Love & Romance

The Bitter Kingdom

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by Rae Carson
First sentence: “We run.”
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Others in the series: The Girl of Fire and Thorns, The Crown of Embers
Content: It’s a pretty complex book, full of politics and machinations. But, even with all the fighting and killing and wars (and some brief sexytimes), it’s not a graphic book. It’s in the teen section (grades 9+) of the bookstore, but I think a strong younger reader would enjoy it as well.

Queen Elisa is in a terrible predicament. Her country has been taken over by an ursuper, Conde Eduardo. The man she loves and the commander of her Royal Guard has been kidnapped by traitors. And she only has a few friends she can count on. The problem is that she needs to head into Invierne and convince them to stop invading her country. And figure out how to deal with her newfound power from her Godstone.

That doesn’t even begin to touch this complex and fascinating ending to a complex and fascinating trilogy. I’ve always loved the religious element to this story, how God plays a role in Elisa’s life. I really enjoyed the way Carson pitted the Joyans and the Inverinos against each other; both think they are right, and both think the other is wrong. It’s really a book about compromise and understanding, and I loved that.

Elisa has become, for me, one of my favorite heroines. She’s not kick-butt fighter, but rather a savvy, clever, and fascinating character; someone who uses her brain rather than her fighting skills. Carson also gave us Hector’s point of view a few times in this book, something which I appreciated. While I’ve loved seeing Hector from Elisa’s point of view, it was interesting to be inside his head and to know a little more how he works.

I do think that the only thing I would have done differently with this series is wait until they were all out so I could read them one after another. I think the experience of this story would be that much better if I had read it all in one gulp.

Audiobook: Keeping the Castle

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by Patricia Kindl
Read by Biana Amato
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Content: There’s nothing objectionable, but my 8-year-old was quite confused while listening to it. So, it’s probably not for the younger set, just because of intricate plot lines and needing at least a working knowledge of Regency England. It’s in the YA section (grades 6-8) of the bookstore.

Althea Crawley has always known that she needed to marry well. Her father died shortly before her younger brother (and her father’s heir), Alexander, was born. The castle — in the north of England, on a cliff, and their home — her great-grandfather built is slowly falling apart (well, maybe not so slowly). And so when Lord Boring (yes, that really is his name) shows up in the neighborhood, Althea knows what she must do: get him to marry her. Unfortunately, his crass, merchant, cousin, Mr. Fredericks, keeps getting in the way.

The jacket compared this one to I Capture the Castle and Pride and Prejudice. The Capture the Castle part of it is silly: the only things those two books have in common is a young heroine and a castle. However, the book read like a spin on all of Austen’s books. There were elements of Emma and Sense and Sensibility as well as P&P. It’s a more practical Austen, however: Kindl gives us a more confident and curious and modern heroine than Austen ever did. And Kindl gives us more blatant class divisions than Austen did, as well. The love interest is a merchant, and falling in love with a merchant, even a  wealthy one, is something which a landed gentry in Austen’s world just wouldn’t do. In fact, there’s quite a few interesting elements that probably existed in Austen’s time but didn’t overtly make it into her books. As we were listening to it (Hubby quite liked it, too), it occurred to me that this is Jane Austen-lite: an Austenesque books for kids who are curious but can’t quite make it through Pride and Prejudice.

The back did have this right: it is frothy and light as a champagne cocktail. It’s not deep — we were discussing all the ways in which Kindl could have made it more complex and darker than it was — but it sure is fun.

The Summer Prince

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by Alaya Dawn Johnson
First sentence: “When I was eight, my papai took me to the park to watch a king die.”
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Content: I was initially thinking that this would be good for those who like Uglies; there’s about the same amount of swearing. But the reason it’s in the Teen section (grades 9+) is because there’s a lot of allusions to sex, including a couple (tasteful) sex scenes.

June Costa is the best artist in Palmeres Três. Or so she thinks; she just hasn’t had a chance to prove it yet. And in this, a moon year in which her futuristic, matriarchal society chooses a one-year Summer King to “rule”, she will have that chance. It starts innocently: her best friend, Gil, falls in love with the summer king, Enki. And she does, too, though she tells herself that it’s mostly about the art. And what art June and Enki create. Ever more elaborate, they end up sparking a revolution of sorts between the technophiles and the isolationists; the government, made up of women they call “Aunties”, has placed strict regulations on what kind of tech can be in the city.

