by Anne McCaffrey
First sentence: “The rumble-thud-boom of the big drums answering a message from the east roused Piemur.”
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Others in the series: Dragonsong, Dragonsinger
Content: There is some bullying and one very off-screen sex scene. It would be in the YA section of the bookstore if we had it.
Piemur — who was a minor character in Menolly’s story of the first two books — takes front and center in this one. A few turns have passed since we last heard from our friends in the Harper Hall, and Piemur, known for his clear boy soprano has had the worst thing happen: he’s started to go through puberty and his voice is changing. That means, he’s no longer the center of all the choruses, and Master Robinton needs to find something to do with him. That something is learning the message drums. Except precocious Piemur does it too well and he’s bullied. One thing leads to another and Piemur finds himself stranded on Southern lands, without a hold, but with a stolen fire lizard egg. Will he ever find a place again?
In some ways, I felt this was just “Dragonsong: part 2”. I guess McCaffrey felt like Piemer needed an arc ‘like Menolly’s: he was bullied, and pushed out of a place he thought he loved, he went holdless, he found joy in a new place. There are some Pern politics in the backdrop that give it a bit more depth than Dragonsong — the tension between the new dragon riders and the Oldtimers in the south, for instance. But, it was mostly just a reprise. Except that Piemur is a delightful character, and Menolly’s in the background giving him support. So: it’s really a better Dragonsong than Dragonsong is. In fact, this might be my favorite of the trilogy, as much as I want to wholly love Menolly’s books.
It holds up as a triolgy, though.