March 2014 Round Up

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Another month, come and gone (where do they go??). The big news here is that M came back from India. Her first request when getting off the plane? A hamburger.

It’s interesting what you miss when you’re out of the country.

My favorite read this month was a tie. I honestly can’t choose between my adoration for

The Winner’s Curse

and my love for

The Ghosts of Tupelo Landing

both are fantastic. And so I choose not to choose.

As for the rest:

Graphic Novel

March (Book One)

YA:

The Killer’s Cousin (audio)
Landry Park

Middle Grade:

Lord and Lady Bunny — Almost Royalty
Mark of the Dragonfly
Sky Raiders
Will in Scarlet

Non-fiction:

Zealot

What was your favorite read this month?

Mark of the Dragonfly

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by Jaleigh Johnson
First sentence: “Micah brought the music box to her on the night of the meteor storm.”
Support your local independent bookstore: buy it there!
Review copy handed to me by one of my bosses, who told me to “get on it”.
Content: There’s some violence (none of it fatal), and a bit of an innocent crush. But no language. The reading level is probably a confident 3rd grader/4th grade level. It’s happily in the middle grade (3-5th grade) section at the bookstore.

Piper is a scrapper. She lives in a scrap town at the edge of the Meteor Fields, and runs out after storms, looking for salvageable items — things that have come through from other worlds to hers — in order to sell for pennies. She wants more from her life, especially after her father’s death in the Dragonfly Terrritories’ factories, but she doesn’t quite know where to start.

Then, after a particularly violent meteor storm in which her best friend, Micah, is seriously injured, Piper finds a girl. She’s not-quite-dead and bears the Mark of the Dragonfly, which means she’s protected by the king. Piper revives her, and when a sinister man (whom the girl, Anna, calls “the wolf”) comes looking for the girl, she and Piper escape. Only to find themselves on the 401, the main train connecting the northern Marrow kingdom with the southern Dragonfly one.

Once on the train, though, Piper’s and Anna’s problems don’t go away. They meet a whole host of characters and are being chased by slavers and raiders (and the wolf) on their quest to figure out who Anna is, and what Piper’s budding powers can do.

I know I didn’t do the book summary justice. I’m not sure, however, if anyone can. There’s a lot going on in this book. It does have things going for it: Piper is a complex heroine, stubborn and intelligent, a combination of drive and pluck that made her very likable. My only complaint is that Johnson chose to introduce a romance element (however slight) with a boy. I felt it was unnecessary to the whole story, and it didn’t add anything. However, I thought the relationship between Piper and Anna was incredibly well-written. It became a sisterly bond and one that was very realistic and interesting. And the world — from the objects falling from the sky, to the cool train — was fascinating. The book did feel incomplete — is it the first of a series? — and there were many threads left hanging, but it was a good, solid contribution to middle grade fantasy.

Will in Scarlet

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by Matthew Cody
First sentence: “In the year 1192, while King Richard the Lionheart was on his way home from fighting in far-off Jerusalem, the lords of Shackley Castle were out hunting wolves by moonlight.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher because this was a book group pick.
Content: There is some violence, and the word count/comprehension is pretty high. My 4th grader wasn’t interested in taking the time to read it, though it’s probably within her reading/comprehension level. Even though it’s in the middle grade (3-5th grade) section of the bookstore, it may be more suitable for older readers.

William Shackely is the only son of the lord of the manor. And, at 13, he’s ready to become a Man. Under his uncle’s guidance he’s pretty sure he can take over running the lands. That is, until Sir Guy, a toadie of Prince John and a despicable human being, comes in and takes over the Shackley Castle. All of a sudden, Will finds himself landless, and on the run.

He ends up stranded in Sherwood Forest, taken captive by the Merry Men, who are led by none other than… Gilbert. (There is this guy named Rob, though, drunk in the corner.) Will’s pretty sure they just want him for ransom, so (against the better judgement of a girl named Much — though the readers only know she’s a girl; the characters, being boys/men, are clueless) he convinces them to go back and raid Shackley Castle. It’s on that raid that he finds out that drunken Rob is actually a charismatic leader, a good planner, and someone worth fighting with (and for).

I’ll spoil it for you: Rob turns out, by the end, to be Robin Hood. But, getting there was a less than enjoyable experience. I have to admit that I’m shallow: my biggest problem with the book was the font. I didn’t think I was so affected by something that simple, but from the get-go, the layout (it’s crowded, the typeface smallish) bothered me. But it was also not what I had expected. I wanted Robin Hood. The whole myth and legend. And while elements of it were there (Sir Guy, the Sheriff of  Nottingham, Sherwood Forest, Little John) too much of it — including Robin himself — was missing. And while there was action (the first chapter starts out with a pretty intense wolf hunt), it wasn’t paced well. It’d be exciting for a bit, and then pages and pages of Will’s inner struggle with his desire for revenge.