It was this tech element that reminded me so much of Uglies. But, I think Johnson was pointing out the value of art and the power of love, even in a futuristic (and while not dystopian, certainly not perfect) society. It’s a very thought-provoking novel, one that winds and unfurls instead of proceeding in a linear fashion. And it was this winding that kept me most interested. Johnson chose to build her futuristic Brazilian society in bits and chunks throughout the entire book, dropping hints and clues about what happened to get the world to this point along the way. And the society she built was equally as fascinating, with all its machinations and political scheming.

But, ultimately, it was June and Enki and Gil (and June’s competition/friend, Bebel) that kept me reading in the end. I cared about what happened to them, how this year played out for the summer king and his newfound friends. I found myself moved by the ending, and thinking about the book long after I turned the last page.

The Lost

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by Sarah Beth Durst
First sentence: “For the first hundred miles, I only see the road and my knuckles, skin tight across the bones, like my mother’s hands, as I clutch the steering wheel.”
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Content: The publisher is marketing this one as fiction, but I think it’s because the main protagonist is 27. There’s some mild swearing, and lots of kissing, but other than that, nothing. I’d give this one to a teenager who is interested.

I’ve had a difficult time getting into adult fiction lately. Too often, I picked it up and it’s just Words and no Plot or Characters or anything interesting. But, I saw that Sarah Beth Durst (whom I love) had an adult book (!) out, and I figured if there was an adult fiction book I’d love, it’d be one written by Durst.

I was right.

Lauren Chase is in a holding pattern in her life. She’s given up on her art to get a practical job because her mother has been diagnosed with cancer. But on this particular day, the day in which the book starts, her mother is off to get Bad News, and Lauren can’t handle it. So she runs away. And finds herself in Lost. A place where all the lost things go, once you arrive in Lost, you’re pretty much stuck. Until you find the thing you lost, and then the Missing Man can send you back.

Except the Missing Man, when he saw Lauren, bolted. Which means, she’s got half the town out to get her, and has to figure out how to survive. Thankfully, she has Claire, a precocious 7-year-old, and Peter, who is the Finder, to help her.

It sounds a little trite, writing it all down, like it’s been something that’s been done before. But Durst made it new and fresh for me. Told from Lauren’s point of view, we got her panic when she initially encountered Lost, as well as her confusion and determination as things got worse for her. And the end, while open for the intended sequel, also gave me a sense of closure.

Perhaps I’m just a genre-fiction reader, but I found reading this one to be so much more enjoyable than many of my other forays into adult fiction. Which is something that made me very happy.

Will Grayson, Will Grayson

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by John Green and David Levithan
First sentence: “When I was little, my dad used to tell me, ‘Will, you can pick your friends, and you can pick your nose, but you can’t pick your friend’s nose.'”
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Content: There’s a lot of swearing in this one. A. Lot. So, it’s in the Teen section (grades 9+) of the bookstore.

I think the last time I read this, four years ago, I cheated on the review. It’s like I had nothing original to say. And perhaps, because I read it when everyone else was reading it, I didn’t.

So, I decided it deserves a proper review.

Will Grayson (1) is one of those people who just kind of goes with the flow. His best friend, for better or worse, is Tiny Cooper — who is anything but tiny — and he is the sort of person who creates drama. In fact, he’s written a musical, aptly title Tiny Dancer, about his life and is staging  it.

Will Grayson (2) is on medication for clinical depression, and by any account is less than enjoyable to be with. He has exactly three friends (sort of) but is harboring a crush on his on-line friend, Isaac. So when Isaac suggests that they meet up in Chicago, WG2 jumps at the chance

Except, Isaac isn’t real. And, WG2 meets WG1 (and Tiny) instead. And, lives were changed. Mostly for the better.

A lot of what there is to be said about this book is about the format. Green wrote WG1 and Levithan wrote WG2, and at the beginning, you can tell. It’s jarring traveling back and forth between the Will Graysons, but after they meet things become easier. And more fluid. I love how Tiny goes back and forth between the Wills but still ends up being Tiny. I also love the inclusiveness of this novel. That being gay is not an Event. It’s more who you are. And that’s okay. I also love that there’s a terrific example of non-romantic love. (Watch this video for what I mean.) While it’s not my favorite John Green book, I found myself touched by the end, by Tiny’s inclusiveness, and by his friends’ ultimate desire to help him realize that he matters. And by extension, that we all matter.

