Middle Grade

How I Became a Ghost

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by Tim Tingle
First line: “Maybe you have never read a book written by a ghost before.”
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Content: This is not a happy story. This is a sad and painful story. And even though the language is suitable for ages 8 and up, the content is, well, hard. And sad. And painful. (It was difficult even for me to get through because of the subject matter.) It’s in the middle grade (3-5th grade) section of the bookstore, but I’d be careful which child to give it to.

There was a time in my life, when I was junior or senior in high school, when I would have loved this story.

Isaac is a Choctaw boy, happy growing up in the swamps of the south. That is until the Nahullos — the white people — come along, and begin forcing his people out of their homes. And that’s when Isaac begins seeing ghosts. He sees shades of how his family and friends will die (horrible, horrible deaths). He foretells his own death and becomes a ghost. (No surprise: it’s in the first sentence!)

It’s when they’re on the Trail of Tears, however, that things get intense. The soldiers kidnap a girl, and it’s up to Isaac — as a ghost — and his friend — who can morph into a panther — to rescue her. They do, and it’s quite interesting how it happens.

I mentioned that I would have loved this story when I was younger. It’s because I was fascinated by — that seems the wrong word — the Native Americans, and their genocide. I would have eaten this book up, and passed it along to everyone I could. Now, though? Now, I just felt impossibly sad. I know it’s a tale that Needs to be told, a story that so many people need to be reminded of. But call it liberal guilt, call it having children: I couldn’t stomach it. It wasn’t violent, necessarily, but it was heart-wrenching. And even though Isaac turned out to be a hero, I never could find it in my heart to be proud of him (even though I wanted to).

It’s a well-written story, and a book that needs to be out there. I’m just not sure that I’m the right reader for it.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

The True Blue Scouts of Sugar Man Swamp

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by Kathi Appelt
First sentence: “From the rooftop of Information Headquarters, Bingo and J’miah stood on their back paws and watched Little Mama and Daddy-O trundle away; their stripy gray and black silhouettes grew smaller and smaller in the deepening dusk.”
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Review copy snagged from the ARC shelves at my place of employment.
Content: There’s a few difficult words but it’s pretty appropriate for anyone. It’s in the middle grade (3-5th grade) section of the bookstore. I think it’d make a great read aloud for younger kids as well.

Bingo and J’miah are the two newest members of the Sugar Man Scouts. Like their ancestors before them, they are the raccoons that keep an eye on the Sugar Man Swamp, listening to the Voice, and keeping ready to wake the Sugar Man in case they need to.

I suppose I should back up and say that Sugar Man Swamp is in Texas (not Louisiana, which is where I thought it was for half the book and where I am convinced it should be) and in it grows this amazing sugarcane. From which Chap Brayburn and his mom make fried sugar pies. Which should be famous, but aren’t because they are off the Beaten Path.

And so, they owe lots of money to a nefarious businessman named Sonny Boy, who wants to sell the swamp to a ‘gator wrestler for a theme park.

Oh, and did I mention that a gang of wild hogs are on the rampage?

That kind of gives you a taste for this tale. And it is a tale. In fact, the narrator was bugging me — it’s a pretty intrusive narrator — until  I realized that this is the sort of book that begs to be read aloud. Once I imagined myself listening to this story, perhaps told by a fantastic storyteller with a fabulous Southern accent, then the book came alive for me. I understood the humor, I understood the whimsical nature of the characters, and — honestly — I fell for it.

It’s not perfect — it’s probably a bit longer than it needed to be — but it’s very, very good. And charming. And enjoyable.

And that’s enough for me.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

The Year of Shadows

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by Claire Legrand
First sentence: “The year the ghost came started like this:”
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Review copy provided by the publisher for the Cybils.
Content: There are ghosts and shades and it gets pretty scary. There’s also a lot of pre-teen Angst and a little bit of romance. For those reasons, even though it’s in the middle grade (3-5th grade) section of the bookstore, I’d probably hand it to the older end of the spectrum. But that’s just me.

Olivia hates her life. Her father — whom she less-than-affectionately calls the Maestro — is wholly absorbed with being the conductor of their town’s struggling orchestra. So involved that Olivia’s mother left. So involved that they sold their house and auctioned off their belongings and moved into the back rooms of the concert hall in order to keep the orchestra afloat. And for 13-year-old Olivia, this does not sit well. In fact, she loathes it. (Understatement of the century.)

She’s miserable, she’s basically homeless, and then… she discovers there are ghosts in the concert hall. Not just ghosts, but shades — ghosts that have given up the search for the chance to move on and given into Limbo — as well. And it’s the shades that are Dangerous. And it’s up to Olivia and her new friend Henry to help the ghosts move on and defeat the shades. And, perhaps, in the process maybe they can figure out how to save the concert hall and the orchestra.

