Children of Virtue and Vengeance

by Tomi Adeyemi
First sentence: “I try not to think of him.”
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Others in the series: Children of Blood & Bone
Content: There is a lot of violence, some of it graphic. And talk of sex but none on the page. It’s in the YA section (grades 6-8) of the bookstore.

This book picks up right after the first one in the series, so spoilers (obviously).

It’s a few weeks after Zélie brought magic back to Orisha, but things haven’t gotten any better for the magi. In fact, when magic came back, it came back not only to those who had magic, but to those who have magic ancestry. Which means, unfortunately, that the royals who have been oppressing the magi now have magic… and so they keep oppressing (and killing) the magi, especially those who have decided that the royals must go.

It’s not a happy book, this. It’s very much a second in a series — they won a battle in the first book, but it wasn’t enough to win the war. And so one side retaliates, and then the other side retaliates, and then the first side retaliates again… you get the picture. In fact, that’s what I got out of it: it’s a very long musing on what happens when people can’t let go of past hurts and work towards a mutually beneficial solution. Though maybe, sometimes, burning everything to the ground may be the best option. There’s a lot to think about.

I still really like Adeyemi’s world building, and I like the way magic is evolving and being used in new ways. I enjoy that no character is fully good or evil; the “bad guys” have motivations that make sense, and the “good guys” aren’t wholly without fault or blameless. There’s even complexity in the relationships in the book. And I find all that highly satisfying.

I do have to say that I’m quite curious where this next book is going to go. I’m definitely going along for the ride!

A Blade So Black

by L. L. McKinney
First sentence: “Alice couldn’t cry.”
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Content: There is some violence and three f-bombs. It’s in the teen section (grades 9+) of the bookstore, but I’d give it to a younger kid if they were interested.

The day her father died was the first time that Alice saw a Nightmare. She didn’t know what it was, this monster snarling at her and trying to eat her, but since she could see him — and the mysterious boy, Addison Hatta, who slayed the Nightmare for her — she was recruited to become a Dreamwalker and help protect the world from the Bad Things in Wonderland.

Except it’s not as easy as it sounds. Hatta’s been poisoned, the Black Knight is on the loose, and it’s getting harder and harder to keep out of trouble with Alice’s mom (seriously: she kept sneaking out, and I was just waiting for the time that everything would got to hell because Alice’s mom locked her in her room or something like that). It doesn’t help that Alice’s friendship with her best friends is on the rocks because of all of the Wonderland stuff.

Oh this one was fun! I’ll admit that I’m not a huge fan of Alice in Wonderland, but McKinney used her source material so incredibly cleverly. With the Queens and Knights and the Vorpal Blade, and the Tweedle twins (they were Russian: Dee and Dem). It was all very, very cleverly used. And on top of that McKinny wove an incredible magic world, but gave it real world consequences. I know I snarked a bit about Alice’s mom, but McKinney thought about the consequences of Alice’s actions, and gave her mother realistic reactions. I appreciated that Alice’s mom was a viable presence throughout the book, acting as any good mom would.

It’s a good start to a series, and one that I’m actually curious to find out where it takes me.

Gideon the Ninth

by Tamsyn Muir
First sentence: “In the myriadic year of our Lord — the ten thousandth year of the King Undying, the kindly Prince of Death! — Gideon Nav packed her sword, her shoes, and her dirty magazines, and she escaped from the House of the Ninth.
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Content: It’s violent and it’s sweary (including many f-bombs). It’s in the science fiction/fantasy section of the bookstore.

So, this one is hard to describe. The short pitch is lesbian necromancers in space, though that doesn’t really begin to touch on what really goes on in this book. The slightly longer version is that Gideon is an orphan raised by the Ninth House, which (in this world) is tasked with guarding the Locked Tomb for the Undying Emperor. However, when the heirs to each of the nine houses are called to the emperor to compete to be one of his Hands, Gideon is dragged along as the cavalier to Harrowhawk, the Ninth heir, into a world of intrigue.

But that doesn’t even give you a glimpse into the total awesomeness that is Gideon the Ninth. Not just the book, either: Gideon the character is so very awesome. Full of snark and sass and grit and just plain awesomeness, she’s a marvel. And I adore the relationship that grows between her and Harrow. Muir is a marvel of a writer, and the world that she has built is unique and brilliant and wild.

I can’t wait for the rest of this trilogy.

Lords and Ladies

by Terry Pratchett
First sentence: “Now read on…”
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Others in the series:  Equal RitesWyrd Sisters, Witches Abroad
Content: There’s some mild swearing and inference about sex. It’s in the science fiction/fantasy section of the bookstore.

Up until this point, with the witches series, you really didn’t have to read the ones that came before it. I mean, it helps, but it’s not ultimately necessary. However, with this one, you really do need to know what happens in the previous books if only so that all the little things that are happening in this one make sense.

Granny Weatherwax, Nanny Ogg, and Magrat Garlick have just gotten back from their jaunt in Witches Abroad and it turns out that Magrat is marrying the King of Lancre. (Who was the fool, but that’s the story in Wyrd Sisters). However it turns out that someone has been playing with the boundary between Lancre and the Elf world. As it turns out, elves — who the witches refer to as “the lords and ladies” — are not nice people, and they want to come through and create havoc. Which they do. And it’s up to the witches to stop them.