There were some bright spots. I enjoyed Much as a character; she did hold her own with all the guys. And I liked that there really wasn’t a romance. But, mostly, it just feel flat for me.

Which was disappointing.

10 Books With Female Leads and No (or Little) Romance

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I was talking to one of my coworkers a week or so back, and she said something to the effect of  “What I really wish is that there were more YA books out there where the female main character doesn’t have a romance.” Which got me thinking: how prevalent is this? How many books out there where you have a female main character, and she doesn’t have a love interest.

The answer? Not many. As I set about combing my lists for books like this, I found that most — especially in speculative fiction, interestingly enough — the female main character has a love interest. And not only that, often she NEEDS the love interest to feel complete.

I’m not saying here that I don’t like romance as part of my story; I do, when it’s done well (read: not love at first sight) and when it adds something to the story. For that reason, I’ve added a few books where there is a romantic element, but it’s not the central focus of the story.

So, with that (and in no particular order), 10 books with girls and no/little romance.

1. Beauty Queens, by Libba Bray: It’s been a while since I’ve read this one, but from what I remember, the point of this wasn’t falling in love. The point is to mock contemporary culture.

2. Dairy Queen, by Catherine Gilbert Murdock: I think there might be a romance between D.J. and Brian, but I’m not sure it really is in this one. (Another long time since I’ve read it.) What I do remember is D. J. being a strong personality, and the way she gender-bends by playing football is worth some bonus points.

3. The Latte Rebellion, by Sarah Jamila Stevenson: A book about a mixed-race girl trying to raise race awareness. Not a shred of romance here at all.

4. The Wee Free Men, by Terry Pratchet: You’d think, from the cover, that the Nac MacFeegle are the main characters of this one, but Tiffany Aching is. And, possibly because she’s only nine, there’s no romance. So, maybe it doesn’t count. But, if I remember right: she manages the entire series, holding her own, standing up for what she does and believes in.

5. Flygirl, by Sherri L Smith: A historical novel about one of the women service pilots in World War II. An African American woman, at that. No romance.

6. Bitterblue, by Kristin Cashore: I’m cheating giving you a third in a series, especially since the other two are so fantastic. But, out of the three, this is the one without the romance. Bitterblue is too broken (thanks to her father, who is evil incarnate) to truly have a romance, so even though there is a guy, it’s not the central focus of the novel.

7. Life As We Knew It, by Susan Beth Pfeffer: It’s the end of the world, and Pfeffer doesn’t have our main character falling into the arms of a boy. Instead, she hunkers down with her family and works to survive.

8. The Impossible Knife of Memory, by Laurie Halse Anderson (Also: Wintergirls and Speak): Anderson writes girls who deal with their own problems, whether they be date rape, anorexia, or PTSD. They don’t need a guy — even if Finn does show up in Haley’s life, and there is a romance — to help the find answers. So, I’m including this one, even with the Finn story, because Anderson knows how to write complex female characters.

9. The Tyrant’s Daughter, by J. C. Carleson: Laila has a boy interested in her, and she even kisses him but for the most part, she’s more interested in figuring out her mother’s manipulations and her country’s problems and trying to understand American culture than in being in love.

10. Cold Fury, by T. M Goeglein. Yeah, there’s a boyfriend, and a wee bit of a romance. But the main focus of this series is Sara Jane and her mafia connections, as well as finding out what happened to (and saving) her family. She’s tough, and she doesn’t need a guy.

Are there any others? What did I forget?

Zealot

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by Resa Aslan
First sentence: “When I was fifiteen years old, I found Jesus.”
Support your local independent bookstore: buy it there!
Content: There really isn’t anything objectionable. I think the issue here is content. Again, nothing questionable, but Aslan is a scholarly writer, and so the reading ability will match that. It’s in the thought/religion section at the store, but it’s more history than anything else.

I’ve had my eye on this one for a while, since it came out. But it was only on a prompting from a friend that I finally stuck it on my library hold list and picked it up. Having only ever read one other Aslan book (No god But God) and that being years ago, I don’t know what I expected.

Whatever that was, it wasn’t a historical look at the man Jesus of Nazareth and how (historically) he came to be Jesus the Christ. I should say going in that there are other, better reviews of this one out there, as well as criticisms of both Aslan’s interpretation and presentation of what little data there is.

I am not a Biblical scholar (duh), and I’ve not really been interested in Biblical scholarship. (Hubby, on the other hand, is: most of the points I brought up as new to me, he’d already heard of.) I know that those who are have found this one reductive, but I don’t think Aslan was writing for the scholarly audience. Rather, he was writing for people like me: curious individuals who didn’t know much about Biblical history but were interested in what he had to say.

