Speculative Fiction

Bridge to Bat City

Leave a comment

by Ernest Cline
First sentence: “Once upon a time down here in Texas, in part of the Lone Star State known as the Hill Country, hidden at the edge of a rolling green forest, there was this bold old beautiful cave.”
Support your local independent bookstore: buy it there!
Content: Some younger kids might be turned off by the references, though there are illustrations, and it’s not overly long (or dealing with crushes or puberty!). It’s in the Middle Grade (grades 3-5) section of the bookstore. 

To understand the tall tale part of this book, you kind of need to know the history (which Cline helpfully puts in the back of the book).  In 1982, the city of Austin re-did and expanded the Congress Ave bridge, so that it could expand and contract with the weather better. Soon after this, a bunch of Mexican free-tailed bats took up residence, and by 1984, the population had grown to over a million. 

This is Cline’s version of how the bats got there. It involves a girl named Opal Flats, from Lubbock, whose mother dies and whose uncle takes her in at the family farm in the Hill Country outside of Austin. The TV show Austin City Limits plays a role, as does ‘zines, former governor Ann Richards, and Willie Nelson. There’s also a pet armadillo, a flying saucer, and – oh, yeah – Opal can talk to the bats.  

The subtitle of this one is “A mostly true tall tale” and that fits perfectly. Although it’s set in the 1980s and a lot of kids won’t get the music references (who’s Buddy Holly?!), I think it would make a perfect read-aloud. Cline says in the afterward that it’s based on a tall tale he’d tell his kids when they were small, and I think that’s the best way to approach the book. It feels like someone’s telling you a story, and I think it’s meant to be read aloud. It started slow for me, but the more I read, the more I liked it. It’s kind of silly, and it’s definitely over the top (the part where the bats – who also love music – discover ZZ Top, Run DMC, Selena, and Willie Nelson is pretty hilarious). But it’s got a good heart, and in the end, is all about just accepting new things and having an open mind (oh, and corporations are bad). 

You kind of have to love a book like that. Which I did. 

Sunbringer

Leave a comment

by Hannah Kaner
First sentence: “Arren’s heart screamed.”
Support your local independent bookstore: buy it there!
Others in the series: Godkiller
Content: There is swearing, including multiple f-bombs, plus lots of violence. It’s in the Science Fiction/Fantasy section of the bookstore. 

Spoilers for Godkiller, obviously. 

Our intrepid trio of Elo, Inara, and Kissen have separated – Kissen over the cliff after killing the god Hseth; Elo and Inara back to Kissen’s sisters to tell them of her death. Once they get there, though, they find a rebellion against a king who is overstepping his power. In fact, the hopeful ending of Godkiller is dashed, as Hseth refuses to stay dead, and Arren – our king who is only alive because he is channeling a god – decides to become a god instead. It’s complex and winding, yet utterly simple: stop the god and the king. It’s also utterly impossible.

I adored this one as much as I adored the first. I love that Kaner is playing around with the ideas in mythology without directly drawing from them. I can see hints of mythologies, but this really is its own thing. She’s got solid characters, who are grumpy and off-putting in an entirely loveable way, and she knows how to plot to keep me (at least) turning pages. And there’s representation – Elo’s Black, there’s a Deaf character, and pretty much everyone is some sort of queer, and it’s a delight. I can’t wait for the final book in the trilogy. I have all the faith in the world that Kaner will stick the landing. 

Audiobook: Emily Wilde’s Map of the Otherlands

Leave a comment

by Heather Fawcett
Read by Ell Potter & Michael Dodds
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Others in the series: Emily Wilde’s Encyclopaedia of Faeries
Content: There are some dangerous moments and an off-screen sex scene. For some reason, it’s in the Romance section of the bookstore, which I disagree with. (While it has a romance, it’s not Romance!)

Spoilers for the first one, obviously.

