Will in Scarlet

by Matthew Cody
First sentence: “In the year 1192, while King Richard the Lionheart was on his way home from fighting in far-off Jerusalem, the lords of Shackley Castle were out hunting wolves by moonlight.”
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Review copy provided by the publisher because this was a book group pick.
Content: There is some violence, and the word count/comprehension is pretty high. My 4th grader wasn’t interested in taking the time to read it, though it’s probably within her reading/comprehension level. Even though it’s in the middle grade (3-5th grade) section of the bookstore, it may be more suitable for older readers.

William Shackely is the only son of the lord of the manor. And, at 13, he’s ready to become a Man. Under his uncle’s guidance he’s pretty sure he can take over running the lands. That is, until Sir Guy, a toadie of Prince John and a despicable human being, comes in and takes over the Shackley Castle. All of a sudden, Will finds himself landless, and on the run.

He ends up stranded in Sherwood Forest, taken captive by the Merry Men, who are led by none other than… Gilbert. (There is this guy named Rob, though, drunk in the corner.) Will’s pretty sure they just want him for ransom, so (against the better judgement of a girl named Much — though the readers only know she’s a girl; the characters, being boys/men, are clueless) he convinces them to go back and raid Shackley Castle. It’s on that raid that he finds out that drunken Rob is actually a charismatic leader, a good planner, and someone worth fighting with (and for).

I’ll spoil it for you: Rob turns out, by the end, to be Robin Hood. But, getting there was a less than enjoyable experience. I have to admit that I’m shallow: my biggest problem with the book was the font. I didn’t think I was so affected by something that simple, but from the get-go, the layout (it’s crowded, the typeface smallish) bothered me. But it was also not what I had expected. I wanted Robin Hood. The whole myth and legend. And while elements of it were there (Sir Guy, the Sheriff of  Nottingham, Sherwood Forest, Little John) too much of it — including Robin himself — was missing. And while there was action (the first chapter starts out with a pretty intense wolf hunt), it wasn’t paced well. It’d be exciting for a bit, and then pages and pages of Will’s inner struggle with his desire for revenge.

There were some bright spots. I enjoyed Much as a character; she did hold her own with all the guys. And I liked that there really wasn’t a romance. But, mostly, it just feel flat for me.

Which was disappointing.

The Vengekeep Prophecies

by Brian Farrey
First line: “Even weeks later, I heard rumors that I had ruined the Festival of the Twins.”
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Content: Aside from the fact that Jax and his family are thieves — and  I suppose adults might have a problem with their kids reading that (though I don’t know why…), and maybe some scary monsters (depending on how sensitive your kids are; they’re not that scary) there’s absolutely nothing untoward in this book. Resides quite happily in the middle grade (3-5th grade) section of the bookstore.

Jax Grimjinx is a thief. He comes from a long line of thieves. It’s the family business, and has been for centuries. There’s only one problem: Jax is a bookish nerd, a klutz, and actually is quite a terrible thief. (Yes, it is his fault — this time — that the Grimjinx family ended up in jail.) Then a suspiciously convenient prophecy turns up, putting his family at the center as the Heroes. It predicts all sorts of Dire Perils for the town of Vengekeep, which start coming true. (It wasn’t supposed to: there really is no such thing as Lava Men.) There’s seemingly no stop to it. Until Jax with his bookishness figures out there might be a Way to break the prophecy. And it’s up to him — and his new friend, Callie — to go and get what is needed.

There’s so much to love in this book. Jax is a terrific character: a bookish kid (I love that he’s wearing glasses. I know it’s a little thing, but I do love it.), an unwilling hero, and yet he finds a way to outsmart the more Savvy characters and Save the Day. I love his relationship with Callie; none of that sappy romance stuff (I’ve decided that I don’t like romance in my middle grade fanatsy), but a good solid friendship that works. I love that it’s all plausible and that the “prophecy” isn’t something that’s set in stone, which gets old after a while. And the writing is tight; it kept me reading, turning pages, wondering what is going to happen next. I’m just glad the second one, The Shadowhand Convenant, just came out. Because I don’t want to wait to see what happens next to Jax and his family.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

The Year of Shadows

by Claire Legrand
First sentence: “The year the ghost came started like this:”
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Review copy provided by the publisher for the Cybils.
Content: There are ghosts and shades and it gets pretty scary. There’s also a lot of pre-teen Angst and a little bit of romance. For those reasons, even though it’s in the middle grade (3-5th grade) section of the bookstore, I’d probably hand it to the older end of the spectrum. But that’s just me.