And I found what he had to say to be, well, interesting. Although he uses a mishmash of scholarship  — relying on the gospel of Mark mostly as well as Roman history from the time period — he presents his thesis — that Jesus of Nazareth was someone who wanted to overthrow the Roman rule of Jerusalem — in a way that, while it doesn’t challenge Christianity as a theology, challenges the idea of the Bible as a historical document. Which makes sense, if you think about it; having been translated and passed down and retranslated, it’s probably not a history of Jesus as a person. I’m not sure if Aslan’s book is, either, but it tries to put Jesus in a historical setting. And, with that at least, I think it succeeds.

Did I like it? Well, I was interested in it. And it made me think. And I learned things I didn’t know, though after reading some scholarly reviews of this, I’m not sure how accurate the things I learned are. But, I’m not sure that boils down to “like”. It was an interesting reading experience, which may be the best I can hope for.

Audiobook: The Killer’s Cousin

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by Nancy Werlin
Read by: Nick Podehl
Support your local independent bookstore: buy it there!
Content: There’s talk about a murder and a suicide, a lot of mild language, and one f-bomb. Plus a lot of intense situations. It’s in the teen section, (grades 9 and up) of the bookstore, but I’d give it to an 8th grader if they showed interest.

David Yaffe is a killer. Sure, he was acquitted at trial for murdering his girlfriend, but he knows in his heart that he. is. a. killer. So, even though he’s off to Boston to live with his Uncle Vic and Aunt Julia (and their daughter, Lily) and to start over at a new school, he knows — knows — that things will never, ever be the same again.

It doesn’t help that Vic and Julia have waged a cold war with David’s parents for years, and that Julia (at least) is not happy to have David there. It also doesn’t help that their daughter, Kathy, committed suicide in the attic apartment where David’s currently living. And it really doesn’t help that Lily resents David’s presence. Not because he’s a killer — which is the reason most people can’t be around David — but because he’s an intrusion in her perfect little (albeit warped) world.

I don’t know how this is in print form, but listening to Podehl narrate the book, I was completely creeped out. Especially by Lily. It was one of those books where I was yelling at the CD in the car “NO. SHE NEEDS HELP!!” pages (discs) before the characters realized it. And Vic and Julia? I don’t care if it was the mid-1990s (I realized, at one point, that Kathy was my age, which means Vic and Julia were my parents age), they were horrible, horrible, horrible parents. (So were David’s, for that matter.) The epitome of controlling and judgmental. And there was very little growth arc, for them, at least. (Though I’m pretty sure that wasn’t the point of the book.) However, David and Lily, were fascinating characters, and the book is more about their relationship than anything else.

And that had me compelled — even if I thought Podehl’s voice for Lily was a bit on the whiny side — from the first disc to the last.

Five Kingdoms 1: Sky Raiders

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by Brandon Mull
First sentence: “Weaving down the hall, Cole avoided a ninja, a witch, a pirate, and a zombie bride.”
Support your local independent bookstore: buy it there!
Review copy downloaded from Net Galley
Content: There’s some intense action, but it’s pretty tame, after the kidnapping scene. And there’s a lot of talk about “liking” girls, but it’s pretty innocent. It’s happily situated with the rest of Brandon Mull’s books in the middle grade (grades 3-5) section of the bookstore.

Cole is your average run-of-the-mill 7th grader in your average run-of-the-mill American suburban town. He has a crush on a girl, he has friends, he gets decent grades. Nothing spectacular. Then on Halloween, he and his friends go to a haunted house and end up slaves on a different planet. (Actually, his friends get kidnapped.. Cole goes down the hole after them, hoping to save them. And ends up as a slave.) The world is the Five Kingdoms, and Cole (and his friends) are on the Outskirts. And once you’re there, they find, it’s practically impossible to leave.

One of the best things about this new series by Brandon Mull is the world. The Outskirts is a fascinating place. Part magic, part dreams, part vicious, part insane; it’s a crazy, wild ride of a world. And while this one is basically your typical first in a series, introduction to the world book, the world that Mull creates is a fantastic one.

Cole finds himself sold to the Sky Raiders: a group of pirates that go out over the Brink — an endless chasm — and raids floating castles for anything they can sell. The thing is: the floating castles are dream-like, filled with semblences — lifelike beings that are somewhat sentient, but not entirely. They’re dangerous, and it’s Cole’s job, as the bottom of the totem pole, to scope out the castle, and make sure that it’s not dangerous before the raiding crew comes in. Their parting words before Cole’s first mission? Die bravely.

