by Kalynn Bayron
First sentence: “Cinderella has been dead for two hundred years.”
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Content: There are illusions to domestic abuse. It’s in the YA section (grades 6-8) of the bookstore.
In the kingdom of Lille, the story of Cinderella is not just a fairy tale, it’s fact. It’s the book by which every young woman is to live their life. Serve their family. Prepare for the ball, which happens every fall, where they are to be Chosen by one of the eligible men in the kingdom, and then live out their lives happily ever after. There are problems with this, of course: there are rules — curfews, limits on autonomy — that work to keep women and girls in line. Our main character, Sophia, isn’t interested in being chosen — she’s in love with another girl, which is strictly forbidden — and doesn’t want any part of the ball. Unfortunately, that’s not allowed. But, at the ball, she can’t take any more, so she runs off — which is a crime. She hides out in the woods, finds Cinderella’s mausoleum, and meets one of Cinderella’s only living descendants, and discovers the story that everyone in Lille is told is actually built upon a lie.
On the one hand, I’m always down for a new telling of a fairy tale. I adore retellings, and this one does have a unique spin. I liked that Sophia, in the end, was able to begin to fix the country — with help of course — and find her own version of happiness. What didn’t sit right with me was the way she got there. I didn’t like that all the men (except for the gay one) were complete assholes on one level or another. I get that you’re drilling down the misogynistic rules, but “not all men”? It sounds bad saying that, but that’s what I felt reading it. I also felt like Bayron felt she needed to have Sophia be gay because to have her in a hetero relationship would be Bad for the Message. (I just didn’t feel like this book was Queer in the way books written by LGBTQ+ authors are.) It’s not a bad book, but in the end, I didn’t love it.