It’s a little while after the events of the last book, and Emily and Wendell have settled back into teaching (such as it is, for Wendell) at Cambridge. But, soon after his birthday, he starts feeling ill, and his faerie magic goes haywire. It turns out that his stepmother -who overthrew his father and killed his entire family for the throne – is stepping up her assassination plan. This concerns Emily and she’s more than ever determined to find the Nexus and get Wendell back to his realm so he can off his stepmother. This involves a trip to the Alps, this time with the department head and Emily’s niece in tow. As they try to unravel the mystery of the Nexus, Wendell slowly deteriorates. Will they be able to find it and get him back to his realm in time?

Much like the first book, this is utterly delightful. The combination of historical fiction and faerie magic is charming, and Emily is a delightful narrator to be our guide through this world. It’s doubly delightful on audiobook with Potter doing an admirable job capturing all the characters and the intricacies of the plot. I loved the twists and turns in this one, and I liked that Fawcett allowed Emily to save Wendell by using her own wits, and not relying on magic to get her out of trouble.

I don’t know if this is it for Wendell and Emily – the book had a logical end to the story – but I’d happily follow them on more adventures! Such a good series.

The Fireborne Blade

1 Comment

by Charlotte Bond
First sentence: “On my oath, I, Sir Nathaniel, do swear that what I am about to tell the Distinguished Mage is the truth.”
Support your local independent bookstore: buy it there!
Release date: May 28, 2024
Review copy pilfered from the ARC shelves at work.
Content: There is violence and some pretty gruesome deaths. It will be in the Science Fiction/Fantasy section of the bookstore.

Maddileh is a knight. She’s managed to get herself disgraced – it was something to do with an ex-lover and punching him in the face because he was an ass. She figures that there’s only one way to reclaim her honor: get the legendary Fireborne Blade from The White Lady Dragon. It’s impossible, but she’s going to do it.

Of course, it’s not that simple. Her story is interspersed with chapters that are histories – some oral, some told by others – of knights who fought dragons and often didn’t live to tell their tales. If the White Lady is anything like these… then how is Maddileh going to survive? The narrative also jumps in time – sometimes you’re present with her and her squire in the tunnels, others you’re getting her backstory.

This slim novel is utterly compelling. It’s tight, it’s giving me dragons in a way I haven’t seen dragons before (yay for that), and it’s got characters I care about. The publisher is comparing it to Fourth Wing, etc. but that’s not it: it’s more comparable to T. Kingfisher, Martha Wells, or Nicola Griffith than the sprawling, over-dramatic Fourth Wing. This prose is SPARE. The action is intense. The romance is incredibly understated. It’s masterfully done, and I hope it finds an audience because I think it’s fantastic. (Bonus: the sequel is out in October.)

Somewhere Beyond the Sea

Leave a comment

by T.J. Klune
First sentence: “Stepping off the ferry and onto the island for the first time in decades, Arthur Parnassus thought he’d burst into flames then and there.”
Support your local independent bookstore: buy it there!
Others in the series: The House in the Cerulean Sea
Release date: September 10, 2024
Review copy provided by the publisher.
Content: There is talk of abuse and a couple of moments of actual abuse. There is talk of trauma and CPTSD. It will be in the Science Fiction/Fantasy section of the bookstore.

I have to admit: I didn’t think this book was necessary. The House in the Cerulean Sea is an absolute delight of a book that ended quite satisfactorily. However, I am also not sad to spend more time on Marsyas Island with Arthur, Linus, and the children, and this book makes the case that it needs to exist.

This picks up soon after Cerulean Sea – the government is holding hearings to determine the future of the Department in Charge of Magical Youth. Arthur, having lived in an orphanage when he was young and is currently the headmaster of one, decides to face things and goes to testify. Which, of course, goes horribly wrong. So, another inspector is sent out to see what Arthur, Linus, and the children are up to and if the home is up to DICOMY standards.

Nothing – and everything – goes right.

Much like the first book, this is less about the plot and more about the characters. I adore the children – from Sal stepping into his own as a young man and a leader, to Talia and Phee, to Lucy and Chauncy, and David, the newest one – a yeti who has been on the run since his parents were brutally murdered. I adore Arthur and Linus and their relationship, and the way they wholly support and love each other. I can tell that Klune is angry at all the laws that are being passed targeting LGBT youth – especially the trans bills – and that they’re being done in the name of “protecting the children” and he harnesses that anger to good effect here. There are some absolute laugh-out-loud moments and some pages that are so beautifully written and so moving that I could hardly see the page for my tears.

