awkwardness, the challenges with friends, the wanting to be liked and not feeling liked.

Telgemeier is one of those people. It’s loosely based on her early teen years, and tells the story of how she lost her two front teeth in an accident and the dental work it took to make her smile what it is today. But it’s also the story of acceptance (inner and outer) and the things we’ll do and put up with so we don’t feel alone.

One thing I liked (well, I liked lots of things) was that the middle and high school Telgemeier drew was a diverse one. From her friends to the boys she liked, there were all shades of skin. And it wasn’t  this one’s the “black friend” or the “Asian friend”. They were all just friends — well, sort of; some of her friends, as A pointed out when she read it, were not very nice — and it wasn’t like Telgemeier was forcing a diverse world on things. It felt natural.

And, on top of that, she set it in 1989, which was a lot of fun to revisit.

Sisters
Support your local independent bookstore: buy it there!
Content: This one is “tamer” (not that the other two are wild) than the previous two books, and has a more universal appeal, being about sibling rivalry. It’s in the middle grade graphic novel section of the store.

This is another memoir(ish) graphic novel, that takes place during Smile (though you don’t need to read that one to enjoy this one). It’s centered on Raina’s relationship with her younger sister, Amara. It has their backstory, their relationship as siblings as well as a road trip (yay road trip!) to visit cousins in Colorado for a family reunion.

It’s not an easy relationship, the one between Raina and Amara. There’s jealousy, age difference, interest differences, and (of course) just plain sibling rivalry. It’s the usual stuff: hitting, yelling, punching, name-calling. But an event on the road trip (I knew they were useful!), helps the sisters see that maybe it’s okay if they’re different. They can still get along.

I think, out of the three, this one was the least angsty, the least middle-school drama-y, and my personal favorite. Not only because I still remember fighting with my siblings, but because I’ve got all these girls around here who fight and squabble and don’t get along. Maybe, someday, they’ll figure it out. So, this one hit home in a way the other two didn’t.

A word on her art: it’s a bit cartoon-y (that’s the techincal term), but I thought it fit her story-telling style. It’s not terribly detailed, but it served it’s purpose, and the bright colors drew the eye in.

I handed all three of these off to the girls and they enjoyed them as much as I did. I’m glad we finally got around to reading her work!

Chasing Power

Leave a comment

by Sarah Beth Durst
First sentence: “Razor blade.”
Support your local independent bookstore: buy it there!
Review e-copy sent to me by the author.
Release date: October 14, 2014
Content: It says it’s for 14 and up, and maybe they did that because most of Sarah Beth Durst’s books lately have been aimed toward that crowd. That said, there’s really nothing that I think a 7th- or 8th-grader couldn’t handle (mild swearing, some pretty bad parenting, etc.). It’ll be in the YA section (grades 6-8) of the bookstore.

Kayla and her mother — Moonbeam — are on the run. They have been for eight years now, moving frequently, changing their names, trying to keep a low profile. Why? Because Kayla’s dad killed Kayla’s sister, Amanda. Why? Because Kayla — and her sister, presumably — have magical powers.

Kayla’s powers aren’t that big, and mostly she uses them to steal little things — cash, jewelry — to help keep her and her mother afloat. Thing is: her mother doesn’t want Kayla to use her powers. She says it’ll help her dad find them. And then, one day, someone does find her. His name is Daniel, and he knows about her and her powers. And he needs her help to rescue his mom.

What Daniel starts is an epic quest to find not only Daniel’s mother, but Kayla’s past. And not everything is as it

I adore Sarah Beth Durst (and I’m not just saying this because she offered me this e-book (and an interview!), I really do enjoy her writing and world-building. I loved Kayla for her strength and for her insecurities. I was often annoyed with Moonbeam and her “I know better, trust me, it’s for your protection” routine, but in the end, she was someone worth cheering for as well. And I love the way Durst used the magic — both Kayla’s telekinesis and Daniels transporting — to forward the story; the quest couldn’t have happened without their powers, rather than them just being incidental to the whole story.

A fantastic read.

Belzhar

Leave a comment

by Meg Wolitzer
First sentence: “I was sent here because of a boy.”
Support your local independent bookstore: buy it there!
Release date: September 30, 2014
Review copy downloaded from Edelweiss
Content: There’s some talk of teen drinking and pot smoking, and some swearing (including a few f-bombs; I didn’t count). But, because of the nature of the book — it’s just has a very “adult” feel to it, it will be in the Teen section (grades 9+) of the bookstore. I don’t think, however, it’s beyond the reach of an interested 7th- or 8th grader, though.

