The Kiss of Deception

by Mary E Pearson
First sentence: “Today was the day a thousand dreams would die and a single dream would be born.”
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Content: There’s some illusions to sex, but nothing explicit. And there’s some violence, but nothing graphic. This one has been languishing in our Teen (grades 9+) section, but I think I’ll move it to YA (grades 6-8) with all the other pretty-dress-covered fantasy.

Lia is a princess of the land of Morrigan, a First Daughter. Which means that her life, as much as she hates it, is not her own. Per custom and religious tradition, First Daughters have arranged marriages, for political gain. And so, Lia is being married off to the prince of a neighboring kingdom, Dalbreck. Whom she has never met. And whom, because he’s just doing what his father wants, she will never have any respect for.

So she runs away, the morning of her wedding. Escapes to a small, coastal town with her maid, and disguises herself as a barmaid. She figures she’ll happily live out her life there. But, there are people on her trail: an assassin from another neighboring “barbarian” country, and the prince himself, who (of course) is nothing like Lia thinks he’ll be.

There are a lot of “of courses” here: yes, there’s a love triangle (but it’s handled well). Yes, she gets caught out. Yes, there’s a smattering of magic and religiousy folklore;  Pearson has developed a whole religion and a prophecy, though I have to admit that I skipped a bunch of that. But, in Pearson’s hands, none of that seemed trite. I really liked Lia as a character, from the get-go: she knew what she wanted and she wasn’t afraid to take it. She was independent — there was none of that stuck-up royal stuff you often get in these sorts of stories — and thoroughly confident in her decisions.

And so when the story takes a left turn — the assassin ends up kidnapping Lia and dragging her back to his country — I was giddy with delight. The book is good, but the last third, after Lia is kidnapped, is great.  No, the story didn’t wrap up; the sequel is coming out in July. But, this is a series definitely worth reading.

Black Dove, White Raven

by Elizabeth Wein
First sentence: “Sinidu told me I should aim for the sun.”
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Content: There’s a smattering of violence, and some insinuations, but it’s not nearly as intense as Wein’s other books we have in the store. I’m torn between leaving it where it is (in Teen, grades 9+) and moving it to YA (grades 6-8), where it really fits better, subject and content-wise. Thoughts?

I know Wein has written other books about Ethiopia, but I didn’t know they existed, really, until this one came out and I started hearing the buzz. And so I really didn’t know what to expect with this one.

Many of the elements I have enjoyed about Wein are there: women pilots, in this case two: a white woman, Rhoda, and her black friend, Delia,  learned to fly in France and go around the States in the late 1920s/early 1930s with their barnstorming act. There is also World War II: after Delia’s accidental death, Rhoda takes their two children, her daughter Emelia and Delia’s son Teo (whom Rhoda has taken as her own) to live in Ethiopia, which was Delia’s dream.

The book is a long letter written to the emperor of Ethiopa by Emelia. It’s in the middle of World War II, and the Italians have invaded Ethiopia. Because of their precarious legal situation: Teo is not legally Rhoda’s son, they’re not really legally in the country, and because Teo’s father was Ethiopian, it means that their position in the country, especially with the Italians there, is a precarious one.

Emelia recounts history and how their little family ended up where they are. Teo contributes some, writing journal entries and flight logs — Rhoda eventually teaches both children to fly — and so you hear his voice as well as Emelia’s.

There’s a lot going on in this book, and yet, I felt like the conflict didn’t really pick up until the last third. It’s a quieter book than her previous two WWII books, one that felt more vignette-driven as well. (Though typing that, and thinking back to Code Name Verity and Rose Under Fire, I’m not sure that’s true.) The characters were definitely younger in this one, and perhaps that’s what I’m feeling. I did like how Wein rounded out most of the characters in the book, but especially the female ones (the male ones, aside from Teo, were basically set dressing, there to move the plot along). Wein also touched on a lot of cultural issues for the time: segregation in the US, slavery in Ethiopia, the war, the limitations of women at the time. Even though it didn’t feel like much, plot-wise, there was enough to hold my interest and carry the book.