I adored this book for lots of reasons. Olivia was dark and grumpy and prickly and perfect for a ghost story. I loved the musical setting for this — the concert hall, the strains of orchestral music (it needs a soundtrack!) running through the story; in the endnote, Legrand talks about choosing pieces to fit the mood of Olivia’s life, and being familiar with many of the pieces, I think she did fabulously. (I don’t know how non-musical readers would react to it, though. Would it make them want to go look up the pieces?) I enjoyed Henry and some of the other minor characters, with their New-Agey feel and their support of Olivia. Because the Maestro? He’s firmly in the bad parent camp. He’s not a “abusive/horrible/evil” dad, but rather the “neglectful/unobservant” dad. And I can understand Olivia’s anger towards him.

There is one quibble: there’s a plot twist near the end of the book that I didn’t feel was absolutely necessary. (And which added to the Maestro’s bad parent-ness.) I think Legrand needed it for plot purposes, but it felt like it was out of left field, and didn’t quite fit with the rest of the book.

Other than that, though, it was highly enjoyable.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

What We Found in the Sofa and How it Saved the World

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by Henry Clark
First Sentence: “The sofa wasn’t there on Monday but it was there on Tuesday.”
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Content: There was a bunch of bookish and cultural references that I don’t think a younger reader would “get”, but there isn’t anything content-wise (well, an angry dictator turning into a werewolf, maybe) that would be unsuitable for a younger reader. It’s in the middle grade (3-5th grade) section of the bookstore.

Friends River (he’s a guy; I wondered at first, too), Freak (not his real name), and Fiona all live at the edge of a huge underground fire that the town has nicknamed Hellsboro. If that’s not odd enough, one day when they’re waiting for the school bus, they discover a couch waitng for them. With a zucchini-colored crayon in between the cushions. Thus begins their adventure which includes an eccentric neighbor, a planet on the inside of a basketball (sort of), a computer/entity called Guernica, and a plot to enslave the human race.

And it seems that River, Freak, and Fiona are the only ones who can stop this from happening.

The best way to describe this book is an acid trip for kids. I know that sounds odd, but honestly, it’s the best description. This was jam-packed with odd TV and culture references (which, being an adult, I got), but it was more than that. I think it was meant to be funny — and it was, sometimes (the toilet hot-air balloon got a guffaw out of me) — but what started out as an awesome premise (a tessering couch that eats dust bunnies for fuel is pretty awesome) just kind of petered out. I  kept reading it because it was SO unbelievable: what weird, trippy, insane thing was going to happen to the friends next. So, I guess on one level it succeeded: it kept me reading.

But in the end, it left me unsatisfied and shaking my head. It was quite the trip, though.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

How to Catch a Bogle

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by Catherine Jinks
First line: “The front door was painted black, with a shiny brass knocker that made a satisfying noise when Alfred used it.”
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Review copy off the ARC shelves at my place of employment.
Content: There’s a few mild swear words and some very intense moments. I’d put it in the middle grade (3-5th grade) section of the bookstore, but I’d be wary about giving it to a sensitive younger kid.

Imagine a Dickensian London, complete with orphans, pickpockets, unsavory doctors, toshers, and blackmailing landladies. And then add… bogles.

What are bogles, you might ask?

Well, it’s what our fair heroine, Birdie, and her master, Arthur, call the paranormal creatures that they get rid of for the people of  London town. Not everyone believes in them, but Arthur and Birdie know one thing: if there’s children disappearing, it’s most likely a bogle.

(I’ll let you read the book to find out how to catch them, though.)

There isn’t much plot to this one in terms of plot; Birdie and Arthur catch bogles until they meet a woman of Society who decides that bogle catching is an unsuitable occupation for a girl. (Birdie objects.) They catch more bogles until things become Sufficiently Dangerous (that’s when the unsavory doctor comes in). There’s a bit of excitement, a kidnapping, and some hauntings before it’s all over. No, this one’s mostly about atmosphere. It’s a dark book — bogles are not nice creatures — and very  much the dirty London of Dickens’ time.

I loved it.

