Bookish Food

The F2F book group is at my house tonight, and since we’re discussing Garden Spells, I thought I would make some food from the book:

Yum. Even if no one comes, I’ll have a good time. 🙂

Beastly

by Alex Flinn
ages: 13+
First sentence: “Mr. Anderson: Welcome to the first meeting of the Unexpected Changes chat group.”

Kyle Kingman has it all: looks, money, popularity, a hot girlfriend. His father — a newscaster megastar — basically leaves him alone to do what he wants, to buy whatever he wants. Then, one day at school, Kendra shows up. She’s definitely NOT Kyle’s type — ugly, mostly — and on a whim, Kyle decides to ask her to the dance as a joke. Turns out, though, that Kendra’s a witch, and after Kyle ditches her at the dance, she turns him into the Beast that he is. However, since (last minute, and because his girlfriend hated it) he gave a white rose to a girl at the dance, he will have two years to break the curse by (you guessed it) getting someone to fall in love with him as the Beast. And she has to kiss him.

It’s the Beauty and the Beast story, of course, and all the elements are there. The father breaking into the Beast’s house and trading his daughter for his life. The daughter, named Beauty, despising the creature because of her imprisonment but eventually learning to care for him. Beast’s growth and discovering that he really can love. And, yes, the eventual happily-ever-after that comes from a love blossomed out of a friendship. But Flinn takes it and tweaks it just enough, updates it to current times, and then gives us a beast who is broken and lonely and desperate for someone to love him for himself. Amazingly enough, it works on all levels: as a fairy tale, yes, but also as a romance and a story about two broken kids figuring out what it means to love, but also to be loved.

Buy it at Amazon, Powell’s, Half.com, or your local independent bookstore.

Echoes From the Dead

by Johan Theorin
(translated by Marlaine Delargy)
ages: adult (though it could be a 16+ book, if they’re interested)
First sentence: “The wall was built of big, rounded stones covered in grayish white lichen, and it was the same height as the boy.”

Julia Davidsson’s five-year-old son died 20 years ago on the island of Oland off the coast of northern Sweden. They searched for him for a while, but it was foggy, and everyone (from the police down to Julia) assumed he was out wandering and drowned in the sea. However, for the past 20 years, Julia has not been able to get over her grief for her son, Jens. This has cost her her relationship with Jens’ father, her job, her relationship with her father and sister, and nearly her sanity.

Then one day, her father, Gerlof, calls saying that he received what he thinks is Jens’ sandal in the mail, which opens up the possibility that Jens didn’t drown, but rather was killed. And Gerlof thinks everything points to Neils Kant — someone who “died” before Jens was born — as the person who did it.

It’s a quiet mystery — more about grief and closure than an actual “whodunit” — as we follow Julia through her process of acceptance and discovery. Gerlof, who has lived on the island his entire life, and who knows practically everyone, does most of the detective work, trying to figure out what really happened. Nils Kant’s history is also explored through flashbacks; in order to understand what happened to Jens, you need to understand the motivations of Nils. I expected this book to be more graphic than it was, especially considering the subject matter. But, Theorin spends less time on the actual killings (and there are multiple), and more on the process of grieving and of coming to terms with what life deals you.

Mystery fans won’t be disappointed, though: there are a couple of twists near the end that turn most of what you thought was going to happen on its head, and allowing for some decent closure. That said, I found the book highly unemotional, almost clinical. The characters and situations were interesting, but didn’t really evoke a lot of emotional connection with me. Perhaps, though, this was for the best, since I don’t usually deal well with crime novels.

At least it had a somewhat happy ending.

Buy it at Amazon, Powell’s or your local independent bookstore. Or just pick it up at your library…

Need

by Carrie Jones
ages: 12+
First sentence: “Everybody has fears, right?”
ARC sent to me by the publisher.

Zara has issues: she collects phobias like some people collect stamps, and ever since her dad (step-dad, actually) died, the phobias are worse then usual. So her mom sends her to live in Maine with her grandma, in order to help Zara shake out of whatever funk she’s gotten herself in to.

It starts out as your typical new-girl-can’t-fit-in book, but then takes a sharp turn: there’s pixies out in the Maine woods, and one — the king — is stalking Zara. These aren’t your fairy-tale pixies: they’re out for blood (specifically boys’ blood) because they don’t have a queen.

