The Moon Within

by Aida Salazar
First sentence: “There is a locket in my heart that holds all of the questions that do cartwheels in my mind and gurgle up to the top of my brain like root beer fizz.”
Support your local independent bookstore: buy it there!
Release date: February 26, 2019
Review copy provided by the publisher.
Content: There is frank talk of puberty and the way girls bodies change. It’ll probably be in the YA section (grades 6-8) of the bookstore, though it’s perfectly appropriate for younger kids, if parents don’t mind the subject matter.

Celi Rivera is many things: A bomba dancer. The daughter of a Mexican mother and an Afro-Puerto Rican father. A friend to Magda, who is transitioning and wants to go by Marco and use he/him pronouns. A girl who has a crush on Ivan. Except things aren’t as simple as they seem on paper: Ivan is a bit of a jerk to Magda, especially after he changes his name to Marco. Celi’s mother, whom she loves, has decided that she wants to have a moon ceremony when Celi gets her first period, something which her mother feels is honoring their ancestry, but Celi just feels is embarrassing. Being 11 almost 12 is tough, and Celi’s trying very hard to navigate the transition from childhood.

On the one hand, I loved the language and culture in this slim novel in verse. Salazar has a talent for poetry, and I loved how she effortlessly she worked the Xicana traditions in the book. It was a bit hippy-dippy for even me (a lot of moon lore and nature tradition), but I didn’t mind that. What I did mind was the mom. Chalk this up to years of reading middle grade and YA books, but I get really annoyed when parents just barrel ahead, not listening to the desires of their kids, and do what they want to do, thinking it’s the Best Thing. Sometimes it is (in this case, it turned out well), but often, it isn’t. And it frustrates me. Children, pre-teens, and teenagers have desires too. And wants. And they need to feel like they can talk to adults about them. And the mom, in this book, just didn’t listen. Which really annoyed me.

But that’s me. There is much to appreciate in this book, and perhaps there are kids out there who probably have parents like this who can relate to Celi and her struggles.

Advertisements

New Kid

by Jerry Craft
Support your local independent bookstore: buy it there!
Release date: February 5, 2019
Review copy provided by the publisher.
Content: There is some bullying, and it’s a bit on the longer side. It will be in the middle grade graphic novel section of the bookstore.

In the letter that accompanied the ARC, Craft wrote that he wanted to draw a graphic novel that featured kids who looked like him because he didn’t find any when he (or his sons) were growing up. He wanted to feature a kid of color, having some of the experiences — that were not just “gritty” — that kids of color have. And I think, with this graphic novel, he succeeded.

It’s the story of a kid — Jordan Banks — who wants to draw and go to an art school but whose parents have decided that a fancy (white and rich) prep school will give him better opportunities in life. Problem is Jordan doesn’t want to go to a fancy prep school, especially one where he’s in the minority.

The book follows the school year — my favorite thing was the chapter titles that referenced movies (Upper, Upper West Side Story; Straight Out of South Uptown were a couple that made me smile) — as Jordan learns the ins and outs of making friends, standing up for himself and others, and the ways in which well-meaning white people just Don’t Get It.

It’s funny, it’s sweet, it’s honest, and it’s eye-opening, and Craft is definitely a graphic novelist to keep an eye on.

On the Come Up

by Angie Thomas
First sentence: “I might have to kill somebody tonight.”
Support your local independent bookstore: buy it there!
Release date: February 5, 2019
Review copy provided by the publisher.
Content: There is a lot of swearing, including multiple f-bombs, and some violence. It’s in the Teen section (grades 9+), but if you read The Hate U Give, then this will be good for you.

Bri has one goal in life: to be a rapper. She’s a talented poet, she’s good at thinking on her feet, and she has a killer beat. However, that’s not what her mother — especially after Bri’s father, a semi-famous rapper, was killed in a gang war — wants for her. She wants Bri to be like her older brother, focusing on school, getting into a good college, and Be Something. But, things are rough for their family: sometimes they go without heat or electricity because it’s tough making ends meet, and when Bri’s mom loses her job, Bri’s determined to make a go of being a rapper.

