by A. L. Sonnichsen
First sentence: “Mama used to have a piano
with an on/off switch
and a dial to make drums beat.”
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Review copy snagged from the ARC shelves at my place of employment.
Content: It’s pretty long, which will turn some readers off, though it’s in verse, which makes it easier to read (but also might turn readers off). The Chinese words, while spelled phonetically, might also be a deterrent. It’s in the middle grade (grades 3-5) section of the bookstore.
Kara was abandoned at birth, and in China, that generally means certain death. Especially since she is a girl and born with a deformed hand. But a kind, elderly American woman living in Tianjin took Kara in. Now, eleven years later, Kara is wondering why Mama never leaves the house, why she has never gone to school, and why they can’t leave to go join Daddy in Montana.
It takes a while for things to spill out: Mama is always telling Kara to be content with what she has, and not long for something more, but things do eventually come to light. In China, one needs papers to be a legal resident. Kara, because she was abandoned and rescued, has none. And so, they’ve been in hiding all these years.
On the one hand, I enjoyed this peek into China, especially the lives of those children who are neglected and abandoned to the orphanages because of the one-child laws. It’s told in verse, which suits Kara’s contemplative nature and her desire to figure out who she is and where she belongs. I liked the people Kara met and her interactions in the orphanages.
However, while I got to know Kara and her story, it felt, well… too American. An American pulled her off the streets when she was a baby. She befriended a New Zealander worker in the orphanage (not American, but English-speaking/Western). She ended up in Florida with a second adoptive family. There were Chinese characters, but they were almost afterthoughts in Kara’s life. And while I understood why, I was sad not to get to know China or the Chinese.
It wasn’t bad, overall, but it wasn’t my favorite either.