With the help of her new friends — Nick, Devyn and Issie — she figures out what she needs to know, which includes several interesting, and somewhat unexpected, twists in the plot — in order to save herself from the impending doom of being turned into a pixie.

Of course this smacks of Twilight-ness (the comparisons are about as obvious as the many Harry Potter-type books), but that’s beside the point. It’s got everything: bloodthirsty pixies, weres (wolves, yes, but other animals, too), romance, adventure, a heroine who can hold her own (unlike Bella). Jones holds her own with the narrative: it’s tight and supsenseful and swooning, everything a novel like this is supposed to be. And even though it tapers off near the end — will there be a sequel? — it all comes together like a nicely wrapped package (with the gorgeous cover and all).

It’s pure escapism and, even with all the snow in the cold Maine winter, a perfect summer read. (Maybe reading about snow will keep us all cool?)

Buy it at Amazon, Powell’s or your local independent bookstore.

Library Loot #25

A piddly small week this week because (gasp!) we’ve been very bad about reading to A and K. We tend to get off schedule in the summer… and stay up late… and watch too much TV. (Even A’s watching Robin Hood with us… on an unrelated aside, Richard Armitage is totally winning me over as Guy. He is definitely list-worthy.) Sigh.

What I did come home with:

For A/K:
My Friend is Sad (An Elephant and Piggie Book), by Mo Willems**
I Love My New Toy! (An Elephant and Piggie Book), by Mo Willems**
Crazy Hair, by Neil Gaiman and Dave McKean**
OK Go, by Cain Berger

For M (and me… I want to get to them)
Goddess Boot Camp, by Tara Lynn Childs*
Fragile Eternity, by Melissa Marr*

For Hubby:
Shop Class as Soulcraft, by Matthew B. Crawford

For the road trip:
Inkheart (it’s the audiobook; we told C she couldn’t see the movie until she read the book. She balked — she’s not that into reading really long books — and so we came up with a compromise: we’ll listen to the book on the way down to Dallas and back. She liked that…)

The roundup is either at Reading Adventures or A Striped Armchair.

*Ones that M eventually read.
**Picture books we really liked.

10 Questions for Julie Berry

My second victim author for the 10 Questions feature is the delightful Julie Berry, whose first book, Amaranth Enchantment — an interesting Cinderella-like fantasy/fairy tale for upper-middle grade readers — I thoroughly enjoyed.

MF: This is your first novel, congrats! Can you tell us a bit about the process of writing it and getting published?
JB: It took me about a year to write it. I was a graduate student at Vermont College’s MFA in Writing for Children and Young Adults when I wrote it, under the direction of advisers Cynthia Leitich Smith, Brent Hartinger, and Tim Wynne-Jones. I learned so much from each of them. I worked on it nearly every day, generally in the evenings after my children were in bed. It took many starts and stops before I figured out Lucinda’s story, as well as the tone and voice of the final piece. It was a lot of work, but I loved writing this story, and loved its characters.

As for getting it published, it won a prize at Vermont College, for which I remain forever grateful. I met an agent at an SCBWI conference and told her about the prize. She asked to see a few chapters, so I sent them. She offered me representation, and after we’d made a few revisions to the manuscript, she sent it out to several publishers, and before long we had a deal with Bloomsbury.

MF: Sounds like it was a charmed experience… Did you set out to write a young adult/middle grade novel, or did you just write the story and let the publishers decide?
JB: It’s always been my hope to write for children and young adults. It’s my genre of choice.

MF: Is being a writer something you’ve “always” wanted to do, or is it something you’ve discovered later in life? Do you have any specific writing influences?
JB: I think I always had deep-down authorial hopes, as I suspect most book lovers do. I majored in communication in college and had done professional writing of all sorts during my career, so I knew I had some capability with words, but I never knew whether or not I had the knack for fiction. It was on my “try before I die,” list. Part of me was afraid to try and learn that I did not have the knack. That, I thought, would be devastating. But after I’d had my fourth son, I began to think more about that dream. I imagined myself rocking on my front porch one day, old and blind, and regretting that I’d never tried. That thought become more scary to me than trying and failing. So I gave it a go, and I’m so glad I did.

