California

Audio book: Wild

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wildby Cheryl Strayed
Read by Bernadette Dunne
Support your local independent bookstore: buy it there!
Content: Drug use, sex, drinking, yeah: it’s all in here. Definitely not for the faint of heart.

I was wandering around, looking for a new audio book, and stumbled on this one. I figured so many people have raved about it that it couldn’t be terrible. So, I picked it up.

If you’ve been under a rock, it’s Cheryl’s personal story of her redemption, of sorts, after her mother died and her marriage fell apart (due to her infidelities and drug addiction). She decides that what she needs to do is hike the Pacific Crest Trail from California to Washington (actually, Oregon came later, after she discovered that the Sierras were snowed in) alone. She has no experience, she has no idea what’s in store for her. And yet, you have to admire her for going through with it, even when — especially when — the going gets hard.

But I couldn’t get past the “poor me” vibe that I felt was under the whole book. Maybe it’s because Cheryl didn’t narrate her own book and I never really got past that. Or maybe I’m just too judgmental (which I am, unfortunately). But while I really enjoyed the moments when Cheryl was battling against the trail, and mostly succeeding, I didn’t have much patience for Cheryl herself. (Now that I write this, it sounds really judgmental. Maybe it’s just wrong time wrong book?) I was talking to someone who had a similar experience with Eat, Pray, Love (which I really liked). Perhaps we’re more apt to judge women who travel because their lives are broken than those (men?) who just up and leave (I’m looking at you, Bill Bryson) to go experience the world.

I don’t know. I just know that I didn’t connect with this one as much as I hoped it would.

Peas and Carrots

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peasandcarrotsby Tanita S. Davis
First sentence: “By the door,on the other side of the sheet that divides the room, Baby cries in his car seat.”
Support your local independent bookstore: buy it there!
Release date: February 9, 2016
Disclaimer: I’ve met the author, working with her for KidlitCon in Sacramento and I find her an absolutely delightful person.
Review copy snagged off the ARC shelves at my place of employment.
Content: There are several instances of mild swearing, plus some illusions to adult drug and alcohol use. Because there are no f-bombs, it’ll be in the YA section (grades 6-8, though it might be better for the older end of that spectrum) of the bookstore.

Dess is a 15-year-old girl stuck in the foster care system. Her deadbeat dad’s finally in jail, as is her mom. Dess’s grandmother gave up trying to care for her and her baby brother years ago. Dess is determined: she doesn’t need anyone. And so when she gets placed in a new home, one of an affluent family, she figures it’s not going to last.

Hope’s parents are stable and happy and take in foster kids, including Dess’s brother Austin, to give back to the community. Hope’s used to the revolving door of kids, but there’s never been one close to her age. Until now. And since Dess is doing pretty much everything to keep people at arm’s length, Hope knows that living with Dess is going to be a challenge. She just doesn’t know if she’ll be able to adjust.

First test: which one of these girls is African American and which one is white? (Answer: Dess is white. Did you pass?) That’s actually one of the first things I liked about this: Davis takes your (my) assumptions about foster care, about the State of the Country, and turns it upside down. In this story, the white girl is the one who’s on the run from an abusive family and the black girl who has the stable life. And Davis doesn’t leave it there; there’s discussion about race and class and belonging, which I respect.

And, as an unofficial foster parent myself, I found myself nodding and agreeing and loving the entire book. Yes, the kids come with baggage and a backstory that usually isn’t pretty. Yes, their lives can be changed by living in a stable, more affluent (though we’re not nearly as well off as Hope’s parents) situation. But Davis also got the corollary to that: having a foster kid in your home is challenging, sometimes disruptive, but is also life-changing. And, if you let yourself — as Hope and Dess eventually find out — you will be better off for it.

Definitely worth reading.