So, no, while this book was not “needed”, it is wanted and welcome, and I’ll happily read anything else Klune decides to write about this family.

Audiobook: Emily Wilde’s Encyclopaedia of Faeries

Leave a comment

by Heather Fawcett
Read by Ell Potter & Michael Dodds
Support your local independent bookstore: buy it there!
Or listen at Libro.fm
Content: There are some intense moments, and it’s a bit slow at times. It’s in the Science Fiction/ Fantasy section of the bookstore.

Emily Wilde has been working on her Encyclopedia of Faeries, documenting as many as she can, for years. And she’s finally gotten funding to go do a field study of the Hidden Ones in Hrafnsvik. She arrives just as winter’s beginning, and because she’s not a terribly personable person, she gets off on the wrong foot. Enter Wendell Bambleby, her colleague from Cambridge, who has followed her to Hrafnsvik. Together – unwillingly at first, on Emily’s part – they win over the villagers, gather stories of the faeries, and quite possibly fall in love.

This one was utterly delightful, particularly on audio. I think I would have liked it in print, but on audio, the story just popped. Both of the narrators were excellent, capturing Emily’s and Wendell’s personalities, as well as those of the villagers around them. (Side note: the jacket blurb for this book calls Emily “curmudgeonly”, but she’s not. It’s never explicitly stated, but the character is most likely on the autism spectrum.) Although the plot is super loose – at one point, Emily wakes up a faerie king and gets trapped in the frozen faerie lands – it’s still a delightful read.

Witch King

Leave a comment

by Martha Wells
First sentence: “Waking was floating to the surface of a soft world of water, not what Kai had expected.”
Support your local independent bookstore: buy it there!
Content: There is violence, and some swearing, including multiple f-bombs. It’s in the Science Fiction/Fantasy section of the bookstore.

If you read the jacket summary of the book, you don’t get a whole lot of information. Kai, a demon, has just woken up from being entombed, to find the government coalition he helped form falling apart. This is all true, but the plot is so much more than that. It’s part mystery: Kai and his friends have to figure out why he (and his witch friend, Ziede) was entombed and where Ziede’s wife, an Immortal Marshall is also missing. It’s partly a telling of colonial conquerors and how Kai helped (almost accidentally) overthrow them. It’s a friendship story, one of trust both made and broken. And it’s an adventure story, as you get to see more of the world that Wells has created.

I’ve only ever read the Murderbot series by Wells, but I trust her writing. She’s an excellent world-builder (I could see some of the same elements that I really enjoyed in the Murderbot books) and I liked the magic system she created. She’s got great characters – both main and secondary – and she knows how to make readers care for them. There are Stakes here, and people could die at any point (well, not Kai, since he’s a demon). It was a really great book, and I appreciated that it stood on its own, while leaving threads open to follow, if she chooses to write more.

I don’t know if I’ll go back and read some of her older books, but I quite enjoyed this one.

Blood Justice

Leave a comment

by Terry J. Benton-Walker
First sentence: “Granny was dead, and no one gave a damn — a truth that Velntine Savant choked on for the entirety of her grandparents’ poorly attended joint funeral service.”
Support your local independent bookstore: buy it there!
Release date: April 23, 2024
Others in the series: Blood Debts
Content: There’s a lot of violence and a lot of swearing, including many f-bombs. It will be in the Teen (grades 9+) section of the bookstore.

Spoilers for Blood Debts, obviously.

There’s so much going on in this book it’s going to be hard to sum up. Let’s just say Valentina’s grandparents are dead, and she hates her parents and wants revenge on the Trudeau twins and get her power back, and will do anything to it. Clem has an undead (or mostly alive?) boyfriend that he’s been hiding from the world while he tries to figure out how to more alive him. Cris is Angry at Everything and Everyone and is taking Justice into her own hands. Adults are somewhere in there, but not doing much of anything. And there’s an unhinged evil god lurking around.