Of course it’s a bit more complicated than that; there’s a girl (there always is) who turns out to be something more than you think (again, kind of predictable). And there’s more adventure than you can shake a stick at, even though the plot kind of felt like one vignette after another all strung together. There is an overarching plot, and once we get to the point where the plot of this one begins to advance the overall plot, it loses some of the vignette quality. But the thing that kept me reading was the world. It really is that imaginative and wild.

The rest of it was good, enough that I’ll keep an eye out for the sequel. Which is a good thing, I think.

The Diviners

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by Libba Bray
First sentence: “In the town house at a fashionable address on Manhattan’s Upper East Side, every lamp blazes.”
Support your local independent bookstore: buy it there!
Content: There wasn’t any language (at least that I noticed), and there was only illusions to sex. What puts this in the Teen (grades 9 and up) section of the library is the violence. There are 5 gruesome murders, spouse abuse, and other assorted violence. And then there’s the whole occult/creep factor, not to mention the teenage drinking. However, I’d give it to a 12- or 13-year-old if they weren’t overly sensitive.

Evie hates her small-town Ohio life. She’s a modern ’20s woman, and hates being shackled, especially by her Prohibition-supporting mother. So, when Evie makes big blunder with her talent for “reading” objects — she accuses the town’s Golden Boy with knocking up a maid — and she’s shipped off to Manhattan to stay with her admittedly odd uncle, she’s more than happy. She’s thrilled: finally, her life can Begin!

But while Evie makes some good friends, and goes to a couple of thrilling events, things aren’t all coming up roses. There’s a serial killer out there, brutally murdering people and leaving occult signs on the bodies. Her uncle — who runs the Museum of American Folklore, Superstition, and the Occult — has gotten involved with the investigation into the murders, and Evie, being the Modern Woman that she is, weasels her way into that. Which brings a whole mess of problems.

One of the strengths and weaknesses of Bray’s book is that Evie’s isn’t the only story. Bray is weaving a huge tapestry here, with multiple story lines that weave in and out of each other. She’s setting up a huge confrontation, of which the murders only play a small part, but I didn’t mind because the characters themselves were so engaging. To the tortured Ziegfeld star Theta, to the daughter of union supporters Mable, to the charismatic thief Sam, to the tortured Jericho, to the African American bookie runner Memphis, they were all characters I wanted to spend time with and get to know. But in many ways, there was almost too much. The book comes in at nearly 600 pages, and it’s only a first in a series. That’s a lot of set-up going there. And while the overall plot line — the murders — gets resolved, the last 40 pages are spent setting up the next book, which dampened my enthusiasm for it.

But dampened isn’t a dislike. There really is so much to love about this one, from the creepy to the characters.

Lord and Lady Bunny — Almost Royalty

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by Polly Horvath
First sentence: “It was summer on Hornby Island.”
Support your local independent bookstore: buy it there!
Others in the series: Mr. and Mrs. Bunny — Detectives Extraordinaire
Content: The only thing I can think of is that some of the vocabulary (like synchronicity or textured soy protein or materialized) might make it challenging for younger readers. It’s in the middle grade (grades 3-5th) section of the bookstore.

Fresh off their last adventure, both Mr. and Mrs. Bunny and their human friend Madeline are finding life a little boring. Madeline’s still stressing about money (thanks to her parents’ — Flo and Mildred — lack of foresight), and most especially about a college fund. Mr. and Mrs. Bunny are back to squabbling and comparing themselves to their uppity neighbor Mrs. Treaclebunny. But never fear: adventure is in the cards. Flo and Mildred discover they’ve inherited a candy shop in a small English village and Mr. and Mrs. Bunny decide to head to England on vacation. Of course they meet up on the cruise ship ride to England from Victoria, Canada (implausible, I know  — but some of the funniest scenes are on the cruise ship), and of course madcap farce ensues.

I don’t know if it was my mood, but I didn’t find this one as funny as the first. Maybe it was because it was very much the same thing over again, and not being New and Fresh, it wasn’t as enjoyable. But I also think it was because there was a lack of a consolidated conflict. In the first book Madelline and the Bunnys had to save Madeline’s parents from the bad foxes. This time, they were just going across the ocean and puttering about England trying to raise money. Not as, well, interesting in my book.

Though there were some brilliant moments. My favorites was the often-repeated aside that went like this:
“American?”
“No. Canadian.” When would they learn to tell the difference?

I laughed every time.

I was also amused at the meta part where Mrs. Bunny ended up at a book signing that the “translator” of the first book was at. Because, well, the humans think the translator is making things up, and Mr. and Mrs. Bunny don’t exist. It was pretty amusing.

But, in the end, it didn’t tickle my funny bone the way the first one did.