Zeroes

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by Scott Westerfeld, Margo Lanagan, Deborah Biancotti
First sentence: “More coffee?”
Support your local independent bookstore: buy it there!
Review copy pilfered from the ARC piles at my place of employment.
Content: There’s some talk of drug use (none of it by teens), a smattering of mild swearing, and one (unnecessary, misplaced, and kind of glaring) f-bomb.

Who are the Zeroes?

They are six teenagers, all born in the year 2000, who have discovered, over the years that they have extra-ordinary powers. Bellwether can charm a crowd of people into believing whatever he wants them to. Crash is bothered by electronics, and she can make entire systems, well, crash. Flicker is blind, and yet she can see through every one else’s eyes. Anon isn’t invisible, but he is easily forgettable; his parents once forgot that he was deathly ill and left him (to die) in the hospital. Scam has this voice inside him that can talk anyone into anything he wants, which is what gets all the Zeroes into trouble.

With Mob, who can control a crowd’s mood, and her father, who is in deep with the Russian mob.

The question is: will the Zeroes be able to help them? Or are they just going to make things… worse?

It’s kind of hard to juggle multiple points of view in a book, and in this one they tackle six of them. Some of them — Anon, Flicker, Scam, and Mob come out with the best story arcs in the book — are really well developed. Others — Bellwether and Crash — aren’t so much. But, for the most part, the flipping between people helped push the story forward, and I found that I didn’t mind seeing the action from different perspectives.

And the story was pretty seamless, considering there were three authors writing. I was worried that it would be choppy, but whatever they did — editing, lots and lots of rewriting — worked.

It’s definitely a ton of fun.

Walk on Earth a Stranger

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by Rae Carson
First sentence: “I hear the deer before I see him, though he makes less noise than a squirrel — the gentle crunch of snow, a snapping twig, the soft whuff as he roots around for dead grass.”
Support your local independent bookstore: buy it there!
Review copy picked up at Children’s Institute and signed by the author (who I fangirled over).
Content: There’s some violence, including a few deaths, and some talk about sex (but none actual). It’s in the YA section (grades 6-8) of the bookstore.

Leah Westfall has a talent for finding gold. Well, maybe more than a talent: she can magically sense gold out in the wilderness. But, in northern Georgia in 1849, gold is getting pretty scarce. Even so, she and her parents get by. She’s fairly content. Then, her parents are brutally murdered by a man wants to control her “talent”, so she disguises herself as a man, runs away and head for the place where gold is most plentiful: California.

That’s basically the premise, as this book is primarily concerned with Leah’s — Lee’s — journey getting to California. It’s full of action and suspense, but it’s ordinary action and suspense. Robbers, rough rivers, threats from the known and unknown. It doesn’t seem like much, but it kept me turning pages.

This book deviates from Carson’s other works in that it’s more of a historical fiction piece and less of a magical one. Sure, Lee has magical abilities. But (so far), that’s the only magic. The rest of it, from the inherent sexism and racism to the trials they face while crossing the plains is historical. Even though I like Carson’s magic, I think I enjoyed this one more because the magic was so understated. It did help Lee out, on occasion. But for the most part, she was making her own way on her own terms. Which was awesome.

The other thing is that this is the first of a projected trilogy, but I have no idea where Carson is heading. Sure, the Big Bad isn’t taken care of, but he wasn’t a real threat in this novel either. I was actually content with the way this one ended: Lee survived the journey, she got to California, she can live happily ever after. However, I will follow Carson down whatever road she wants to take, and I wouldn’t mind reading more of Lee’s story at all.

Unusual Chickens for the Exceptional Poultry Farmer

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by Kelly Johnson
illustrated by Katie Kath
First sentence: “My great-uncle Jim had your flyer in his barn.”
Support your local independent bookstore: buy it there!
Review copy swiped off the ARC shelves at my place of employment.
Content: There’s some tricky words, and I’m not sure whether or not the epistolary format will turn off reluctant readers or encourage them. There’s a lot of fun illustrations and some good chicken facts, though. It’s in the middle grade (grades 3-5) section of the bookstore, but I’d probably give it to a confident 2nd grade reader.