I was talking to co-workers about this one and this sentence came out of my mouth: “It’s like Riverdale, but with magic and set in New Orleans.” Honestly, that’s the most accurate description for this train wreck of a book. It’s so very soap-y and twisty and all the 16-year-old are acting like grown adults and like children at the same time. Everyone is always so full of Guilt and Secrets and Plots, it’s ridiculous.

And yet. I finished it. I am invested in this silly, overly dramatic, very Queer soap opera. I do want to know how it ends, though i think Benton-Walker could drag it out as long as he wanted to; much like Riverdale, Something is always happening to put the Teens in Peril. Why does it have to end? I do appreciate Benton-Walker tackling racisim, homophobia, the abuse by cops, and general corruption in politics. It’s a lot to deal with, but it’s a lot of a book, so it fits in well.

I think this one gets filed under: it’s a hot mess of a book and not much fun at all, but it’s compelling, and so it’s worth reading.

Hogfather

Leave a comment

by Terry Pratchett
First sentence: “Everything starts somewhere, although many physicists disagree.”
Support your local independent bookstore: buy it there!
Others in the series: It’s part of the Death cycle in Discworld, but you can read it as a standalone.
Content: It’s Terry Pratchett. Do we really need to discuss content? It’s in the Science Fiction/Fantasy section of the bookstore.

It’s Hogswatchnight, and mostly everything is normal in Ankh-Morpork, with celebrations and everything. Except it’s not okay: the Hogfather has gone missing. And in order to save humanity (just go with it), Death has taken over the Hogfather’s duties. (Albeit very awkwardly.) Once Death’s granddaughter Susan realizes things are not right, she embarks on a journey to find out what happened to Hogfather.

I have been meaning to read this for years. I love it whenever I visit Discworld; Pratchett’s humor and observations hit the spot. I giggle, I cry, I am amused and delighted at the characters. It’s a maze of a book; I was sometimes wondering where the plot was going, but I trust Sir Terry and he did not disappoint. I adored Susan, and in the end, Sir Terry pulled off a remarkably delightful book.

Bride

Leave a comment

by Ali Hazelwood
First sentence: “This war of ours, the one between the Vampyres and the Weres, began several centuries ago with brutal escalations of violence, culminated amid flowing torrents of varicolored blood, and ended in a whimper of buttercream cake, on the day I met my husband for the first time.”
Support your local independent bookstore: buy it there!
Release date: February 6, 2024
ARC pilfered from the shelves at my place of employment.
Content: This is very, sweary, very violent, and very, very spicy. Quite a bit of on-screen interspecies sex. It will be in the romance section of the bookstore.

Misery is used to being, well, miserable. Having spent her entire childhood as the Vampyre collateral in the human world, she never really fit in with her people. And because she’s a vampyre, she doesn’t fit in with the humans, even though she’s been “passing” for a few years. And now, as she’s being “given” (generous word; forced? compelled?) to be the bride of the Were alpha, she figures it will just be another place she doesn’t fit in. In fact, the only person she cares about is Serena, her companion in childhood and best friend, who has gone missing. Misery is determined to figure out what happened to Serena, and she won’t let anyone – least of all her Were husband – get in her way.

The only other Ali Hazelwood book I’ve read is her YA Check & Mate, which was cute, so I really don’t have a frame of reference for her books. On the one hand, she’s doing some fascinating things with vampire and werewolf lore. I liked that she leaned into them being different species, and the politics of dealing between the three – humans, vampires, werewolves. I can see where she’s pulling things from – the idea of mates on the Were side, or how vampires drink pre-packaged blood – but I thought she had a fresh take.

The sex scenes were good, although, by the end, I had issues with the direction she was taking them. I just felt that Misery at the beginning was not quite the same character as Misery at the end. The best part of this one, though, was the secondary characters. They were a lot of fun and kept me going through the book. There was a pretty good twist I didn’t see coming, but it didn’t bother me. I thought it was pretty clever. i am guessing it’s going to be a series, based on the ending, and I do have to admit that I’m curious as to where Hazelwood is going to take the story.