Poser

My Life in Twenty-three Yoga Poses

by Claire Dederer

ages: adult

First sentence: “Taking up yoga in the middle of your life is like having someone hand you a dossier about yourself.”

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Memoirs are an interesting breed of book. On the one hand, they are incredibly self-indulgent: anyone who thinks that their life is one that people are going to want to read about have to be at least a little bit arrogant. On the other hand, there are lives that are fascinating, and the writing is good enough to help even the most disconnected reader connect to the story the author is trying to tell.

In Poser, Dederer walks a fine line between those two memoir extremes. Sometimes, she is overly arrogant about her experiences and her plight; her insular liberal white enclave in North Seattle (and eventually Boulder, Colorado) has warped her perception of child raising (she feels guilted into attachment parenting; and feels guilty again when she doesn’t like everything that espouses), marriage (as a child of divorce, of a sort, she feels like everything needs to be perfect), and sacrifice (shopping at Trader Joe’s instead of Whole Foods) and makes the book unrelatable to anyone who doesn’t live or aspire to that life.

There was a moment, about halfway through, where I got fed up with Dederer’s self-pity and judgment of others and seriously considered abandoning the book. One can only handle so much whining from an author, after all.

On the other hand, when Dederer wrote about yoga, she was lyrical and often spot-on in her observations. She reminded me of things I need to remember in my own life and practice, simple things, like being present both physically and mentally. And that yoga is a process, not an end goal. In fact, some of the most interesting passages were her exploration of yoga’s place in western culture; whether or not yoga is, in fact, an exercise; and the connection between the movement and spirituality. One quote that I found to be particularly true:

I thought I would do yoga all my life, and I thought that I would continue to improve at it, that I would penetrate its deepest mysteries and finally be able to perform a transition from scorpion directly into chaturanga. But here’s the truth: The longer I do yoga, the worse I get at it. I can’t tell you what a relief it is.

So, for that reason alone, I found the book to be worth the time. Dederer’s life was fascinating, if a bit warped, and her writing excellent. But that wasn’t enough to carry the book. Thankfully, she had the yoga bits to pull the rest of it along.

(Oh, and can I mention that I adored the little yoga figures at the beginning of the chapters? So cute.)

Knucklehead

Tall Tales and Mostly True Stores About Growing Up Scieszka

by Jon Scieska

ages: 9+

First sentence: “I grew up in Flint, Michigan, with my five brothers — Jim, Tom, Gregg, Brian, and What’s-His-Name.”

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Although I have stories from when I was growing up, some which are quite funny, I have long since envied my husband’s stories. They’re so much more entertaining, rambunctious, and plain laugh-out-loud funny.

The reason? There were seven boys. I am convinced that while I adore my daughters, they will just never have the stories to tell that their father did. There is just something hilarious (in the long run; I’ve always felt sorry for my mother-in-law and what she had to deal with) about a heavily-male family.

Which means that this book is flat-out hilarious. With all the love he can muster, Jon Scieszka spins tales about his childhood. They’re short and sweet: no psychological analysis here, which makes them all the more funny. He covers everything from chores to peeing to school and road trips. He talks about his relationship with his older brother, Jim, and his parents. He touches on the differences found in big families, how the older set of siblings get treated differently than the younger set. It’s a sweet book, full of humor and affection.

I’m not sure what kids would be drawn to it; M only picked it up after she heard me laughing (and snorting) over it. And the fact that I made her read a couple of the stories because they were just too funny. But I’m not sure that C would ever read it. I do think boys would like it; it’s very much a boy story. The people who would appreciate it most, however, I think would be parents of boys. Shaking their heads at all the knuckleheaded things their sons do and have done, they can smile with love at their idiocy.

Hey, something good has to come out of raising boys. Right?

The Dressmaker of Khair Khana

Five Sisters, One Remarkable Family, and the Woman who Risked Everything to Keep Them Safe
by Gayle Tzemach Lemmon
ages: adult
First sentence:”I touched down in Afghanistan for the first time on a raw winter morning in 2005 after two days of travel that took me from Boston to Dubai via London.”
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Life is not easy in Afghanistan. It hasn’t been for a long time, now. Between the Soviet occupation, the civil war, the Taliban, and the U.S. retaliation, everyday life for Afghanis is difficult, to say the least. Especially for the women. Especially during the Taliban years, when they were essentially relegated to their homes; held prisoner in their own houses.

With the men and boys fleeing to Iran and Pakistan for work, and to avoid being force-drafted into the Taliban army, how do these women — some of them highly educated — provide for themselves and their families?