I’m not sure I love it as much as I do the other books I’ve read by Wein, but I did thoroughly enjoy it.

How to Be a Heroine

by Samantha Eliis
First sentence: “A couple of summers ago, I was on the Yorkshire moors, arguing (over the wuthering) with my best friend about whether we’d rather be Jane Eyre or Cathy Ernshaw.”
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Review copy provided by the publisher.
Content: There’s a handful — not more than six — of f-bombs and some mentions of sex, but nothing graphic. It’s in the adult creative nonfiction section of the bookstore, but I’d give this to anyone in high school and up.

Somehow, I ended up with a complimentary copy of this book. I really have no idea how it ended up on my pile. I do know the idea of it (and the subtitle: “Or, What I’ve Learned from Reading Too Much”) appealed to me. Any book that is about books or the love of reading has to be good, right?

And it was.

The book is nominally a reflection of Ellis’s life. She’s an Iraqi Jew, living in London, with all the cultural and religious implications you’d think that entails. She struggled against expectations, she struggled with faith, she struggled to find her own path. And, on its own that would be a fascinating story. But she framed the book with an analysis, heavily feminist, of classic heroines. From familiar to me ones like Jo March and Anne Shirley and Jane Eyre to ones I’ve never heard of, like Franny Glass and Esther Greenwood. She explored their narrative arcs, and what she took away from their stories. Both when she was younger and then, as an adult, how she feels the held up. Some did. A lot didn’t. And many she got something different out of the book than what she got when she was younger. She discovered new things along the way, and made me want to revisit books I’d loved when I was younger and read ones I’ve not read before.

And for all the literary criticism, it wasn’t a stuffy book. Ellis has a way of drawing the reader in, of making the characters pop to life. Perhaps that’s because she’s a playwright and has a way with words as it is. But whatever the reason, this one won my heart over.

Miss Mayhem

by Rachel Hawkins
First sentence: “This is going to be a total disaster.”
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Review copy snagged off the ARC shelves at my place of employment
Others in the series: Rebel Belle
Content: There’s some violence and a bit of swearing — not as much as Rebel Belle in either case. It’s in the YA section (grades 6-8) of the bookstore.

Spoilers for Rebel Belle. Just so you know.

It’s been a few months since Harper became a butt-kicking Paladin, sworn to protect her now-boyfriend David Stark, who’s the super-mystical Oracle. She’s working with her ex, Ryan (who’s now a Mage) to protect David, and for Harper — who is super controlly by any standard — that means limiting David’s visions to helping out Harper’s friends and family.

Unfortunately, that backfires: the Ephors find them, and while they give back Harper’s best friend Bee, who was kidnapped, they decide that Harper needs to go through a super-intense test to prove that she’s worthy to be the Oracle’s Paladin.

Of course, things aren’t as simple as that: David’s questioning his abilities, and things are on the rocks between him and Harper. Ryan’s having his own problems with girls, and Bee is finding re-entering society after being gone for several months isn’t as easy as they hoped. And then there’s the question of the spooky Ephor guy.What does he really want?

I really enjoyed Rebel Belle, and I was hoping for the same level of sillyness and fluff and fun from this one. But, alas, it’s the middle book in a trilogy, which means I got angst and unease and things unraveling to the point where it just wasn’t fun. It wasn’t bad — Hawkins knows how to write action, and Harper’s definitely grown on me even with all her Southernisms that drive me batty. But, it just wasn’t AS fun as Rebel Belle. Which made me a little sad. Then again, I can always hope for the next book to go back to being fun… at least by the end.

It’s a good series, overall, though.

Rebel Belle

by Rachel Hawkins

First sentence: “Looking back, none of this would have happened if I’d brought lip gloss the night of the Homecoming Dance.”
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Content: There’s some mild swearing, and some (somewhat oblique) references to sex. Plus some violence. None of which is enough to make it “objectionable”, so it’s in the YA section (grades 6-8) of the bookstore.

