by Kathy Iandoli
Read by the author and Bahni Turpin
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Content: There is a lot of swearing, including many f-bombs, and the use of the n-word. It’s in the Music section of the bookstore.
This is what book clubs are good for: I would have never picked this one up without it. I know very little about hip hop (as evidenced by the fact that they kept saying names and I knew very few of them) and I don’t know that I ever really cared enough about hip hop to read a musical history of the women in the business.
That said, this comprehensive history covering women and their role and place in hip hop, was interesting. Even if I couldn’t keep names straight.
Things I took away: the business (still) is not friendly to women.It just isn’t. It’s full of misogyny and promoters who feel like there’s only room for one woman hip hop artist at a time. The business started women super young — like teenager young — in the 80s and early 90s, which couldn’t have been good for their mental health. There’s this unspoken competition in hip hop that I don’t understand — why was everyone “fighting” all the time? I don’t get it. But, I do get that these women had a lot of obstacles to overcome, and that that decks are stacked against them. (For example: being someone who doesn’t really delve deeply into music, I didn’t recognize any of the women’s names until about the late 90s. I can’t say that about the men. That says something, I think.)
I enjoyed Turpins narration (Ianodli only narrated the prologue and epilogue, where she got a bit overly sentimental about the Strength of Black Women. It felt unnecessary, I think.) though it really didn’t give Turpin’s talent for doing voices and accents much to do. That said, I will listen to anything she narrates. Period.
I may have enjoyed this one more in print rather than audio, though: I kept wanting pictures and I would lose track of who was who in the audio version. That said, I didn’t dislike it, even if I probably wasn’t the target audience.