bad parents

DNF: Say You’ll Remember Me

Leave a comment

by Abby Jimenz
Read by: Christine Lakin & Matt Lanter
Content: There is some swearing, including a few f-bombs, and some fade-to-black sex. It’s in the Romance Section of the bookstore.

I do not have a good track record with Abby Jimenez. Of the three I’ve started, I’ve only finished one, and I did like that one. But, the other two, not so much.

My problems with this one were the plot: Samantha and Xavier had a first date that was to-die-for (instalove anyone?) but it turns out that Samantha is moving out of Minnesota and back to California to help with her mom who is fading due to early-onset dimensia. “Forget me” she tells him. Of course he doesn’t. And they spend the rest of the book pushing and pulling: wanting to be together, but it’s “impossible”. *eye roll* So, have a long-distance relationship? But no, Samantha only wants in-person relationships. They can’t afford to keep flying back and forth. They want to be together and just can’t. Round and round we go. After about 40% of this (I was listening to audio), I jacked it up to 1.4x speed, hoping it would help with the boring round and round, but after another 40%, I got sick of it and just stopped. I don’t even care how it ends. I don’t care that Samantha’s grandmother dies, that Xavier’s parents are complete assholes… I just don’t care.

I’m a little miffed that I made it through 80% before bailing (I should have bailed at 40%), but the narrators were good enough to keep me somewhat interested. Though – and this must be the director’s decision – whenever one of them was narrating (say she was), the other narrator would read the dialogue that their character said (so every time Xavier spoke, Latner would say his words). It was weird, and I’m not sure I liked it. It may have contributed to my dislike of this one overall.

I’m sure there’s going to be some Jimenez stans out there who love it, but I am not one of them.

The Bridge Kingdom

Leave a comment

by Danielle L. Jensen
First sentence: “Lara rested her elbows on the low sandstone wall, her eyes fixed on the glowing sun descending over the distant mountain peaks, nothing between here and there but scorching sand dunes, scorpions, and the occasional lizard.”
Support your local independent bookstore: buy it there!
Content: There is violence (lots- the body count is high in this one), on-page sex, and swearing including multiple f-bombs. It’s in the Romance section of the bookstore.

Lara – along with 19 of her half-sisters – has been trained by her father, the king of Maridrina – with one goal in mind: marry King Aren, the king of the Bridge Kingdom, gain his trust, infiltrate his country, and help her father bring the country to its knees. At first, Lara is all-in on this plan: she has come to believe that Aren and his country are responsible for the starvation and plagues in her own. But, as she comes to know Aren and his people, she’s not so sure. Perhaps, just maybe, things are not quite as they seem.

I had kind of low expectations going into this one, and I was pleasantly surprised. It was a solid fantasy – I liked the world-building that Jensen did, which never felt overly expository, and I liked the characters she developed. I didn’t get much of a sense of many of the minor characters (there were so many!), but Lara and Aren were really fully developed, which I liked. I did think the sex was a little bit… performative? If that’s the right word; it just didn’t feel as connected as I feel it could have been. My biggest complaint though was the twist with 40 pages left in the book. I don’t mind reading a sequel, but I do get a bit annoyed when the story is left unfinished and I feel I have to read the sequel to finish it out. That said, though, Jensen is a decent writer, and this was a solid book

Beg, Borrow, or Steal

Leave a comment

by Sarah Adams
First sentence: “I don’t care who you are, when you live in a town the size of your thumb, if you don’t like the way your hair turns out at the salan, you stuff it deep down an never acknowledge it.”
Support your local independent bookstore: buy it there!
Others in the series: When in Rome
Content: There is a narcissistic parent, swearing, including f-bombs, and a couple of on-screen sex scenes. It’s in the Romance section of the bookstore.

Emily Walker and Jackson Bennett have been bickering and competing since they met (accidentally; he bumped into her and spilled coffee on her shirt) their freshman year of college. So, she should be happy that he’s moved to Nebraska to marry his fiance. But, she’s not, not really. And so when she hears that he’s back in town after breaking his wedding off, and moving in next door, she shouldn’t be as furious as she… kind of is? As the summer goes on, Jack and Emily realize that maybe their bickering and competing is maybe hiding something deeper.

I was looking for something light and fun to read and this absolutely fit the bill. I know there’s another one in the series that I haven’t read (I think I have it on audio) but it doesn’t really matter. I liked the banter between Emily and Jack and I liked that Adams gave them both a darker deeper backstory. It gave the book enough depth to make it have some weight, but honestly, I was there for the fun. And it absolutely delivered.

Maybe I will get around to listening to the other one now.