Harper Price is one of those annoyingly perfect people. She’s the president of everything, super involved in her school. Great grades, popular friends, the Perfect Boyfriend. She’s even going to be crowned Homecoming Queen. (Seriously: about 50 pages into the book. I’m thinking she’s the embodiment of everyone I loathed in high school.) So, the last thing she expected, when she went to the restroom the night of the homecoming dance to touch up her lip gloss, was to get superpowers. She inadvertently stumbled into a world with Mages and Paladins — who are protectors, and it’s the powers Harper ended up with — who have sworn to protect the Oracle. Who just happens to be the person Harper loathes most.

There’s a lot more going on in this novel, including boyfriend drama and a Cotillion, but that’s basically the gist of it.  Harper, the annoyingly perfect girl, gets powers and becomes awesome.

I was in the mood a while back for something completely fluffy, something that was fun, but not taxing, so I turned to an author who I knew would deliver. And Hawkins did. Yeah, there’s probably some inconsistencies in the book and it’s definitely really white. (Then again, it’s Alabama.) No, it’s not as good as Hex Hall. However, it IS fun. It’s got that delightfully quirky Southern feel to it (I loved Harper’s great-aunts), and the magic is clever and different. But mostly, it was just FUN. Which is all I really wanted out of this book.

I even enjoyed it enough to pick up the second one. 

The Winner’s Crime

by Marie Rutkoski
First sentence: “She cut herself opening the envelope.”
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Review copy snagged from the ARC shelves at my place of employment.
Others in the series: The Winner’s Curse
Content: There’s some violence, sometimes a bit graphic, and mention of sex (but only illusions). It’s in the YA section (grades 6-8) of the bookstore.

There will be spoilers for Winner’s Curse. You’ve been warned.

Kestrel handed Arin his country, a treaty that gave them a pseudo-independence from Valoria after their brief revolution. Even though she’s in love with Arin, she knows she can’t have him. He’s Herran. He was her slave. And, probably most importantly, she offered herself to the emperor to be his son’s bride in exchange for Herran’s independence.

But, of course, things are not simple. She can’t get Arin out of her head. The emperor is cruel and manipulative, which means Kestrel is constantly playing games with other people’s (and her own) lives. Especially because she wants — no, NEEDS — to help the Herrani out. By becoming a spy for them. She’s definitely playing with fire.

First: I LOVED being back with Kestrel. She’s so smart, so wily, and yet feels everything deeply. She’s just a fantastically complex character, and I thoroughly loved being in her head as she went through the paces. I loved hating the emperor (oh, man, he’s despicable). And even though Arin is pretty annoying, I enjoyed his character growth.

That said, it’s very much a middle book in a trilogy. It’s moving things forward, sure, but it’s also very much spinning in place. Kestrel, while fun, doesn’t have any character growth, really, until the end when she does something completely out of character (but leads to a pretty great cliffhanger ending). Arin did grow, however, and after he stops being moody about Kestrel, he has some pretty great scenes. It took me a while to get going, but once I did, I plowed through straight to the end which left me begging for the last book.

Even with the second-book-in-a-series curse hanging over it, it’s still a GREAT read.

Shadow Scale

by Rachel Hartman
First sentence: “I returned to myself.”
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Others in the series: Seraphina
Release date: March 10, 2015
Review copy snagged off the ARC shelves at work.
Content: It’s pretty complex, when it comes to keeping tabs on everything that’s going on, and it’s fairly long and slow-moving as well. It’s also more mature in its sensibilities, though there’s not much else that would put it in the Teen section (grades 9+). Even so, that’s where I shelve these.

There’s so much going on in this novel that, much like Seraphina, it’s kind of difficult to put all of what’s going on down on paper. (Or the internet, for that matter.) On the one hand, this is a straight-forward road trip: to help her friend Glisselda, who is now queen of Goredd, Seraphina goes on a quest to find the other ityasaari — those who are half-dragon, half-human. She feels that, if she gets everyone in one place, they’ll be able to create a mind-field to keep the renegade dragons out of the city. Seraphina initially thinks this will be a simple task: go into the surrounding countries, locate the ityasaari, get back to Goredd and they will all live happily-ever-after.