But things backfire: at the expensive (white) prep school that Bri attends, she’s apprehended by the security guards for carrying contraband (in this case, candy she sold to make a few dollars) and it spirals into a referendum on racism and profiling that Bri doesn’t want to be stuck in the middle of.

Bri’s story is one of heart and hopefulness — is she really “on the come up”? Can she make it with just talent, and not by succumbing to the racist whims of studio executives? — with an underlying look at the everyday racism and trials that Black people go through. It’s not as heart wrenching as THUG was, but it is eye-opening, especially for a middle-aged white woman who is trying to see the world through a different pair of eyes. Thomas is a talented writer, telling stories that not only are representative for the world around her and accessible to her target audience, but are also Important for everyone to read.

Excellent.

The Witch Boy and The Hidden Witch

The Witch Boy
by Molly Knox Ostertag
Support your local independent bookstore: buy it there (Witch Boy and The Hidden Witch)!
Content: There are some intense images of violence. It’s in the middle grade graphic novel section of the bookstore.

I’d been seeing this one on a LOT of the best-of 2018 lists and I realized I knew NOTHING about it (I had gotten it in, but really paid no attention to it), so I realized I needed to get this one and read it. And since it looked up K’s ally, I decided to buy both it and the sequel as well.

Aster is part of this old magical family, where the girls are all witches and the boys are all shape-shifters. But Aster, at 13, has realized that his talents lie with being a witch rather than a shape-shifter. Except, because that’s what GIRLS do and he’s obviously not a girl, he’s forbidden. Like actively. Every time they find him sneaking around trying to learn witchcraft, the women shame him and shun him. Especially since the last time a boy tried to be a witch — Aster’s grandmother’s brother — he turned into a monster and was never seen again.

(Yes, I do think this is meant to be a feminist allegory for gender roles and toxic masculinity and how silly they are. If a boy wants to be a witch, then LET HIM BE A WITCH.)

Things get complicated when Aster’s cousins — all of whom embrace the traditional male role and become shape-shifters — start disappearing. And Aster — because he’s both male and a witch — is the only one who can save them.

The story continues in The Hidden Witch; Aster’s family has (kind of sort of) accepted him as a witch and is trying to teach him, when his non-magical friend, Charlie, gets attacked by a bit of dark magic called a “Fetch”. It turns out that there’s a rogue witch in town, and the family has to figure out how to take care of them.

This one, honestly, wasn’t as good as Witch Boy, which I adored. She did wrap up the story of the grandmother’s brother, which was left hanging in the first book, but I’m not sure how much I cared about that. I did like seeing Aster use his witchcraft to help Charlie figure out where the Fetch was coming from, but it just didn’t have the larger conflict that Witch Boy had. Even so, it’s delightful series, expertly drawn (Ostertag worked on Star vs. the Forces of Evil, and her art style fits that). I adore the friendship between Aster and Charlie, and I liked how Ostertag worked in diversity without making it a huge “look at me, I’m diverse” issue.

She’s a solid graphic novelist, and someone I’m excited to see more from.

Pitch Dark

by Courtney Alameda
First sentence: “The wake up shock hits like a sledgehammer to the chest.”
Support your local independent bookstore: buy it there!
Review copy provided by the publisher for the Cybils.
Content: There is a lot of violence and gore, and some mild swearing. It’s in the YA section (grades 6-8) of the bookstore.

I’m going to be up-front with this: I really liked this book. A lot. But I have NO idea how to describe it succinctly. See, it’s kind of Ready Player One meets Indiana Jones meets Battlestar Galactica plus Aliens with a tad bit of Firefly thrown in. It really doesn’t quite know what it wants to be — a space adventure? A horror story? An archaeological adventure? Stopping a terrorist plot? Yes, to all of those — but HEY, it’s an incredible amount of fun while it’s trying to figure it out.