Not Nothing

Leave a comment

by Gayle Forman
First sentence: “Actually, it’s two stories, one you will recognize and one you won’t.”
Support your local independent bookstore: buy it there!
Content: There is anger management issues, abandonment by a parent, and an act of violence. It’s in the Middle Grade (grades 3-5) section of the bookstore.

Alex, by a combination of chance and choice has landed a community service assignment at Shady Glenn Retirement center. He doesn’t want to be there (obviously) and is determined to have a terrible time and just grudgingly do his work until a longtime resident, Josef – nonverbal, 107 years old, and basically waiting to die – breaks his longtime silence to tell Alex his story. The book goes back and forth – Josef is our narrator the whole way, though – between telling Alex’s story and Josef’s, but the theme is the same: how can a person, through their choices, make a difference for good or ill, in the lives of others.

On the one hand, I really loved this book. I loved the way it was written, I loved the connection Josef and Alex had, I loved that Forman was exploring the idea of being better than the sum of their actions. It’s heartwarming and even though it deals with the Holocaust, it’s not a Holocaust book. It’s about connection and redemption and making our lives matter, in spite of our past choices.

On the other hand, I’m thinking, as much as I loved it, that it’s a kids book for adults. It’s the sort of book written in the sort of way that I think more adults who read kids books will like than actual kids. (Maybe some kids; I might have been able to convince a couple of mine to read it.) That’s not a knock; it’s just an observation.

It’s still an excellent book, though.

Tig

Leave a comment

by Heather Smith
First sentence: “We’re different now, me and Peter.”
Support your local independent bookstore: buy it there!
Content: There is abandonment by a parent, and destructive behavior by a child. It’s in the Middle Grade (grades 3-5) section of the bookstore.

Tig and her older brother Peter have been living in their abandoned house – their mother up and left with her boyfriend – for four months before their Uncle Scott and his partner Monty find out and take them in. The thing is, though, Tig feels like they would be better off on their own. She hates the new house, the new town, and the new rules. She fights back at every opportunity. But, when things get a little out of hand, Tig is forced to realize that maybe the grass isn’t always greener on the other side.

I wanted to like this book more than I actually liked it. It’s a tough pill to swallow, from the mom’s abandonment (four months! FOUR months!) to Tig acting up and being cruel to the people who took her in. Maybe it’s a bit of PTSD from when we ended up taking in a friend of our daughters, and the stress and trauma that brought into our house (and 7 years later, we’re still trying to unpack). But, I just couldn’t with this book. I finished it, but I didn’t like it.

Audiobook: Heist Royale

Leave a comment

by Kayvion Lewis
Read by: Jade Wheeler
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Others in the series: Theives’ Gambit
Content: There’s people breaking the law (obviously) and talk of underage (for America) drinking. It’s in the YA section of the bookstore.

When we last left Ross, she came in second in the Gambit, which is not what she wanted. She’s had work over the past six months, but she still has the threat of someone wanting to kill her family hanging over her head. And then there’s the rivalry over who is going to run the Organization. Ross – and her friends – get roped into another gambit this time on teams and for the control of the Organization. Who will take the ultimate prize?

I’ll be up front: while this was fun, it wasn’t as fun as Thieves’ Gambit. That one was new, original, and a lot of fun. This one was almost a re-hashing of the first one. There were moments – at one point, they infiltrate a high-end casino in Moncao and there’s an intense moment when the owner catches Ross and tries to catch her out on cheating (but he doesn’t). That was very satisfying. But, because of the title, I was expecting a heist or a long con – something like Heist Society or Oceans 11 – and I just didn’t get that. That said, the narrator was excellent, and she kept me interested, even when I stopped caring about Ross and her relationship to her mother or her friends. I’m just not entirely sure the Thieves’ Gambit needed a sequel.

And maybe that’s where the problem lies.

Audiobook: Assistant to the Villain

Leave a comment

by Hannah Nicole Maehrer
Read by Em Eldridge
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There are descriptions of murder and mayhem, as well as a depiction of sexual assault. There are swear words, including a few f-bombs. It’s in the Romance section of the bookstore.

Evie Sage is on the run after quitting her less-than-desirable job at the town blacksmith when she encounters none other than The Villain. He’s the guy who’s been terrorizing the kingdom for years, the guy whom everyone is supposed to be afraid of. And he offers her a job? As his assistant?

Which she’s actually enjoying? (That’s not even bringing up the fact that her boss is actually hot. And a decent human being.)

So, when it looks like there’s a traitor in their midst, it’s up to Evie and The Villain to figure out what’s going on and stop them before they put too many (more) lives at stake.