Thankfully for the reader, it’s not that simple. There are obstacles in Serpahina’s way, and not least of all is Jannoula, an abused, embittered, scheming ityasaari who has the ability to manipulate the humans (and dragons) around her. She is there every step of the way, adding conflict, tension, and suspense to Seraphina’s path.

Also like Seraphina, there’s much to love about this one. Hartman’s world-building is impeccable, and it’s fantastic to see what she’s done with the other cultures, religions, and people surrounding Goredd. The romance that was budding at the end of Seraphina is still here, but it takes a back-seat to Seraphina’s journeys and allows Seraphina to become her own strong woman independent of anyone else. That said, there’s some surprises by the end of the book, ones that I thought were thoroughly refreshing.

Speaking of the end, about two-thirds of the way through, I worried that Hartman wasn’t going to wrap up the story, but she pulled through. In classic high-fantasy style, she gives us an epic and truly fantastic ending, one that is thoroughly satisfying while staying true to the story, characters, and world she built.

Hartman is truly a writer to keep an eye out for. Whatever she touches is just amazing.

The Luck Uglies

by Paul Durham
First sentence: “
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Content: There’s a lot of death — most of it off screen — and some pretty intense moments. Throw in a lot of difficult names of places and people, and this is not for the younger set, unless they’re pretty strong readers. Even so, it’d be in the middle grade (grades 3-5) section of the bookstore.

Rye O’Chanter has spent her life roaming the streets of Village Drowning, from her home in Mud Puddle Lane to her mother’s store to her the in her friend owns across the village. It’s not been a tough childhood, even though her father has been gone for years, but life in Village Drowning under the protection of the strict, and somewhat cruel, Earl Longchance hasn’t been a walk in the park, either.

The one day, the village is threatened by a beastie that everyone thought was extinct: the Bog Noblin. It had passed into lore: beasties that will eat you if you go outside after dark. The thing is, though: they really do. And when this one brings a heap of trouble on the village (partially because of the stupid Earl), it’s up to Rye — sort of — to stop it.

But she can’t do it on her own. Thankfully, a helpful stranger she calls Harmless shows up at just the right moment.

I’ll say this to start: I ended up liking this book more than I did in the beginning. I had a lot of unanswered questions at the beginning; almost too many for my taste. It was frustrating that I didn’t know the why, or who, or what. Then again, neither did Rye (because of information her mother held back). But, once I started getting answers — almost halfway through — the book picked up for me, and I actually enjoyed the adventure. There was a moment when I was afraid that Rye wouldn’t be allowed to be the hero of her own book (and that the guy was going to Save the Day), but Durham pulled through and allowed Rye to do what needed to be done.

The other thing is that even though there’s going to be a second book, this really is a stand-alone story, and that’s refreshing. I enjoyed Rye and the relationships she had with those around her (her younger sister, Lottie, is adorable). I loved how Durham showed a happy family with caring relationships, and yet Rye was a clever and capable and brave and tough girl. That was definitely something I liked.

So, in the end, this was a really solid fantasy.

The Forgotten Sisters

by Shannon Hale
First sentence: “Miri woke to the rustle of a feather-stuffed quilt.”
Support your local independent bookstore: buy it there!
Others in the series: Princess Academy, Palace of Stone
Release Date: February 24, 2015
Review copy snagged from the ARC shelves of my place of employment.
Content: There’s some violence, but nothing graphic. And some kissing, which may be ew-inducing in the younger set. Still, I think it belongs in the middle grade (grades 3-5) section of the bookstore, though it might do better with the 5-7th graders.

Miri finished her year at the Palace and was looking forward to going back home to Mount Eskel, seeing her family, enjoying getting back to the life she once had before the Princess Academy changed her path. But, her winding road isn’t finished yet: the neighboring country, Stora, is threatening invasion, and in order to pacify them King Bjorn has offered up some distant cousins as a bride to the aging Storan king. And Miri is sent, unwilling and unprepared, to the swamp of Lesser Alvan to find these cousins and whip them into shape for a royal wedding.

