Speculative Fiction

Red Queen

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by Victoria Aveyard
First sentence: “I hate First Friday.”
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Review copy brought back from the ABA Winter Institute for me by a co-worker.
Content: There’s a lot — a LOT — of violence, some of it gruesome. It’s in the teen section (grades 9+) of the bookstore, and I’m going to leave it there, but I wouldn’t be adverse to giving it to a kid who could stomach Maze Runner or The Hunger Games.

This one is getting All the Buzz (at least in the bookselling circles). It’s got a great cover (seriously), and it’s another one of those vaguely apocalyptic books and so I think publishers are expecting it to do Great Things. I don’t know if that raised my expectations — it is a debut novel, so I don’t know how high they could have been — but this fell flat for me.

Mare Barrow is a Red. Which means, in this world (it was never clear if it’s Earth or a different world entirely), that she’s considered low. Base. A slave. Because her blood bleeds red. See, in this world, the people who have all the power are the ones whose blood is Silver (perhaps because they were aliens that invaded the planet hundreds of years ago? It was never clear.) and because they have powers that give them an advantage over those low Reds. Mare figures she’s going to spend her short life stealing to get by until she gets conscripted into the war that’s been going on for a hundred years, in which she will die.

And then her life changes: she meets Cal, a Silver, who gets her a job in the palace, and then during the Queenstrial (in which Silvers from the noble houses compete to become the prince’s bride), she discovers (quite by accident) that she has powers, like a Silver.

All this sets in motion political intrigue, betrayal, and a lot of fighting that will ultimately be Mare’s downfall. Maybe.

The plot doesn’t sound half bad: there’s a bit of a forced love triangle, and a twist at the end that wasn’t entirely unexpected. But the thing that kept pulling me out of the book was two simple words: smirk and sneer. EVERYONE smirked. EVERYONE sneered. And after the first 15 times, I noticed every time someone did. Then after the next 30, I lost patience with the book and skipped to the end. I did go back and fill in the middle, just to see how we got to the end, but I ended up loathing the book for two simple words. I couldn’t get past it. That’s just lazy writing and lazy editing (and the book would have been 20 pages shorter if they were all deleted). Sure, there were some interesting ideas about class and race and bias, but I couldn’t rise above the writing level to appreciate them.

Definitely for someone less picky than me.

Mark of the Thief

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by Jennifer Nielsen
First sentence: “In Rome, nothing mattered more than the gods, and nothing mattered less than its slaves.”
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Review copy snagged from the ARC shelves at my place of employment.
Content: There’s violence, since it’s set in ancient Rome, but it’s not graphic. It’s basically on the level of the Percy Jackson books, so I put it in the middle grade (grades 3-5, though it probably skews to the upper end of that) section of the bookstore.

Nicholas Calva is a slave in the mines, digging up stones and jewels for the wealthy of Ancient Rome. This is not something he chose to do; his family was captured in one of Rome’s many invasions of other, smaller countries. Or sRomething he wants to do: he would much rather be a free man. But, because his mother was sold away, and because he needs to watch after his sister, Livia, he sticks around and is (mostly) obedient. Then, one day, his master sends him down to find and fetch Julias Ceasar’s bulla, a medallion that he carried with him that was supposedly given to him by Venus. Nic finds it, of course, and fights the griffin guarding it, and is endowed with magical powers.

Which gets him in to all sorts of trouble.

See, the current emperor is weak, and there’s a war brewing between the Praetors and the general of the army, and Nic seems to be caught in the middle. The question is, will he even survive long enough to pick a side?

I loved this one. Seriously. Nielsen knows how to create a world, and I was happy to immerse myself in an ancient Rome that had magic. (And pretty cool magic, at that.) Nic, much like Sage, is a impulsive character, one is more than willing to go out on a limb to do what he thinks he should, which makes him a lot of fun to read about. I enjoyed getting to know Aurelia — his friend/pseudo romantic interest — and thought she was a great foil for Nic impulsiveness. My only regret was that Livia was more an idea than a character; I never really felt the connection that Nic did for her, and was never really upset when her life was dangled before Nic as motivation.

But there are some nice twisty moments, especially at the end, and it’s a solid first book in a series.

Monstrous

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by MarcyKate Connolly
First sentence: “I will never forget my first breath.”
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Content: It’s long and slow and while the romance is fairly age-appropriate, it’s not just alluded to. It’s in the middle grade (grades 3-5) section of the bookstore, but I’d gear it to the older end of the age range/young YA.

