by Charles King
Read by Juliet Stevenson
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Release date: October 29, 2024
Content: There’s talk of slavery, colonialism, affairs, and general debauchery. It will be in the History section of the bookstore.

Much like anyone who grew up involved in music, I’m very familiar with Handel’s Messiah. But, until I saw this book in the November IndieNext, I never really gave much thought to how Handel came to compose the work. I probably assumed it was just something he composed at one point in his life. What I didn’t realize was the political and social circumstances that surrounded the piece. I never stopped to consider who wrote the libretto – I suppose I just assumed Handel adapted it from scripture – or the role it might have played in 18th-century England.

All this to say, I found this book fascinating. Stevenson is an excellent narrator for this journey. I learned a lot about Handel, but also the political circumstances in England and Europe and the eccentrics surrounding the piece of music. It sounds outlandish because it’s just an oratorio, but there is a pretty remarkable story about how a random oratorio in Handel’s repertoire became The Messiah.

All this to say: this book is excellent.