I know: I don’t usually like atmospheric books, or Dickens for that matter. But the combination of a clever take on the paranormal and the plucky character of Birdie was enough of a combination for me to fall head over heels for this one. It’s a perfect stand alone story (though it — like many this Cybils season — says it’s a “Book one”), one that is perfect for those who love historical fiction as well as the paranormal.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

Rose

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by Holly Webb
First sentence: “Rose peered out the corner of the window at the street below, watching interestedly as two little girls walked past with their nursemaid.”
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Review copy sent to me by the publisher for the Cybils.
Content: Aside from the creepy person kidnapping orphans (but it’s really not that scary), there isn’t anything untoward in this book. It would happily sit in the middle grade (3-5th grade) section of the bookstore.

Rose lives in St. Bridget’s Home for Abandoned Girls in London, with no idea, really, where she came from or who she is. (She’s named after the rose bush that was blooming the day she was found in a fish basket in the churchyard.) She really doesn’t have much hope of ever being adopted, so she trudges on, one day after another. Then one day, a housekeeper for a wealthy alchemist/magician arrives, and Rose ends up as a maid in the house. And she discovers that she has a talent for magic. It turns out, too, that orphan children are disappearing from the London streets. No one is really concerned — they’re orphans, after all — but when a friend of hers from St. Bridget’s goes missing, Rose knows she has to do something. And with the help of the magician’s apprentice, maybe she can.

This is, in many ways, a book that’s already been written. Orphan? Check. Plucky lower class girl outsmarting the gentry? Apprentice story? Check. Check. Evil magician stealing children? Check. It should have been by-the-numbers boring.

And yet, it wasn’t. Partially because of the writing — Webb does know how to keep the pages turning — but mostly because Rose is such an endearing character. She’s neither snarky nor plucky. She just does what Needs To Be Done. She’s hardworking, but doesn’t have any desire to be Great. She’s not terribly smart — she has no idea how she’s doing what she’s doing — but she is willing to learn. And she is, above all, loyal to those she calls her friends.

She is, for all purposes, a Hufflepuff.

And that is why I loved her. The story is good, as well. I think this is a first in a series, but it doesn’t need to be. I can see a lot of kids loving it — boys too, if they can get past the title and cover — because it’s quite accessible.

A true winner. (Go Hufflepuff!)

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

Parched

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by Melanie Crowder
First line: “Sniff-sniff.”
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Content: There’s some harsh situations — a character was kidnapped and brutally treated, another character is shot and killed — but there’s no swearing at all. It’s not an action-packed book, so even though it’s on a 3-5th grade writing level, I’d be picky about which kid to give this to.

The world has turned to dust. Water is hard to find. And that makes anyone with water — or who can find water — valuable. Sarel’s family had water, until the gangs came through and killed Sarel’s parents and burned the compound to the ground. All that’s left is Sarel and the dog pack her father trained. It’s not a good thing; Sarel is running out of the little water she has left. Musa has a talent for dowsing, and has been kidnapped (or sold; I was never quite sure) to the gangs to find water. One night, Musa escapes, and finds his way to Sarel’s compound. It’s up to the two of them to work together to survive.

As you can tell, there isn’t much to this slim (seriously: it’s 152 pages.) novel. It’s highly introspective, more narrative than anything else. Even with the tension mounting to the end, it’s a quiet book about survival. I liked it, but I never really connected with it. Some of that was the quietness of it all. But it was also that I wanted more. I am not saying I needed a 300 page action-filled book, but I finished this one feeling like there was something missing. There wasn’t quite enough to it. I wanted more about how the world ended up parched. More about Sarel and her past. More about Musa and his talents. (Though I didn’t want more dog.) I wanted more connection between the characters. And the ending kind of came out of nowhere to me: I wanted answers as to how the book got to that point.

That said, the writing was gorgeous. And I have to give Crowder props for setting a dystopia book in an African-feeling setting. But it just wasn’t all I wanted it to be.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

SideKicked

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by John David Anderson
First line: “Captain Marvelous sighed.”
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Content: There’s some violence, and a bit of a body count. And there’s a budding love triangle (with a couple of kisses), though it’s all pretty innocent. It feels older than elementary school, though, so I’d put it in my YA (6-8th grade) section. However, I wouldn’t be opposed to handing it to a 10- or 11-year-old.

A long time ago (when M and C were little), we had a They Might Be Giant’s CD enttitled NO! On there was this particular song:

I didn’t think much of it at the time (it wasn’t my favorite on the CD by far), but when I started this book, that song kept playing through my head. See: Andrew Bean — Drew to his friends — was born with a “condition” that makes all of his senses amplified. He thought, growing up, that he was just Weird, but then he discovered the H.E.R.O program (that’s Highview Environmental Revitalization Organization. Their motto? We keep the trash off the streets.), which is, in reality a sidekick training program. For superheroes.