Sophie Brown and her parents have just moved from the bustling city of Los Angeles to a farm in the middle of nowhere California. It was a move partially because of necessity — her dad lost his job and hasn’t been able to find a new one — and partially out of happenstance — Sophie’s dad’s uncle died and left him the farm. So, they’re trying to figure this whole thing out. And it’s not going terribly well. That is, until Sophie discovers a catalog for “exceptional” chickens. Turns out, that Uncle Jim was not only a farmer (he had a vegetable garden and some grape vines) but he raised, well, unusual chickens.

The chickens are not quite magical, and they’re based on real chickens, but they’re not quite normal either. (One lays glass eggs, for example.) Sophie is given instructions by the person who runs the catalog on how to catch and care for the chickens, but someone is trying to steal Sophie’s chickens. The question is: will she figure out how to keep the chickens (without divulging their magical properties)? And can she stop the thief from stealing her chickens?

The cleverest thing about this book is the format: Sophie’s story spills slowly over the course of the book through letters she writes to her dead abuela, dead great-uncle Jim, and the chicken place. (It’s kind of unusual her writing to dead people, but it works. She doesn’t really expect an answer back.) It’s a very one-sided story, and we only get snippets of things other than chickens: her mother’s free-lance writing, or her father’s failing search for a job. But, the tone is light, and there is a mystery to be solved with the chicken thief. But what really comes through is Sophie’s voice. She’s a determined child, someone who is willing to figure things out and solve problems. She’s spunky. And she’s half Latina. All of which makes for a charming book, a fun read, and a book worth checking out.

Lost in the Sun

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by Lisa Graff
First sentence: “When we were real little kids, Mom used to take Aaron and Doug and me to Sal’s Pizzeria for dinner almost every Tuesday, which is when they had their Family Night Special.”
Support your local independent bookstore: buy it there!
Review copy snagged from the ARC shelves at work.
Release date: May 26, 2015
Content: There’s some bullying, and some tough subjects and a couple of instances of mild swearing. It’ll be in the middle grade (grades 3-5) section of the bookstore, though I would hesitate giving it to the younger end of that spectrum.

Eight months ago, Trent was the cause of a fatal accident. He hit a hockey puck into the chest of one of his friends, who then died. Not really from the hockey puck: his friends had a heart condition that no one knew about, and that’s what caused the death. But Trent is convinced that it’s his fault. And he feels like everyone — well his father, his brothers, and his former friends — blames him for what happened.

Now, on the first day of sixth grade, Trent is completely depressed. Until the “weird” girl, Fallon, decides that they need to be friends. Fallon’s the one everyone shuns, mostly because she has a scar down her face. Everyone asks how it happened, but she keeps the true story close, choosing instead to make up ones. Over the fall, Fallon and Trent deal with his grief, guilt, and anger, as he tries to make life work.

A lot of books deal with grief from dead or sick parents, or dead or sick siblings. But the idea that a kid could be the catalyst for a friend’s death hits home and deep. I thought Graff captured those emotions perfectly, from Trent’s self-loathing to his feelings like everyone hated him. And because we saw the rest of the world through Trent’s eyes, I could tell which adults were reaching out (his homeroom teacher, eventually) and which adults just needed a good smack (his father). The longer Trent’s self loathing went on, the more I was afraid that Graff wouldn’t be able to give Trent a good resolution. But, in so many ways, she did. I was thoroughly satisfied with Trent’s arc, and with the way things weren’t neatly tied up in a bow.

Quite good.

Audiobook: Small Victories

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by Anne Lamott
Read by the author
Support your local independent bookstore: buy it there!
Content: She likes the word s**t, and drops about five f-bombs.  Which kind of caught me off-guard. It’s in the religion/philosophy section of the bookstore.