Let’s try with the plot. In the late 21st century, Earth sent people out into space in stasis, with samples of earth, in the hopes that they’d find another habitable planet and be able to terraform it into something livable. They were sent off, and never heard from again.

Fast forward 400 (!) years, and one ship, the USS John Muir, has just woken up out of stasis, and realized that Things Didn’t Go Quite To Plan. Like, most of the crew is dead, and while there were some survivors, many have turned into mutant beings who terrorize the rest of the survivors. Thankfully, Tuck, the son of one of the premier scientists, was a survivor, and has Things Figured Out.

Enter the ship Conquistador, captained by the Cruz family, who are archaeologists in search of the lost ships from the Exodus. Their daughter, Laura (lao-ra, please, not law-ra) is passionate about history and is excited to see what there is when they discover the Muir. But then a hacker gets into the ship’s systems (and frames Laura) and crashes the Conquistador into the Muir. And suddenly everyone is fighting for their lives.

So, yeah. Hot mess of a plot — things just kept happening and happening and happening and while it kind of made a weird sort of sense but not really — but it was all just so much dang fun that I couldn’t put it down. So, I liked it, in spite of the fact that I can’t figure out a really simple way to make it sound appealing aside from it’s just a fun read!

The November Girl

by Lydia Kang
First sentence: “There’s a foolproof method to running away.”
Support your local independent bookstore: buy it there!
Content: There is some swearing, including multiple f-bombs. It’s in the teen section (grades 9+) of the bookstore.

Every November on Lake Superior, the weather is unpredictable and ships go down. It’s been that way forever. They call it the November witch. And little do they know that they’re right: her name is Anda, and she’s the half-mortal, half-nature witch who feeds on death and destruction, living with her father on Isle Royale most of the year, and feeding on shipwrecks in November to satiate her appetite.

Hector is a half-Korean, half-Black kid who’s on the run from his abusive uncle. His plan: hide out on Isle Royale until he turns 18 in May, and can be a legal adult, and get out the grips of his uncle. Except, things don’t quite go according to plan. First reason? He can see Anda (no one else can). And second reason? They get involved.

I feel like, as a Michigander, I should have liked this one more. It was super atmospheric, and Kang’s love for the Lake (though not the one I’m most familiar with; I know Erie better) shines through. But, honestly? I just found I couldn’t care for the characters. I didn’t buy Hector and Anda’s romance (and I got tired of it, especially since she played the manic pixie dream girl role to Hector’s cutter outsider persona) and I thought the ending was a bit on the tidy side.

Maybe it’s just a wrong person, wrong time, wrong book problem.

Beasts Made of Night

by Tochi Onyebuchi
First sentence: “I make sure to sit where they can’t see me.”
Support your local independent bookstore: buy it there!
Content: There are a couple of mild swear words, some violence, and a bit of kissing. It’s in the YA section (grades 6-8) of the bookstore.

The world that Onyebuchi created is fantastic: purity means everything to the people of this city, and so to remain pure from sin and wrongdoing, the rich and powerful hire Magi to call the sin from them, in the form of shadow beasts. Then sin-eaters, called aki, destroy the beasts, and swallow the sin, which appears in the form of a tattoo on their bodies. The aki are considered the lowest of the low, because their impurity is visible on their bodies, and so they are shunned and cheated and die early.

But, unfortunately, that’s as far as the book got. There isn’t much of a plot — first our main character, Taj, is in the slums, and then he’s in the palace, and then he’s sent to train new aki — and it never really seemed to go anywhere. There’s a rebellion and a resistance and who is really the “bad guy” (was it the head Magi? Or the royals?) and the princess Taj was kissing HAD to be at least old enough to be his mother, which just creeped me out.

So, while I adored the world that Onyebuchi created, the book just didn’t do it for me.