Kymera is a newly formed creation of her Father’s.She’s part girl, yes, but also part bird and part.. something else with a scaled, stinging tail. Her purpose, her father tells her, is to rescue the girls that have been imprisoned by the wizard. She heads into Bryre every night, stinging the guards and bringing out one girl which her father then tells her is being taken to the safety of Belladoma, a nearby country.

If you’re not getting huge creeper undertone vibes from this, I’m really not doing it justice. See: everything is not what it seems. One of the best things about the first half of this book is the unease that Connolly writes into it. I just KNEW something wasn’t right, that Kymera was being too trusting (then again, being new-born she didn’t know any better), that something would go horribly wrong.

And, once she meets a boy, Ren, against her father’s wishes, it does.

I  won’t tell you how it all unravels; the twists and turns are best left to surprise. So, even though this is a slow book, with a lot of internal dialogue and musings, I was still interested enough to keep reading. I loved the dark Frankenstein-like aura it has, though it has a very Grimm-like overlay. Like Connolly couldn’t decide whether to tell a fairy tale or a monster story. But, the mashup works.

Until the end.

See, it turns fairy tale in the end, and I think we were supposed to be Moved by the ending, but I felt cheated. I suppose I wanted some sort of middle-grade happily ever after, and I should be happy Connolly refused to give it to us, but it felt… forced. And that made me dissatisfied.

But, overall, it was a well-done, dark middle grade fantasy.

Rebel Belle

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by Rachel Hawkins

First sentence: “Looking back, none of this would have happened if I’d brought lip gloss the night of the Homecoming Dance.”
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Content: There’s some mild swearing, and some (somewhat oblique) references to sex. Plus some violence. None of which is enough to make it “objectionable”, so it’s in the YA section (grades 6-8) of the bookstore.

Harper Price is one of those annoyingly perfect people. She’s the president of everything, super involved in her school. Great grades, popular friends, the Perfect Boyfriend. She’s even going to be crowned Homecoming Queen. (Seriously: about 50 pages into the book. I’m thinking she’s the embodiment of everyone I loathed in high school.) So, the last thing she expected, when she went to the restroom the night of the homecoming dance to touch up her lip gloss, was to get superpowers. She inadvertently stumbled into a world with Mages and Paladins — who are protectors, and it’s the powers Harper ended up with — who have sworn to protect the Oracle. Who just happens to be the person Harper loathes most.

There’s a lot more going on in this novel, including boyfriend drama and a Cotillion, but that’s basically the gist of it.  Harper, the annoyingly perfect girl, gets powers and becomes awesome.

I was in the mood a while back for something completely fluffy, something that was fun, but not taxing, so I turned to an author who I knew would deliver. And Hawkins did. Yeah, there’s probably some inconsistencies in the book and it’s definitely really white. (Then again, it’s Alabama.) No, it’s not as good as Hex Hall. However, it IS fun. It’s got that delightfully quirky Southern feel to it (I loved Harper’s great-aunts), and the magic is clever and different. But mostly, it was just FUN. Which is all I really wanted out of this book.

I even enjoyed it enough to pick up the second one. 

The Winner’s Crime

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by Marie Rutkoski
First sentence: “She cut herself opening the envelope.”
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Review copy snagged from the ARC shelves at my place of employment.
Others in the series: The Winner’s Curse
Content: There’s some violence, sometimes a bit graphic, and mention of sex (but only illusions). It’s in the YA section (grades 6-8) of the bookstore.

There will be spoilers for Winner’s Curse. You’ve been warned.

Kestrel handed Arin his country, a treaty that gave them a pseudo-independence from Valoria after their brief revolution. Even though she’s in love with Arin, she knows she can’t have him. He’s Herran. He was her slave. And, probably most importantly, she offered herself to the emperor to be his son’s bride in exchange for Herran’s independence.

But, of course, things are not simple. She can’t get Arin out of her head. The emperor is cruel and manipulative, which means Kestrel is constantly playing games with other people’s (and her own) lives. Especially because she wants — no, NEEDS — to help the Herrani out. By becoming a spy for them. She’s definitely playing with fire.

First: I LOVED being back with Kestrel. She’s so smart, so wily, and yet feels everything deeply. She’s just a fantastically complex character, and I thoroughly loved being in her head as she went through the paces. I loved hating the emperor (oh, man, he’s despicable). And even though Arin is pretty annoying, I enjoyed his character growth.