I’ve been curious about Anne Lamott for a while now; she’s an incredibly popular author at the store. I was in between audio books recently and discovered this one, and it was delightfully short. I figured audio was a good way to experience her.

This is basically a series of short reflections on life, God, and the intersection of the two. For the record: Lamott is a liberal, which I don’t mind at all, and was very against the invasion of Iraq in 2003. (Several of the essays are from around that time period.) She belongs to a church in northern California. She has a son, and lots and lots of friends, many of whom are suffering from serious illnesses. She has a good sense of humor, and is honest about her struggles with God, people, and just life in general.

In many ways, the words were just what I needed to hear: we’re all human, we’re all trying. God is in connecting with other people and reaching out to love them.

What I didn’t like so much, was Lamott’s reading of her own work. I understand why she needed to read her own words; it would have been odd otherwise. But Lamott read in such a way that it soundedlikeonereallylongsentancewithoutevertakingapauseorevenraisedorloweredhervoicewithsentenceinflection. When I concentrated to hear the words, I loved it. But her reading of them almost turned me off altogether. I’m glad I stuck it through to the end, for the thoughts and ideas. But, I wish Lamott had been a better narrator.

I’ll Give You the Sun

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by Jandy Nelson
First sentence: “This is how it all begins.”
Support your local independent bookstore: buy it there!
Content: There is some teen drinking, a (non-graphic) rape scene, and several f-bombs. That, and because of the subject matter, puts it in the Teen section (grades 9+) of the bookstore.

Noah and Jude are twins, separate people but connected in thought and purpose (generally). So much so that they’ve become NoahandJude, pratically inseparable. That is, until the summer they turn 14. Then everything starts to fall apart. Jude becomes “wild”; Noah retreats into his own world until a new boy shows up next door. They end up “dividing” their parents, each vying for the other parent’s attention and love. On top of that, they are fiercely competing to get into the local prestigious art high school. It’s a mess.

Two years later, things aren’t much better. Jude made it into the school; Noah (who was arguably the better artist) did not. They’re still dealing with the aftermath of their mother’s fatal accident. They harbor secrets. And they’re no longer NoahandJude. They’re not even Noah and Jude. They’re two separate planets, who never talk to each other. It’s different from what it was before, but no better.

Did I mention that Jude sees the ghost of her dead grandmother, and senses the presence of her dead mom?

It’s thanks to the two ghosts that Jude searches out Guillermo, sculptor extraordinaire and Latino Mystical Guide, and finds not only salvation but True Love.

Yeah, the book derailed just about there.

For the record: everyone in this book is a Tortured Soul Needing Redemption. And they all find it together. I did enjoy Guillermo — in fact, he was the most interesting character — but that doesn’t change the fact that his role in the book was to cause a change in the white people around him. He was Passionate Lover, he was Father Figure, he was Spiritual Guide. And sometimes he was a living-breathing person, but those times were rare.

And don’t even get me started on the whole Soul Mate thing. Ugh.

What saved this book from being Truly Horrible was the writing — Nelson paints the world vividly, and I do have to admit that there was some good chemistry between Jude and her Soul Mate, even if that’s a trite trope and needs to be done away with. But what I really loved was the art. I loved Guillermo’s giant sculptures and the way Nelson depicted the process of art. I loved Noah’s chapters and the way he’d come up with paintings for everything. I loved how she considered fashion an art.

In the end, I did respect what Nelson was trying to do. But it’s not a perfect book by any means.

Afterworlds

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by Scott Westerfeld
First sentence: “The most important email that Darcy Patel ever wrote was three paragraphs long.”
Support your local independent bookstore: buy it there!
Release date: September 23, 2014
Content: There’s some grizzly murders, terrorists, and a lot of swearing. Plus the huge length and the amount of patience it’s going to take to get through this one, and I’m not sure it’s for the faint of heart. It’s in the teen (grades 9+) section of the bookstore.

