I’m suffering from a cold/allergies, and I feel like I’ve got a head stuffed full of cotton. I’m not sure how coherent this is going to be this month, but I’ll try.

5. Ever (HarperCollins): “Falling in love is easy… even for Kezi, though she knows her days are numbered. And head-over-heels, come-what-may love is inevitable if her heart’s desire is Olus, the Akkan god of the winds. But accepting death is hard, especially when romance is new. Falling in love is easy for Olus if his beloved is Kezi, a beautiful mortal, a dancer and rug weaver from the city of Hyte. But facing Kezi’s approaching death is unbearable. Love brings Kezi the will to fight her fate. Love gives Olus the strength to confront his fears. She questions her faith and seeks truth in dark places. He suffers a god’s trial when she needs a champion. Together — and apart — they encounter spiders with webs of iron, the cruel lord of the land of the dead, the mysterious god of destiny, and the tests of the Akkan gods. If they succeed, they will be together; but if they fail, Olus will have to endure the ultimate loss, and Kezi will have to make the supreme sacrifice. Newbery Honor author Gail Carson Levine has created a stunning new world of flawed gods, unbreakable vows, and ancient omens. Her story about love, destiny, and belief is spellbinding.”

Actually, it was this jacket flap that made me want to read the book. (Well, that and a couple bloggers’ gushing reviews.) Always a good sign.

4. Persepolis: The Story of a Childhood (Pantheon):“Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman’s Maus, Persepolis is Marjane Satrapi’s wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane’s child’s-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.”

I thought this does a good job of giving the reader an overview of the book, illuminating the fact that it’s a graphic novel, and yet not giving away too much of the plot.

3. The Penderwicks on Gardam Street (Alfred A. Knoff): “The Penderwick Sisters are home on Gardam Street and ready for an adventure! But the adventure they get isn’t quite what they had in mind. Mr. Penderwick’s sister has decided it’s time for him to start dating—and the girls know that can only mean one thing: disaster. Enter the Save-Daddy Plan—a plot so brilliant, so bold, so funny, that only the Penderwick girls could have come up with it. It’s high jinks, big laughs, and loads of family warmth as the Penderwicks triumphantly return.”

Short, to the point, and immediatly grabs the people that loved the Penderwicks. I’m not sure how well it’ll do getting readers not familiar with the first book interested, though, and for that reason it’s not higher on the list.

2. the mysterious edge of the heroic world (athenum books for young readers): “Amedeo Kaplan seems just like any other new kid who has moved into the town of St. Malo, Florida, a Navy town where new faces are the norm. But Amedeo has a secret, a dream: More than anything in the world, he wants to discover something — a place, a process, even a fossil — some treasure that no one realizes is there until he finds it. And he would also like to discover a true friend to share these things with. William Wilcox seems like an unlikely candidate for friendship: an aloof boy who is all edges and who owns silence the way other people own words. When Amedeo and William find themselves working together on a house sale for Amedeo’s eccentric neighbor, Mrs. Zender, Amedeo has an inkling that both his wishes may come true. For Mrs. Zender’s mansion is crammed with memorabilia of her long life, and there is a story to go with every piece. Soon the boys find themselves caught up in one particular story — a story that links a sketch, a young boy’s life, an old man’s reminiscence, and a painful secret dating back to the outrages of Nazi Germany. It’s a story that will take them to the edge of what they know about heroism and the mystery of the human heart. Two-time Newbery winner E. L. Konigsburg spins a magnificent tale of art, discovery, friendship, history, and truth.”

I always like it when the jacket flap reflects the style of the book, and I think this one captures E.L. Konigsburg perfectly.

1. The Fall of the Kings (Bantam): “In an ancient city full of dreams, no king rules anymore. And some thing that it’s for the best… Generations ago the last king fell, taking with him the final truths about a race of wizards who ruled at his side. But the blood of kings runs deep in the land and its people, waiting for the coming together of two unusual men: THE GENTLEMAN. Heir to an ancient house and a modern scandal, Theron Campion — a young nobleman of royal lineage — chooses his lovers with reckless abandon. Tormented by his twin duties to his family and his own bright spirit, he seeks solace in the precincts of University. But no one can live in two worlds forever. THE SCHOLAR. A brilliant and charismatic teacher ruled by a passion for knowledge, Basil St. Cloud is in love with the ancient kings. Of course, everyone now knows that the wizards were charlatans, the kings their dupes and puppets. Only Basil is not convinced. Against a rich tapestry of artists and aristocrats, students and strumpets, scheming spies and renegade royalists, Basil and Theron will find themselves playing out an ancient drama destined to blow open their society’s smug vision of itself — and reveal that sometimes the price of uncovering history is being forced to repeat it….”

Not my favorite book this month — actually, it was probably my least favorite — but every time I read this jacket flap copy, I think “wow, that’s gotta be a good book”. That’s got to count for something.

The One Worst:
Sword of the Rightful King (Harcourt, Inc.): “The newly crowned King Arthur is unsure of himself; worse, the people are unsure of him. Too many people want the throne, and treachery is everywhere. Merlin must do something before the king is betrayed, or murdered, or–worst of all–gets married. So Merlin magically places a sword into a slab of rock, lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. After a bit of showmanship, Arthur will draw the blade (with a little magical help, of course), and the people will rally around the young king. Except someone else pulls the sword out first. . . .”

Biggest complaint (yet again): when the jacket flap includes one sentence from the plot that doesn’t happen until the last 30 pages. I kept expecting the whole plot to revolve around the “someone else pulls the sword out first” when that was really an afterthought in the book.