MF: I think that’s very admirable. Trying something new, taking a risk, especially when you’ve got a family. Speaking of which: you have four boys (I’ve got four girls, about the same ages…) and a job. How on earth did/do you find time to write? Do you find it difficult juggling everything?
JB:Yes! Yes, yes, yes. I find it incredibly difficult juggling everything. But I am learning how to live with difficulty and juggling. (Incidentally, I can juggle. 🙂 I’ve had to get very creative about when and where I write. I write late at night, and I write early in the morning. I generally never wrote when the children were awake, because they needed my attention, and anyway, they’re far too distracting! Now I sometimes have to. The older my children get, the busier they get, which has its pros and cons. It means our lives are more scheduled, jumping from pillar to post, but it also means they’ve got interests of their own, and I can find 30 minutes here, 50 minutes there in which to make some progress with a scene. My house is fairly chaotic most of the time. My job is part-time, and it gives me a great deal of flexibility. Some times I wish I didn’t wear so many hats, but I recognize that they all make me who I am and keep life interesting.

MF: A bit about the book: I really enjoyed the combination of history and religion and fantasy in The Amaranth Enchantment. Can you tell us a bit about how you came up with the idea(s) behind the book?
JB: The first thought I had was about a decaying mansion full of memories. That became Lucinda’s home. The next was about an enigmatic woman who had a connection to the supernatural. At first I thought that might be ghosts. Eventually I figured out she was a trapped and unhappy immortal, stuck in a world full of people who die. It took longer to figure out my main character, Lucinda. It became clear early on that she needed to be an orphan, and that led to developing her backstory. The process of writing forces you to answer so many questions. I come across a question that needs answering, cast about in my mind for possibilities, and go with the one that feels most right.

MF: I totally missed that it was a Cinderella-type story until someone pointed it out after I was done. Did you deliberately pattern it after the fairy tale, or was it something that just happened on its own?
JB:You’re like me — I didn’t realize I was writing a Cinderella story, either, until I was well into it. When I realized that was what I was doing, I had some fun playing with Cinderella motifs, but I never wanted my book to conform to a preexisting story. I wasn’t setting out to do a fairy tale retelling, just a fairy-tale like novel.

MF: I don’t feel so bad about missing that now. 🙂 Is there anything in your background — growing up or currently — that helped in creating this book? In what ways?
JB: Hm, that’s a tough question. In one sense, our stories spring from who we are, from our entire backgrounds and life experiences. If I’d lived a different life, I would have written a different book. But I can’t really draw a many lines between specifics in the book and specifics in my life. I love gemstones, though I’m the un-bling-est person you’ll ever meet. But I’m fascinated by the purity and clarity of stones. One of my favorite places to hang out is the gemstone exhibit at the Smithsonian Museum of Natural History. So I wrote that fascination into the magical gemstone in the store. I grew up on a farm where we had chickens, turkeys, pigs, rabbits, dogs, and cats, but no goats, so I threw in a goat.

MF: Do you have a favorite character or scene?
JB: I really do love all of the characters, but I probably feel the closest to Lucinda. We spent the most time together. My favorite scene is the one where Beryl is helping her get dressed for the ball. I cried when I wrote it. Isn’t that silly?

MF: What are your favorite five books, or five books you think everyone should read?
JB: Oh, I can’t possibly whittle it down to five! Here is a link to a document I’ve made listing favorite books.

MF: What can we expect from you next, if you don’t mind telling us?
JB: I’m working on a second book now for Bloomsbury, another fairy tale-like fantasy. I’m also working on a series of graphic novels for younger boys. My sister is the illustrator. It’s a good thing I can type fast. 🙂

MF: Thanks so much for your time!
JB: My pleasure. 🙂

You can read more of her writing at her blog.

June Jacket Flap-a-thon

I read 27 books this month (the 48 Hour Challenge helped…), which is nearly double my “usual” monthly total. Sometimes, I feel like I’m insane for reading SO much (not as many as some… I know that…). Other times — like this past weekend, when I was talking to the wife of one of Hubby’s friends (she’s an aspiring YA writer) — I realize how much I don’t know, how many books I haven’t read, and I wonder if there will ever be time enough to read them all.

Am I the only one who feels this way? (Probably not.)