Lemmon focuses on one family — the five sisters of the title, but one, Kamila, in particular — who take the bull by the horns and, working within the Taliban’s rules, manage to find a way to thrive under the strict rules and foreboding environment.

On the one hand, what Kamila does in creating a sewing/tailoring business that provides merchandise to local stores and employs local women and girls truly is an inspirational thing. Her innovation and resilience is impressive; she worked within the bounds the Taliban set, and only once did she ever come close to going afoul of the Amr bil-Maroof, the police who enforced the strict morality code. Even then, she was able to talk her way out of things. Her faith and optimism are amazing; if she believed it could be done, she found a way to make it so.

However, it seemed that Lemmon was trying too hard to make the book inspirational. it’s hard to pinpoint, exactly (and it may work for some people), but it’s overall feeling was: “This is INSPIRATIONAL. Pay attention!” The blurbs on the back don’t help: this book will Change Your Life. (And given Greg Mortensen’s problems, having a big blurb on the cover by him doesn’t really help with the credibility.) Additionally, while it’s a non-fiction book and telling is to be expected, there was way too much telling and not enough showing. She told me that the women were scared by the Taliban; she never showed me. She told me that they worked hard, were stressed, and yet overcame all; she never showed me. The other problem was time: the movie covers 13 years, and yet reads as if Kamila achieved all this in a matter of months.

I’m sure there are better books about women under the Taliban, ones that show how resilient and strong they were in spite of everything. And while this is an impressive story, this book is not one of them.

Rammer Jammer Yellow Hammer

by Warren St. John
ages: adult
First sentence: “At some point in theLink life of every sports fan there comes a moment of reckoning.”
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First, a disclaimer: I am a college football fan. (University of Michigan Wolverines. Go Blue!) So, naturally, I was curious about this book. Sure, it’s about the Alabama Crimson Tide, but to a great extent football is football is football, and a fan’s experience is pretty much the same.

However, reading this book had two effects on me: first, it made me question my actual fan status. See: I’m not nearly the fan that these people are. St. John is a lifelong Crimson Tide fan and became interested in the psychology of sports fan. However, this is not a pop psychology book; rather, as St. John finds a crowd of fans (maybe it’s a Southern thing?) that follow the team during the season in their decked out RVs, it becomes more of a travel book.

At first glance, these fans are insane: who in their right mind would spend so much money (one man spent $1.4 million) on a traveling hallway just in order to be near the stadium of their favorite football team. But as the book progresses, you come to admire their dedication to the team and to the game. They are a community: granted, one that meets just for 12 weekends a year, but they have a common bond, which makes the temporary nature of the community irrelevant. They are fans in an intense, life-consuming way. And I wondered: if I wasn’t willing to put my allegiance to my team out there as loudly as they are, can I even really call myself a fan?

As the book goes one, I found myself respecting the RVers. They have a dedication to their team — to the game — that is unparalleled. They are fully invested in football, which is superficial, yes, but is also something that bonds people together. As St. John travels with the group (yes, he does buy an RV), he also focuses on the game itself. Though, he writes not from a technical aspect, but more from the experience as a fan in the stands. It’s a personal experience for him, though he does connect with people who are fans to a greater and fans who are fans to a lesser degree than he is. It’s an insightful book, lovingly written; a love story not just to the Crimson Tide, but to all sports fans everywhere.

Which brings me to the second thing the book made me want to do: actually go to a game again. There is something to be said about experiencing the game in a crowd of like-minded people, to be a part of all the fans cheering on their team, experiencing a win (or a loss) together as a group.

If you’re not a sports fan, I’m not sure why you’d pick up this book. But if you are, it’s a fantastic read.

A Thousand Days in Tuscany

A Bittersweet Adventure
by Marlena de Blasi
Ages: adult
First sentence: “Ce l’abbiamo fatta, Chou-Chou, we did it,” he says, using the name he gave to me, clutching the steering wheel of the old BMW with both hands, elbows out straight like wings, shoulders hunched in glee, wheezing up a conspiratorial laugh.”
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A friend of mine loaned this to me last October, when I was effusing about my reread of Under the Tuscan Sun. I let it sit on the shelf for months, figuring I’ll get to it when the time is right.

When I started it yesterday, I despaired: perhaps I was destined to like only one book about Tuscany. But, where Frances Mayes book is about a love of a house and finding a place, de Blasi’s book is about a love of the people and the food of that place. It took me a while to understand what de Blasi was trying to tell me, but by the end I was hooked, luxuriating in the descriptions of the food, and submersing myself in the stories of the people.

