Fables: The Deluxe Edition, Book One

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by Bill Willingham
ages: adult
First sentence: “Once Upon a Time…”
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The fairy tale characters we all know and love — from Snow White and Price Charming down to Jack (of Beanstalk fame) — have been exiled from their country, driven out by “The Adversary.” They’ve been living in New York City (well, the ones who can pass for human, anyway; the rest are exiled to a farm in upstate New York) for centuries, trying to be happy with their living.

In the first of two books in this deluxe edition, “Legends in Exile,” it seems Rose Red (Snow White’s sister, if you didn’t remember) has been murdered. Her boyfriend, Jack, finds the scene and races to tell Bigby Wolf (the Big Bad Wolf, of course, who turns out to be a bit of a shapeshifter), who takes on the investigation. Snow gets involved, not only because Rose is her sister, but because she’s the mayor’s (King Cole) deputy, and as a result, really runs the community.

It’s an intriguing premise, this. It’s a halfway decent murder mystery (I didn’t figure it out; I wasn’t paying enough attention to the details), and what Willingham (and his team) have done with the characters is interesting. But what I really liked was the world-building here. There’s a lot of conflict just within the community, and the fact that they’re in hiding just intensifies those conflicts. It was fascinating. But what I really liked was the second book, “Animal Farm.”

In that, we get to see the non-human characters (the three pigs, the three bears, some dragons and other assorted woodland creatures). They’re sick of being forced into their farm prison for the sake of the community’s security, and want to not only overrun Snow and their government, but want to go back and take their homeland back from The Adversary. The revolution is run by Goldilocks, who is quite ruthless in her vision and execution. It’s fun, it’s fascinating, and it hooked me on the series.

Except: my library is missing all the books between this one and Arabian Nights, so I’m quite at a loss where to get the next installment. I’ll have to do some research…

Amulet: The Last Council

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Amulet, vol. 4
by Kazu Kibuishi
ages: 9+
First sentence: “Who are you playing against?”
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Others in this series: The Stonekeeper, The Stonekeeper’s Curse, The Cloud Searchers

Emily and her friends and family are on a quest: one to figure out what the stone Emily wears around her neck really means, one to help overthrow the elf king. They’ve found the cloud city, Cielis, where they thought they would find answers. But, instead, there are only more questions. Emily’s friends and family are separated and imprisoned (although the robots, Miskit and Cogsley, find an old, exiled stonekeeper to give us some much-needed backstory) while Emily is taken by the council, and subjected to “testing”: a virtual game in which if you die, you don’t come back.

Things aren’t good in Cielis, and the answers Emily is seeking for aren’t going to be found. Instead, there are just more questions.

I said, after I finished the third book, that I really needed to stop reading this. And yet, when I saw that the fourth one had come out, I went, “OOOOH, AMULET!” and picked it up. And, when I finished this one, I had the same reaction: Kibuishi just isn’t writing/drawing these as fast as I want him to. I want answers! I want to know the rest of the story! I want to know where this is all going! (I couldn’t remember what had happened!) It’s so engrossing, so well-done, amazingly drawn, that I could just get caught up in it, reading until the story is done. Except it’s not there yet.

*sigh* Waiting until the next book comes out.

Searching for Dragons

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by Patricia C. Wrede
ages 9+
First sentence: “The King of the Enchanted Forest was twenty years old and lived in a rambling, scrambling, mixed-up castle somewhere near the center of his domain.”
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Others in the series: Dealing with Dragons

The King of the Enchanted Forest, Mendenbar, doesn’t really appreciate messes. (Especially ones made by wizards.) So, when he finds a patch of his forest dead — completely void of magic and life — he’s not only annoyed, but also a bit curious. How on earth did that happen? Especially since there’s dragon scales lying around the area. That sends him off to see the King of the Dragons, Kazul, but only finds her princess, Cimorene, setting off to find Kazul, who has been missing for several days.

From there, Mendenbar and Cimorene set off on an adventure to find Kazul (and stop those pesky wizards), that will take them all over the Mountains of Morning, meeting giants, dwarves, and a theoretical magician before they will figure it all out (and rescue Kazul) in the end.

I remember listening to this one on audio years and years ago (I didn’t write a review), and I remember thoroughly enjoying it then. That hasn’t changed. I thoroughly enjoyed reading it aloud to A. Mendenbar and Cimorene are such engaging, fun, witty characters, and Wrede does a fantastic job weaving in fairy tales throughout her original story. It was a lot of fun to read for both A and me.

On to the next book!

Sunday Salon: Geraldine Brooks

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I meant to get this up earlier. I meant to write this last night, but instead, I crashed. And then I (honestly!) forgot about it until a few minutes ago, when I went: oh, right! I went to an author event at work and got to MEET and TALK TO (and LISTEN TO) Geraldine Brooks, whose work I’ve loved for YEARS (and whose husband’s work I love as well)… and I FORGOT to blog about it.

I’m such a bad blogger.

