by Danica Nava
First sentence: “Three nearly naked men drenched in oil gyrated around me, their things barely covered in short tan-hide loincloths that dangled between their thighs.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher.
Content: There is swearing, including multiple f-bombs, and a couple of on-page sex scenes. It’s in the Contemporary Romance section of the bookstore.
Avery has spent her whole life in LA – first as a child actor, and now trying to break into the music business. Sure, she just wants to write her own songs, but her mom (who is also her manager) keeps telling her that she has to pay her dues. So, she listens when the record label gives her a “Native-inspired” song (since her mother says they’re Muscogee) and films a video for it. Plus there’s a Rolling Stone cover. But when they come out, there is a huge backlash: what they thought was “taking back stereotypes” ended up just being deeply racist. So, to get away from death threats, her mother sends Avery to her estranged grandmother’s house in Broken Arrow, Oklahoma, to hide. And maybe to learn a bit about this heritage she has claimed but knows nothing about.
Once there – on her grandmother’s working ranch – she meets Lucas, a Muscogee ranch hand who has a chip on his shoulder, especially when it comes to her and her music. Except, he’s hot. And while she is often annoyed at him, she also kind of likes being around him. And she comes to respect him. And maybe there’s more to Broken Arrow than she thinks.
I’m not sure I liked this one as much as I liked The Truth According to Ember, but I did like it. I like that Nava looked at how being a Native person in Hollywood/the music industry isn’t an easy thing. I liked the juxtaposition of city girl/country boy. Nava is good at writing banter, and I liked how she wove in Native culture and mannerisms throughout the book. Additionally, both Avery and Lucas grew as people, which was satisfying to see.
In short: I really liked this one.