I’m glad I had an opportunity to reread it.

The Chocolate Thief

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by Laura Florand
First line: “Sylvain Marquis knew what women desired: chocolate.”
Support your local independent bookstore: buy it there!
Review copy snagged from the ARC shelves at my place of employment.
Content: Very little swearing (in English; perhaps if I knew French, this would be higher), but it’s most definitely a Blush Book. I may never think about climbing stairs the same. It would be in the adult fiction section of the bookstore, if we carried it.

I was pursuing my TBR shelf, looking for something light to read, when my eye caught this. I remember a bunch of YAckers loving it (and plus: CHOCOLATE and PARIS), so I picked it up. It is most definitely light and fluffy. And sexy. And not much else.

Cade Corey is the daughter of a Hershey’s-like family. They’re in the basic chocolate bar business, and own a huge percentage of the market. While she’s not the CEO, she’s being groomed to take over the company. But what she really wants is Parisian chocolates. Artisan chocolates. Sylvain Marquis’s chocolates, since they’re the best. But she quickly discovers that while money can buy a whole lot it can’t buy her Sylvain. He’s much, much too proud of his French chocolates and much much too disdainful of her American crap. So, she does the only logical thing (right.): breaks into his store, and pilfers through his chocolates, tasting, eating, leaving hints of herself behind.

Which totally turns him on.

From there, the plot is immaterial. It’s all sex. sex. sex. and then more sex. Mostly tastefully written (but not-off screen) sex. And there’s chocolate. Descriptions of luscious, rich, delicate, expensive chocolate. I found myself craving chocolate while I read, so I think Florand did her job. I did have issues with the way that Cad wanted Sylvain to control her… part of me rebelled at the idea of a man being SO in charge of sex, of wanting to master a woman, but to each their own. It did what I wanted to do: transport me to Paris (not enough of that, though), indulge me in chocolate, and be eye candy.

I have no interest in reading the others, though. And I may need some non-fiction to follow up on all that candy. But it was enjoyable while it lasted.

City of Heavenly Fire

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by Cassandra Clare
First sentence: “On the day Emma Carstairs’s parents were killed, the weather was perfect.”
Support your local independent bookstore: buy it there!
Others in the series: City of Bones, City of Ashes, City of Glass, City of Fallen Angels, City of Lost Souls
Also helpful to read before picking up this one: Clockwork Angel, Clockwork Prince, Clockwork Princess
Content: There’s violence, some mild swearing, and some sexytimes. The sex is tasteful and protected (yay!), but it is depicted, to an extent. This entire series is in the Teen section (grades 9+).

I’m not even going to try and sum up what has happened up to this point, or even what happens in this book. Coming in at over 700 pages, to say a lot of stuff happens is a major understatement. But, everyone is here: Jace and Clary, Simon and Isabelle, Alec and Magnus, Jocelyn and Luke, as well as hangers on: Brother Zachariah (yay!) and Tessa each play a role, as do Maya and Raphael. And, of course, the big baddie, Sebastian.

It also introduces new characters in 12-year- old Emma Carstairs and her best friend Julian Blackthorn. They don’t really play a huge role in the story; mostly they just play small roles. But they — and their family — are involved enough that we get to know them. And — and this is a complaint I have — they serve as a linchpin for a start of a new series. At some point, one does have to wonder, I think, if Clare can write any stories in a different world. But then, why should she, when this one is so rich?

It was nice to hang out with Clary and crew again, to see how relationships have developed, and follow them as they try to thwart Sebastian’s evil plan. Like always, Magnus was the most interesting character, and I was thrilled to see the way he and Alec’s relationship went. There’s some heartbreaking moments, and Simon even gets to shine with his Dungeons & Dragons references.

It’s a good conclusion (of sorts) and a fun story, even for all its length.

Everything Leads to You

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by Nina LaCorr
First sentence: “Five texts are waiting for me when I get out of my English final.”
Support your local independent bookstore: buy it there!
Content: There is some swearing, including a half-dozen f-bombs scattered throughout. And a mention of older teen drinking. Plus, it’s really a growing-up story. For those reasons, it’s in the Teen (grades 9+) section of the bookstore.

