by Maggie Stiefvater
First sentence: “Persephone stood on the bare mountaintop, her ruffled ivory dress whipping around her legs, her masses of white-blond curls streaming behind her.”
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Release date: October 21, 2014
Others in the series: The Raven Boys, The Dream Thieves
Content: There’s swearing, lots of it, including f-bombs, but nothing felt gratuitous. There’s also violence and some adult drinking. Plus, it’s a complicated story arc that may prove confusing for younger readers. It will be in the Teen section (grades 9+) of the bookstore.
I’m always at a bit of a loss when dealing with this series. I just want to throw it at everyone (especially people who come in the store. WHY WON’T THEY BUY THIS BOOK?) and say “READ THIS! THIS IS WHAT STORYTELLING AND WRITING IS.” It really doesn’t matter that I love the characters (“What [Orla] didn’t realize about Blue and her boys was that they were all in love with one another.” Count me in on that.), and I am intrigued and fascinated by the people they meet. In this book, most especially, it was Jesse Dittley, the man who took care of the cave in the hills, who talked in ALL CAPS and called Blue an ANT. He was wonderful.
The basic plot that Stiefvater weaves is that Blue, Gansey, Adam, and Ronan are getting closer to waking their unknown king, Glendower. Blue’s mom, Maura is missing, gone off on a quest of her own. And Mr. Gray’s employer, Greenmantle (“Greenmantle had always liked the idea of being a mysterious hit man, but that career goal invariably paled in comparison with his enjoyment of going out in the town and having people admire his reputation and driving his Audi with its custom plate (GRNMNTL) and going on cheese holidays in countries that put little hats over their vowels like so: ê.”), has shown up in town, furious at Mr. Gray for defying him, determined to make him pay.
But, things don’t necessarily go right. (There is one more book, after all.) And Blue and the boys are possibly in deeper than they can handle.
What I love most (as evidenced by the frequency of quotes already), however, is the writing. It’s so drop-dead gorgeous. Stiefvater is a poet here, capturing so much — mood, character, events — with so little (even her use of swearing has Meaning.), it’s breathtaking.
If you haven’t picked these up yet, the series is almost done. Now is a good time to start. You won’t regret it.