by Kevin Wilson
Read by Ginnifer Goodwin
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Content: There is some talk of violence and sex, and some swearing (maybe a couple of f-bombs? I can’t remember). It’s in the fiction section of the bookstore.
It’s the summer of 1996 in Coalfield, Tennessee, and there isn’t a whole lot to do, especially if you were 16. Frankie is resigned to another boring summer until she meets Zeke. And the two of them create a poster – Frankie comes up with the words and Zeke the art – that, once they start putting it up all over town, creates a panic. Two people end up dying, and there is talk of the poster coming from a Satanic cult. Frankie and Zeke promise to never tell, but 21 years later, Frankie is contacted by a reporter who has discovered that she is behind the Coalfield Craze of 1996. Now, it seems, the story needs to be told.
On the one hand, the book is an interesting musing on the purpose and reach of art: did the poster mean what everyone thought it meant? What responsibility do Frankie and Zeke have for others’ reactions to their art? There was a bit of coming-of-age, as Frankie had a first love, and her dreams were crushed, and realized that maybe everything isn’t perfect. But – I had issues with her as a 16-year-old. She felt… young. Obsessive. I hated the use of “weird” – she was “weird”, she felt “weird”, and she had a “weird” brain. It was a lot. I liked the narrator; she was sweet and read the book well, but in the end, I wasn’t sure I really got what Wilson was getting at.