Emi Price is a golden California girl. (Except, for the record, she has a black grandfather and is NOT the blonde thing you see on the cover.) She as loving parents, a cool older brother who has a job as a site scout in a production company, and a fantastic best friend. She has a job as a set-design intern at the same production company as her brother (nepotism works).

She just broke up with her off-again/on-again girlfriend, though, and that’s getting her down. And so, when her brother leaves his posh Venice apartment to Emi and her best friend, Charlotte, for the summer with the one catch — do something amazing here! — she feels hopeless.

Then she and Charlotte discover an old letter written by a famous actor Clyde Jones (think John Wayne) that is a clue to a mystery: he had a daughter. And a grandchild. And so, Emi and Charlotte set out to find them and deliver the letter.

That’s really only the beginning of the book, and perhaps the least important part of it as well. It’s much more about Emi figuring herself out. The letter helps, but it’s also this job on an indie movie that she lands, thanks to her ex-girlfriend. And when they find Clyde’s long-lost granddaughter, that opens up a whole new avenue for Emi.

I loved this book. Wholeheartedly and unabashedly. I loved the peek into the way movies work, the facts behind the fantasy. I loved the way Emi thought about characters and set design. And I loved how sometimes she let fantasy overtake her reality. The characters were so real, so deep, so complex, that I couldn’t help but be drawn into their lives.

An absolutely perfect summer book.

Re-read: Graceling

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by Kristin Cashore
First sentence: “In these dungeons the darkness was complete, but Katsa had a map in her mind.”
Support your local independent bookstore: buy it there!
Content: There’s some tasteful sex, a lot of violence, and you need to be somewhat more mature to understand what Leck is capable of in order for it to have its full impact. It’s in the Teen section (grades 9+) of the bookstore, but I wouldn’t hesitate to give it to an 8th grader who was interested.

For June’s YAcker book, we picked Bitterblue, but one thing led to another, and we ended up making a summer project of reading Cashore’s trilogy. I’m not one for re-reading books, but since I hadn’t picked this one up in 5 years, I thought, in order to be an intelligent participant, I needed to reread it.

And, oh, it was just as wonderful as it was the first time.

I don’t have much more to say (the above link takes you to my initial review) that won’t be said when the YAckers post our discussion. But let me say this: I love Kasta. Her fierceness, her depth of emotion, her contrariness. And I love her with Po. I love their team, I love their relationship. I love how Cashore describes them together.

And I love Bitterblue. I’d forgotten that, not having reread this when Bitterblue came out. But, she’s so small and so fierce, and I love her.

The Geography of You and Me

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by Jennifer E. Smith
First sentence: “On the first day of September, the world went dark.”
Support your local independent bookstore: buy it there!
Review copy sent to my boss by the Little, Brown people, and she passed it off to me.
Content: There’s kissing. And a wee bit of swearing. Mostly it’s just sweet. It was in the Teen section (grades 9+) but after finishing it, I moved it to the YA section (grades 6-8) and it fits there just fine.

Lucy is the youngest child of well-off parents, living in an upscale apartment in Manhattan. Owen is the only child of parents who were once drifters, and whose mother recently died in a freak accident. His dad — who isn’t doing so well — is now the superintendent of Lucy’s building. They would have never met, except they were both in the elevator when the power went out. It was a chance meeting, but one that expanded into a night spent wandering a darkened New York City, and then falling asleep on the rooftop.

The next morning, though, Owen is gone when Lucy wakes up, and they never really quite connect again. Lucy’s parents move her to Scotland; Owen’s dad is fired and they’re headed west, looking for jobs. They figure they’ll never see each other again. Except, Owen starts sending her postcards. And so, they start a tentative long-distance relationship. One with its ups and downs.

It’s not a spoiler to say that this one has a hopefully ever after. It’s not happy, per se — Lucy and Owen still live a great distance away — but it’s hopeful that they can make it work. And it’s not a spoiler to say that it’s not a terribly deep book. There’s no issues, really, and no angst. It’s mostly just a sweet journey of two people figuring out they really really like each other.

It’s enjoyable fluff, though. Sweet and charming. And I found that’s exactly what I needed to make me smile.