I picked this up because it’s the New Scott Westerfeld. I haven’t read everything he’s written, but I have loved (more or less) everything I read by him. (Also: I’ve met him, at KidlitCon in Seattle. He was pretty chill.) Even so, I didn’t know what to expect. And this was nothing like I’ve ever read before.

It’s really two books in one. Half of it is a ghost/terrorist/murder story. Lizzie, a high school senior, is traveling back to California after visiting her father, and some terrorists attack her airplane. She survives by playing dead, and soon discovers that she can see ghosts. But it’s more than that: she is a psychopomp, a valkyrie, a person who helps the dead find peace. And she’s in love with the underworld’s lord, Yamaraj.

The second half of the story is about Darcy, a recently graduated girl, who “wrote” the Lizzie half of the book during NANOWRIMO her senior year, and got it snapped up by a major publisher for 6 figures. Suddenly, her life is turned upside down, and she decides that college is not an option. Instead, she moves to New York and is thrust head first into the world of YA publishing. It’s a fictional account because Darcy is a fictional person, but very it much felt like an inside peek into the life of a writer.

I liked each of the stories individually; Westerfeld knows how to plot, and how to hold a reader’s interest. The Lizzie story was sufficiently chilling (while also being a bit swoony) and had some clever and interesting takes on the afterworld. And the Darcy story was well-done as well; Westerfeld caught the uncertainty of a first-time published author as well as the excitement and naivete of someone just out of high school facing the Big Wide World.

But, what I enjoyed most, and what kept me reading, was the connection between the two parts. I loved seeing Darcy angst over her book, and how different parts of her life fit into the book. I loved reading about how parts of the story were changed and adapted. And I loved all the different teasers about the end, and how it could have been different. I’m not a writer but I loved seeing how the author and the story are tied up together and the effort it takes to write a story.

I don’t know how well this is going to go over with non-Westerfeld fans; I do hope it goes over well. There’s a couple of good stories here. And I’d be more than happy to read more of Darcy and Lizzie’s story.

Just Call My Name

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by Holly Goldberg Sloan
First sentence:
Support your local independent bookstore: buy it there!
Others in the series: I’ll Be There
Content: To say that this is intense is an understatement. Violence, yes, but also psychological intensity. It’s not for the faint of heart. It’s in the Teen section (grades 9+) at the bookstore.

When we last left Sam and Riddle, their father was safely behind bars and they were living with Emily Bell and her family. A happily ever after, right?

Well, only Holly Goldberg Sloan would take a happily ever after and turn it into a nightmare.

First, there’s the whole issue of security: Sam and Riddle (especially Riddle) were controlled and abused for so long that it’s difficult for them to trust their own decisions, to get back into “real” life. They’re suffering, and much of that is the residual affects from the years spent with their father. It doesn’t help that Emily and her family (well, except for her brother, who’s resentful) are super nice. Sam and Riddle don’t know how to handle super nice.

And then their happily ever after starts unraveling. First, it’s Destiney Vance, one of those girls that just screams trouble. Sam just knows it: like calls to like, and he understand’s Destiny’s hard life. But, she won’t be gotten rid of, and sticks to Sam and Emily (and Emily’s former boyfriend, Bobby) like glue.

Which is a good thing, because their dad, Clarence, finds his way out of jail and is coming for the boys. And the Bells.

Few authors have the power to completely wreck me emotionally, and yet keep me turning pages at an ever more furious pace, dying to know: WHAT NEXT? Sloan is one of those authors. She captures the inner lives of all the characters, deftly balancing between Sam, Riddle, Emily, Jared, Destiny, Robb, and Clarence. You wouldn’t think it would work, but Sloan pulls it off not only well, but spectacularly. It probably would have been even more powerful if I’d read the first book right before, but even though I didn’t, I was able to immerse myself in this story, my heart simultaneously aching and pounding as I read about Sam and Riddle and their not-so-happily ever after.

Amazing.