There are a few references to A Midsummer Night’s Dream, but it’s not as direct a parody as Wyrd Sisters is of Macbeth. Mostly this is the story of Magrat figuring out how to stand up for herself, and embrace what she really wants. (There was a moment near the end in which I literally cheered: “Go Magrat!”) And that you don’t have to do things the way books say, just because books say so.

Its not my favorite of the witch books, but I am really enjoying this Discworld series.

The Good Luck Girls

by Charlotte Nicole Davis
First sentence: “It was easier, she’d been told, if you kept a tune in your head.”
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Content: There are illusions to sex and drinking, but none actual. There is also some mild swearing, It’s in the YA section (grades 6-8) of the bookstore.

The Good Luck Girls work at a Welcome House providing “services” to male clients. Most of them have been sold to the welcome house, because their family needs the money. Sisters Clementine and Aster — not their real names; they take on flower names when they’re sold to the house — decide to run when Clementine accidentally kills a “brag” — one of the men they service — which is not an easy feat. They end up taking three other girls with them when they get away, but they’re on the run from the law and the raveners — men who possess powers to create despair and pain — and in search of a bedtime story: Lady Ghost who is supposed to help girls like them.

It’s a long, dangerous path, and one that the girls can only make with the help of a ranger, Zee. Aster is the leader and our main character, and it’s interesting following the journey through her eyes. She doesn’t have the love arc (that belongs to other characters) or the sacrifice arc, but I do appreciate how she grows as a leader. She has difficult decisions to make, and I thought Davis did an excellent job giving Aster the complicated storyline.

It’s a good “road trip” story, with a hint of the old west. I liked that the girls were up against the patriarchy, even if Zee was a bit overhelpful. It made sense though, since the girls didn’t have much outside experience. As fantasy is a way to explore real world issues, this brings to light the plight of girls who are sold into sex work, and the ways in which they are kept captive.

It also works as a stand-alone, which is nice. I think there’s potential for a series, but there doesn’t have to be, and I find that immensely fulfilling.

A good debut.

Tarnished Are the Stars

by Rosiee Thor
First sentence: “There was nothing quite like the first tick of a new heart.”
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Content: There’s some death — but not violent death — and some romance. It’s in the YA section (grades 6-8) of the bookstore.

It’s the future, and Earth has become inhabitable for reasons unnamed. A group of settlers have made it to a new world — Earth Adjacent — and have put up a settlement there. The Queen is still orbiting the world in the “Tower”, but the ruler of the earth is the Commissioner, who has issues with technology. So a splinter group of settlers have moved out to a hidden city, determined to use tech, mostly because they need it to survive. Something is making hearts stop working.

Enter Anna, the settlement’s most wanted criminal: The Technician. She defies the Commissioner’s edicts, in order to help people survive. And then one day, she runs across the Commissioner’s son, Nathaniel, who has a TICCER — an artificial heart — just like she does. That opens up a whole world of questions. Which only get more complicated when Emma, the Queen’s personal spy — arrives from the Tower, in order to marry Nathaniel and carry out the Queen’s will.

I started listening to this one on audio, and it was a complete fail. I just didn’t like the narrator, and there were enough moving parts that I couldn’t keep it in my head. Note to self: I don’t do fantasy on audio well (this isn’t my first fantasy audio fail). That said, I was interested enough in the story to pick up the physical book and finish it. And… it’s not bad. I liked that there wasn’t a lot of romance, and that the focus of the relationships were friendship and family. I thought the ending was a bit rushed, but it didn’t take away from the clever premise of a new world and what it takes to settle and populate one. And hooray — it was a stand-alone! I appreciate that Thor was able to wrap the story up in one book.

I solid debut, I think.

The Queen of Nothing

by Holly Black
First sentence: “The Royal Astrologer, Baphen, squinted at the star chart and tried not to flinch when it seemed sure the youngest prince of Elfhame was about to be dropped on his royal head.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher
Others in the series: The Cruel Prince, The Wicked King
Content: There’s a lot of violence, some mild swearing, and one tasteful sex scene. It will be in the teen section (grades 9+) of the bookstore.

Before I get started: if you are one of those sorts of people who like to wait until the whole series is done, then now is a good time to read this. It’s the final one in this trilogy, and it wraps the story up beautifully.

If you’ve been reading this series as it comes out, this is more of the lush yet fierce storytelling that Black has given us in the past two books. It feels tighter than the other ones; it comes in under 300 pages, and doesn’t have many side trips. Jude — who has been exiled by her husband, the High King Cardan — gets into faerie, nominally to save Taryn from the inquest involving her husband’s murder (which was brushed over… maybe Black will write a book about Taryn sometime; she turned out to be more interesting than I originally thought), but ends up in the middle of the court politics as her faerie foster father Madoc challenges Cardan for the crown.