Jam — short for Jamaica — is falling to pieces. Her boyfriend, Reese, died, and so she has no real reason for living. After trying everything — pleading, therapy — her parents decide to send her away to a special boarding school for those with issues called The Wooden Barn. Jam is expecting to behave much the same way at this school as she has before: detached, uninvolved, not caring. But then she’s signed up for Special Topics in English and everything changes.

Special Topics is a teacher-selected class of only five students. They only study one author, and this semester it’s Sylvia Plath. They’re required to come to class, to discuss the works, and to write in their journals. But what Jam and the other students don’t realize is this: their lives are about to change.

At first, I loved this book. I like the idea of studying one author in depth, and even though I don’t know much about Sylvia Plath (I really ought to read her stuff), I was enjoying Wolitzer’s writing about it. I didn’t even mind the slight magical aspect of it: whenever the students write in their journals, they enter an alternate reality, a place where the worst thing hasn’t happened. I thought it was a little weird, particularly since I was expecting a realistic fiction book, but it worked for me.

However, the book fell apart for me at the end. Especially with the twist. (I’m not going to tell you what that is.) I do think, though, that it’ll hit the spot with it’s intended audience; I think a lot of my reluctance to go along with it is just age and experience showing.

And the writing is gorgeous. Wolitzer really does know how to turn a phrase. And much like Katherine Howe, I found myself thinking that I really ought to read some of Wolitzer’s adult stuff.

Not bad, in the end.

Chasing Before

Leave a comment

by Lenore Applehans
First sentence: “I couldn’t help myself.”
Support your local independent bookstore: buy it there!
Review copy given to me by the author.
Others in the series: The Memory of After (aka Level 2)
Content: There’s some mild violence and a few mild swear words. But the main character is obsessed with having sex with her boyfriend, so there’s a lot of talk about sex. They actually do have sex, eventually, but that’s entirely off screen. It’s in the YA section (grades 6-8) at the bookstore but I’m thinking about moving it.

Having saved Level 2 from the evil, vindictive Morati, Felicia and her boyfriend, Neil decide to move on to Level 3, to see what that part of the afterlife entails. They expect it to be all sunshine and roses, but when they get there, they realize that the Morati has made it through to this level, and they are terrorizing those there, determined to get Their Way.

Felicia is determined to be happy, to be with Neil, but that isn’t what is in store for her. She ends up in the middle of a conspiracy, trying to root out the Morati spies, while discovering more about her past. Her decisions have the potential to affect everything around her, from the safety of her friends to her future with Neil.

The question becomes: can she handle this?

I wanted to like this one, but I just… didn’t. I think a lot of that is that it’s just not my sort of book. I like my romances to be more organic, for a lack of a better word. I think I like to read about falling in love more than I like to read about actual relationships. It didn’t help that Felicia spent the entire book obsessing about wanting to have sex with Neil. I want more out of my female characters. And Applehans tried to give me more: Felicia, at times, was quite capable of being an interesting person. But too often, she went back to her relationship with Neil, with wanting to take it “to the next level” (pun intended?). And too often, I was annoyed with her.

Again, I think there’s an audience for this book. And it’s not badly written. I just don’t think it’s my cup of tea.

Isla and the Happily Ever After

2 Comments

by Stephanie Perkins
First sentence: “It’s midnight, it’s sweltering, and I might be high on Vicodin, but that guy — that guy right over there — that’s him.”
Support your local independent bookstore: buy it there!
Others in the series (you don’t have to read first, but you might want to): Anna and the French Kiss, Lola and the Boy Next Door
Review copy snagged out of the ARC box our Penguin rep sent the store.
Content: There’s a half-dozen (or more) f-bombs, and several instances of tasteful (and protected!) sex. Plus, it felt more mature than your usual romance. It’s in the Teen section (grades 9+) of the bookstore.

Isla has had a crush on Josh ever since their freshman year at the School of America in Paris. A super major crush, one of those ones that makes her go all gooey when he’s around. But he’s unattainable, with his super-cool friends (St. Clair!) and his gorgeous girlfriend. Isla (pronounced EYE-la) just figures her crush will stay just that: a crush.

But then, their senior year starts, and Josh is unmoored, and it turns out that he’s kind of had a crush on her all these years. After an awkward start, they fall into a full-blown romance, escaping one weekend to Barcelona to be alone. Which, unfortunately, sets off a chain of events that threatens their relationship.