Olivia hates her life. Her father — whom she less-than-affectionately calls the Maestro — is wholly absorbed with being the conductor of their town’s struggling orchestra. So involved that Olivia’s mother left. So involved that they sold their house and auctioned off their belongings and moved into the back rooms of the concert hall in order to keep the orchestra afloat. And for 13-year-old Olivia, this does not sit well. In fact, she loathes it. (Understatement of the century.)

She’s miserable, she’s basically homeless, and then… she discovers there are ghosts in the concert hall. Not just ghosts, but shades — ghosts that have given up the search for the chance to move on and given into Limbo — as well. And it’s the shades that are Dangerous. And it’s up to Olivia and her new friend Henry to help the ghosts move on and defeat the shades. And, perhaps, in the process maybe they can figure out how to save the concert hall and the orchestra.

I adored this book for lots of reasons. Olivia was dark and grumpy and prickly and perfect for a ghost story. I loved the musical setting for this — the concert hall, the strains of orchestral music (it needs a soundtrack!) running through the story; in the endnote, Legrand talks about choosing pieces to fit the mood of Olivia’s life, and being familiar with many of the pieces, I think she did fabulously. (I don’t know how non-musical readers would react to it, though. Would it make them want to go look up the pieces?) I enjoyed Henry and some of the other minor characters, with their New-Agey feel and their support of Olivia. Because the Maestro? He’s firmly in the bad parent camp. He’s not a “abusive/horrible/evil” dad, but rather the “neglectful/unobservant” dad. And I can understand Olivia’s anger towards him.

There is one quibble: there’s a plot twist near the end of the book that I didn’t feel was absolutely necessary. (And which added to the Maestro’s bad parent-ness.) I think Legrand needed it for plot purposes, but it felt like it was out of left field, and didn’t quite fit with the rest of the book.

Other than that, though, it was highly enjoyable.

(Just for the record: because this is a Cybils nominee, I’ve been asked to make sure y’all know this is my opinion only, and not that of the panel.)

Winger

by Andrew Smith
ages: 14+
First sentence: “I said a silent prayer.”
Support your local independent bookstore: buy it there!
Review copy picked up at ABA Winter institute for me. Yes, I have taken that long to get to it.

Ryan Dean (yes, that’s his whole first name) West has a lot going for him: he’s a junior at Pine Mountain, a boarding school for troubled rich kids (his dad’s a high-powered Boston lawyer) in the Pacific Northwest. He is first string winger (think running back in football, but more intense) for the rugby team. He’s pretty smart.

But there are some downsides: he got transferred into O-Hall this year because he was caught hacking into a cell phone account at the end of last year. And, to top it all off: hes only 14.

And when you’re in O-Hall with all the delinquent football and rugby players? It’s not going to be a stellar year.

Add to that some major girl drama (he’s in love with his best friend, Annie, but snogging his roomate’s girlfriend), late night poker games (let’s just say that Ryan Dean is not a good drunk), and lots and lots of testosterone-induced fights. Let’s just say, I was impressed that Ryan Dean — who was decent human being underneath all the 14-year-old boy nonsense — survived until Thanksgiving.

I’m of two minds about this book. On the one hand, I can sum it up in two words: sex and rugby. Actually, the sex is all in Ryan Dean’s mind: he’s incredibly immature, and objectifies EVERY girl, and EVERY situation becomes about sex. In other words: he’s a normal 14-year-old boy. But unlike Carter’s Unfocused One-Track Mind which I couldn’t get through (and which is the best comparison to this one), I found myself endeared to Ryan Dean. Maybe it was the underdog element. Maybe it was because although he was annoying, he was almost mostly harmless. Maybe it was because he really did mean well, in the end.

Because, I found myself compelled by this. I was invested in Ryan Dean’s drama. I loved the camaraderie of the rugby team. I enjoyed Ryan Dean, dork that he was.