That said, it’s very much a middle book in a trilogy. It’s moving things forward, sure, but it’s also very much spinning in place. Kestrel, while fun, doesn’t have any character growth, really, until the end when she does something completely out of character (but leads to a pretty great cliffhanger ending). Arin did grow, however, and after he stops being moody about Kestrel, he has some pretty great scenes. It took me a while to get going, but once I did, I plowed through straight to the end which left me begging for the last book.

Even with the second-book-in-a-series curse hanging over it, it’s still a GREAT read.

The Swallow

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by Charis Cotter
First sentence: “There’s no place for me,”
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Content: It’s kind of confusing and a little bit creepy, though the chapters are short and to the point. It would be in the middle grade (grades 3-5) section of the bookstore.

Polly is lost in a sea of siblings and foster siblings. Her father is a pastor and feels a need to rescue lost children, much to Polly’s dismay. Rose is lost as well, but for the opposite reason: she is the only child of very busy, distant parents who don’t spend much time with her at all. Its 1963 in Toronto, when these two meet, and because they both have an interest in ghosts — well, Rose can see them, so it’s not really an interest — they embark upon a mystery when finding a gravestone with Rose’s name in the graveyard behind their houses.

If that sounds convoluted and sort of strange, it’s because this book is, well, convoluted and sort of strange. I think Cotter was going for atmospheric, but for me it just came off as creepy and weird. And unnecessary. Perhaps it was just me; this was the last of the Cybils finalists that I read, and I was worn out on fantasy by this point. But, the characters seemed wooden, the parents unnecessarily strict or absent, the story too forced for my taste.

The twist that happens didn’t work for me, either.

Which is to say, this was my least favorite. Though, it’s probably just me, and there’s some kid out there who loves twisty ghost stories with shocking reveals.

The Castle Behind Thorns

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by Merrie Haskell
First sentence: “Sand woke, curled in the ashes of a great fireplace.”
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Content: There’s death and betrayal and politics, and lots of funny French names, so maybe it’s not for the most reluctant of readers. It’s in the midde grade (grades 3-5) section of the bookstore.

Sand, short for Alexandre, is the son of the local smithy in a small French duchy. (Well, it’s in one of those offshoots just when France was becoming, well, France.) The duchy castle has been in disrepair for longer than Sand’s 13 years, and surrounded by thorns. No one has gone to see what could be seen  inside.

Then Sand, who has been arguing with his father about attending university (he doesn’t want to), throws a token in Saint Melor’s wishing well, and ends up inside the castle. With no clue how he got there or how he will get out.

A brief aside here: we discover things right along with Sand, and while that generally annoys me, in this book it works to great effect. Sand is disoriented and alone, and Haskell captures that perfectly, transferring Sand’s anxiety and his slow realization that he’s stuck there and no one is coming to get him to the reader. All of which is followed up by his determination to survive and make things work.

During his explorations, Sand finds a body of a dead girl, and straightens her up. And because this place is magical (something which comes on very slowly, and quietly), she wakes up. Suddenly, Sand is not alone, and he and Perrotte — who happens to be the daughter of the long-dead Count — have to work together to find their way out of the castle.

I know it sounds boring, but it’s not. Haskell is a gifted writer, and she captures so many inner emotions and struggles and makes them not only real but captivating. I loved the friendship that developed between Sand and Perrotte (and that it wasn’t a romance!). I loved how they worked together to figure out how to get out of the castle. I loved that Sand’s strengths and Perrotte’s strengths were different and they found a way to compliment each other.

Yeah, all of this is really introspective for a middle grade fantasy novel, but in Haskell’s talented hands, it works well.

More than just well: it works wonderfully.

Nuts To You

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by Lynne Rae Perkins
First sentence: “One mild day in early November, I took my lunch down to the waterwheel park.”
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Content: There are short chapters, lots of illustrations, and it’s pretty basic vocabulary-wise. Which means it’s perfect for the younger readers as well as those who struggle. It’s in the middle grade (grades 3-5) section of the bookstore.

The book starts out inauspicious enough: the author having lunch on a picnic bench. But then, a squirrel comes up and, after a bit, begins talking to her. He tells her a fantastic story of adventure, of friendship, and of bravery.

Jed the squirrel was minding his own business, really, when he was picked up by a hawk. He manages to escape with some quick thinking (and the ancient squirrel martial art of Hai Tchree), he manages to escape, falling into an unknown part of the forest. Meanwhile his two best friends, TsTs and Chai, have seen Jed’s daring escape, and they head out into the forest to find him.