She and her Venetian husband, Fernando, uproot their somewhat comfortable Venetian lives and head for Tuscany, somewhat on a whim: they need something new, something different to feel alive again. It’s scary and intimidating and exhilarating all at once. And once they got to their rented house in Tuscany, they find so much more than they bargained for: a friend in Barlozzo, an old curmudgeon who has opinions about everything, and yet is generous with his time and knowledge about the countryside and its charms (especially food-related!). They find a community in the town they’re living in, friends, kindred spirits, family. They find solace in simplicity and rusticness. (Okay, not a word, but you get what I mean.)

One quote that I thoroughly liked (she’s talking about her former profession as a food writer), and think is a good example of the goodness of simplicity:

Enticed neither by swirls of kiwi puree forced from a plastic bottle nor by teetering constructions built from a puff of pastry upon which rested a grilled lamb chop upon which was piled a roasted pear, the pillar secured by spears of asparagus, which leaned fetchingly against it, a few hard-cooked lentils strewn casually about with petals of a zinnia, I’ve always wanted food that sent a current straight to my loins. I’d find it exhausting, having to break down a still life before getting to my supper… And so it was that as chefs began to decompose the very molecular structure of food, recasting it into ever more bizarre forms and substances, it became harder and harder to stay excited about my job…. And now I’m wishing could I scoop up all those men and women who began their chef lives as purists and bring them here to wander these markets, to stand in front of the burners with some of these chefs who change their menus every night so as to reflect that morning’s market, and who are not quietly amazed by this fact as a proof of their own genius.

While the book is slow to show it’s charms (at least for me), it’s like an old friend, sitting down over a glass of wine (for those who drink wine, anyway), talking about everything and nothing all at once. It speaks to your soul (well, at least mine), and invites you to look at what you have and need, to reflect upon what is truly important.

And what better kind of book is that?

A Gift From Childhood

Memories of an African Boyhood
by Baba Wague Diakite
ages: 10+
First sentence: “A little boy sat on the dirt floor with a bowl of millet porridge between his legs.”
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I’ve been sitting here trying to figure out a way to summarize this book, and I’m coming up short. How do you summarize a man’s reflections on his childhood, his experiences in a small village in Mali, and the life lessons that taught him? You can’t.

His parents, for cultural if not financial reasons, sent Diakite and his siblings to live in the small village where his father grew up to be raised by their grandparents. He stayed for several years, until he was in his early teens, learning about the ways of the village. While there’s no real over-arching narrative, the stories do follow a bit of a timeline from when he arrived at the village through until he met his wife, came to American and settled in here. The stories themselves are interesting; none are very long, and they each shed light on what life in a small, rural African village is like. There’s some commentary on imperialism and on materialism, but it’s not heavy-handed, or even all that present. The art, done by Diakite as well, helps give the book the feeling of being told African folktales from the hand of an experienced and talented storyteller.

His is a fascinating life, and a good story about how differences, the “other” if you will, can enrich all our lives.

Mom

A Celebration of Mothers from StoryCorps
edited by Dave Isay
ages: adult
First sentence: “StoryCorps launched October 23, 2003, in Grand Central Terminal in New City.”
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Review copy provided by TLC Tours

I didn’t quite know what to expect, going into this one. It’s a series of conversations from the StoryCorps booths about mothers. Since there’s no coherent narrative, and since every story is just a snippet, really, I figured it’d be an easy, but not very substantial read.

On the one hand, I was right: it was an easy read. I breezed through it in an afternoon, but not only because it’s an easy read. It’s also an engaging one. Maybe it’s because I have an odd fascination with oral histories, but I found the stories, even if they were just snippets, to be fascinating.

There’s stories of mothers dying, of mothers caring, of mothers working, of mothers giving up babies, of mothers adopting children, of hard times and good times. It’s a broad collection of remembrances, from every walk of life. It was touching and interesting and sweet, even if it wasn’t especially memorable or life-changing. A lovely antidote to all the extreme mom stories: both the ones that make you feel guilty because you’re not doing enough, and the ones that make you feel smug because you’re so much better than that.

However, I think it was something Dave Isay wrote in the afterward that moved me the most:

I hope you’ll spread the word about our efforts. We want to encourage the entire nation to take the time to ask life’s important questions of a loved one — or even a stranger — and really listen to the answers. We hope to shower this country with more of the sorts of stories you’ve just read — authentic voices that remind us what’s truly important, that tell real American stories, and that show us all the possibilities life presents when lived to its fullest.