My only real problem was with the ending. See: Ryan Dean becomes good friends with the rugby captain, Joey, who also happens to be gay. Joey’s sexuality isn’t a big deal for Ryan Dean (though he feels the need to comment that he isn’t a lot), but it is for other guys in O-Hall. And in the last 20 pages of the book, it takes a sharp left turn and stops being a fun boarding school drama, and becomes Something More. Not that I minded something more, it was the sharp left turn that threw me. It didn’t work. I didn’t feel pain, or anguish, or anything at all at the end, because I was flabbergasted that a fun and entertaining book so suddenly became Serious. It came off as bad pacing and lack of focus rather than anything more substantial.

It didn’t ruin the book for me, but it did take some of the shine off. Which is too bad, because I was having fun with it before then.

The Actor and the Housewife

by Shannon Hale
ages: adult
First sentence: “Becky was seven months pregnant when she met Felix Callahan.”
Release date: June 9, 2009
ARC sent to me by the publisher.

Becky is your normal, average, run-of-the mill, Mormon mother of (almost) four (she’s pregnant with her fourth when the book opens). She doesn’t work, instead focusing most of her energies on running her house and taking care of her kids and husband. She does dabble in screenwriting, and sends one off to a publishing house on a whim, not expecting much of anything. To her surprise, an agent asks to meet with her; she flies out to LA, and it’s at this meeting that her future changes: she meets, accidentally, Hollywood heart-throb Felix Callahan. When she and Felix discover they’re staying at the same hotel, and he offers to buy her dinner, Becky figures it’s a once-in-a-lifetime, never-to-be-repeated experience (and will make a great story); besides, what do a Mormon mom and a British actor have in common, anyway?

Turns out that they the have formed a bond — purely platonic, of course — that keeps them connected through thick and thin. Over the course of eleven years, through good times as well as bad, Becky and Felix keep their friendship strong, and find the rewards that come from having a best friend.
Only in Hale’s adept storytelling hands can something this far-fetched become a poignant story of a Mormon woman, who in the face of a fairly prohibitive religious community (where men and women don’t usually form friendships outside of marriage) happens to have an unconventional friendship, with not only a man, but someone who is outside of the community and faith. The story becomes not one about friendship — there’s really not much given as a basis for Felix and Becky’s friendship; it’s just stipulated by Hale that they are — as it is a story about Becky, and how her friendship with Felix affects her life. There’s laughs (at least for me; Hale happens to have a sense of humor that I appreciate), there’s tears (lots and lots), there’s uncomfortable moments (especially for me, as a Mormon) as well as moments of true joy. Hale has a fascinating story here, and she knows how to milk it for all that it’s worth.
That said, I’m not sure that this book will be for everyone. It’s a very Mormon book, in the way Chaiam Potok’s are Jewish: Becky is Mormon, it permeates her life, her thinking, her being. It’s who she is. And while Hale does explain elements of the religion and culture, someone who is not familiar with it has the potential to be hanging at loose ends, wondering why this character would even begin to think this way. On the other hand, it’s not a conventional Mormon book; she doesn’t pander to traditional Mormon literature conventions, something which I greatly apprecaited. I liked Hale’s portrayal of Mormonism; she treats the religion and culture with love and good-humored ribbing. But, for a Mormon reader, who’s expecting the story to go in particular ways (it’s a book by a Mormon author with a Mormon main character, after all), they might be sorely disappointed.
Then again, it’s not a conventional chick-lit book, even though that’s the way Bloomsbury is marketing it. For one, it’s a very married book; more important than her relationship with Felix is her relationship with her husband, Mike. I liked her portrayal of them as a married couple: it’s a healthy, giving, committed relationship, one in which both partners feel loved, respected and valued. There’s very little romance, in the traditional chick-lit sense. And the ending, for better or for worse, is not a conventional ending (in any sense). I was surprised with the direction Hale took the story, but, in the end, very gratified.
I have to say, overall I adored it. I laughed, I cried, I fantasized, and it touched a place within me that I don’t often like to look at. I wondered… what if? But, then I put the book down, and looked out at my four girls playing outside with my dear husband, and was grateful for what I’ve got. And, perhaps, that’s all that Hale really wanted to do with this story.