Starting with the one worst:
Wintersmith (HarperTempest): “At 9, Tiffany Aching defeated the cruel Queen of Fairyland. At 11, she battled an ancient body-stealing evil. At 13, Tiffany faces a new challenge: a boy. And boys can be a bit of a problem when you’re thirteen. . . . But the Wintersmith isn’t exactly a boy. He is Winter itself—snow, gales, icicles—all of it. When he has a crush on Tiffany, he may make her roses out of ice, but his nature is blizzards and avalanches. And he wants Tiffany to stay in his gleaming, frozen world. Forever. Tiffany will need all her cunning to make it to Spring. She’ll also need her friends, from junior witches to the legendary Granny Weatherwax. They—Crivens! Tiffany will need the Wee Free Men too! She’ll have the help of the bravest, toughest, smelliest pictsies ever to be banished from Fairyland—whether she wants it or not. It’s going to be a cold, cold season, because if Tiffany doesn’t survive until Spring— —Spring won’t come.”
It’s not so bad, but it doesn’t really draw the reader in. It’s more dorky than anything, and this book is anything but dorky.

And on to the better stuff:

Whales on Stilts! (Harcourt, Inc.): “Monstrous Thrills! (Startling teeth! Cellos in fast cars! Photocopy repair!) Gruesome Chills! (Okay, maybe not that gruesome, but we’re trying to sell a book here.) Sidesplitting laughs! (Ouch. This is why my friend Bill wears a girdle). Swaying above them, outlined against the fresh morning sky, were the ominous shapes of the whales. They towered thirty feet high, their eyes glowing. They had spread their flukes. They drooled from their wet baleen. Lily stopped on her bike and stood for a second at the crest of a hill. She stared with horror at the scene of destruction down in the valley before her. The whales stepped on used car dealerships and a putt-putt golf course. They burned down trees in a trice with their laser-beam eyes. They stalked on rows through the countryside. They had to be stopped.”
I didn’t do this justice: the jacket flap cracked me up. Like the book.

Poison Study (Luna): “Choose: A quick death and hell or slow poison and hell. About to be executed for murder, Yelena is offered an extraordinary reprieve. She’ll eat the best meals, have rooms in the palace and risk assassination by anyone trying to kill the Commander of Ixia. And so Yelena chooses to become a food taster. But the chief of security, leaving nothing to chance, deliberately feeds her Butterfly’s Dust and only by appearing for her daily antidote will she delay an agonizing death from the poison. As Yelena tries to escape her new dilemma, disasters keep mounting. Rebels plot to seize Ixia and Yelena develops magical powers she can’t control. Her life is threatened again and choices must be made. But this time the outcomes aren’t so clear.”
This is one of those books that, had I been browsing, I would have picked up because the jacket-flap copy is really intriguing. A good balance between being enticing and not revealing too much.

Wicked Lovely (HarperTeen): “Rule #3: Don’t stare at invisible faeries. Aislinn has always seen faeries. Powerful and dangerous, they walk hidden in the mortal world. Aislinn fears their cruelty-especially if they learn of her Sight-and wishes she were as blind to their presence as other teens. Rule #2: Don’t speak to invisible faeries. Now faeries are stalking her. One of them, Keenan, who is equal parts terrifying and alluring, is trying to talk to her, asking questions Aislinn is afraid to answer. Rule #1: Don’t ever attract their attention. But it’s too late. Keenan is the Summer King, who has sought his queen for nine centuries. Without her, summer itself will perish. His is determined that Aislinn will become the Summer Queen at any cost-regardless of her plans or desires. Suddenly none of the rules that have kept Aislinn safe are working anymore, and everything is on the line: her freedom; her best friend, Seth; everything. Faery intrigue, mortal love, and the clash of ancient rules and modern expectations swirl together in Melissa Marr’s stunning twenty-first-century faery tale.”
Again, a good balance of intriguing and not giving too much away.

Other books read this month:
Magickeepers: The Eternal Hourglass
Don’t Call Me a Crook!
How Not to be Popular
The Painter from Shangahi
Clementine
The Chosen One
Here Lies Arthur
Magic Study
Fire Study
Hat Full of Sky
Manga Shakespeare: The Tempest
Forever Rose
The Talented Clementine
Keturah and Lord Death
Tales from Outer Suburbia
Girl Force
Atonement
Girl at Sea
Garden Spells
The Talisman Ring
That Summer
Ink Exchange
Alcatraz versus the Scrivener’s Bones
Nation

Nation

by Terry Pratchett
ages: 12+
First sentence: “Imo set out one day to catch some fish, but there was no sea.”