Which kept reminding me of another favorite of M and C’s when they were younger: Sky High. (My favorite line from that movie? “Holy (blank), (blank) Man!”) It’s essentially the same plot: Drew (and his sidekick friends) must Save the City from an Evil Genius (though in this case, there was a twist — that I saw, but didn’t mind  — that made it interesting) because the Superheroes aren’t able to. (Except, in this case, one is Reformed and Comes to the sidekick’s aid.)

I guess that makes it sound like I didn’t like this. Which isn’t true: I did. I don’t think it was wholly original (the superhero thing was done most excellently last year with Geeks, Girls, and Secret Identities), but it was fun. There was action (it starts out with a rescue scene), some romance, some angst, and some laughter. And Drew’s voice was spot-on for a sidekick with pretty useless superpowers. It may not be the best book out there this year, but it is an enjoyable read.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

The Wells Bequest

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by Polly Shulman
First sentence: “The Wednesday when the whole time-travel adventure began, I was fiddling with my game controller, trying to make the shoot button more sensitive.”
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Content: The main character is a bit obsessed with the girl (too much for my taste in a time-traveling, science fiction adventure book) and there’s a terrorist threatening to destroy NYC. It’s in the middle grade (3-5 grade) section of the bookstore, though I personally would hesitate before giving it to just any third grader, though I’m not sure I could pinpoint why.

Leo is the son of Russian immigrants who really only expect two things from him: excellence and to be scientifically minded. Leo — for better or for worse — is neither of those. At least not in the traditional sense. Leo is a Tinkerer. He loves taking things apart and putting them back together. He loves building new and better things. Which makes him perfect for the page program of the New York Circulating Material Repository. He gets there in a weird, round-about way, though: a time-traveling version of himself and an unknown girl (Jaya Rao, who was in the first book of this series The Grimm Legacy. Thankfully this one stands on its own, however.) stops in his room to tell him to read H. G. Wells’ The Time Machine.

I’d like to say that an adventure starts there, and there is a bit of an adventure that involves NikolaTesla, Mark Twain, and a crazed British page that has a raging crush on Jaya. I while I did enjoy reading this book, mostly I felt like it was a set-piece for Shulman to show off all the Really Cool Things that could come from reading science fiction books. There are many references to classic science fiction (which I got, but I wonder how an elementary school student would handle) and the inventions that come out of them are really neat. But I felt like that was the entire point of the plot. And I kind of wanted more action and less cool inventions.

(There’s also the side issue of Leo being Obsessed — though not in a crazy way — with kissing Jaya. I know he’s a hormonal pre-teen boy, but get on with it already. It’s a science fiction time travel book. I felt like it was a distraction.)

Even with my qualms, it was a fun story. And I’m curious about the first one as well.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

Magic Marks the Spot

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The Very Nearly Honorable League of Pirates, Book 1

by Caroline Carlson
First sentence: “Ever since the letter had arrived from Miss Pimm’s, Hilary had spent more and more time talking to the gargoyle.”
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Review copy provided by the publisher for the Cybils
Content: There’s a couple of swordfights where no one gets injured. For a pirate book, it’s really quite tame. It’s shelved in the middle grade (3-5th grade) section of the bookstore.
Hilary Westfield has one dream: to become a pirate. Unfortunately the league of pirates in Augusta has one rule: no girls. Girls are sent to Miss Pimm’s finishing school, because that’s Where Girls Go. Thankfully, Hilary has Pluck and Determination and doesn’t let the Rules stop her. (This book insists you talk about Things in Capital Letters.) As soon as she gets a chance, she runs away from Miss Pimm’s and finds a pirate — Jasper, the Terror of the South Seas — who doesn’t care that she’s a girl. 
There’s more to this book — magic and treasure and an Enchantress and a Wicked Parent — but really, what I loved most about this book was that Hilary set out to be a pirate and succeeded ON HER OWN TERMS. No dressing up like a boy. No bowing to Tradition. No Resigning Oneself to her Fate and Making the Best of It. Nope. Not for Hilary. She (and her talking gargoyle, whom I really loved) decided that they wanted to be pirates, and Dang It, they became pirates. 
I liked this one an awful lot, mostly because of the above reason. But — aside from the unnecessary letters that were written in cursive, which is a real turn-off for kids These Days; the book got much better after I started skipping them — I really enjoyed all of it. There was humor (Miss Greyson, the governess/chaperone, was hilarious), sword fighting, a wee bit of romance (but not overstated; it was between the adults), and most of all Hilary being Awesome.
Yeah, it was a bit slow at the start, and I really don’t like that it’s yet another one in a series, but I thought the story wrapped up well enough, and I’d be willing to see where Hilary’s piratical adventures take her. 

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)