The short version (because I need to read stories to A): she was awesome, her accent is wonderful, she told great stories, she’s lovely, and M (who was the youngest person there) had a grand time.

Coolness.

Summer of the Gypsy Moths

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by Sara Pennypacker
ages: 9+
First sentence: “The earth spins at a thousand miles an hour.”
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Stella hasn’t had an easy life. She’s currently living with her Great-aunt Louise, because since her grandmother died, she and her mother have been wandering aimless, practically homeless, from city to city until the government finally stepped in and separated the two of them.

Now, she and Louise — and another foster child, Angel — are hitting it off in their little house on Cape Cod, readying for the summer season with the gardening and the vacationers in the four little cottages they manage.

That is, until Louise dies.

(That’s not a spoiler: it happens in the first chapter.)

Stella and Angel panic: if they call people to come and take Louise away, then the same people, the ones who put them in the foster-care system in the first place, will take them away, send them to homes that might not be so nice. So the two of them make a pact: they’ll bury Louise in the back yard and run the cottages as if Louise were just injured and unable to help out, take the money they get as tips and save it until they have enough to go somewhere.

It’s all quite vague — very much the way 12-year-olds would think — and they don’t do everything perfectly. Thankfully, even though it’s one of those “bad mother” books, it doesn’t ever seem either overly desperate and sad or overly implausible. Because of her situation with her mother, Stella is more grown up than she otherwise would be, and is able to take charge, with the help of Heloise’s advice columns. Granted, I’m not sure two 12-year-old girls could go four weeks (which is how long they end up faking everyone out) without someone noticing that the responsible adult is never around, but somehow they do. But, as a consequence: they end up going hungry because there isn’t a grocery store nearby, and they don’t have money for them anyway. It’s a small thing, but it’s a nice touch.

I’ve been trying to pinpoint what I liked about this book. The lying got to me, of course; as did the far-fetched situation. But, in the end, I liked it for its simplicity, I think. Pennypacker’s writing is simple and direct without being simplistic or pandering, which is part of the reason I like her Clementine books. It holds true for this: Stella and Angel are opposites, but they learn to work together. Problems are solved. Ocean is enjoyed. There are moments of loneliness and hardship, but it’s never overly dramatic. It’s got that classic feel, without being old-fashioned.

The other thing I liked was that it was a true middle grade novel: there had to be bad parents and dead great-aunts so that the two girls could learn to shine and grow and learn and develop. It’s a humble adventure, but it’s still an adventure: learning that they really do need people to take care of them, and what the meaning of home and friendship are.

In the end, even with the drawbacks, it’s a sweet little summer read. And proof that Pennypacker can write middle grade novels as well as beginning chapter books. Both good reasons to pick this one up.

Cold Cereal

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by Adam Rex
ages: 10+
First sentence: “In the busy airport, baggage turned slowly on a carousel.”
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First off: this book has the most amazing jacket flap copy. Seriously. One of the best I’ve seen in a long time.

Scott Doe — aka Scottish Play Doe — has just moved to Goodborough, New Jersey, because his mother has just gotten a job at the cereal company: Goodco. They’ve been wanderers since his father (John Doe, ha!) left when Scott was six, and event though Scott’s moved a bunch, that doesn’t make starting at a new school any easier. Then he starts seeing things: a rabbit man, a unicat (a cat with a horn, of course), a small, cranky man. All of a sudden, what was typical is atypical.

Throw in the twins: brilliant Emily Utz and her brother (even though he’s dark-skinned and she’s not…) Erno Utz, who live with their foster father who has a tendency to give them riddle quizzes, pitting them against each other; a giant named Biggs, and a secret organization called the Freemen, and you’ve got one weird book.

But then, isn’t that what Adam Rex is known for?

On the one hand, this book is all sorts of weird. Rex takes sugared cereal, evil corporations, and mixes them with magical beings and gives us a concoction that, by the end, doesn’t really make a whole lot of sense. There are twists and turns and turns and twists and possibly a plot in there somewhere. (There has to be: I noticed that Rex left threads dangling, so there had to have been a plot…) It was confusing, and at some point, I stopped caring if I actually understood what was going on, and just let it wash over me.

Because it was hilarious. I’m not sure how many of the jokes kids would get, but I loved it. The fact that the rabbit-man was a pooka named Harvey. The references to Lucky Charms, Trix, Sugar Crisp. The fact that Sir Reggie Dwight punched the Queen of England in the face (funnier than it sounds). The advertisements. Scott’s name. That the Arthurian legend came into play. This segment:

“SHUT UP! OR YOU KNOW WHAT’S GOING TO HAPPEN? LET ME TELL YOU WHAT IS GOING TO HAPPEN –”

They never got to hear what he thoguht was going to happen, though in all liklihood he would ahve gotten it wrong. “My partner and I are going to be run over by a rabbit driving a Citroen” just isn’t the sort of thing that occurs to most people, no matter what kind of life they’ve led.