It sounds horribly corny, doesn’t it? I’ve been putting this book off for months just because 1) talking squirrels?? 2) really??? But trust me: it’s adorable. The squirrels talk to each other, true, but the only reason they talked to the “author” was because they’ve learned English over the years. No magic. Promise. Even so, the way Perkins has imagined the forest is charming, believably true to the animals she portrays, and just delightful.

There are a couple of reasons why. First, it’s the friendship between Jed, Chai (who’s a delightful character in his own right), and TsTs is a wonderful one. They will do just about anything for each other, and they work better together as a team. Second, the footnotes and asides had me cracking up. The voice Perkins chooses to tell this story is part of what makes it so perfect. Third, the illustrations help give the text just the right boost from weird and corny to adorable and fun.

Sure, there are some downsides: the environmental message at the end is a bit tacked on and heavy-handed. And the jokes and asides will probably drive those who dislike intrusive narrators bonkers. But I was completely won over and just wanted to hug the book in the end.

The Luck Uglies

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by Paul Durham
First sentence: “
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Content: There’s a lot of death — most of it off screen — and some pretty intense moments. Throw in a lot of difficult names of places and people, and this is not for the younger set, unless they’re pretty strong readers. Even so, it’d be in the middle grade (grades 3-5) section of the bookstore.

Rye O’Chanter has spent her life roaming the streets of Village Drowning, from her home in Mud Puddle Lane to her mother’s store to her the in her friend owns across the village. It’s not been a tough childhood, even though her father has been gone for years, but life in Village Drowning under the protection of the strict, and somewhat cruel, Earl Longchance hasn’t been a walk in the park, either.

The one day, the village is threatened by a beastie that everyone thought was extinct: the Bog Noblin. It had passed into lore: beasties that will eat you if you go outside after dark. The thing is, though: they really do. And when this one brings a heap of trouble on the village (partially because of the stupid Earl), it’s up to Rye — sort of — to stop it.

But she can’t do it on her own. Thankfully, a helpful stranger she calls Harmless shows up at just the right moment.

I’ll say this to start: I ended up liking this book more than I did in the beginning. I had a lot of unanswered questions at the beginning; almost too many for my taste. It was frustrating that I didn’t know the why, or who, or what. Then again, neither did Rye (because of information her mother held back). But, once I started getting answers — almost halfway through — the book picked up for me, and I actually enjoyed the adventure. There was a moment when I was afraid that Rye wouldn’t be allowed to be the hero of her own book (and that the guy was going to Save the Day), but Durham pulled through and allowed Rye to do what needed to be done.

The other thing is that even though there’s going to be a second book, this really is a stand-alone story, and that’s refreshing. I enjoyed Rye and the relationships she had with those around her (her younger sister, Lottie, is adorable). I loved how Durham showed a happy family with caring relationships, and yet Rye was a clever and capable and brave and tough girl. That was definitely something I liked.

So, in the end, this was a really solid fantasy.

Boys of Blur

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by N. D. Wilson

First sentence: “When the sugarcane’s burning and the rabbits are running, look for the boys who are quicker than flame.”
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Content: There are some intense moments, some violence, and some reference to abuse. It’s pretty intense, so while it’s in the middle grade (grades 3-5) section of the bookstore, I’d hesitate giving it to the younger part of that age range.
There’s so much going on in this slim book, that it’s difficult for me to know where to start. 
There’s Charlie Reynolds, who had an abusive father, but whose mother was strong enough to leave and who found Mack, a former professional football player from a small town in Florida, to help keep her and Charlie safe. They got married and had an adorable little girl, Molly.
There’s Cotton Mack, the homeschooled son of one of Mack’s cousins, whom Charlie meets when he’s in Florida to attend the funeral of Mack’s former football coach.
It’s after that funeral that things start getting weird for Charlie and Cotton. Like ancient mythical men on mounds wielding swords weird. Like panthers that are tame and the zombie-like Stank (aka Gren) who feed off of envy and greed. And somehow it falls to Charlie and Cotton (well, mostly Charlie) to stop the Gren from rising and destroying their town.
In many ways, this one is reminiscent of The Dark is Rising: an ancient force pitted against a boy, who didn’t know he had it in him to face that ancient force. The difference is that this one is very southern, and is liberally scattered with African Americans. Which brings me to my one problem: why did the white kid have to be the one to save the world, in the end? Why did Cotton have to be taken out of commission? Although I really liked the book, with its mix of football and mythology and family, I was disappointed by this.
I don’t know how much that affected my enjoyment in the end, because Wilson does know how to pace a book, and he’s incredibly tight in his timing, and he knows how engage a reader. So, overall, I’d consider this one a win.