by Katherine Patterson
First sentence: “As soon as the snow melts, I will go to Rass and fetch my mother.”
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Content: It’s slow (it won the 1980 Newbery Award), and there’s not a lot of action. It’s perfect, though, for those 12 or 13-year-old kids who are trying to figure out themselves. And who like historical fiction.
A quick side note: it’s my 12th blogiversary today! I’ve fallen out of the habit of celebrating these, but I carved out this little corner of the internet 12 years ago today. Hard to believe, but there it is.
I wasn’t feeling much like reading new stuff the past couple of weeks, so I turned to a couple of rereads. One was The Blue Sword, which I’ve already given its own review. But the other, I only mentioned briefly, 12 years ago, so I thought it deserved its own post.
Sara Louise has spent her whole life on the small island Rass in the Chesapeake Bay. Her father works the water, crabbing in the summer, and harvesting oysters in the winter; her mother was a former schoolteacher and currently runs the house. Louise is mostly content, except… her younger twin, Caroline. It’s not that Caroline is mean or awful; in fact, it’s the opposite. Caroline is beautiful, Caroline is talented, Caroline is kind. Caroline is the joy of everyone on the island, and Lousie just can’t compete. She knows she should be supportive of her sister, proud of her sister. And she is. But she’s also jealous: she wants to be Noticed. But she’s not. She’s the backbone. The work horse. The awkward child.
There isn’t much of a plot; it’s Louise’s experiences growing up, and her (finally) figuring out what she wants out of life as an adult (which is nice). I spent this reread (it’s been a while) trying to figure out why this moved me as a pre-teen, why I have such a powerful attachment to it. I think it’s because everyone (well… me) can connect to being left out. To being looked over. To working and working and working and never feeling appreciated. To always being on the outside. And Patterson captured that feeling so very perfectly. She captures the awkwardness of the pre-teen years (I really don’t think anyone ever has things together the way Caroline does in the book; I’d love to see this story from Caroline’s point of view. It’d make her more human), the way they Want but don’t quite know how to articulate that want. The up and down feelings, the drama of just Living. It’s a perfect portrait of those years, and I think that’s what resonated.
Does it hold up as an adult? Yes, it does. It’s definitely historical fiction; it’s a picture of a small island in the 1940s, during World War II, and I found that interesting. I wanted to smack Grandma. Seriously, the woman had issues. I wished there was more about Louise’s mom; I would have loved to hear her story. I did enjoy it, even if I didn’t connect to it as deeply as I did when I was a pre-teen.
Definitely still worth reading, though.