I had the pleasure of going to an author signing (my first! I should get out more…) at Watermark books featuring The 19th Wife author David Ebershofff.

First off, I have to back Natasha up on this (she’s mentioned it in comments on my review as well as elsewhere): he’s an incredibly personable, interesting, and, yes, nice person. He’s also thorough, respectful and fair. If I had met him before reading the book, I would have been less suspicious of his motivations and more open to what he was trying to do when telling the story. (And to answer my own question: yeah, I’m probably reading too much into the novel.)

I won’t go through his whole hour-long interview/talk (though he didn’t do any actual reading from the book, which mildly disappointed me; I was curious as to what he would have chosen), but I’ll give you a few of what I thought were the highlights. (And I’m just winging this since I’ve never done it before!)

Sarah Bagby, the managing director of Watermark ran the discussion, and started him talking about how he decided to write The 19th Wife, especially since he said that he wanted to write on a subject that he, as a reader, would find interesting. Something that stood out in his explanation — he talked a bit about Ann Eliza Young and her history, as well as his contact with polygamous communities — was a little side comment that he gave as a response to our laughter about him visiting polygamous communities: “To write a book you have to be bold but a little bit naive; you have to be open to things.”

As part of the research for the story, he talked to many women who have left polygamous families, and discovered that the more he got into the story, the more stories there were. He said that their stories, while unique, were all variations on the same story, on Ann Eliza’s story. It always begins with them being devout in their faith, a certainty in their belief. But then something happens to crack the faith, and then something else to shatter it, and then they leave. He also interviewed women in the compounds he visited, but was always wondering how they were viewing him, wondering if they were holding things back. But his conversations with them informed the character of Jordan’s mom. In the end, he realized that while the historical part of the book was about the woman’s story, the modern section needed to be about the children, because both were affected by polygamy.

One of the more interesting things, to me at least, was his mention that on the surface, polygamy is titillating, something sexual, but if you dig down, there’s a lot of complex issues beneath the surface: faith, religious freedom, right to privacy — core American values. “Polygamy pushes these values and asks if we really believe in them, are there limits? And if so, who sets them?” He said he doesn’t think that there’s any one way to look at the issue, his goal was to raise up a set of questions for the reader but not necessarily provide answers for them.

He mentioned the raid on the Texas polygamous compound last year, and noted that the reaction of the media to that was very similar to the media reaction to Ann Eliza. I thought that was an interesting comparison.

Something I, as a Mormon, appreciated was his repeated statements that current polygamists don’t have anything to do with the LDS church. (He wasn’t out to compare the church to a cult; that was just me!) And that he had positive experiences while researching Ann Eliza. I asked about the character of Kelly Dee. He said that it kind of came from what he was trying to do: taking all of the disjointed parts of history and pulling them together. He said that while working on the book, he met young, intelligent, curious Latter-day Saints pursuing this part of their (and my) history. They were devout and faithful, yet open and curious. He felt like he needed a character like that to tie these stories together.

I could go on — he talked about the research he did and how he worked on capturing Brigham Young’s voice (and that it was intimidating and challenging, but that as a writer, he likes a challenge); and how his experiences having three older sisters informed his writing, among other things — but I’ll just end by saying that it was an enjoyable evening, and I’m glad to have had this opportunity to go out. I ought to do this more often! (And keep a better eye on who comes to this part of Kansas. Ally Carter is coming on Saturday, and M would love to go, but we have a previous commitment, and can’t make it.)

Finally, if any of this has piqued your curiosity: I’m giving away TWO signed copies of 19th Wife! Just leave a comment saying that you’re interested. Make sure there’s an email address where I can contact you. Only open to U.S. and Canada residents, sorry. 🙂 I’ll draw the winner on Sunday, June 14th.

by Carol Lynch Williams
ages: 13+
First sentence: “If I was going to kill the Prophet,” I say, not even keeping my voice low, “I’d do it in Africa.”
Review copy sent by a publicist, I think.

This one first hit my radar back in February, when Sarah reviewed it. Since then, it’s been popping up here and there, and always with the same result: people love it.

It’s tough to read, it’s disturbing and unsettling, but it’s beautifully written, and ultimately hopeful. In short: it’s one of those books that won’t leave you alone even after you’ve finished.

Thirteen-year-old Kyra is part of The Chosen Ones, a community of polygamists in an unspecified desert. She’s not been an especially happy member of the community — she loves her family, but isn’t quite sure about the Prophet — and when the Prophet tells her that he’s had a vision of her marrying her 60-year-old uncle and that the wedding will take place in 4 weeks, Kyra knows she has to get out. Except that getting out is much, much harder — and will cost more — than she can realize.

It has a premise similar to The Patron Saint of Butterflies — exploring the boundries between faith, belief and control and the effect religious communities have on children — but The Chosen One takes it to a new level. Sparse and effective, Williams writes a novel that reads like poetry. And every word, carefully chosen, adds to the tension of Kyra’s plight. The book grips you, sticks with you, and leaves you hanging in its wake.

And then you will get up and gush about it, too.

Promise.

Buy it at: Amazon, Powell’s, or your local independent bookstore.