It made me want to seek out a booth for a conversation of my own. Which, I suppose, is the best thing you can get out of the book.

A Natural History of the Senses

by Diane Ackerman

ages: adult
First sentence: “Nothing is more memorable than a smell.”
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Going into this book, I didn’t quite know what I’d be getting from a “natural history” of the senses. It’s such a broad term; and how does one actually provide a history of something that’s been part of the human experience since the beginning of time?

What I got was one part history, one part science, and one part poetry. Ackerman divided the book into five sections, one for each of the senses. She started with smell, then worked through touch, taste, hearing and vision. I had a hard time at first, getting used to the style of the book, which seemed haphazard and disorganized. It seemed like it was a series of short essays cobbled together without much sense and flow. But, after the smell section — which was the worst for the disjointedness — it settled into a rhythm, a little bit of poetic description, a bit of science (most of which I wondered if still was “correct”, since the book was written in 1990), a bit of social history. Much of it was fascinating. Her descriptions (passages of which I would love to copy down, but are much, much too long), especially about how the senses work in relationships, were elegant and poetic. But, in the end, it wasn’t enough. I wanted something less thrown together, something that flowed more, something that was less disjointed.

Because when it was good, it was very good. I just wanted more goodness.

India Calling

by Anand Giridharadas
ages: adult
First sentence: “As my flight swooped down toward Bombay, an elderly Indian man leaned over and asked for help with his landing card.”
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M, actually, is responsible for choosing this book. I introduced her (mostly by accident) to the joy that are Hindi language movies, and she fell head-over-heels in love with them. As a result, she’s been requesting books on India for the past few weeks, trying to learn as much about the country as she can. This one just happened to catch my eye. And I’m glad it did.

Anand Giridharadas is the son of NRIs (Non-Resident Indians). His parents came to American in the 1970s, mostly because India wasn’t offering his father the kind of opportunities that he wanted. Anand, raised as a good Indian-American, with only brief trips back to India as a child, felt the siren call of India and shortly after college headed there to live and work. This book is his observations of the “new” India, the way India is reinventing itself, and the consequences — both good and bad — of that.

The book is divided into chapters exploring different emotions and hopes: dreams, ambition, pride, anger, love, freedom. Giridharadas explores how each one has had an impact on the India of his parents and grandparents, and through his observations, travels, experiences in the country, and interviews, he explores how each things are changing — because of capitalism and consumerism — and not changing — because India is an old country, and one with a billion attitudes to change. The book weaves history, culture and religion together, leaving, it seemed to me, no stone unturned. As an Indian himself, he was able to go places a Westerner couldn’t have, and yet as an outsider, he was able to make observations and ask questions that wouldn’t occur to someone who hadn’t been raised outside of India. It was the best of both worlds, that melded into a very thought-provoking book.

It was fascinating, to say the least, even for someone who has had very little exposure to the world that is India.

King of Bollywood

Shah Rukh Khan and the Seductive World of Indian Cinema
by Anupama Chopra
ages: adult
First sentence: “Dreams come true in Dalton.”
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First off, a disclaimer: four years ago, when I saw this on the shelves, I took a look and said, “Hmm… could be interesting.” But, since my older two girls and I have been on an Indian Cinema bender lately (don’t ask how many movies we’ve watched in the last month…), I put a hold on this one. M read it in one sitting, devouring information about Shah Rukh. I took it a bit slower.

It’s basically one of those Hollywood tell-all biographies; Chopra did sit down an interview Shah Rukh and those closest to him, so it’s an “authorized” version. Reading it reminded me why I prefer memoirs over biographies: I like hearing the stories by the person themselves, rather than being interpreted through someone else. That, and questions I had (like: why is his name Shah Rukh Khan when his dad’s last name was Mohammed? Why did he change it? When did he change it?) weren’t really answered.

That said, even with the meandering and slightly clunky writing style, it was a fascinating look into Indian cinema. To explain how Shah Rukh became the massive superstar he is, Chopra felt it necessary to explain the history of Hindi film, and with that, a bit of Indian history as well. Some really interesting stuff. That’s not to say that Shah Rukh isn’t fascinating: the amount of naked ambition he has is boggling. And yet, he’s an incredibly down-to-earth individual (or at least Chopra made him seem so). Additionally, he’s a halfway decent actor, if a bit on the goofy side. Other than that, there isn’t much to say about this book.

Good for those who are slightly obsessed with Indian cinema.