by Moorea Corrigan
First sentence: “The war did not bring the Faeries back to England.”
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Release date: April 21, 2026
Review copy provided by the publisher.
Content: There is talk of war, some mild swearing, exactly one (well-placed) f-bomb. It will be in the Science Fiction/Fantasy section of the bookstore.

It’s after World War I, and Mouse is returning home to England because her uncle – Lord Dewhurst – has died and reluctantly left his Faerie-blessed house, Thistlemarsh Manor, to her. Only because his son was killed in the war, and her brother, the next-logical heir, is incapacitated with PTSD, and doesn’t recognize his surroundings. Mouse is reluctant to take on the taste of being Lady of the manor, especially after she hears her uncle’s conditions: restore the house and grounds to their former glory in one month (or get married), or the house goes to a distant (and despicable) cousin. It is an impossible task, except that Mouse is offered help by the faerie Thornwood. It’s tricky to bargain with a faerie, but Mouse is desperate. The question is: what will she uncover?

On the one hand: I haven’t read a sweeping faerie story like this in a long time. It reminded me of books I’d read 15-20 years ago (was that just the early 2000s?), where the fae were cruel, but not unreasonable. Where deals could be made between the fae and humans, and kindness would win out in the end. It has a luxury to it – it only takes place over a month, and yet the pace is slow enough to allow the reader to luxuriate in the setting. I liked Mouse as a character (even though I have quibbles with the ending; but I suppose a human woman couldn’t take on the fae all alone, no matter how smart she is). I just didn’t love the writing. It was basic. Pedantic. Maybe it’s because I just finished A River Has Roots (also a faerie story), where the writing was so lovely, that I felt its lack. That said, while I didn’t utterly love it, I liked it enough to finish, and if you’re looking for a decent faerie story, this is a good one to read.