I felt about this one much like I felt about Fourth Wing: was it good? Probably not. Was it a lot of fun? Yes.
Yes, it is. I like the magic system that Maehrer created, and it was highly amusing the way she superimposed a modern office space on this fantasy world. (There’s an HR Director!) I liked the push and pull between Evie and The Villain (though awkward power dynamic much there?). I really liked the narrator; I think she’s what made it really fun for me. I did have quibbles with the way the ending twists happened (the fake-out was the one that really bothered me), but in the end (even though it ended on a cliffhanger), I immediately picked up the second one.

You can’t get a higher recommendation than that, can you?

The Tenth Mistake of Hank Hooperman

Leave a comment

by Gennifer Choldenko
First sentence: “My name is Hank Hooperman, but my little sister calls me Pooperman.”
Support your local independent bookstore: buy it there!
Content: There is some mild swearing and bad parenting (including drinking and driving). It’s in the Middle Grade (grades 3-5) section of the bookstore.

Hank has a problem: his mother left a week ago to run an errand, leaving 11-year-old Hank in charge of his three year old sister Boo. They’ve managed, so far, but they’ve run out of food and money. So, Hank decides what he needs to do is find Lou Ann, the person his mother put down as his emergency contact. Once there, though, Hank has a whole new set of problems: Lou Ann isn’t fond of “teenagers” (even though Hank is only 11), and she really isn’t fond of the way his mother just left. As Hank tries to find her, and to find footing in this life that he’s suddenly been thrust into, the only thing that grounds him is he knows that he and Boo need to stick together.

This was a gut punch of a book that went down so well. Choldenko knows how to write kids, and knows how to write difficult situations that give the A book weight without dragging it down. I liked that Hank still had good days – he made friends at his new school, found out that he liked basketball, and learned to rely a bit on the adults around him, instead of needing to do it all himself – and yet, Choldenko didn’t brush over all the trauma that Hank had to deal with. His mother being unreliable, Lou Ann being super strict and not liking Hank much at all, the fear that he and Boo would be separated. There was a lot of heartbreak here. But there was also a lot of joy, which I suppose is what life is.

I’m not sure if it’ll appeal to kids, but I really liked this one.

Audiobook: A Sorceress Comes to Call

1 Comment

by T. Kingfisher
Read by Eliza Foss & Jennifer Pickens
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There is some mild swearing, and instances of child abuse. It’s in the Science Fiction/Fantasy section of the bookstore.

Cordelia’s mother is… not great. She’s a sorceress who has always gotten everything she wanted by any means possible. When Cordelia did anything her mother didn’t like, she just made Cordelia “obedient” – basically taking over her body and controlling it. Now that Cordelia is 14, though, her mother has decided they need to move on to bigger and better things – and has her sights set on a squire to marry.

Hester is that squire’s brother, and she sees Cordelia’s mother as Doom, and is going to do everything she can to stop it.

That’s the plot in a nutshell, but like other of Kingfisher’s books, the beauty of it is not in the plot. It’s in the characters and in the little things that just make her books wonderful. It’s in the portrayals of the women in all their complexity – Hester is insecure about being older and having a cranky knee (I can relate!); Cordelia is traumatized and unsure of herself but grows immensely throughout the book. It’s in the sly asides (Penelope! Imogene!), and in the way the magic is used throughout the book. Additionally, the narrators were just perfect for the characters – it alternates between Cordelia and Hester – and I found myself not wanting to stop listening.

In short, this book stole my heart, and I love that it did.

Slow Dance

Leave a comment

by Rainbow Rowell
First sentence: “The wedding invitation came, and Shiloh said yes, of course she’d be there.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There was swearing, including several f-bombs, as well as on-page sex. It’s in the Romance section of the bookstore.

In high school, it was always Shiloh-and-Cary-and-Mike. They were always together, and everyone assumed that Shiloh and Cary were together. But they weren’t. They were just friends. And now, 14 years after they last saw each other, after Shiloh has been married and divorced and had two kids, Cary is back in her life. They re-met at Mike’s second marriage, back in Omaha – Shiloh never left, actually – and tried to pick up where they left off. There were some false starts and miscommunication, but in the end, and despite everything else going on in their lives, it was just too good – too right – to be back in each other’s orbit again.

On the one hand, I really enjoyed this. I connected with the characters — it’s set in 2006, when they were 33 (I was 34 that year) — and the situations they found themselves in. I liked Shiloh and Carey, even when they weren’t communicating well, or Shiloh was acting anxious, or just everything. On the other hand, this was very slow and very mundane. There wasn’t a lot of what a reader would expect out of a romance in it. Even a second-chance one. There was no third-act fallout, there was very little conflict or tension. And while I liked the thoughtful, reflective quality of a book, it’s not really what readers have come to expect out of something billed as romance.

Is this a book for everyone? Probably not. But I enjoyed it.