It’s a compelling story, as Jude tries to stay a step ahead of the magic and Madoc and her feelings for Cardan, and it’s a tight ending to a fantastic trilogy. I loved the ending that Black came up with; it fits with the characters and was satisfying enough that when I finished I didn’t feel like she cheated me out of something. It’s a gorgeous trilogy and I will definitely miss spending time with Jude and Cardan and their friends and family.

Call Down the Hawk

by Maggie Stiefvater
First sentence: “This is going to be a story about the Lynch brothers.”
Support your local independent bookstore: buy it there!
Content: There is a lot of violence (and a pretty high body count) and swearing, including multiple f-bombs. It’s in the Teen section (grades 9+) of the bookstore.

Some non-spoilery things about Call Down the Hawk:

  1. You don’t have to have read the Raven Cycle to enjoy this one. (But why haven’t you?)
  2. It’s very much a first in a series book. There’s a LOT of set up, which takes most of the book, as Stiefvater lays down the groundwork to this world that’s similar to, but more expanded than, the one in the Raven Cycle.
  3. Which means she’s introduced new elements into the Dreamer world. It’s made it a more realistic source of magic, I think.
  4. She promised adventure, and by the end, there is tension and suspense and adventure.
  5. Ronan-and-Adam are fine, if not physically together.
  6. My favorite pages are 253-255.
  7. Her writing is So. Damn. Beautiful. Even when writing about horrible things.
  8. I liked the new characters — especially Hennessey and Jordan.
  9. Surprisingly, I didn’t mind spending a whole book with Ronan (I was a bit worried about that) and I really liked Declan. A lot. He was always probably not a prick, but Ronan just thought he was so readers did too.
  10. I’m curious to see where the next one goes.

The Toll

by Neal Shusterman
First sentence: “There was no warning.”
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Others in the series: Scythe, Thunderhead
Content: It’s very violent, but much of it is mass violence, which somehow doesn’t have the same impact (for me) on the page as it does on the screen. There is one f-bomb and some mild swearing.

Spoilers for the first two, obviously. If you haven’t read this series yet, you NEED to.

I’m going to try and do this with minimal spoilers for The Toll. It’s not easy. Especially since there’s SO MUCH going on in this one.

Endura has sunk and Citra and Rowan with it; the Thunderhead is only talking to Greyson, which makes him a “prophet” for the Tonists; Goddard has taken over as Overblade of the whole Merican continent, except for the Lone Start state; Faraday and Munira think they have found where the “fail safe” that the original scythes created is being housed. I think that’s it.

From there, though, this book winds its way through multiple timelines — sometimes I felt like I needed a chart to help put all the events in relation to each other. Sometimes I lost track of what was happening when. It was a lot to keep track of.

But, I think Shusterman juggles all his balls really effectively. He really is a master of revealing just enough information at just the right time in order for you to put all the pieces together just before he reveals what you just put together. It’s a good ending, too: he wraps up all the plot lines (even though K thinks it was a bit silly) and did one in such a way that made me tear up.

And because all good science fiction is a commentary on real life, this one has shades of what it would be like to live under a narcissistic dictator with unlimited power and funds. And the ways in which the public reacts (or doesn’t react) to that. It’s illuminating. And about halfway through I realized the brilliance of the title as well.. (Not going to spell that one out for you; you have to figure it out.)

It’s a solid ending to a fantastic series.

The Bookwanderers

by Anna James
First sentence: “
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Content: It’s not long and it doesn’t have a lot of hard words, though it does seem to lean in to bookish kids, even if one of the characters has a hard time reading because he’s dyslexic. It’s in the middle grade (grades 3-5) section of the bookstore.

Tilly has grown up in her grandparents’ bookstore, Pages & Co. (a quick real-life interjection here: they have a bakery and a store, but no evidence of customers? How are they paying the bills? I know, I know, it’s a kids’ book…) surrounded by books. She is an avid reader, partially because you can’t grow up in a bookstore and not be and partially because it’s a connection to her mother, who disappeared when Tilly was little.

And now that she’s 11, something unusual has started happening: characters are coming out of books. And she’s been pulled into them, not just metaphorically, but literally. It turns out that her grandparents and mother are part of this group called Bookwanderers, people who can literally travel between the pages of a book. And now, Tilly and her friend Oskar find they can travel in books too, which means, maybe that’s where Tilly’s mother went? And maybe they can find her.

On the one hand, this is super charming. I was charmed by the presentation, by the idea of taking something metaphorical (getting lost in a book) and making it literal. I liked Tilly and her willingness to take chances, even though she had a good support system with her parents. I liked that it wrapped the story up, but also left a thread open for more books in the series.

But. I’m not sure how much kids are going to like it. (Which makes me sad.) Because of copyright issues, James can only use the classics, which makes sense, but I’m sure that kids would much rather read about falling into books they love, and not Alice in Wonderland, Anne of Green Gables, and A Little Princess. It makes sense why she used the classics, but it is a drawback, and one I’m not sure many readers could get past. Which means it’s more for adults who love reading and have a fond memory of reading as a kid, and that’s kind of sad.

Even so, I was happy I read it!