What Miri finds when she gets to the swamp are three motherless girls — Astrid, Felissa, and Sus — who have been resourceful enough to find a way to survive without the help of the castle. They were supposed to be getting an allowance, which has been stolen by the local village overlord. They were supposed to have servants and a family, and they’ve been robbed of that, too. However, they made to, and once Miri figured out how to connect with them, things went well.

In fact, Astrid and Sus were my favorite characters. Felissa was nice enough — her main characteristic, as Hale often reminded us, was smiling — but Astrid was tough, no-nonsense, responsible, and just plain amazing. Sus soaked up the knowledge, and there’s a scene at the end (I won’t spoil it) where she talks coolly and rationally and logically and in the end makes everyone listen to her. Miri,too, was a bastion of resourcefulness: she adapted to the swamp life and fought back against the bandits and robber barons. She fought for justice and did so in a way that wasn’t violent.

The thing that kept running through my mind while reading this was that it was a girl power book, but not in the way we usually think of it. Usually, we want our girls to be like guys: kicking butt, fighting. But, Hale has given us girls and women who Do Things and stand up to people without violence, without force. In fact, you can look at this book as the myriad of ways women survive what men in power do to them. From making decisions to making war to actual physical violence, men can be (are often?) cruel and unthinking. But, women can survive and flourish.

It never got didactic or heavy-handed, though I did think some of the twists and turns of plot were a bit much. It came together in the end, though, in a very satisfying way. Because above all, Hale is a consummate storyteller. And this is definitely a good story.

The Testing

by Joelle Charbonneau
First sentence: “Graduation Day.”
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Content: It’s violent, but not graphically so. And there’s kissing, but no sex. Which means it’s in the YA section (grades 6-8) of the bookstore. However, much like Hunger Games, I’d be wary of more sensitive readers liking it.

This book has been out for two years now, and I’ve been putting it off for just as long. Mostly because the whole post-apocalyptic/dystopian genre has been SO overdone, that I really didn’t want to read yet another one.

Then we scheduled Charbonneau to come to the store — they’ve been working on it since the first one came out and the rep mentioned it was set in a futuristic Wichita — and I was tasked with reading and reviewing the book before she gets here. And so I did, smacking myself when I finished for waiting too long to get around to this one.

Sixteen-year-old Cia Vale has just graduated from her colony’s small school near the top of her class. She’s excited: in this post-Seven Stages War America, now called the United Commonwealth, that means she’s likely to be chosen to attend The Testing in the capitol, Tosu City (aka Wichita, though it took me nearly the whole book to figure that out). Except her father — a former Testing candidate and University graduate himself — doesn’t want her to go. However, once Cia’s been chosen, she can’t say no; refusing the Testing is an act of treason, punishable by death.

So, Cia travels to Tosu City with her father’s warning — TRUST NO ONE — echoing in her ears, and discovers what he meant. The Testing is not just high-pressure and high-competition for the twenty university slots. It’s deadly.

While the plotting and writing isn’t as tight as Suzanne Collins’s, it’s still a quick, engaging read. Charbonneau sets the stakes high right away, with Cia’s roommate committing suicide, and doesn’t let up until the final pages of the book. There are twists and turns — some of which I saw, some of which I didn’t — and Cia is a good, strong narrator to carry this story on her shoulders. It’s definitely post-apocalyptic; Charbonneau cleverly gave us a brief history of how this country came to be in a series of short written test questions early on. The dystopian part is harder to see — Cia comes to hate the Testing officials, and the government as an extension, but I’m not sure I ever felt the way she did about the officials. Unlike, say, President Snow in The Hunger Games. (Yes, comparisons are inevitable.) I do think, on the other hand, that it’s a tighter, more interesting story than Divergent (yes, there’s a love interest, which I think was mostly unnecessary).

But the best thing about waiting to read this one is that the whole series is out already. And I don’t have to wait to read the second one. And I’m invested enough in Cia’s story that I’m quite curious to find out what happens next.