It’s a charming book, a sweet and tender look at first real love. Perkins captures that sense of falling for someone, that first blush of new love. I think I like Anna and Lola better than Isla as characters; Islais so insecure and somewhat needy, but that’s something that adds to the whole plot arc, so even though it bothered me on and off, I ended up touched by Isla’s growth. I also loved the art that ran through the book; one of the sexier moments (it was a really sexy book!) was when Josh drew all over Isla’s body.

It’s a worthy addition to a wonderful little collection of books.

Ruin and Rising

1 Comment

by Leigh Bardugo
First sentence: “The monster’s name was Izmrud, the great worm, and there were those who claimed had had made the tunnels that ran beneath Ravka.”
Support your local independent bookstore: buy it there!
Others in the series: Shadow and Bone, Siege and Storm
Content: There’s some violence and lots of kissing and some off-screen sex (implied). It’s in the YA (grades 6-8) section off the bookstore.

Alina is in a bit of a predicament. She has two of the amplifiers and that enabled her to temporarily set back the Darkling. However, it cost her most of her power, turned her hair white, and has forced her underground and into the protection of the Apparate, whom she despises.

Her goal: fend of the zealots who consider her a saint, get out of the White Cathedral, hope that Nikolai is still alive (and in some sort of condition to be king), find the firebird and the third amplifier, and defeat the Darkling, once and for all.

And manage to come out of all of it alive.

My only complaint is that I didn’t reread the other two books beforehand; I really do think that this series is best read one right after another. Even so, it didn’t take me long to remind myself of the big, broad points. There’s a lot of action, and Alina is a major player in all of the decisions, including the final, heart-rendering one. There were a lot of small moments I loved, but I adored the big ones: the battles with the Darkling, the confrontation with the former king. Nikolai was fantastic, and even Mal (and the True Love between Mal and Alina) grew on me over the pages.

A fantastic way to end a series.

The Bitter Kingdom

1 Comment

by Rae Carson
First sentence: “We run.”
Support your local independent bookstore: buy it there!
Others in the series: The Girl of Fire and Thorns, The Crown of Embers
Content: It’s a pretty complex book, full of politics and machinations. But, even with all the fighting and killing and wars (and some brief sexytimes), it’s not a graphic book. It’s in the teen section (grades 9+) of the bookstore, but I think a strong younger reader would enjoy it as well.

Queen Elisa is in a terrible predicament. Her country has been taken over by an ursuper, Conde Eduardo. The man she loves and the commander of her Royal Guard has been kidnapped by traitors. And she only has a few friends she can count on. The problem is that she needs to head into Invierne and convince them to stop invading her country. And figure out how to deal with her newfound power from her Godstone.

That doesn’t even begin to touch this complex and fascinating ending to a complex and fascinating trilogy. I’ve always loved the religious element to this story, how God plays a role in Elisa’s life. I really enjoyed the way Carson pitted the Joyans and the Inverinos against each other; both think they are right, and both think the other is wrong. It’s really a book about compromise and understanding, and I loved that.

Elisa has become, for me, one of my favorite heroines. She’s not kick-butt fighter, but rather a savvy, clever, and fascinating character; someone who uses her brain rather than her fighting skills. Carson also gave us Hector’s point of view a few times in this book, something which I appreciated. While I’ve loved seeing Hector from Elisa’s point of view, it was interesting to be inside his head and to know a little more how he works.

I do think that the only thing I would have done differently with this series is wait until they were all out so I could read them one after another. I think the experience of this story would be that much better if I had read it all in one gulp.

Audiobook: Keeping the Castle

Leave a comment

by Patricia Kindl
Read by Biana Amato
Support your local independent bookstore: buy it there!
Content: There’s nothing objectionable, but my 8-year-old was quite confused while listening to it. So, it’s probably not for the younger set, just because of intricate plot lines and needing at least a working knowledge of Regency England. It’s in the YA section (grades 6-8) of the bookstore.

Althea Crawley has always known that she needed to marry well. Her father died shortly before her younger brother (and her father’s heir), Alexander, was born. The castle — in the north of England, on a cliff, and their home — her great-grandfather built is slowly falling apart (well, maybe not so slowly). And so when Lord Boring (yes, that really is his name) shows up in the neighborhood, Althea knows what she must do: get him to marry her. Unfortunately, his crass, merchant, cousin, Mr. Fredericks, keeps getting in the way.