Mau is just a boy in the Nation — an island in the Pelagic Ocean — he’s off on Boy’s Island, in between souls, when the wave hits and wipes out his island. Left alone, he is despairing: how could the gods do this to the Nation? Then he meets Ermintrude (hereafter known as Daphne, since it’s a much more sensible name): a girl from England, who was on a ship that ended up crashing on the Nation because of the wave. At first — because this is how all things go — they were wary of each other, but then, when other refugees see the fire and come toward the island, they begin to forge a new Nation of their own.

I’m not terribly schooled in the world of Terry Pratchett, having only read the Tiffany Aching books, but I loved this one. It’s nothing like the Tiffany Aching books (and probably nothing like the Discworld ones, either), but it’s absolutely engrossing in its own way. M was just asking what it’s about, and it’s about many things: love and loss, religion and science, exploration and stagnation, discovering and retaining. But, it’s mostly the story of two people who figure out new ways of doing things, who find truth in the little things, and who manage to create something out of what had become nothing. It’s got all of Pratchett’s signature touches: the world is 90% ours, but it’s just off enough to make it fantastically different and wonderful. It’s full of love and life and humor. It doesn’t have a something-magical-happens ending (like in the Tiffany Aching books); in fact the ending is as far from magical as possible, and just about perfect.

In short: it’s storytelling at its finest.

Buy it at Amazon, Powell’s, or your local independent bookstore.

Book to Movie Friday: Jane Austen Book Club

I was looking for something light and fluffy the other night, and I lit upon this one searching in the Netflix instant play (can I tell you how much I love Netflix? I LOVE Netflix. A whole lot.). I remembered liking the book well enough, and I figured that while the movie wouldn’t be great, it might be enjoyable in a shallow, mindless, fluffy way. So I gave it a shot.

Afterward, when I checked my review, I was surprised how much the movie kept of the book, at least superficially. I don’t remember if the specifics were the same, or even if the arc of the story was the same (I think the book covered a longer time span then the movie did and maybe events were mix-mashed), but honestly, I don’t think it mattered. The plot was still mostly non-existent: the movie (like the book) just being an excuse for people (some screwed up, some more or less together) to sit around discussing, and possibly learning from (and learning to like), Jane Austen’s books. Which is not something I can argue with. I liked it.

I liked Hugh Dancy as the computer/sci-fi geek the best. The women were mostly stereotypes (the eccentric, the divorced woman, the gay younger woman, the control freak, and the screwed up one), but he was refreshing in the midst of all that estrogen. As time went on, and he learned more about Austen (when he first started he thought they were all sequels, which cracked me up), he actually had some refreshing insights (or at least the screenwriters gave him some) into Austen’s work. Which makes me wonder what Hubby would think about them, if he ever got around to reading them.

Verdict: probably as good as the book. Maybe better because it has Hugh Dancy in it. 🙂

Ink Exchange

by Melissa Marr
ages: 14+
First sentence: “Irial watched the girl stroll up the street; she was a bundle of terror and fury.”

Leslie has not had an easy life. With a deadbeat dad who drinks away everything she can earn, and a druggie brother who actually sold her body for drugs, things are not as cheerful as she makes them seem. She’s afraid, she feels out of control. Which is why she wants a tattoo: to do something to herself for herself.

But the tattoo that calls to her is a dangerous one: it’s the mark of the faerie Dark Court king, Irial. His court is barely surviving with the peace that has been established between the Summer and Winter courts. The Dark Faerie feed off of negative emotions: greed, lust, revenge, fear… and with peace there isn’t as many of those hanging around. And when Irial discovered that he was drawn to Leslie — as she was to him, even if she didn’t know it — he realized he could use their connection to feed his court: use Leslie as a conduit for mortals’ emotions.

This however has some unexpected consequences. First, Niall — advisor to the Summer King — is in love with Leslie, and even though he’s a Gancanagh (they’re addictive to women) he’s more than willing to do anything to protect her. Second, Leslie, while she’s attracted to the world at first, eventually realizes that this is no way to live.

It’s a dark novel, but less harsh than expected. Also, while it’s repelling in its subject matter, and the characters are not as likable as they could be, it’s an incredibly compelling read, as addicitive as Niall is to women. Which is a good thing, because it has a very satisfying and quite heroic ending. And that does much to help offset the darkness of the world Marr has created.

Buy it at Amazon, Powell’s, or your local independent bookstore.