So, yeah. It’s weird. It’s confusing. But it’s hilarious. Bring on the sequel.

Around the World

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by Matt Phelan
ages: 9+
First sentence: “It all began, as many great adventures begin, with a story.”
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It’s the late 19th century, and the time is ripe for exploration, adventure, new ideas. Over the course of 10 years, three different people, independently of each other, decide to make the voyage in Jules Verne’s Around the World in Eighty Days a reality. Each chooses a different method of transportation, each takes a slightly different route, each has it’s own ups and downs.

Matt Phelan tells these three stories — Thomas Stevens, who traveled around the world on a bike (one of those old-fashioned ones with a big wheel); reporter Nellie Bly, who decided she would beat Verne’s story (and met Verne along the way); and sailore Joshua Slocum, who sailed the world, alone, in a schooner, at age 52 — in graphic novel form, simplifying them for his intended audience, and yet making them highly entertaining. I found myself interested in the stories and lives of these three, which is something that I didn’t expect to be.
 Out of the three stories, I found Thomas Stevens’ to be the most interesting. Around the world on a bike? Fascinating. But beyond the coolness of his traveling method, I thought Phelan’s art lent itself best to Stevens’ story. Nellie Bly’s worked okay, though I think a lot of the excitement and frustration she experienced were lost in the graphic novel form. And I didn’t follow Joshua Slocum’s story well at all. Perhaps that’s because as the stories went on, Phelan got more and more introspective, and it just wasn’t as interesting to me.  Or, perhaps I just suffered from the opposite: because it was a graphic novel, even though the art was grand, I felt like I was missing chunks of the story; I wanted more words, to fully understand what was going on.

But, overall, I’m glad I read it. It’s a good introduction to three little-known people who dared to adventure.

The Girl of Fire and Thorns

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by Rae Carson
ages: 13+
First sentence: “Prayer candles flicker in my bedroom.”
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Elisa is the younger sister in the royal family of a smallish country. The only thing that marks her as different is that she’s the bearer (the first in a century) of the Godstone, a jewel in her navel. She has no idea what her “service” is supposed to be, but she does know that it will require something of her.

So, when she’s married off to a king of an adjoining country on her sixteenth birthday, she figures it’s the first step in her destiny.

Little did she know what that would mean.

There really is so much to like about this book. It does start slowly; Elisa with her eating issues and insecurities are quite hard to like. But, as the book goes on, she warms on you: it’s truly a book about growth, about Elisa figuring out how to come into her own. And it’s a pretty amazing journey. I enjoyed that the book was religious in its own right. Elisa sees herself as a servant of God, and there’s some interesting implications and conflicts that arise from that belief. It’s a richly detailed world, Spanish-influenced, but one in which the world doesn’t overpower the characterization, a remarkable feat in itself.

I also have to admit (slight spoiler here) that I’m happy that while there is a bit of romance (she does get married in the opening chapter, after all), Elisa manages to find a way to be strong and self-assured without having to be on the arm (or in the arms) of some boy. Sure, she’d like to be desired, but in the end, a boy is not necessary. Good message, that.

All of which means I’m quite interested to see what Carson comes up with next.

Audiobook: Sports From Hell

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by Rick Reilly
read by Mike Chamberlain
ages: adult
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Not content with being a writer for Sports Illustrated or ESPN — or perhaps it was bored with being a writer of normal sports — Rick Reilly decided to go on a quest: over the course of three years, he (and his lovely researcher/girlfriend, TLC) searched the world over for the World’s Dumbest Sport.

And because he’s a journalist, he felt the need to share it with the world, as well.

The sports range from the pretty cool (women’s football), to the retro (the Jart; remember those? If not, you didn’t grow up in the 70s and 80s), to the weird (ferret legging; that’s what he’s doing in the picture up there) to the “I wanna try” (Zorbing; seriously looks like fun), to the eye-rolling (his chapter-long rant on baseball), to the certifiably insane (bull poker). Not to be outdone, there’s a chapter on drinking games (did you know there’s a world series of beer pong?), on the world championship Rock, Paper, Scissors tournament, and the Finnish “sport” of Saunaing (or whatever they call it).

It’s a completely useless book — there’s really nothing of value in here, unless you want to impress people with your synonyms for vomit — but it’s entertaining. Or, at least, it tries very hard to be.

See, Reilly’s use of similes drove me completely batty. Literally. I laughed at them at first, but as the book wore on, I grimaced and eventually rolled my eyes. I wish I had the actual book in front of me, so I could write a few of them down; they were literally that bad. And all over the place. Which I found highly distracting.

The second distracting thing was Mike Chamberlain as a reader. He only had two
“voices”, and he would alternate between the two of them. And I have to admit that his inflection grated on me after a while; it was nice and chatty at first, but eventually, I kind of wanted to smack him.

Still, it wasn’t enough for me to give up the rubber-neck value of the book: the sports were so bad, I had to see what Reilly would find out next.

Oh, and for the record, the dumbest sport: chess boxing.