The jacket compared this one to I Capture the Castle and Pride and Prejudice. The Capture the Castle part of it is silly: the only things those two books have in common is a young heroine and a castle. However, the book read like a spin on all of Austen’s books. There were elements of Emma and Sense and Sensibility as well as P&P. It’s a more practical Austen, however: Kindl gives us a more confident and curious and modern heroine than Austen ever did. And Kindl gives us more blatant class divisions than Austen did, as well. The love interest is a merchant, and falling in love with a merchant, even a  wealthy one, is something which a landed gentry in Austen’s world just wouldn’t do. In fact, there’s quite a few interesting elements that probably existed in Austen’s time but didn’t overtly make it into her books. As we were listening to it (Hubby quite liked it, too), it occurred to me that this is Jane Austen-lite: an Austenesque books for kids who are curious but can’t quite make it through Pride and Prejudice.

The back did have this right: it is frothy and light as a champagne cocktail. It’s not deep — we were discussing all the ways in which Kindl could have made it more complex and darker than it was — but it sure is fun.

The Summer Prince

Leave a comment

by Alaya Dawn Johnson
First sentence: “When I was eight, my papai took me to the park to watch a king die.”
Support your local independent bookstore: buy it there!
Content: I was initially thinking that this would be good for those who like Uglies; there’s about the same amount of swearing. But the reason it’s in the Teen section (grades 9+) is because there’s a lot of allusions to sex, including a couple (tasteful) sex scenes.

June Costa is the best artist in Palmeres Três. Or so she thinks; she just hasn’t had a chance to prove it yet. And in this, a moon year in which her futuristic, matriarchal society chooses a one-year Summer King to “rule”, she will have that chance. It starts innocently: her best friend, Gil, falls in love with the summer king, Enki. And she does, too, though she tells herself that it’s mostly about the art. And what art June and Enki create. Ever more elaborate, they end up sparking a revolution of sorts between the technophiles and the isolationists; the government, made up of women they call “Aunties”, has placed strict regulations on what kind of tech can be in the city.

It was this tech element that reminded me so much of Uglies. But, I think Johnson was pointing out the value of art and the power of love, even in a futuristic (and while not dystopian, certainly not perfect) society. It’s a very thought-provoking novel, one that winds and unfurls instead of proceeding in a linear fashion. And it was this winding that kept me most interested. Johnson chose to build her futuristic Brazilian society in bits and chunks throughout the entire book, dropping hints and clues about what happened to get the world to this point along the way. And the society she built was equally as fascinating, with all its machinations and political scheming.

But, ultimately, it was June and Enki and Gil (and June’s competition/friend, Bebel) that kept me reading in the end. I cared about what happened to them, how this year played out for the summer king and his newfound friends. I found myself moved by the ending, and thinking about the book long after I turned the last page.

The Lost

Leave a comment

by Sarah Beth Durst
First sentence: “For the first hundred miles, I only see the road and my knuckles, skin tight across the bones, like my mother’s hands, as I clutch the steering wheel.”
Support your local independent bookstore: buy it there!
Content: The publisher is marketing this one as fiction, but I think it’s because the main protagonist is 27. There’s some mild swearing, and lots of kissing, but other than that, nothing. I’d give this one to a teenager who is interested.

I’ve had a difficult time getting into adult fiction lately. Too often, I picked it up and it’s just Words and no Plot or Characters or anything interesting. But, I saw that Sarah Beth Durst (whom I love) had an adult book (!) out, and I figured if there was an adult fiction book I’d love, it’d be one written by Durst.

I was right.

Lauren Chase is in a holding pattern in her life. She’s given up on her art to get a practical job because her mother has been diagnosed with cancer. But on this particular day, the day in which the book starts, her mother is off to get Bad News, and Lauren can’t handle it. So she runs away. And finds herself in Lost. A place where all the lost things go, once you arrive in Lost, you’re pretty much stuck. Until you find the thing you lost, and then the Missing Man can send you back.

Except the Missing Man, when he saw Lauren, bolted. Which means, she’s got half the town out to get her, and has to figure out how to survive. Thankfully, she has Claire, a precocious 7-year-old, and Peter, who is the Finder, to help her.

It sounds a little trite, writing it all down, like it’s been something that’s been done before. But Durst made it new and fresh for me. Told from Lauren’s point of view, we got her panic when she initially encountered Lost, as well as her confusion and determination as things got worse for her. And the end, while open for the intended sequel, also gave me a sense of closure.

Perhaps I’m just a genre-fiction reader, but I found reading this one to be so much more enjoyable than many of my other forays into adult fiction. Which is something that made me very happy.